RICHARD TUTTLE

Born 1941 in Rahway, New Jersey, USA
Lives and works in New York, USA


Education

1963 Trinity College, Hartford, Connecticut, USA

Solo exhibitions (selected)

2019 Richard Tuttle. Basis, 70s Drawings, Pace Gallery, New York, USA
Days, Muses and Stars, Pace Gallery, New York, USA
Introduction to Practice (curated by Victor Wang), M Woods, Beijing, China
Double Corners and Colored Wood, Pace Gallery, Beijing, China
Kill Someone. Arbeiten auf Papier, Galerie Christian Lethert, Cologne, Germany
2018 Thoughts of Trees, Pace Gallery, Seoul, South Korea
It Seems Like It’s Going To Be, The Phillips Collection, Washington, USA
For Ourselves As Well As For Others, Pace Gallery, Geneva, Switzerland
8, or Hachi, Tomio Koyama Gallery, Tokyo, Japan
2017 The Critical Edge, Pace Gallery, London, UK
My Birthday Puzzle, Modern Art, London, UK
Light and Color, Kunstmuseum aan Zee, Oostend, Belgium
Richard Tuttle, De Hallen Haarlem, Haarlem, The Netherlands
al Cielo de Noche de Lima, Proyecto AMIL, Lima, Peru and Museu de Arte de Lima, Lima, Peru
2016 The Critical Edge, Met Metropolitan Museum of Art, New York, USA
26, Pace Gallery, New York, USA
The Inevitable Husband, Gemini, G.E.L., Los Angeles, USA
καλλíρροος kallirroos schön-fliessend, Kunstmuseum Winterthur, Winterthur, Switzerland
2015 Separation, Modern Art, London, UK
Both/ And Richard Tuttle Print and Cloth, Fabric Workshop & Museum, Philadelphia, USA
Prints, 8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo, Japan
Wire Pieces, Pulitzer Arts Foundation, St. Louis, USA
The Recent Drawing Groups, Annemarie Verna Galerie, Zurich, Switzerland
2014 I Don’t Know, or The Weave of Textile Language, Turbine Hall, Tate Modern, London, UK
Hauser & Wirth Somerset, Bruton, UK
The Weave of Textile Language, Whitechapel Gallery, London, UK
1,2,3, Galleri Nicolai Wallner, Copenhagen, Denmark
Kathleen, Dieu Donné, New York City, USA
Looking for the Map, The Pace Gallery – 32 East 57th Street, New York City, USA
A Print Retrospective, Bowdoin College Museum of Art, Brunswick, USA
2013 The Place in the Window, Tomio Koyama Gallery, Kyoto, Japan
Matter, Galerie Marian Goodman, Paris, France
Walking in Air: An Exhibition by Richard Tuttle, TAI Gallery, Santa Fe, USA
The Thrill of the Ideal: Richard Tuttle; The Reinhart Project, Pocket Utopia, New York, USA
2012 Slide, Bergen Kunsthall, Bergen, Norway
Werke aus Munchner Privatsammlungen, Pinakothek Munich, Germany
Systems, VIII to XII, Pace, 534 West 25th Street, New York, USA
Paper, Annemarie Verna Gallery, Zurich, Switzerland
Early Drawings and Sculpture, Anthony Meier Fine Arts, San Francisco, USA
2011 Light and Colour, Stuart Shave/Modern Art, London, UK
Whats the Wind, Pace Gallery, 510 West 25th Street, New York, USA
2010 Triumphs, Dublin City Gallery, The Hugh Lane, Ireland
A Drawing Retrospective, Annemarie Verna, Zurich, Switzerland
Source of Imagery, Galleri Nicolai Wallner, Copenhagen, Denmark
“Village V”, 2004, Sperone Westwater, New York, USA
Metal Shoes, Dunn and Brown Contemporary, Dallas, USA
Metal Shoes, Gemini G.E.L. at Joni Moisant Weyl, New York, USA
Seeing Intimacy: Richard Tuttle on Paper, Craig F. Starr Gallery, New York, USA
2009 Renaissance Unframed 1-26, Carolina Nitsch Project Room, New York, USA
L’nger than Life, Modern Art, London, UK
Walking on Air, PaceWildenstein, New York, USA
2008 The Use of Time, Kunsthaus Zug, Zug, Switzerland
Craft, Annemarie Verna Gallery, Zurich
2007 5 x 5 x 5, Galleri Nicolai Wallner, Copenhagen, Denmark
Tomio Koyama Gallery, Tokyo, Japan
Memory Comes From Dark Extension, Sperone Westwater, New York, USA
2006 FRAC, Auvergne, France
FRAC, Haute Normandie, Sotteville les Rouen, Franc
The Kreutzer Sonata: Historical Work by Richard Tuttle, Nyehaus and Zwirner & Wirth, New York, USA
Half-Light Alphabet, Galerie Ulrike Schmela, Düsseldorf, Germany
Half-Light Alphabet, Galerie Lena Bruning, Berlin, Germany
Jürgen Becker, Hamburg, Germany
Talks, Looks, Walks – Three Windows, Annemarie Verna Galerie, Zurich, Switzerland
Reflection: In the Pool, Sperone Westwater, New York, USA
2005 The art of Richard Tuttle, San Francisco Museum of Modern Art, San Francisco, USA
The art of Richard Tuttle, Whitney Museum of American Art, New York, USA
The art of Richard Tuttle, LA MOCA Museum of Contemporary Art, Los Angeles, USA
Constructed Relief Paintings, 1964–65, Peter Freeman, Inc., New York, USA
Prints 1973–2005, Brooke Alexander, New York, USA
Wire Pieces, CAPC Musée d’art contemporain, Bordeaux, France
Anthony Meier Fine Arts, San Francisco, USA
Lonesome Cowboy, Griffin Contemporary, Santa Monica, USA
2004 Dogs in a Hurry, De Kanselarij (organized by Foundation VHDG), Leewarden, the Netherlands
Neue Arbeiten, Galerie Schmela, Dusseldorf
It’s a Room for 3 People, Drawing Center, New York, USA
Type, Crown Point Press, San Francisco, USA
2003 Celebration, Annemarie Verna Galerie, Zurich, Switzerland
Costume, Crown Point Press, San Francisco, USA
Twenty Pearls, Sperone Westwater, New York, USA
2002 Dwight Hackett Projects, Santa Fe, New Mexico, USA
Memento, Museu Serralves de Arte Contemporánea, Porto, Portugal
cENTER¸ Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain
When We Were at Home, Galerie Schmela, Düsseldorf, Germany
Tomio Koyama Gallery, Tokyo, Japan
2001 Richard Tuttle: In Parts, 1998-2001, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA
Werken op Papier uit de Verzameling van Museum Overholland / Works from the Museum Overholland Collection, Kabinet Overholland, Stedelijk Museum, Amsterdam, Netherlands
New Books and Portfolios, Annemarie Verna Galerie, Zurich, Switzerland
Galerie Yvon Lambert, Paris, France
Anthony Meier Fine Arts, San Francisco, USA
2000 Richard Tuttle: Reservations, BAWAG Foundation, Vienna, Austria
Perceived Obstacles, Stiftung Schleswig-Holsteinische Landesmuseum, Schloss Gottorf, Schleswig, Germany
1981–1999, Galerie Meert Rihoux, Brussels
White Sails, Annemarie Verna Galerie, Zurich, Switzerland
A/D, New York, USA
Two with Any To, Sperone Westwater, New York, USA
1999 Once Voice in Four Parts, Cencebaugh Contemporary, New York, USA
Projekt Sammlung: Richard Tuttle: Replace the Abstract Picture Plane (1996–1999), Kunsthaus Zug, Switzerland
Galleria Cardi, Milan, Italy
The Dust When You Come Over the Hill (Morocco), Rhona Hoffman Gallery, Chicago, USA
70s Drawings, Jürgen Becker, Hamburg, Germany
Community, Arts Club of Chicago, Illinois, USA
New Work, Galleria Marilena Bonomo, Bari, Italy
Mandevilla—Aquatints from Crown Point Press, Greg Kucera Gallery, Seattle, USA
1998 Die Konjunktion der Farbe, Ludwig Forum für Internationale Kunst, Aachen, Germany
Here and Now: Richard Tuttle, Church of Saint Paulinus, Brough Park, Catterick, UK (in collaboration with the Henry Moore Sculpture Trust)
Replace the Abstract Picture Plane, Books and New Works. The Kamm Collection of the Kunsthaus, A Selection by the Artist, Kunsthaus Zug, Switzerland
New Etchings, Crown Point Press, San Francisco, USA
Small Sculptures of the 70s, Annemarie Verna Galerie, Zurich, Switzerland
Chandeliers, A/D, New York, USA
The Thinking Cap, Fabric Workshop and Museum, Philadelphia, USA
New Mexico, New York, Sperone Westwater, New York, USA
1997 New and Early Work, Art Gallery of York University, North York, Ontario, USA
Symbol, Galerie Limmer, Cologne, Germany
Projekt Sammlung: Richard Tuttle, Replace the Abstract Picture Plane, Works 1964–1996, Kunsthaus Zug, Switzerland
Renaissance Unframed 1–26, University Art Museum, California State Long Beach Art Museum, USA
Brooke Alexander, New York, USA
1996 Mies van der Rohe Haus, Berlin, Germany
Grey Walls Work, Camden Arts Centre, London, UK
Galerie Volker Diehl, Berlin, Germany
Source of Imagery, Galleria Bonomo, Rome, Italy
Books and Prints, Widener Gallery, Trinity College, Hartford, Connecticut, USA
New and Early Work, Sperone Westwater, New York, USA
Gold and Silver on Easy Pieces, Galerie Yvon Lambert, Paris, France
Replace the Abstract Picture Plane, Kunsthaus Zug, Switzerland
Renaissance Unframed 1–26, Contemporary Art Museum, University of South Florida, Tampa, USA
A Chair, a Table, a Book: Richard Tuttle, Brian Kish Office for Architecture & Art, New York, USA
Galleria Eva Menzio, Turin, Italy
1995 Source of Imagery, Rhona Hoffman Gallery, Chicago, USA
Warm Brown, 1-67 and Mesa Pieces, Kunsthalle Ritter, Klangenfurt, Austria
Europe Wired, 1–10, 1994, and Mesa Pieces, 1995, Kohn Turner Gallery, Los Angeles, USA
Time/Line, Daniel Weinberg Gallery, San Francisco, USA
Selected Works, 1964–1994, Sezon Museum of Art, Tokyo, Japan
Neue Arbeiten, Galerie Fahnemann, Berlin, Germany
Anders Tornberg Gallery, Lund, Sweden
North/South Axis, Museum of Fine Arts, Santa Fe, New Mexico, USA
Verbal Windows, Galleria Marilena Bonomo, Bari, Italy
Mary Boone Gallery. New York, USA
Lampen, Sotel, Carin Delcourt van Krimpen, Amsterdam, Netherlands
1994 Texas Gallery, Houston, USA
Discontinuous Space, Burnett Miller Gallery, Santa Monica, California, USA
A Lamp, a Chair, a Chandelier: A Work in Process, A/D, New York, USA
Annemarie Verna Gallery, Zurich, Switzerland
Galerie Meert Rihoux, Brussels
Second Floor Exhibition Space, Reykjavik, Iceland
Galerie Jürgen Becker, Hamburg, Germany
Prints and Related Works, Brooke Alexander Editions, New York, USA
Le Temps Retrouvé, Galerie Yvon Lambert, Paris, France
1993 Mary Boone Gallery, New York, USA
Drawing Works, Jack Tilton Gallery, New York, USA
Matrix: Richard Tuttle, Space/Sculpture, University Art Museum, University of California, Berkeley, USA
Crown Point Press, San Francisco, USA
Galleria Marilena Bonomo, Bari, Italy
Chaos, the Form, Staatliche Kunsthalle Baden-Baden, Germany
Arbeiten auf Papier, Galerie Karsten Greve, Cologne, Germany
Small…edition!, Wassermann Galerie, Munich, Germany
1992 Oxyderood / Red Oxide, Museum Boymans-van Beuningen, Rotterdam, The Netherlands
New Work, Laura Carpenter Fine Arts, Santa Fe, New Mexico, USA
Early Drawings, Lawrence Markey Gallery, New York, USA
Mary Boone Gallery, New York, USA
Galerie Yvon Lambert, Paris, France
New Work, Annemarie Verna Gallery, Zurich, Switzerland
Studio la Cittá 2, Verona, Italy
1991 New Works, Victoria Miro Gallery, London, UK
Oboes and Clarinets, Feuerle, Cologne, Germany
Galerie Weber, Alexander, y Cobo, Madrid, Spain
Institute of Contemporary Art, Amsterdam, The Netherlands
Sculptures et aquarelles, Galerie Pierre Hubert, Geneva, Switzerland
Crickets, Sala d’exposiciones de la Fundació “La Caixa,” Carrer de Montcada, Barcelona, Spain
Rhona Hoffman Gallery, Chicago, USA
1990 Slats 1974, Lawrence Markey Gallery, New York, USA
Octavio for Annemarie, Annemarie Verna Galerie, Zurich, Switzerland
Inside the Still Pure Form, Blum Helman Gallery, New York, USA
The Nature of the Gun: Richard Tuttle, A/D, New York, USA
In Memory of Writing, Sprengel Museum Hannover, Germany
New Mexico Silver / Firenze Gold, Galleria Victoria Miro, Florence, Italy
Yvon Lambert, Paris, France
70s Drawings, Brooke Alexander, New York, USA
Einleitung, Galeria Schmela, Düsseldorf, Germany
1989 Lonesome Cowboy Styrofoam, Gallery Casa sin Nombre, Santa Fe, New Mexico, USA
The Point from the Corner of the Room, 1973–74, Galerie Hubert Winter, Vienna, Austria
Vienna Gotico, Galeria Alessandra Bonomo, Rome, Italy
1988 There’s No Reason a Good Man is Hard to Find, Blum Helman Warehouse, New York, USA
5 Pieces Richard Tuttle 1987, Annemarie Verna, Zurich, Switzerland
XX Blocks, Galleria Marilena Bonomo, Bari, Italy
Early Works, Blum Helman Gallery, New York, USA
Galerie Meert Rihoux, Brussels, Belgium
Portland Works, Galerie Karsten Greve, Cologne, Germany
Space in Finland, Galerie Schmela, Düsseldorf, Germany
1987 New Work, Blum Helman Gallery, Los Angeles, USA
Victoria Miro Gallery, London, UK
Early & Recent Works, Anders Tornberg Gallery, Lund, Sweden
Galerie Yvon Lambert, Paris, France
Nimes au printemps, Galerie des Arènes, Nîmes, France
The Baroque and Color / Das Barocke und die Farbe, Neue Galerie am Landesmuseum Joanneum, Graz, Austria
New Work, Annemarie Verna Galerie, Zurich, Switzerland
1986 Richard Tuttle: I See in France, ARC Musee dart moderne de la ville de Paris, Paris, France
Painted Sculpture, Blum Helman Gallery, New York, USA
Wire Pieces, CAPC Musée d’art contemporain, Bordeaux, France
Locus Solus IV: Richard Tuttle, Galerie Hubert Winter, Vienna, Austria
The Spirals, Galerie Onnasch, Berlin, Germany
New Work, Victoria Miro Gallery, London, UK
1985 Richard Tuttle: Works 1964-84, Institute of Contemporary Art, London, UK
Galerie Yvon Lambert, Paris, France
Städtisches Museum Abteiberg, Mönchengladbach, Germany
Neve / Snow, Galleria Marilena Bonomo, Bari, Italy
Galleria Toselli, Milan, Italy
Vienna Works, Indonesian Works, Monkey’s Recovery for a Darkened Room, Galerie Schmela, Düsseldorf, Germany
1984 New Sculpture, Blum Helman Gallery, New York, USA
Engineer, Portland Center for the Visual Arts, Oregon, USA
Annemarie Verna Galerie, Zurich, Switzerland
Recent Work, Daniel Weinberg Gallery, Los Angeles, USA
Galleria Ugo Ferranti, Rome, Italy
16 Works from India 1980, Galleriet, Lund, Sweden
Wandobjekte, Galerie Schmela, Düsseldorf, Germany
Galerie Yvon Lambert, Paris, France
Studio La Città, Verona, Italy
1983 Zeichnungen 1968–1974, Städtisches Museum Abteiberg, Mönchengladbach, Germany
Galerie Hubert Winter, Vienna, Austria
Recent Sculpture, Blum Helman, New York, USA
Galleria Ugo Ferranti, Rome, Italy
Taidemariliiton Galleria, Helsinki, Finland
1982 Pairs, Musée de Calais, France
New Work: Richard Tuttle, Betty Parsons Gallery, New York, USA
Gallerie Ugo Ferranti, Rome, Italy
Nigel Greenwood Gallery, London, UK
1981 Annemarie Verna Galerie, Zurich, Switzerland
Galerie Baronian-Lambert, Ghent, Belgium
Gallerie Ugo Ferranti, Rome, Italy
Galerie Yvon Lambert, Paris, France
1980 From 210 Collage-Drawings, Georgia State University Art Gallery, Atlanta, USA
12 Drahtoktogonale, 1971, und 25 Wasserfarbenblätter, 1980, Museum Haus Lange, Krefeld, Germany
Pairs 1973, Centre d’art contemporain, Geneva, Switzerland
1979 Title 1-6, Title I-IV, Title A-N, Title I1-I6, Titre 1-8, Titolo 1-8, Stedelijk Museum, Amsterdam, The Netherlands
Dallas Exercises, Gallerie Ugo Ferranti, Rome, Italy
CAPC Centre d’Arts Plastiques Contemporaine, Bordeaux, France
Galleria Marilena Bonomo, Spoleto, Italy
An Exhibition of the Works of Richard Tuttle, College of Creative Studies, University of California, Santa Barbara, USA
Presentation of the Book: List of Drawing Material of Richard Tuttle and Appendices, G. & A. Verna, R. Krauhammer, A. Gutzwiller, Zurich, Switzerland
48 ½” Center-Point Works, Brooke Alexander, New York, USA
Yale Pieces, 6” x 4” Notebook, Truman Gallery, New York, USA
Annemarie Verna Galerie, Zurich, Switzerland
1978 Galleria Ugo Ferranti, Rome, Italy
Zeichnungen, Galerie Schmela, Düusseldorf, Germany
Drawings, Jean Marie Antone Gallery, Annapolis, Maryland, USA
Galerie Yvon Lambert, Paris, France
Daniel Weinberg Gallery, San Francisco, USA
Museum Van Hedendaagse Kunst, Ghent, Belgium
Sticks, Françoise Lambert, Milan, Italy
David Winton Bell Gallery, Brown University, Providence, USA
An Exhibition of the Work of Richard Tuttle, College of Creative Studies, University of California, Santa Barbara, USA
New Work, Young Hoffman Gallery, Chicago, USA
New Work at Betty Parsons Gallery, Betty Parsons Gallery, New York, USA
1977 Zwei mit Zwei / Two with Any Two, Kunstraum Munchen, Munich, Germany
New Work, Zeichnungen und Aquarelle, 1968-1976, Kunsthalle Basel, Basel, Switzerland
Gesamte Grafiken, Ilustrierte Bücher, Galerie Thomas Borgmann, Cologne, Germany
Maine Works, Two with Any Two, Nigel Greenwood Inc. Ltd., London, UK
Die Gesamte Druckgraphik und alle Bücher, Galerie Heiner Friedrich, Munich, Germany
Galleria Ugo Ferranti, Rome, Italy
Undici carte de Richard Tuttle, Galleria Marilena Bonomo, Bari, Italy
Hopkins Hall Gallery, Ohio State University, Columbus, USA
1976 Whitney Museum of American Art, New York, USA
Otis Art Institute Gallery of Los Angeles County, Los Angeles, USA
Grafiek—Typologische Symmetrieen. Richard Tuttle en Maria Van Elk, Galerie Swart, Amsterdam, Netherlands
McIntosh Gallery, University of Western Ontario,USA
Graeme Murray Gallery, Edinburgh, UK
The Cincinnati Pieces, Julian Pretto, New York, USA
Northwest Artists Workshop, Portland, Oregon, USA
2 Days, Galerie Yvon Lambert, Paris, France
Books and Prints, 1964–1976, Brooke Alexander, New York, USA
1975 Paper Strips, Barbara Cusack Gallery, Houston, USA
Whitney Museum of American Art, New York, USA
Matrix 10: Richard Tuttle, Wadsworth Atheneum, Hartford, Connecticut, USA
Thirteen Spiral Drawings by Richard Tuttle, Parsons-Truman Gallery, New York, USA
D’Alessandro-Ferranti, Rome, Italy
1974 Forty October Drawings + Interlude, Nigel Greenwood Inc. Ltd. London, UK
A Group of Very Small Colored Metal Plates Set at Various Distances from the Wall in the Different Rooms of the Gallery, Barbara Cusack Gallery, Houston, USA
Artpark, Lewiston State Park, Lewiston, New York, USA
Galerie Yvon Lambert, Paris, France
Annemarie Verna Galerie, Zurich, Switzerland
Galleria Marilena Bonomo, Bari, Italy
New Works: Richard Tuttle, Galleria Toselli, Milan, Italy
New Work: Richard Tuttle, Betty Parsons Gallery, New York, USA
1973 Das 11. Papierachteck und Wandmalereien / The 11th Paper Octogonal and Paintings for the Wall, Kunstraum Munchen, Munich, Germany
Clocktower Gallery, Institute for Art and Urban Resources, New York, USA
Drawings: Richard Tuttle, Galleria Françoise Lambert, Milan, Italy
Ten Kinds of Memory and Memory Itself, Daniel Weinberg Gallery, San Francisco, USA
Galerie Heiner Friedrich, Munich, Germany
1972 Projects: Richard Tuttle (with David Movros), The Museum of Modern Art, New York, USA
New Work by Richard Tuttle, Galerie Yvon Lambert, Paris, France
Drahtstucke 1971–1972, Galerie Rudolf Zwirner, Cologne, Germany
Richard Tuttle Will Show New Work, Betty Parsons Gallery, New York, USA
1971 Helman Gallery, St. Louis, Missouri, USA
Dallas Museum of Fine Arts, Dallas, USA
1970 Members Gallery, Albright-Knox Art Gallery, Buffalo, New York, USA
Neue Arbeiten von Richard Tuttle, Galerie Rudolf Zwirner, Cologne, Germany
New Work by Richard Tuttle, Betty Parsons Gallery, New York, USA
1969 Nicholas Wilder Gallery, New York, USA
1968 Galerie Schmela, Dusseldorf, Germany
Ten Works by Richard Tuttle, Betty Parsons Gallery, New York, USA
1967 Betty Parsons Gallery, New York, USA
1965 Constructed Paintings, Betty Parsons Gallery, New York, USA

Group exhibitions (selected)

2019 Untitled, Peter Freeman, Inc., New York, USA
Picasso-Gorky-Warhol, Kunsthaus Zürich, Zürich, Switzerland
La pintura. Un reto permanente, CaixaForum, Madrid, Spain
Messin Around, Gemini G.E.L., New York, USA
2018 Phantom LIM, Torrance Art Museum, Torrence, USA
In Tribute to Jack Tilton: A Selection from 35 Years, Tilton Gallery, New York, USA
The Myriad Forms of Visual Art, The National Museum of Art, Osaka, Japan
Summer Exhibition, Modern Art, London, UK
The Thick Lines Between Here and There, Owen James Gallery, New York, USA
40 = 40 = 1, Jahn und Jahn, Munich, Germany
Warp & Weft: A History of Fabric at Gemini G.E.L., Gemini G.E.L., New York, USA
Selected Works, Annemarie Verna Galerie, Zurich, Switzerland
Painting amongs other things…, Drill Hall Gallery, National University of Australia, Canberra, Australia
Wiggle, Greta Meert, Brussels, Belgium
Picasso – Gorky – Warhol. Sculptures and Works on Paper, Collection Hubert, Kunsthalle Krems, Krems an der Donau, Austria
2017 The Essence of Things, ArtCircle, London, UK
Multiple Impressions, Talley Dunn Gallery, Dallas, USA
Agnes Martin, Richard Tuttle: Crossing Lines, Pace Gallery, New York, USA
Multiple Impressions, Talley Dunn Gallery, Dallas, USA
Minimal Art from the Marzona Collection, Galerie Thaddaeus Ropac, London, UK
Why Draw? 500 Years of Drawings and Watercolours
Summer Days (and Summer Nights), Pace Gallery, New York, USA
2016 Sammeln ist wie Tagebuch fuhren Kleinskulpturen aus 50 Jahren, Galerie Rainer Wehr, Stuttgart, Germany
From Point To Line, Senior & Shopmaker Gallery, New York, USA
Shapeshifters, Luhring Augustine, New York, USA
Drawing Then: Innovation and Influence in American Drawings of the Sixties, Dominique Lévy, New York, USA
I still believe in miracles, Inverleith House, Edinburgh, Scotland, UK
2015 Conversation sur I’invisible, Galerie Martine Aboucaya, Paris, France
Can The Museum Be A Garden? – Works From The Collection Of The Serralves Museum Of Contemporary Art, Museu Serralves – Museu de Arte Contemporanea, Porto, Portugal
Contemporary Art, Museu Serralves – Museu de Arte Contemporânea, Porto, Portugal
Private View, Städtische Galerie Villingen-Schwenningen, Villingen-Schwenningen, Germany
Affordable Bananas III, Galerie Sabine Knust, Munich, Germany
Use of Time, Kunsthaus Zug, Zug, Switzerland
America Is Hard to See, Whitney Museum of American Art, New York City, USA
The Dorothy and Herbert Vogel Collection: 50 Works for 50 States, Nora Eccles Harrison Museum of Art, East Logan, USA
playing by heart, Kolumba, Cologne, Germany
Berman, Tuttle, Vollmer, Jack Tilton Gallery, New York City, USA
Selections from The Kramarsky Collection, David Zwirner, New York City, USA
Separation, Stuart Shave / Modern Art, London, UK
Additive Logic, The Barbara Krakow Gallery, Boston, USA
Presque Rien, Galerie Marian Goodman, Paris, France
Que sais-je?, CAPC – Musée d’art contemporain, Bordeaux, France
Packing the bud/opposing the worm/adjusting the heat/ eluding the wind/escaping the bee, Casa Museo Ivan Bruschi, Arezzo, Italy
2014 Materials Gestures: Cut, Weave, Sew, Knot, Rhona Hoffman Gallery, Chicago, USA
The Sea – Salut D’honneur Jan Hoet, Mu.ZEE, Oostende, Belgium
Line: The Maker’s Mark, Museum of Fine Arts Houston, Houston, USA
Impulse, Reason, Sense, Conflict; Abstract Art from the Ella Fontanals-Cisneros Collection, Cisneros Fontanals Art Foundation, Miami, USA
Wizz Eyelashes, Magasin III, Stockholm, Sweden
Make it New: Abstract Painting from the National Gallery of Art, 1950 – 1975, The Clark Art Institute, Williamstown, Australia
In the Round, Pace Gallery, New York City, USA
The Annual 2014: Redefining Tradition, National Academy Museum, New York City, USA
Summer exhibition, Annemarie Verna Galerie, Zurich, Switzerland
From Picasso to Sol LeWitt: The Artist’s Book since 1950, Museum Meermanno, The Hague, The Netherlands
Carte Blanche, Pace at Chesa Busin, Zuoz, Switzerland
Dorothy and Herb Vogel: On Drawing, Fleming Museum of Art,The University of Vermont, Burlington, USA
Universal Limited Art Editions: Books, Hiram Butler Gallery, Houston, USA
playing by heart, Kolumba, Cologne, Germany
Spaced Out: Migration To The Interior, Red Bull Studios, New York City, USA
Drawn, Galerie Nordenhake – Berlin, Berlin, Germany
Purple States, Andrew Edlin Gallery, New York City, USA
Great Prints, Reynolds Gallery, Richmond, USA
The Shaped Canvas, Revisited, Luxembourg & Dayan, New York City, USA
Zu Gast (4) Conceptual Space – Arbeiten aus der Sammlung Markus Michalke, Kunstsaele, Berlin, Germany
Implicit Horizon, Mixed Greens, New York City, USA
Re-View: Onnasch Collection, Hauser & Wirth New York, 18th Street, New York City, USA
Bibliologie, FRAC – Haute-Normandie, Sotteville-les-Rouen, France
The Age Of Small Things, DODGE gallery, New York City, USA
2013 C. Thomas Wright: Patron and Collector, The McNay, San Antonio, Texas, USA
The Dorothy and Herbert Vogel Collection: Fifty WOrks for Fifty States, Memphis Brooks Museum Of Art, Memphis, Tennessee, USA
Exhibition of Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, USA
2012 Richard Tuttle & Mei-mei Berssenbrugge: Hello, The Roses, Kunstverein Munich, Germany
Summer Group Show 2012, The Pace Gallery, 32 East 57th Street, New York, USA
Lines of Thought, Parasol Unit, London, UK
2011 Beijing Voice: Leaving Realism Behind, The Pace Gallery, Beijing, China
The Language of Less (Then), Museum of Contemporary Art, Chicago,USA.
Picasso to Koons: Artist as Jeweler, Museum of Arts and Design, New York, USA
Night Scented Stock, Marianne Boesky Gallery, New York, USA
Fabric as Form, Tilton Gallery, New York, USA
Provisional Painting, Stuart Shave/Modern Art, London, UK
Unpainted Paintings, Luxembourg & Dayan, New York, USA
Paper A to Z, Sue Scott Gallery, New York, USA
Contemporary Collecting: The Neisser Family Collection, Art Institute of Chicago, Chicago USA
Drawn / Taped / Burned: Abstraction on Paper, The Katonah Museum of Art, Katonah, New York, USA
Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, USA
2010 On-Line: Drawing through the Twentieth Century, Museum of Modern Art, New York, USA
Thrice Upon A Time, Magasin 3, Stockholm Konsthall, Sweden
Contemporary Collecting: Selections from the Donna and Howard Stone Collection, Art Institute of Chicago, Chicago, USA
Fifty Works for Fifty States: The Dorothy and Herbert Vogel Collection, Albright-Knox Art Gallery, Buffalo, New York, USA
2009 Target Practice: Painting Under Attack 1949 to 78, Seattle Art Museum, Washington, USA
Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York, USA
The Third Mind: American Artists Contemplate Asia, 1860 to 1989, The Solomon R. Guggenheim Museum, New York, USA
Sans-Titre #1: Peintures des annees 1970-1980, aeuvres de la Collection Lambert, Collection Lambert, Avignon, France
2008 15 Year Anniversary Exhibition, Galleri Nicolai Wallner, Copenhagen, Denmark
Action/Abstraction: Pollock, De Kooning, and American Art, 1940 to 1976, The Jewish Museum, New York, USA
Sparks! The William T. Kemper Collection Initiative, Nelson-Atkins Museum of Art, Kansas City, Missouri, USA
Collecting Collections: Highlights of the Permanent Collection, Museum of Contemporary Art, Los Angeles, USA
Selections from the Collection of Helga and Walther Lauffs, David Zwirner, New York, USA
Selections from the Collection of Helga and Walther Lauffs Hauser & Wirth, Zurich, Switzerland
Styrofoam, The Museum of Art, Rhode Island School of Design, Providence, Rhode Island, USA
Collecting Collections: Highlights of the Permanent Collection, LA MOCA Museum of Contemporary Art, Los Angeles, USA
2007 Not For Sale, P.S. 1 Contemporary Art Center, Long Island City, New York, USA
All for Art! Great Private Collections Among Us, Musee des beaux-arts de Montreal, Canada
2006 Contemporary Masterworks: Saint Louis Collects, Contemporary Art Museum, St. Louis, Missouri, USA
Freeze! A Selection of Works from a New York Collection, Ronilant + Voena + Sperone, London, UK
High Times, Hard Times: New York Painting 1967-1975, organized by Independent Curators International, New York. Traveled to: Weatherspoon Art Museum, Greensboro, North Carolina, USA, Katzen Arts Center, American University, Washington, D.C., USA, National Academy Museum, New York, USA, Museo Tamayo Arte Contemporáneo, Mexico City, Mexico, Neue Galerie Graz, Austria, ZKM/Center for Art and Media Karlsruhe, Germany
2005 Drawings from the Modern: 1945-1975, The Museum of Modern Art, New York, USA
A Little Romance: Highlights from the Permanent Collection, Museum of Contemporary Art, North Miami, Florida, USA
2004 Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art, New York, Neue Nationalgalerie, Berlin, Germany
Design – Art: Functional Objects from Donald Judd to Rachel Whiteread, Cooper Hewitt National Design Museum, New York, USA
Artists’ Books: No Reading Required, Selections from the Walker Art Center Library Collection, Tribune Gallery, Minnesota Center for Book Arts, Minneapolis, USA
Transmit + Transform, Santa Fe Art Institute, New Mexico, USA
ULAE: The Print Show, Oklahoma City Museum of Art, Oklahoma, USA
2003 Thinking about Sculpture, The Rachofsky House, Dallas, USA
Primary Matters: The Minimalist Sensibility, 1959 to the Present, San Francisco Museum of Modern Art, San Francisco, USA
The Heroic Century: Masterpieces from The Museum of Modern Art – 200 Paintings and Sculptures, Museum of Fine Arts, Houston, USA
International Abstraction: Making Painting Real, Part II, Seattle Art Museum, Washington, USA
2002 netWork: Joseph Egan, James Bishop, Richard Tuttle, Jerry Zeniuk, Andreas Christen, Giulio Paolini, Sylvia Plimack Mangold, Glen Rubsamen, David Rabinowitch, Robert Mangold, Rita McBride, Sol LeWitt, Dan Flavin, Fred Sandback, Donald Judd, Annemarie Verna Galerie, Zurich, Switzerland
To Be Looked At: Painting and Sculpture from the Collection, The Museum of Modern Art, New York, USA
Drawings of Choice from a New York Collection, Krannert Art Museum, University of Illinois, Chicago, USA. Traveled to: Arkansas Art Center, Little Rock, USA, Georgia Museum of Art, Athens, USA, Cincinnati Museum of Art, Ohio, USA
2001 Extreme Connoisseurship, Sert Gallery, Carpenter Center for Visual Arts and Fogg Art Museum, Harvard University, Cambridge, Massachusetts, USA
A Century of Drawing: Works on Paper from Degas to LeWitt, National Gallery of Art, Washington, D.C., USA
The Onnasch Collection: Aspects of Contemporary Art, Museum d’Art Contemporani de Barcelona, Spain. Traveled to: Museu Serralves, Museu de Arte Contemporanea, Porto, Portugal
Tramas y Ensamblajas, Museo de Arte Contemporaneo de Oaxaca, Mexico
La Biennale di Venezia: Plateau of Humankind, Venice, Italy
Selections from the Permanent Collection, Museum of Contemporary Art, North Miami, USA
Art Express: Art minimal et conceptual americain, etat d’une collection, Cabinet des estampes au Musee d’art moderne et contemporain, Geneva, Switzerland
2000 Times are Changing, Auf dem Wege! Aus dem 20. Jahrhundert! Eine Auswahl von Werken Kunsthalle Bremen 1950-2000, Kunsthalle Bremen, Germany
In Depth: Recent Acquisitions in Prints, Whitney Museum of American Art, New York, USA
2000 Biennial Exhibition, Whitney Museum of American Art, New York, USA
Objective Color, Yale University Art Gallery, New Haven, Connecticut, USA
Food for the Mind: Die Sammlung Udo und Anette Brandhorst, Bayerische Staatsgemaldesammlungen / Staatsgalerie moderner Kunst Munchen, Munich, Germany
Soft White: Lighting Design by Artists, University Gallery, Fine Arts Center, University of Massachusetts, Amherst, USA
1999 The American Century: Art and Culture 1900 – 2000; Part II, 1950 – 2000, Whitney Museum of American Art, New York, USA
Circa 1968, Museu Serralves, Museu de Arte Contemporanea, Porto, Portugal
Size Immaterial, Department of Coins and Medals, British Museum, London, UK
That Certain Look: The Minimalist Tradition in New Mexico, University Art Museum, University of New Mexico, Albuquerque, USA
White Fire, Flying Man: Amerikanische Kunst 1959 – 1999 in Basel, Werke aus Offenliche Kunstsammlung Basel und der Emanuel Hoffman-Stiftung, Museum fur Gegenwartskunst, Basel, Switzerland
Afterimage: Drawing through Process, Museum of Contemporary Art, Los Angeles, USA. Traveled to: Contemporary Arts Museum, Houston, USA, Henry Art Gallery, Seattle, USA
ITINERE 2, Palazzo delle Papesse, Centro Arte Contemporanea, Siena, Italy
twistfoldlayerflake, Institute for Contemporary Arts, California College of Arts and Crafts, Oakland, USA
1998 Agnes Martin/Richard Tuttle, Modern Art Museum of Fort Worth, Texas, USA. Traveled to: SITE Santa Fe, New Mexico, USA
The Edward R. Broida Collection: A Selection of Works, Orlando Museum of Art, Florida, USA
1997 Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection, Arthur M. Sackler Museum, Harvard University, Cambridge, Massachusetts, USA. Traveled to: Kupferstichkabinett Academy of Fine Arts, Vienna, Austria Kunstmuseum Winterthur, Switzerland | Kunst-Museum Ahlen, Germany | Akademie der Künste, Berlin, Germany | Fonds regional d’art contemporain de Picardie and Musée de Picardie, Amiens, France | Parrish Art Museum, Southampton, New York, USA | Lyman Allyn Art Museum, New London, Connecticut, USA | Northwestern University, Evanston, Illinois, USA | Contemporary Museum, Honolulu, USA
At the Threshold of the Visible: Minuscule and Small-Scale Art, 1964–1996, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, USA. Traveled to: Meyerhoff Galleries, Maryland Institute of Art, Baltimore, USA | Art Gallery of Ontario, Toronto, Canada | Art Gallery of Windsor, Ontario, Canada | Virginia Beach Center for the Arts, Virginia, USA | Santa Monica Museum of Art, California, USA | Edmonton Art Gallery, Alberta, Canada | Center on Contemporary Art, Seattle, USA
Papierskulptur, Oberosterreichisches Landsmuseum, Landsgalerie Linz, Austria
La Biennale di Venezia, 47th Esposizione Internazionale d’Arte, Venice, Italy
Die Sammlung Anne-Marie und Ernst Vischer-Walder: Ein Vermachtnis, Offentliche Kunstsammlung Basel, Switzerland
1996 Schwere-los Skulpturen, Oberosterreichisches Landesmuseum, Landesgalerie Linz, Austria
Retrospektiv II: Sol LeWitt und Richard Tuttle, Annemarie Verna Galerie, Zurich, Switzerland
1995 52nd Carnegie International, Carnegie Museum of Art, Pittsburgh, USA
Contemporary Drawing: Exploring the Territory, Aspen Art Museum, Colorado, USA
1994 Amerikanische Zeichnungen und Graphik: Von Sol LeWitt bis Bruce Nauman, Kunsthaus Zurich, Switzerland
Zimmer in denen die Zeit nicht zählt: Die Sammlung Udo und Anette Brandhorst, Museum für Gegenwartskunst, Öffenliche Kunstsammlung, Basel, Switzerland
On a Clear Day, Staatliche Kunsthalle Baden-Baden, Germany
From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C, USA. Traveled to: Portland Museum of Art, Oregon, USA, Archer M. Huntington Art Gallery, University of Texas, Austin, USA, Wäinö Aaltonen Museum of Art, Turku, Finland, Tel Aviv Museum of Art, Israel
Western Artists/African Art, Museum for African Art, New York, USA
1993 Das Einfache ist das Schwierge, Kunsthaus Zug, Switzerland
The Contemporary Artist’s Book: The Book as Art, 871 Fine Arts, San Francisco, USA
1992 Gifts and Acquisitions in Context, Whitney Museum of American Art, New York, USA
New Directions in Multiples, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, USA. Traveled to: Museum of Contemporary, Wright State University, Dayton, Ohio, USA
1991 Den Gedanken auf der Spur blieben, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany
Karl August Burckhardt-Koechlin-Fonds: Zeichnungen des 20. Jahrhunderts, Kunstmuseum Basel, Switzerland
Discarded, Emerson Gallery, Rockland Center for the Arts, West Nyack, New York, USA
1990 Quotations, Part III, Annemarie Verna Galerie, Zurich, Austria
The New Sculpture 1965–75: Between Geometry and Gesture, Whitney Museum of American Art, New York, USA. Traveled to: Museum of Contemporary Art, Los Angeles, USA
Concept Art, Minimal Art, Arte Povera, Land Art: Sammlung Marzona, Kunsthalle Bielefeld, Germany
Contemporary Illustrated Books: Word and Image, 1967–1988, Franklin Furnace Archive, New York, USA. Traveled to: Nelson-Atkins Museum of Art, Kansas City, Missouri, USA, University of Iowa Museum of Art, Iowa City, USA
1989 The Eighties in Review: Selections from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, Fairfield County, Stamford, Connecticut, USA
Immaterial Objects: Works from the Permanent Collection of the Whitney Museum of American Art, New York. North Carolina Museum of Art, Raleigh,USA. Traveled to: Albany Museum of Art, Georgia, USA, San Jose Museum of Art, California, USA
Rain of Talent: Umbrella Art, Fabric Workshop and Museum, Philadelphia, USA
1988 Three Decades: The Oliver-Hoffmann Collection, Museum of Contemporary Art, Chicago, USA
From the Collection of Dorothy and Herbert Vogel, Arnot Art Museum, Elmira, New York, USA. Traveled to: Grand Rapids Art Museum, Michigan, UsA, Terra Museum of American Art, Chicago, USA, Laumeier Sculpture Park, St. Louis, Missouri, USA, Art Museum at Florida International University, Miami, USA
Amerikkalaista nykytaidetta, Sara Hildén Art Museum, Tampere, Finland, Traveled to: Kunstnernes Hus, Oslo, Norway
1987 Sculptors on Paper: New Work, Madison Art Center, Wisconsin, USA. Traveled to: Pittsburgh Center for the Arts, Pennsylvania, USA, Kalamazoo Institute of Arts, Michigan, USA, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, USA
Skulptur Projekte in Münster 1987, Westfälische Landesmuseum, Münster, Germany
1987 Biennial Exhibition, Whitney Museum of American Art, New York, USA
Die Gleichzeitigkeit des Andern: Materialien zu einer Austellung, Kunstmuseum Bern, Switzerland
1967: At the Crossroads, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA
1986 Drawings from the Collection of Dorothy and Herbert Vogel, Department of Art Galleries, University of Arkansas, Little Rock, USA. Traveled to: Moody Gallery of Art, University of Alabama, Tuscaloosa; Museum of Art, Pennsylvania State University, State College, USA
1985 Spuren, Skulpturen und Monumente ihrer präzisen Reise, Kunsthaus Zurich, Switzerland
Three Sculptors: John Duff, Joel Shapiro, Richard Tuttle, Krannert Art Museum, University of Illinois, Chicago, USA
Affiliations: Recent Sculpture and Its Antecedents, Whitney Museum of American Art, Fairfield County, Stamford, Connecticut, USA
Drawings Acquisitions: 1981–1985, Whitney Museum of American Art, New York, USA
In offener Form, Museum Haus Esters, Krefeld, Germany
Fortissimo: Thirty Years from the Richard Brown Baker Collection of Contemporary Art, Museum of Art, Rhode Island School of Design, Providence, USA. Traveled to: San Diego Museum of Art, California, USA, Portland Museum of Art, Oregon, USA
1984 Sculptors’ Drawings 1910–1980: Selections from the Permanent Collection, Whitney Museum of American Art¸New York, USA, Visual Arts Gallery, Florida International University, USA. Traveled to: Aspen Art Museum, Colorado, USA, Art Museum of South Texas, Corpus Christi, USA, Philbrook Arts Center, Tulsa, USA
Zeichnungen für die dritte Dimension (eigene Bestände), Basel Museum für Gegenwartskunst, Switzerland
Drawing by Sculptors: Two Decades of Non-Objective Art in the Seagram Collection, Montreal Museum of Fine Arts, Canada. Traveled to: Vancouver Art Gallery, British Columbia, Canada, Nickle Arts Museum, Calgary, Alberta, Canada, Seagram Building, New York, USA, London Regional Art Gallery, Ontario, Canada
Painting and Sculpture Today, 1984, Indianapolis Museum of Art, Indiana, USA
1983 The First Show: Painting and Sculpture from Eight Collections 1940–1980, Museum of Contemporary Art, Los Angeles, USA
15 Jahre Sammlung Helga und Walther Lauffs im Kaiser Wilhelm Museum Krefeld, Kaiser Wilhelm Museum, Krefeld, Germany
Werke auf Papier / Works on Paper: James Bishop, Sol LeWitt, Robert Mangold, Richard Tuttle, Annemarie Verna Galerie, Zurich, Switzerland
Minimalism to Expressionism: Paintings and Sculpture Since 1965 from the Permanent Collection, Whitney Museum of American Art, New York, USA
1982 20th Anniversary Exhibition of the Vogel Collection, Brainerd Art Gallery, State University College of Arts and Science, Potsdam, New York, USA. Traveled to: Gallery of Art, University of Northern Iowa, Cedar Rapids, USA
Documenta 7, Museum Fridericianum, Kassel, Germany
Prints by Contemporary Sculptors, Yale University Art Gallery, New Haven, Connecticut, USA
‘60–’80: Attitudes/Concepts/Images, Stedelijk Museum, Amsterdam, The Netherlands
1981 Murs, Centre National d’art et de culture Georges Pompidou, Musée national d’art moderne, Paris
Art Materialized: Selections from the Fabric Workshop, organized by Independent Curators Incorporated, New York, USA. Traveled to: New Gallery for Contemporary Art, Cleveland, USA, Gibbes Art Gallery, Charleston, South Carolina, USA, Hudson River Museum, Yonkers, New York, USA, University of South Florida Art Galleries, Tampa, USA, Art Museum and Galleries, California State University, Long Beach, USA, Alberta College of Art Gallery, Calgary, USA, Pensacola Museum of Art, Florida, USA
No Title: The Collection of Sol LeWitt, Wesleyan University Art Gallery and Davidson Art Center, Middleton, Connecticut, USA
Drawing Acquisitions, 1978–1981, Whitney Museum of American Art, New York, USA
Drawing Distinction: American Drawings of the Seventies, Louisiana Museum of Modern Art, Humlebæk, Denmark, Traveled to: Kunsthalle Basel, Switzerland, as Amerikanische Zeichnungen der Siebziger Jahre, Städtische Galerie im Lenbachhaus, Munich, Germany, Wihelm-Hack-Museum, Ludwigshafen, Germany
Il limite svelato: Artista, cornice, pubblico, Museo Civico di Torino, Mole Antonelliana, Turin, Italy
1980 Drawn in Space, Washington Project for the Arts, Washington, D.C., USA
Maximum Coverage: Wearables by Contemporary American Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin, USA. Traveled to: University of North Dakota, Grand Forks, USA
Pier + Ocean: Construction in the Art of the Seventies, Hayward Gallery, London, UK. Traveled to: Rijkmuseum Kröller-Müller, Otterlo, The Netherlands
Printed Art: A View of Two Decades, The Museum of Modern Art, New York, USA
Die Sammlung der Emanuel Hoffman-Stiftung, Museum für Gegenwartskunst, Öffentliche Kunstsammlung, Basel, Switzerland
Art/Book/Art, organized by Detroit Institute of Arts, Michigan. Traveled to: Slusser Gallery, University of Michigan, Ann Arbor, USA. Traveled to: Mid-Michigan Community College, Harrison; Urban Institute for Contemporary Art, Grand Rapids, Michigan, USA, Willard Library, Battle Creek, Michigan, USA, Ella Sharp Museum, Jackson, Michigan, USA
1979 Material Pleasures: The Fabric Workshop at ICA, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA
1979 Biennial Exhibition, Whitney Museum of American Art, New York, USA
Drawings About Drawings Today, The Ackland Art Museum, University of North Carolina, Chapel Hill, North Carolina, USA
1978 Door beeldhouwer gemaakt, Stedelijk Museum, Amsterdam, The Netherlands
20th Century American Drawings: Five Years of Acquisitions¸ Whitney Museum of American Art, New York, USA
1977 Small Objects, Whitney Museum of American Art, Downtown Branch, New York, USA
A View of a Decade, Museum of Contemporary Art, Chicago, USA
American Drawing, 1927–1977, Minnesota Museum of Art, St. Paul, USA
20th-Century American Art from Friends’ Collection, Whitney Museum of American Art, New York, USA
Documenta 6, Orangerie, Kassel, Germany
1977 Biennial Exhibition, Whitney Museum of American Art, New York, USA
1976 New York in Europa, Nationalgalerie Berlin, Germany
Two Hundred Years of American Sculpture, Whitney Museum of American Art, New York, USA
Bis Heute: Zeichnungen für das Kunstmuseum Basel aus dem Karl A. Burckhardt-Kpechlin-Fonds, Kunsthalle Basel, Switzerland
Line, Visual Arts Museum, New York, USA. Traveled to: Philadelphia College of Art, Pennsylvania, USA
Drawing Now, The Museum of Modern Art, New York, USA. Traveled to: Kunsthalle Basel, Switzerland, Kunsthaus Zurich, Switzerland, Staatliche Kunsthalle Baden-Baden, Germany, Graphische Sammlung Albertina, Vienna, Austria, Sonja Henie-Niels Onstad Museum, Oslo, Tel Aviv Museum, Israel
1975 Painting, Drawing, and Sculpture of the ‘60s and ‘70s from the Dorothy and Herbert Vogel Collection, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA. Traveled to: Contemporary Arts Center, Cincinnati, USA
Tendances actuelles de la nouvelle peinture americaine, ARC 2, Musée d’art moderne de la ville de Paris, France
Color. Organized by the International Council of The Museum of Modern Art, New York, USA Traveled to: Museo de Arte Moderno, Bogotá, Colombia, Museo de Arte de São Paulo, Brazil, Museu de Arte Moderna, Rio de Janeiro, Brazil, Museo de Bellas Artes, Caracas, Venezuela, Museo de Arte Moderno, Mexico City, Mexico
1974 Printed, Cut, Folded, Pasted and Torn, The Museum of Modern Art, New York, USA
Works on Paper, Art Lending Service Exhibition, Penthouse Gallery, The Museum of Modern Art, New York, USA
Line as Language: Six Artists Draw, Art Museum, Princeton University, New Jersey, USA
1973 Works on Paper, Art Lending Service Exhibition, Penthouse Gallery, The Museum of Modern Art, New York, USA
A Selection of American and European Paintings from the Richard Brown Baker Collection, San Francisco Museum of Art, California, USA. Traveled to: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA
American Drawings 1963–1973, Whitney Museum of American Art, New York, USA
1972 [Drawing], The Museum of Modern Art, Oxford, UK
1971 Die Hanspeter Schulthess-Oeri-Siftung, 1961–1971, Kunstmuseum Basel, Switzerland
1970 Die Sammlung der Emanuel Hoffman-Stiftung, Kunstmuseum Basel, Switzerland
Paperworks, Art Lending Services, Penthouse Gallery, The Museum of Modern Art, New York, USA Using Walls (Indoors), Jewish Museum, New York, USA
1969 Young Artists from the Collection of Charles Cowles, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, USA
Anti-Illusion: Procedures/Materials, Whitney Museum of American Art, New York, USA
1968 Betty Parsons’ Private Collection, Finch College Museum of Art, New York, USA. Traveled to: Cranbrook Academy of Art, Bloomfield, Michigan, USA, Brooks Memorial Art Gallery, Memphis, USA
1966 Selections from the Art Lending Service, Penthouse Gallery, The Museum of Modern Art, New York, USA
1965 A New York Collector Selects, Mrs. B. Tremaine, San Francisco Museum of Art, California
The Seventh Selection of the Society for the Encouragement of Contemporary Art: A New York Collector Selects, San Francisco Museum of Art, California, USA
Drawings from the Collection of Betty Parsons, Virginia Museum of Fine Arts, Richmond, USA

Publications

2015 Making Silver, Bergen Kunsthall, Bergen, Norway
The Art of American Still Life: Audubon to Warhol (exhibition catalogue), Mitchell, Mark D., Philadelphia: Philadelphia Museum of Art, 2015: 61, illustrated.
Calder Lightness, Richard Tuttle Wire Pieces, Fred Sandback 64 Three-part Pieces (exhibition catalogue). Text by Cole Swensen. Saint Louis: Pulitzer Arts Foundation, 2015.
Whitney Museum of American Art: Handbook of the Collection. Text by Adam D. Weinberg, ed. by Dana Miller, New York: Whitney Museum of American Art, 2015: 386, illustrated.
Hello, The Roses (exhibition catalogue). Texts by Richard Tuttle, Steven Holl and Barbara Rose. Rhinebeck, New York: ‘T’ Space, 2015.
Drawing Redefined: Roni Horn / Esther Kläs / Joëlle Tuerlinckx / Richard Tuttle / Jorinde Voight (exhibition catalogue). Edited by Jennifer R. Gross. Lincoln, Massachusetts: deCordova Sculpture Park and Museum, 2015: 52–65, illustrated.
2014 Annual 2014: Redefining Tradition (exhibition catalogue). New York: National Academy Museum, 2014: 131, illustrated.
Eva Rothschild (exhibition catalogue). Dublin and London: Dublin City Gallery The Hugh Lane; Ridinghouse, 2014: 70, illustrated.
Make it New: Abstract Painting from the National Gallery of Art, 1950–1975 (exhibition catalogue). Williamstown: The Clark Art Institute, 2014: 124–5, illustrated.
Re-View: Onnasch Collection (exhibition catalogue). London: Snoeck; Hauser & Wirth, 2014: 216–221, illustrated.
I Don’t Know, Or The Weave of Textile Language (exhibition catalogue). Texts by Richard Tuttle, Iwona Blazwick, Magnus Af Petersens, Chris Dercon and Achim Borchardt-Hume. London: Tate Publishing; Whitechapel Gallery, 2014.
Looking for the Map (exhibition catalogue). New York: Pace Gallery, 2014.
Prints (exhibition catalogue). Texts by Christine von Rotenhan, Susan Tallman, Armin Kunz et al. Zurich: JRP Ringier, 2014.
Slide (exhibition catalogue). Norway: Bergen Kunsthall, 2012.
The Shaped Canvas, Revisited (exhibition catalogue). New York: Luxembourg & Dayan, 2014.
Contemporary Drawing: From the 1960s to Now, Katharine Stout, London: Tate Publishing, 2014: 125, illustrated.
2013 Richard Tuttle: Use of Time, Kunsthaus Zug, Hatje Cantz Verlag, Zug, Switzerland
The Contemporary Art Masters. Bijutsu Shuppan-Sha, Japan
Parkes, Brian and Elliat Rich. Wood: Art Design Architecture (exhibition catalogue). JamFactory and Botanic Gardens of Adelaide, Adelaide, Australia
The Thrill of the Ideal–Richard Tuttle: The Reinhart Project (exhibition catalogue). New York: C.G. Boerner & Pocket Utopia, New York, USA
2012 Decade: Contemporary Collecting 2002 – 2012 (exhibition catalogue). Texts by David Pagel and Heather Pesanti. The Buffalo Fine Arts Academy, Buffalo, New York, USA
Extreme Abstraction: Revisited. Buffalo, New York: The Buffalo Fine Arts Academy, USA
Handmade Holiday Cards from 20th-Century Artists. Smithsonian Books, Washington, D.C., USA
2011 Get There First, Decide Promptly: The Richard Brown Baker Collection of Postwar Art. Yale University Art Gallery, New Haven, Connecticut, USA

Public collections

Albright – Knox Art Gallery, Buffalo, New York City, USA
Art Institute of Chicago, Chicago, USA
Baltimore Museum of Art, Baltimore, USA
Birmingham Museum of Art, Birmingham, USA
Blanton Museum of Art, Austin, USA
Bowdoin College Museum of Art, Brunswick, USA
Brooklyn Museum, New York City, USA
Carnegie Museum of Art, Pittsburgh, USA
Centre Pompidou, Musee national d’art moderne, Paris, France
Columbus Museum of Art, Columbus, USA
Contemporary Art Museum, Honolulu, USA
Des Moines Art Center, Des Moines, USA
Dublin City Gallery, Dublin, Ireland
Fogg Art Museum, Harvard University Art Museums, Cambridge, USA
Fondation Cartier pour l’art contemporain, Jouy-en-Josas, France
Galleria Nazionale d’Arte Moderna e Contemporanea, Rome, Italy
High Museum, Atlanta, USA
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, USA
Indianapolis Museum of Fine Art, Indianapolis, USA
The Israel Museum, Jerusalem, Israel
Institut Valencia d’Art Modern, Valencia, Spain
Kaiser Wilhelm Museum, Krefeld, Germany
Kunsthaus Zug, Zug, Switzerland
Kunstmuseum Winterthur, Switzerland
Louisiana Museum of Modern Art, Humlebaek, Denmark
Ludwig Museum, Cologne, Germany
Metropolitan Museum of Art, New York City, USA
Mies Van der Rohe Museum, Berlin, Germany
Moderna Museet, Stockholm, Sweden
Modern Art Museum of Fort Worth, Fort Worth, USA
Musee Cantonal des Beaux – Arts de Lausanne, Switzerland
Musee nationale d’art moderne, Paris, France
Museum Brandhorst, Munich, Germany
Museum of Art, Rhode Island School of Design, Providence, USA
Museum of Contemporary Art, Chicago, USA
Museum of Contemporary Art, Los Angeles, USA
Museum of Fine Arts, Boston, USA
Museum of Fine Arts, Santa Fe, USA
The Museum of Modern Art, New York City, USA
Museum of Kolumba, Cologne, Germany
National Gallery of Art, Washington, USA
National Gallery of Canada, Ottawa, Canada
New York Public Library, New York City, USA
Norton Museum of Art, West Palm Beach, USA
San Francisco Museum of Modern Art, San Francisco, USA
Seattle Art Museum, Seattle, USA
Sprengel Museum Hannover, Hannover, Germany
Staatliche Kunstammlungen, Kassel, Germany
Stadtisches Museum Abteiberg, Monchengladbach, Germany
Stedelijk Museum, Amsterdam, The Netherlands
Tate Modern, London, UK
Victoria and Albert Museum, London, UK
Wadworth Atheneum, Hartford, Connecticut, USA
Walker Art Center, Minneapolis, USA
Whitney Museum of American Art, New York City, USA
Yale University Art Gallery, New Haven, USA