RICHARD TUTTLE
Born 1941 in Rahway, New Jersey, USA
Lives and works in New York, USA
Education
| 1963 | Trinity College, Hartford, Connecticut, USA |
Solo exhibitions (selected)
| 2023 | My Best, Galerie Lelong & Co., Paris, France Richard Tuttle, Pace Gallery, New York, USA Calder/Tuttle: Tentative, David Kordansky Gallery, Los Angeles, USA |
| 2022 | Particles, Pace Gallery, New York, USA Richard Tuttle: What is The Object? Curated by Richard Tuttle, Bard Graduate Center Gallery, NYC, USA |
| 2021 | Nine Stepping Stones, David Kordansky Gallery, Los Angeles, USA |
| 2020 | TheStars, Modern Art, London, England Stories, I-XX, Galeria Greta Meert, Brussels, Belgium Is This an Idea for a Sculpture, Annemarie Verna Galerie, Zurich, Switzerland Richard Tuttle. Basis, 70s Drawings, Pace Gallery, New York, USA |
| 2019 | Days, Muses and Stars, Pace Gallery, New York, USA Introduction to Practice (curated by Victor Wang), M Woods, Beijing, China Double Corners and Colored Wood, Pace Gallery, Beijing, China Kill Someone. Arbeiten auf Papier, Galerie Christian Lethert, Cologne, Germany |
| 2018 | Thoughts of Trees, Pace Gallery, Seoul, South Korea It Seems Like It’s Going To Be, The Phillips Collection, Washington, USA For Ourselves As Well As For Others, Pace Gallery, Geneva, Switzerland 8, or Hachi, Tomio Koyama Gallery, Tokyo, Japan |
| 2017 | Richard Tuttle, De Hallen Haarlem, Haarlem, The Netherlands al Cielo de Noche de Lima, Proyecto AMIL, Lima, Peru and Museu de Arte de Lima, Lima, Peru My Birthday Puzzle, Modern Art, London, UK Light and Color, Kunstmuseum aan Zee, Oostend, Belgium The Critical Edge, Pace Gallery, London, UK |
| 2016 | καλλíρροος kallirroos schön-fliessend, Kunstmuseum Winterthur, Winterthur, Switzerland 26, Pace Gallery, New York, USA The Inevitable Husband, Gemini, G.E.L., Los Angeles, USA The Critical Edge, Met Metropolitan Museum of Art, New York, USA |
| 2015 | Separation, Modern Art, London, UK |
| Both/ And Richard Tuttle Print and Cloth, Fabric Workshop & Museum, Philadelphia, USA | |
| Prints, 8/ ART GALLERY/ Tomio Koyama Gallery, Tokyo, Japan | |
| Wire Pieces, Pulitzer Arts Foundation, St. Louis, USA | |
| The Recent Drawing Groups, Annemarie Verna Galerie, Zurich, Switzerland | |
| 2014 | I Don’t Know, or The Weave of Textile Language, Turbine Hall, Tate Modern, London, UK |
| Hauser & Wirth Somerset, Bruton, UK | |
| The Weave of Textile Language, Whitechapel Gallery, London, UK | |
| 1,2,3, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| Kathleen, Dieu Donné, New York City, USA | |
| Looking for the Map, The Pace Gallery – 32 East 57th Street, New York City, USA | |
| A Print Retrospective, Bowdoin College Museum of Art, Brunswick, USA | |
| 2013 | The Place in the Window, Tomio Koyama Gallery, Kyoto, Japan |
| Matter, Galerie Marian Goodman, Paris, France | |
| Walking in Air: An Exhibition by Richard Tuttle, TAI Gallery, Santa Fe, USA | |
| The Thrill of the Ideal: Richard Tuttle; The Reinhart Project, Pocket Utopia, New York, USA | |
| 2012 | Slide, Bergen Kunsthall, Bergen, Norway |
| Werke aus Munchner Privatsammlungen, Pinakothek Munich, Germany | |
| Systems, VIII to XII, Pace, 534 West 25th Street, New York, USA | |
| Paper, Annemarie Verna Gallery, Zurich, Switzerland | |
| Early Drawings and Sculpture, Anthony Meier Fine Arts, San Francisco, USA | |
| 2011 | Light and Colour, Stuart Shave/Modern Art, London, UK |
| Whats the Wind, Pace Gallery, 510 West 25th Street, New York, USA | |
| 2010 | Triumphs, Dublin City Gallery, The Hugh Lane, Ireland |
| A Drawing Retrospective, Annemarie Verna, Zurich, Switzerland | |
| Source of Imagery, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| “Village V”, 2004, Sperone Westwater, New York, USA | |
| Metal Shoes, Dunn and Brown Contemporary, Dallas, USA | |
| Metal Shoes, Gemini G.E.L. at Joni Moisant Weyl, New York, USA | |
| Seeing Intimacy: Richard Tuttle on Paper, Craig F. Starr Gallery, New York, USA | |
| 2009 | Renaissance Unframed 1-26, Carolina Nitsch Project Room, New York, USA |
| L’nger than Life, Modern Art, London, UK | |
| Walking on Air, PaceWildenstein, New York, USA | |
| 2008 | The Use of Time, Kunsthaus Zug, Zug, Switzerland |
| Craft, Annemarie Verna Gallery, Zurich | |
| 2007 | 5 x 5 x 5, Galleri Nicolai Wallner, Copenhagen, Denmark |
| Tomio Koyama Gallery, Tokyo, Japan | |
| Memory Comes From Dark Extension, Sperone Westwater, New York, USA | |
| 2006 | FRAC, Auvergne, France |
| FRAC, Haute Normandie, Sotteville les Rouen, Franc | |
| The Kreutzer Sonata: Historical Work by Richard Tuttle, Nyehaus and Zwirner & Wirth, New York, USA | |
| Half-Light Alphabet, Galerie Ulrike Schmela, Düsseldorf, Germany | |
| Half-Light Alphabet, Galerie Lena Bruning, Berlin, Germany | |
| Jürgen Becker, Hamburg, Germany | |
| Talks, Looks, Walks – Three Windows, Annemarie Verna Galerie, Zurich, Switzerland | |
| Reflection: In the Pool, Sperone Westwater, New York, USA | |
| 2005 | The art of Richard Tuttle, San Francisco Museum of Modern Art, San Francisco, USA |
| The art of Richard Tuttle, Whitney Museum of American Art, New York, USA | |
| The art of Richard Tuttle, LA MOCA Museum of Contemporary Art, Los Angeles, USA | |
| Constructed Relief Paintings, 1964–65, Peter Freeman, Inc., New York, USA | |
| Prints 1973–2005, Brooke Alexander, New York, USA | |
| Wire Pieces, CAPC Musée d’art contemporain, Bordeaux, France | |
| Anthony Meier Fine Arts, San Francisco, USA | |
| Lonesome Cowboy, Griffin Contemporary, Santa Monica, USA | |
| 2004 | Dogs in a Hurry, De Kanselarij (organized by Foundation VHDG), Leewarden, the Netherlands |
| Neue Arbeiten, Galerie Schmela, Dusseldorf | |
| It’s a Room for 3 People, Drawing Center, New York, USA | |
| Type, Crown Point Press, San Francisco, USA | |
| 2003 | Celebration, Annemarie Verna Galerie, Zurich, Switzerland |
| Costume, Crown Point Press, San Francisco, USA | |
| Twenty Pearls, Sperone Westwater, New York, USA | |
| 2002 | Dwight Hackett Projects, Santa Fe, New Mexico, USA |
| Memento, Museu Serralves de Arte Contemporánea, Porto, Portugal | |
| cENTER¸ Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain | |
| When We Were at Home, Galerie Schmela, Düsseldorf, Germany | |
| Tomio Koyama Gallery, Tokyo, Japan | |
| 2001 | Richard Tuttle: In Parts, 1998-2001, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA |
| Werken op Papier uit de Verzameling van Museum Overholland / Works from the Museum Overholland Collection, Kabinet Overholland, Stedelijk Museum, Amsterdam, Netherlands | |
| New Books and Portfolios, Annemarie Verna Galerie, Zurich, Switzerland | |
| Galerie Yvon Lambert, Paris, France | |
| Anthony Meier Fine Arts, San Francisco, USA | |
| 2000 | Richard Tuttle: Reservations, BAWAG Foundation, Vienna, Austria |
| Perceived Obstacles, Stiftung Schleswig-Holsteinische Landesmuseum, Schloss Gottorf, Schleswig, Germany | |
| 1981–1999, Galerie Meert Rihoux, Brussels | |
| White Sails, Annemarie Verna Galerie, Zurich, Switzerland | |
| A/D, New York, USA | |
| Two with Any To, Sperone Westwater, New York, USA | |
| 1999 | Once Voice in Four Parts, Cencebaugh Contemporary, New York, USA |
| Projekt Sammlung: Richard Tuttle: Replace the Abstract Picture Plane (1996–1999), Kunsthaus Zug, Switzerland | |
| Galleria Cardi, Milan, Italy | |
| The Dust When You Come Over the Hill (Morocco), Rhona Hoffman Gallery, Chicago, USA | |
| 70s Drawings, Jürgen Becker, Hamburg, Germany | |
| Community, Arts Club of Chicago, Illinois, USA | |
| New Work, Galleria Marilena Bonomo, Bari, Italy | |
| Mandevilla—Aquatints from Crown Point Press, Greg Kucera Gallery, Seattle, USA | |
| 1998 | Die Konjunktion der Farbe, Ludwig Forum für Internationale Kunst, Aachen, Germany |
| Here and Now: Richard Tuttle, Church of Saint Paulinus, Brough Park, Catterick, UK (in collaboration with the Henry Moore Sculpture Trust) | |
| Replace the Abstract Picture Plane, Books and New Works. The Kamm Collection of the Kunsthaus, A Selection by the Artist, Kunsthaus Zug, Switzerland | |
| New Etchings, Crown Point Press, San Francisco, USA | |
| Small Sculptures of the 70s, Annemarie Verna Galerie, Zurich, Switzerland | |
| Chandeliers, A/D, New York, USA | |
| The Thinking Cap, Fabric Workshop and Museum, Philadelphia, USA | |
| New Mexico, New York, Sperone Westwater, New York, USA | |
| 1997 | New and Early Work, Art Gallery of York University, North York, Ontario, USA |
| Symbol, Galerie Limmer, Cologne, Germany | |
| Projekt Sammlung: Richard Tuttle, Replace the Abstract Picture Plane, Works 1964–1996, Kunsthaus Zug, Switzerland | |
| Renaissance Unframed 1–26, University Art Museum, California State Long Beach Art Museum, USA | |
| Brooke Alexander, New York, USA | |
| 1996 | Mies van der Rohe Haus, Berlin, Germany |
| Grey Walls Work, Camden Arts Centre, London, UK | |
| Galerie Volker Diehl, Berlin, Germany | |
| Source of Imagery, Galleria Bonomo, Rome, Italy | |
| Books and Prints, Widener Gallery, Trinity College, Hartford, Connecticut, USA | |
| New and Early Work, Sperone Westwater, New York, USA | |
| Gold and Silver on Easy Pieces, Galerie Yvon Lambert, Paris, France | |
| Replace the Abstract Picture Plane, Kunsthaus Zug, Switzerland | |
| Renaissance Unframed 1–26, Contemporary Art Museum, University of South Florida, Tampa, USA | |
| A Chair, a Table, a Book: Richard Tuttle, Brian Kish Office for Architecture & Art, New York, USA | |
| Galleria Eva Menzio, Turin, Italy | |
| 1995 | Source of Imagery, Rhona Hoffman Gallery, Chicago, USA |
| Warm Brown, 1-67 and Mesa Pieces, Kunsthalle Ritter, Klangenfurt, Austria | |
| Europe Wired, 1–10, 1994, and Mesa Pieces, 1995, Kohn Turner Gallery, Los Angeles, USA | |
| Time/Line, Daniel Weinberg Gallery, San Francisco, USA | |
| Selected Works, 1964–1994, Sezon Museum of Art, Tokyo, Japan | |
| Neue Arbeiten, Galerie Fahnemann, Berlin, Germany | |
| Anders Tornberg Gallery, Lund, Sweden | |
| North/South Axis, Museum of Fine Arts, Santa Fe, New Mexico, USA | |
| Verbal Windows, Galleria Marilena Bonomo, Bari, Italy | |
| Mary Boone Gallery. New York, USA | |
| Lampen, Sotel, Carin Delcourt van Krimpen, Amsterdam, Netherlands | |
| 1994 | Texas Gallery, Houston, USA |
| Discontinuous Space, Burnett Miller Gallery, Santa Monica, California, USA | |
| A Lamp, a Chair, a Chandelier: A Work in Process, A/D, New York, USA | |
| Annemarie Verna Gallery, Zurich, Switzerland | |
| Galerie Meert Rihoux, Brussels | |
| Second Floor Exhibition Space, Reykjavik, Iceland | |
| Galerie Jürgen Becker, Hamburg, Germany | |
| Prints and Related Works, Brooke Alexander Editions, New York, USA | |
| Le Temps Retrouvé, Galerie Yvon Lambert, Paris, France | |
| 1993 | Mary Boone Gallery, New York, USA |
| Drawing Works, Jack Tilton Gallery, New York, USA | |
| Matrix: Richard Tuttle, Space/Sculpture, University Art Museum, University of California, Berkeley, USA | |
| Crown Point Press, San Francisco, USA | |
| Galleria Marilena Bonomo, Bari, Italy | |
| Chaos, the Form, Staatliche Kunsthalle Baden-Baden, Germany | |
| Arbeiten auf Papier, Galerie Karsten Greve, Cologne, Germany | |
| Small…edition!, Wassermann Galerie, Munich, Germany | |
| 1992 | Oxyderood / Red Oxide, Museum Boymans-van Beuningen, Rotterdam, The Netherlands |
| New Work, Laura Carpenter Fine Arts, Santa Fe, New Mexico, USA | |
| Early Drawings, Lawrence Markey Gallery, New York, USA | |
| Mary Boone Gallery, New York, USA | |
| Galerie Yvon Lambert, Paris, France | |
| New Work, Annemarie Verna Gallery, Zurich, Switzerland | |
| Studio la Cittá 2, Verona, Italy | |
| 1991 | New Works, Victoria Miro Gallery, London, UK |
| Oboes and Clarinets, Feuerle, Cologne, Germany | |
| Galerie Weber, Alexander, y Cobo, Madrid, Spain | |
| Institute of Contemporary Art, Amsterdam, The Netherlands | |
| Sculptures et aquarelles, Galerie Pierre Hubert, Geneva, Switzerland | |
| Crickets, Sala d’exposiciones de la Fundació “La Caixa,” Carrer de Montcada, Barcelona, Spain | |
| Rhona Hoffman Gallery, Chicago, USA | |
| 1990 | Slats 1974, Lawrence Markey Gallery, New York, USA |
| Octavio for Annemarie, Annemarie Verna Galerie, Zurich, Switzerland | |
| Inside the Still Pure Form, Blum Helman Gallery, New York, USA | |
| The Nature of the Gun: Richard Tuttle, A/D, New York, USA | |
| In Memory of Writing, Sprengel Museum Hannover, Germany | |
| New Mexico Silver / Firenze Gold, Galleria Victoria Miro, Florence, Italy | |
| Yvon Lambert, Paris, France | |
| 70s Drawings, Brooke Alexander, New York, USA | |
| Einleitung, Galeria Schmela, Düsseldorf, Germany | |
| 1989 | Lonesome Cowboy Styrofoam, Gallery Casa sin Nombre, Santa Fe, New Mexico, USA |
| The Point from the Corner of the Room, 1973–74, Galerie Hubert Winter, Vienna, Austria | |
| Vienna Gotico, Galeria Alessandra Bonomo, Rome, Italy | |
| 1988 | There’s No Reason a Good Man is Hard to Find, Blum Helman Warehouse, New York, USA |
| 5 Pieces Richard Tuttle 1987, Annemarie Verna, Zurich, Switzerland | |
| XX Blocks, Galleria Marilena Bonomo, Bari, Italy | |
| Early Works, Blum Helman Gallery, New York, USA | |
| Galerie Meert Rihoux, Brussels, Belgium | |
| Portland Works, Galerie Karsten Greve, Cologne, Germany | |
| Space in Finland, Galerie Schmela, Düsseldorf, Germany | |
| 1987 | New Work, Blum Helman Gallery, Los Angeles, USA |
| Victoria Miro Gallery, London, UK | |
| Early & Recent Works, Anders Tornberg Gallery, Lund, Sweden | |
| Galerie Yvon Lambert, Paris, France | |
| Nimes au printemps, Galerie des Arènes, Nîmes, France | |
| The Baroque and Color / Das Barocke und die Farbe, Neue Galerie am Landesmuseum Joanneum, Graz, Austria | |
| New Work, Annemarie Verna Galerie, Zurich, Switzerland | |
| 1986 | Richard Tuttle: I See in France, ARC Musee dart moderne de la ville de Paris, Paris, France |
| Painted Sculpture, Blum Helman Gallery, New York, USA | |
| Wire Pieces, CAPC Musée d’art contemporain, Bordeaux, France | |
| Locus Solus IV: Richard Tuttle, Galerie Hubert Winter, Vienna, Austria | |
| The Spirals, Galerie Onnasch, Berlin, Germany | |
| New Work, Victoria Miro Gallery, London, UK | |
| 1985 | Richard Tuttle: Works 1964-84, Institute of Contemporary Art, London, UK |
| Galerie Yvon Lambert, Paris, France | |
| Städtisches Museum Abteiberg, Mönchengladbach, Germany | |
| Neve / Snow, Galleria Marilena Bonomo, Bari, Italy | |
| Galleria Toselli, Milan, Italy | |
| Vienna Works, Indonesian Works, Monkey’s Recovery for a Darkened Room, Galerie Schmela, Düsseldorf, Germany | |
| 1984 | New Sculpture, Blum Helman Gallery, New York, USA |
| Engineer, Portland Center for the Visual Arts, Oregon, USA | |
| Annemarie Verna Galerie, Zurich, Switzerland | |
| Recent Work, Daniel Weinberg Gallery, Los Angeles, USA | |
| Galleria Ugo Ferranti, Rome, Italy | |
| 16 Works from India 1980, Galleriet, Lund, Sweden | |
| Wandobjekte, Galerie Schmela, Düsseldorf, Germany | |
| Galerie Yvon Lambert, Paris, France | |
| Studio La Città, Verona, Italy | |
| 1983 | Zeichnungen 1968–1974, Städtisches Museum Abteiberg, Mönchengladbach, Germany |
| Galerie Hubert Winter, Vienna, Austria | |
| Recent Sculpture, Blum Helman, New York, USA | |
| Galleria Ugo Ferranti, Rome, Italy | |
| Taidemariliiton Galleria, Helsinki, Finland | |
| 1982 | Pairs, Musée de Calais, France |
| New Work: Richard Tuttle, Betty Parsons Gallery, New York, USA | |
| Gallerie Ugo Ferranti, Rome, Italy | |
| Nigel Greenwood Gallery, London, UK | |
| 1981 | Annemarie Verna Galerie, Zurich, Switzerland |
| Galerie Baronian-Lambert, Ghent, Belgium | |
| Gallerie Ugo Ferranti, Rome, Italy | |
| Galerie Yvon Lambert, Paris, France | |
| 1980 | From 210 Collage-Drawings, Georgia State University Art Gallery, Atlanta, USA |
| 12 Drahtoktogonale, 1971, und 25 Wasserfarbenblätter, 1980, Museum Haus Lange, Krefeld, Germany | |
| Pairs 1973, Centre d’art contemporain, Geneva, Switzerland | |
| 1979 | Title 1-6, Title I-IV, Title A-N, Title I1-I6, Titre 1-8, Titolo 1-8, Stedelijk Museum, Amsterdam, The Netherlands |
| Dallas Exercises, Gallerie Ugo Ferranti, Rome, Italy | |
| CAPC Centre d’Arts Plastiques Contemporaine, Bordeaux, France | |
| Galleria Marilena Bonomo, Spoleto, Italy | |
| An Exhibition of the Works of Richard Tuttle, College of Creative Studies, University of California, Santa Barbara, USA | |
| Presentation of the Book: List of Drawing Material of Richard Tuttle and Appendices, G. & A. Verna, R. Krauhammer, A. Gutzwiller, Zurich, Switzerland | |
| 48 ½” Center-Point Works, Brooke Alexander, New York, USA | |
| Yale Pieces, 6” x 4” Notebook, Truman Gallery, New York, USA | |
| Annemarie Verna Galerie, Zurich, Switzerland | |
| 1978 | Galleria Ugo Ferranti, Rome, Italy |
| Zeichnungen, Galerie Schmela, Düusseldorf, Germany | |
| Drawings, Jean Marie Antone Gallery, Annapolis, Maryland, USA | |
| Galerie Yvon Lambert, Paris, France | |
| Daniel Weinberg Gallery, San Francisco, USA | |
| Museum Van Hedendaagse Kunst, Ghent, Belgium | |
| Sticks, Françoise Lambert, Milan, Italy | |
| David Winton Bell Gallery, Brown University, Providence, USA | |
| An Exhibition of the Work of Richard Tuttle, College of Creative Studies, University of California, Santa Barbara, USA | |
| New Work, Young Hoffman Gallery, Chicago, USA | |
| New Work at Betty Parsons Gallery, Betty Parsons Gallery, New York, USA | |
| 1977 | Zwei mit Zwei / Two with Any Two, Kunstraum Munchen, Munich, Germany |
| New Work, Zeichnungen und Aquarelle, 1968-1976, Kunsthalle Basel, Basel, Switzerland | |
| Gesamte Grafiken, Ilustrierte Bücher, Galerie Thomas Borgmann, Cologne, Germany | |
| Maine Works, Two with Any Two, Nigel Greenwood Inc. Ltd., London, UK | |
| Die Gesamte Druckgraphik und alle Bücher, Galerie Heiner Friedrich, Munich, Germany | |
| Galleria Ugo Ferranti, Rome, Italy | |
| Undici carte de Richard Tuttle, Galleria Marilena Bonomo, Bari, Italy | |
| Hopkins Hall Gallery, Ohio State University, Columbus, USA | |
| 1976 | Whitney Museum of American Art, New York, USA |
| Otis Art Institute Gallery of Los Angeles County, Los Angeles, USA | |
| Grafiek—Typologische Symmetrieen. Richard Tuttle en Maria Van Elk, Galerie Swart, Amsterdam, Netherlands | |
| McIntosh Gallery, University of Western Ontario,USA | |
| Graeme Murray Gallery, Edinburgh, UK | |
| The Cincinnati Pieces, Julian Pretto, New York, USA | |
| Northwest Artists Workshop, Portland, Oregon, USA | |
| 2 Days, Galerie Yvon Lambert, Paris, France | |
| Books and Prints, 1964–1976, Brooke Alexander, New York, USA | |
| 1975 | Paper Strips, Barbara Cusack Gallery, Houston, USA |
| Whitney Museum of American Art, New York, USA | |
| Matrix 10: Richard Tuttle, Wadsworth Atheneum, Hartford, Connecticut, USA | |
| Thirteen Spiral Drawings by Richard Tuttle, Parsons-Truman Gallery, New York, USA | |
| D’Alessandro-Ferranti, Rome, Italy | |
| 1974 | Forty October Drawings + Interlude, Nigel Greenwood Inc. Ltd. London, UK |
| A Group of Very Small Colored Metal Plates Set at Various Distances from the Wall in the Different Rooms of the Gallery, Barbara Cusack Gallery, Houston, USA | |
| Artpark, Lewiston State Park, Lewiston, New York, USA | |
| Galerie Yvon Lambert, Paris, France | |
| Annemarie Verna Galerie, Zurich, Switzerland | |
| Galleria Marilena Bonomo, Bari, Italy | |
| New Works: Richard Tuttle, Galleria Toselli, Milan, Italy | |
| New Work: Richard Tuttle, Betty Parsons Gallery, New York, USA | |
| 1973 | Das 11. Papierachteck und Wandmalereien / The 11th Paper Octogonal and Paintings for the Wall, Kunstraum Munchen, Munich, Germany |
| Clocktower Gallery, Institute for Art and Urban Resources, New York, USA | |
| Drawings: Richard Tuttle, Galleria Françoise Lambert, Milan, Italy | |
| Ten Kinds of Memory and Memory Itself, Daniel Weinberg Gallery, San Francisco, USA | |
| Galerie Heiner Friedrich, Munich, Germany | |
| 1972 | Projects: Richard Tuttle (with David Movros), The Museum of Modern Art, New York, USA |
| New Work by Richard Tuttle, Galerie Yvon Lambert, Paris, France | |
| Drahtstucke 1971–1972, Galerie Rudolf Zwirner, Cologne, Germany | |
| Richard Tuttle Will Show New Work, Betty Parsons Gallery, New York, USA | |
| 1971 | Helman Gallery, St. Louis, Missouri, USA |
| Dallas Museum of Fine Arts, Dallas, USA | |
| 1970 | Members Gallery, Albright-Knox Art Gallery, Buffalo, New York, USA |
| Neue Arbeiten von Richard Tuttle, Galerie Rudolf Zwirner, Cologne, Germany | |
| New Work by Richard Tuttle, Betty Parsons Gallery, New York, USA | |
| 1969 | Nicholas Wilder Gallery, New York, USA |
| 1968 | Galerie Schmela, Dusseldorf, Germany |
| Ten Works by Richard Tuttle, Betty Parsons Gallery, New York, USA | |
| 1967 | Betty Parsons Gallery, New York, USA |
| 1965 | Constructed Paintings, Betty Parsons Gallery, New York, USA |
Group exhibitions (selected)
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| 2023 | American Watercolors, 1880–1990: Into the Light, Harvard Art Museums, Massachusetts, USA |
| 2022 | Catching the Moment: Contemporary Art from the Ted L. and Maryanne Ellison Simmons Collection, Saint-Louis Art Museum, Missouri, USA Richard Tuttle & Choong Sup Lim: How Objects Grasp Their Magic, Pace Gallery, Seoul, South Korea To Begin, Again: A Prehistory of the Wex, 1968-89, Wexner Center for The Arts, Columbus, USA New Rooms – Fred Sandback and Sol Lewitt, Annemarie Verna Gallerie, Zürich, Switzerland |
| 2021 |
Spatial Awareness: Drawings From The Permanent Collection, The Menil Drawaing Institute, Houston, USA |
| 2019 | Messin Around, Gemini G.E.L., New York, USA Untitled, Peter Freeman, Inc., New York, USA |
| 2018 | Phantom LIM, Torrance Art Museum, Torrence, USA In Tribute to Jack Tilton: A Selection from 35 Years, Tilton Gallery, New York, USA The Myriad Forms of Visual Art, The National Museum of Art, Osaka, Japan Summer Exhibition, Modern Art, London, UK The Thick Lines Between Here and There, Owen James Gallery, New York, USA 40 = 40 = 1, Jahn und Jahn, Munich, Germany Warp & Weft: A History of Fabric at Gemini G.E.L., Gemini G.E.L., New York, USA Selected Works, Annemarie Verna Galerie, Zurich, Switzerland Painting amongs other things…, Drill Hall Gallery, National University of Australia, Canberra, Australia Wiggle, Greta Meert, Brussels, Belgium Picasso – Gorky – Warhol. Sculptures and Works on Paper, Collection Hubert, Kunsthalle Krems, Krems an der Donau, Austria |
| 2017 | The Essence of Things, ArtCircle, London, UK Multiple Impressions, Talley Dunn Gallery, Dallas, USA Agnes Martin, Richard Tuttle: Crossing Lines, Pace Gallery, New York, USA Multiple Impressions, Talley Dunn Gallery, Dallas, USA Minimal Art from the Marzona Collection, Galerie Thaddaeus Ropac, London, UK Why Draw? 500 Years of Drawings and Watercolours Summer Days (and Summer Nights), Pace Gallery, New York, USA |
| 2016 | Sammeln ist wie Tagebuch fuhren Kleinskulpturen aus 50 Jahren, Galerie Rainer Wehr, Stuttgart, Germany From Point To Line, Senior & Shopmaker Gallery, New York, USA Shapeshifters, Luhring Augustine, New York, USA Drawing Then: Innovation and Influence in American Drawings of the Sixties, Dominique Lévy, New York, USA I still believe in miracles, Inverleith House, Edinburgh, Scotland, UK |
| 2015 | Conversation sur I’invisible, Galerie Martine Aboucaya, Paris, France Can The Museum Be A Garden? – Works From The Collection Of The Serralves Museum Of Contemporary Art, Museu Serralves – Museu de Arte Contemporanea, Porto, Portugal Contemporary Art, Museu Serralves – Museu de Arte Contemporânea, Porto, Portugal Private View, Städtische Galerie Villingen-Schwenningen, Villingen-Schwenningen, Germany Affordable Bananas III, Galerie Sabine Knust, Munich, Germany Use of Time, Kunsthaus Zug, Zug, Switzerland America Is Hard to See, Whitney Museum of American Art, New York City, USA The Dorothy and Herbert Vogel Collection: 50 Works for 50 States, Nora Eccles Harrison Museum of Art, East Logan, USA playing by heart, Kolumba, Cologne, Germany Berman, Tuttle, Vollmer, Jack Tilton Gallery, New York City, USA Selections from The Kramarsky Collection, David Zwirner, New York City, USA Separation, Stuart Shave / Modern Art, London, UK Additive Logic, The Barbara Krakow Gallery, Boston, USA Presque Rien, Galerie Marian Goodman, Paris, France Que sais-je?, CAPC – Musée d’art contemporain, Bordeaux, France Packing the bud/opposing the worm/adjusting the heat/ eluding the wind/escaping the bee, Casa Museo Ivan Bruschi, Arezzo, Italy |
| 2014 | Materials Gestures: Cut, Weave, Sew, Knot, Rhona Hoffman Gallery, Chicago, USA |
| The Sea – Salut D’honneur Jan Hoet, Mu.ZEE, Oostende, Belgium | |
| Line: The Maker’s Mark, Museum of Fine Arts Houston, Houston, USA | |
| Impulse, Reason, Sense, Conflict; Abstract Art from the Ella Fontanals-Cisneros Collection, Cisneros Fontanals Art Foundation, Miami, USA | |
| Wizz Eyelashes, Magasin III, Stockholm, Sweden | |
| Make it New: Abstract Painting from the National Gallery of Art, 1950 – 1975, The Clark Art Institute, Williamstown, Australia | |
| In the Round, Pace Gallery, New York City, USA | |
| The Annual 2014: Redefining Tradition, National Academy Museum, New York City, USA | |
| Summer exhibition, Annemarie Verna Galerie, Zurich, Switzerland | |
| From Picasso to Sol LeWitt: The Artist’s Book since 1950, Museum Meermanno, The Hague, The Netherlands | |
| Carte Blanche, Pace at Chesa Busin, Zuoz, Switzerland | |
| Dorothy and Herb Vogel: On Drawing, Fleming Museum of Art,The University of Vermont, Burlington, USA | |
| Universal Limited Art Editions: Books, Hiram Butler Gallery, Houston, USA | |
| playing by heart, Kolumba, Cologne, Germany | |
| Spaced Out: Migration To The Interior, Red Bull Studios, New York City, USA | |
| Drawn, Galerie Nordenhake – Berlin, Berlin, Germany | |
| Purple States, Andrew Edlin Gallery, New York City, USA | |
| Great Prints, Reynolds Gallery, Richmond, USA | |
| The Shaped Canvas, Revisited, Luxembourg & Dayan, New York City, USA | |
| Zu Gast (4) Conceptual Space – Arbeiten aus der Sammlung Markus Michalke, Kunstsaele, Berlin, Germany | |
| Implicit Horizon, Mixed Greens, New York City, USA | |
| Re-View: Onnasch Collection, Hauser & Wirth New York, 18th Street, New York City, USA | |
| Bibliologie, FRAC – Haute-Normandie, Sotteville-les-Rouen, France | |
| The Age Of Small Things, DODGE gallery, New York City, USA | |
| 2013 | C. Thomas Wright: Patron and Collector, The McNay, San Antonio, Texas, USA |
| The Dorothy and Herbert Vogel Collection: Fifty WOrks for Fifty States, Memphis Brooks Museum Of Art, Memphis, Tennessee, USA | |
| Exhibition of Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, USA | |
| 2012 | Richard Tuttle & Mei-mei Berssenbrugge: Hello, The Roses, Kunstverein Munich, Germany |
| Summer Group Show 2012, The Pace Gallery, 32 East 57th Street, New York, USA | |
| Lines of Thought, Parasol Unit, London, UK | |
| 2011 | Beijing Voice: Leaving Realism Behind, The Pace Gallery, Beijing, China |
| The Language of Less (Then), Museum of Contemporary Art, Chicago,USA. | |
| Picasso to Koons: Artist as Jeweler, Museum of Arts and Design, New York, USA | |
| Night Scented Stock, Marianne Boesky Gallery, New York, USA | |
| Fabric as Form, Tilton Gallery, New York, USA | |
| Provisional Painting, Stuart Shave/Modern Art, London, UK | |
| Unpainted Paintings, Luxembourg & Dayan, New York, USA | |
| Paper A to Z, Sue Scott Gallery, New York, USA | |
| Contemporary Collecting: The Neisser Family Collection, Art Institute of Chicago, Chicago USA | |
| Drawn / Taped / Burned: Abstraction on Paper, The Katonah Museum of Art, Katonah, New York, USA | |
| Splendor of Dynamic Structure: Celebrating 75 Years of the American Abstract Artists, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, USA | |
| 2010 | On-Line: Drawing through the Twentieth Century, Museum of Modern Art, New York, USA |
| Thrice Upon A Time, Magasin 3, Stockholm Konsthall, Sweden | |
| Contemporary Collecting: Selections from the Donna and Howard Stone Collection, Art Institute of Chicago, Chicago, USA | |
| Fifty Works for Fifty States: The Dorothy and Herbert Vogel Collection, Albright-Knox Art Gallery, Buffalo, New York, USA | |
| 2009 | Target Practice: Painting Under Attack 1949 to 78, Seattle Art Museum, Washington, USA |
| Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection, The Museum of Modern Art, New York, USA | |
| The Third Mind: American Artists Contemplate Asia, 1860 to 1989, The Solomon R. Guggenheim Museum, New York, USA | |
| Sans-Titre #1: Peintures des annees 1970-1980, aeuvres de la Collection Lambert, Collection Lambert, Avignon, France | |
| 2008 | 15 Year Anniversary Exhibition, Galleri Nicolai Wallner, Copenhagen, Denmark |
| Action/Abstraction: Pollock, De Kooning, and American Art, 1940 to 1976, The Jewish Museum, New York, USA | |
| Sparks! The William T. Kemper Collection Initiative, Nelson-Atkins Museum of Art, Kansas City, Missouri, USA | |
| Collecting Collections: Highlights of the Permanent Collection, Museum of Contemporary Art, Los Angeles, USA | |
| Selections from the Collection of Helga and Walther Lauffs, David Zwirner, New York, USA | |
| Selections from the Collection of Helga and Walther Lauffs Hauser & Wirth, Zurich, Switzerland | |
| Styrofoam, The Museum of Art, Rhode Island School of Design, Providence, Rhode Island, USA | |
| Collecting Collections: Highlights of the Permanent Collection, LA MOCA Museum of Contemporary Art, Los Angeles, USA | |
| 2007 | Not For Sale, P.S. 1 Contemporary Art Center, Long Island City, New York, USA |
| All for Art! Great Private Collections Among Us, Musee des beaux-arts de Montreal, Canada | |
| 2006 | Contemporary Masterworks: Saint Louis Collects, Contemporary Art Museum, St. Louis, Missouri, USA |
| Freeze! A Selection of Works from a New York Collection, Ronilant + Voena + Sperone, London, UK | |
| High Times, Hard Times: New York Painting 1967-1975, organized by Independent Curators International, New York. Traveled to: Weatherspoon Art Museum, Greensboro, North Carolina, USA, Katzen Arts Center, American University, Washington, D.C., USA, National Academy Museum, New York, USA, Museo Tamayo Arte Contemporáneo, Mexico City, Mexico, Neue Galerie Graz, Austria, ZKM/Center for Art and Media Karlsruhe, Germany | |
| 2005 | Drawings from the Modern: 1945-1975, The Museum of Modern Art, New York, USA |
| A Little Romance: Highlights from the Permanent Collection, Museum of Contemporary Art, North Miami, Florida, USA | |
| 2004 | Das MoMA in Berlin: Meisterwerke aus dem Museum of Modern Art, New York, Neue Nationalgalerie, Berlin, Germany |
| Design – Art: Functional Objects from Donald Judd to Rachel Whiteread, Cooper Hewitt National Design Museum, New York, USA | |
| Artists’ Books: No Reading Required, Selections from the Walker Art Center Library Collection, Tribune Gallery, Minnesota Center for Book Arts, Minneapolis, USA | |
| Transmit + Transform, Santa Fe Art Institute, New Mexico, USA | |
| ULAE: The Print Show, Oklahoma City Museum of Art, Oklahoma, USA | |
| 2003 | Thinking about Sculpture, The Rachofsky House, Dallas, USA |
| Primary Matters: The Minimalist Sensibility, 1959 to the Present, San Francisco Museum of Modern Art, San Francisco, USA | |
| The Heroic Century: Masterpieces from The Museum of Modern Art – 200 Paintings and Sculptures, Museum of Fine Arts, Houston, USA | |
| International Abstraction: Making Painting Real, Part II, Seattle Art Museum, Washington, USA | |
| 2002 | netWork: Joseph Egan, James Bishop, Richard Tuttle, Jerry Zeniuk, Andreas Christen, Giulio Paolini, Sylvia Plimack Mangold, Glen Rubsamen, David Rabinowitch, Robert Mangold, Rita McBride, Sol LeWitt, Dan Flavin, Fred Sandback, Donald Judd, Annemarie Verna Galerie, Zurich, Switzerland |
| To Be Looked At: Painting and Sculpture from the Collection, The Museum of Modern Art, New York, USA | |
| Drawings of Choice from a New York Collection, Krannert Art Museum, University of Illinois, Chicago, USA. Traveled to: Arkansas Art Center, Little Rock, USA, Georgia Museum of Art, Athens, USA, Cincinnati Museum of Art, Ohio, USA | |
| 2001 | Extreme Connoisseurship, Sert Gallery, Carpenter Center for Visual Arts and Fogg Art Museum, Harvard University, Cambridge, Massachusetts, USA |
| A Century of Drawing: Works on Paper from Degas to LeWitt, National Gallery of Art, Washington, D.C., USA | |
| The Onnasch Collection: Aspects of Contemporary Art, Museum d’Art Contemporani de Barcelona, Spain. Traveled to: Museu Serralves, Museu de Arte Contemporanea, Porto, Portugal | |
| Tramas y Ensamblajas, Museo de Arte Contemporaneo de Oaxaca, Mexico | |
| La Biennale di Venezia: Plateau of Humankind, Venice, Italy | |
| Selections from the Permanent Collection, Museum of Contemporary Art, North Miami, USA | |
| Art Express: Art minimal et conceptual americain, etat d’une collection, Cabinet des estampes au Musee d’art moderne et contemporain, Geneva, Switzerland | |
| 2000 | Times are Changing, Auf dem Wege! Aus dem 20. Jahrhundert! Eine Auswahl von Werken Kunsthalle Bremen 1950-2000, Kunsthalle Bremen, Germany |
| In Depth: Recent Acquisitions in Prints, Whitney Museum of American Art, New York, USA | |
| 2000 Biennial Exhibition, Whitney Museum of American Art, New York, USA | |
| Objective Color, Yale University Art Gallery, New Haven, Connecticut, USA | |
| Food for the Mind: Die Sammlung Udo und Anette Brandhorst, Bayerische Staatsgemaldesammlungen / Staatsgalerie moderner Kunst Munchen, Munich, Germany | |
| Soft White: Lighting Design by Artists, University Gallery, Fine Arts Center, University of Massachusetts, Amherst, USA | |
| 1999 | The American Century: Art and Culture 1900 – 2000; Part II, 1950 – 2000, Whitney Museum of American Art, New York, USA |
| Circa 1968, Museu Serralves, Museu de Arte Contemporanea, Porto, Portugal | |
| Size Immaterial, Department of Coins and Medals, British Museum, London, UK | |
| That Certain Look: The Minimalist Tradition in New Mexico, University Art Museum, University of New Mexico, Albuquerque, USA | |
| White Fire, Flying Man: Amerikanische Kunst 1959 – 1999 in Basel, Werke aus Offenliche Kunstsammlung Basel und der Emanuel Hoffman-Stiftung, Museum fur Gegenwartskunst, Basel, Switzerland | |
| Afterimage: Drawing through Process, Museum of Contemporary Art, Los Angeles, USA. Traveled to: Contemporary Arts Museum, Houston, USA, Henry Art Gallery, Seattle, USA | |
| ITINERE 2, Palazzo delle Papesse, Centro Arte Contemporanea, Siena, Italy | |
| twistfoldlayerflake, Institute for Contemporary Arts, California College of Arts and Crafts, Oakland, USA | |
| 1998 | Agnes Martin/Richard Tuttle, Modern Art Museum of Fort Worth, Texas, USA. Traveled to: SITE Santa Fe, New Mexico, USA |
| The Edward R. Broida Collection: A Selection of Works, Orlando Museum of Art, Florida, USA | |
| 1997 | Drawing is Another Kind of Language: Recent American Drawings from a New York Private Collection, Arthur M. Sackler Museum, Harvard University, Cambridge, Massachusetts, USA. Traveled to: Kupferstichkabinett Academy of Fine Arts, Vienna, Austria | Kunstmuseum Winterthur, Switzerland | Kunst-Museum Ahlen, Germany | Akademie der Künste, Berlin, Germany | Fonds regional d’art contemporain de Picardie and Musée de Picardie, Amiens, France | Parrish Art Museum, Southampton, New York, USA | Lyman Allyn Art Museum, New London, Connecticut, USA | Northwestern University, Evanston, Illinois, USA | Contemporary Museum, Honolulu, USA |
| At the Threshold of the Visible: Minuscule and Small-Scale Art, 1964–1996, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York, USA. Traveled to: Meyerhoff Galleries, Maryland Institute of Art, Baltimore, USA | Art Gallery of Ontario, Toronto, Canada | Art Gallery of Windsor, Ontario, Canada | Virginia Beach Center for the Arts, Virginia, USA | Santa Monica Museum of Art, California, USA | Edmonton Art Gallery, Alberta, Canada | Center on Contemporary Art, Seattle, USA | |
| Papierskulptur, Oberosterreichisches Landsmuseum, Landsgalerie Linz, Austria | |
| La Biennale di Venezia, 47th Esposizione Internazionale d’Arte, Venice, Italy | |
| Die Sammlung Anne-Marie und Ernst Vischer-Walder: Ein Vermachtnis, Offentliche Kunstsammlung Basel, Switzerland | |
| 1996 | Schwere-los Skulpturen, Oberosterreichisches Landesmuseum, Landesgalerie Linz, Austria |
| Retrospektiv II: Sol LeWitt und Richard Tuttle, Annemarie Verna Galerie, Zurich, Switzerland | |
| 1995 | 52nd Carnegie International, Carnegie Museum of Art, Pittsburgh, USA |
| Contemporary Drawing: Exploring the Territory, Aspen Art Museum, Colorado, USA | |
| 1994 | Amerikanische Zeichnungen und Graphik: Von Sol LeWitt bis Bruce Nauman, Kunsthaus Zurich, Switzerland |
| Zimmer in denen die Zeit nicht zählt: Die Sammlung Udo und Anette Brandhorst, Museum für Gegenwartskunst, Öffenliche Kunstsammlung, Basel, Switzerland | |
| On a Clear Day, Staatliche Kunsthalle Baden-Baden, Germany | |
| From Minimal to Conceptual Art: Works from the Dorothy and Herbert Vogel Collection, National Gallery of Art, Washington, D.C, USA. Traveled to: Portland Museum of Art, Oregon, USA, Archer M. Huntington Art Gallery, University of Texas, Austin, USA, Wäinö Aaltonen Museum of Art, Turku, Finland, Tel Aviv Museum of Art, Israel Western Artists/African Art, Museum for African Art, New York, USA |
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| 1993 | Das Einfache ist das Schwierge, Kunsthaus Zug, Switzerland |
| The Contemporary Artist’s Book: The Book as Art, 871 Fine Arts, San Francisco, USA | |
| 1992 | Gifts and Acquisitions in Context, Whitney Museum of American Art, New York, USA |
| New Directions in Multiples, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, USA. Traveled to: Museum of Contemporary, Wright State University, Dayton, Ohio, USA | |
| 1991 | Den Gedanken auf der Spur blieben, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany |
| Karl August Burckhardt-Koechlin-Fonds: Zeichnungen des 20. Jahrhunderts, Kunstmuseum Basel, Switzerland | |
| Discarded, Emerson Gallery, Rockland Center for the Arts, West Nyack, New York, USA | |
| 1990 | Quotations, Part III, Annemarie Verna Galerie, Zurich, Austria |
| The New Sculpture 1965–75: Between Geometry and Gesture, Whitney Museum of American Art, New York, USA. Traveled to: Museum of Contemporary Art, Los Angeles, USA | |
| Concept Art, Minimal Art, Arte Povera, Land Art: Sammlung Marzona, Kunsthalle Bielefeld, Germany | |
| Contemporary Illustrated Books: Word and Image, 1967–1988, Franklin Furnace Archive, New York, USA. Traveled to: Nelson-Atkins Museum of Art, Kansas City, Missouri, USA, University of Iowa Museum of Art, Iowa City, USA | |
| 1989 | The Eighties in Review: Selections from the Permanent Collection of the Whitney Museum of American Art, Whitney Museum of American Art, Fairfield County, Stamford, Connecticut, USA |
| Immaterial Objects: Works from the Permanent Collection of the Whitney Museum of American Art, New York. North Carolina Museum of Art, Raleigh,USA. Traveled to: Albany Museum of Art, Georgia, USA, San Jose Museum of Art, California, USA | |
| Rain of Talent: Umbrella Art, Fabric Workshop and Museum, Philadelphia, USA | |
| 1988 | Three Decades: The Oliver-Hoffmann Collection, Museum of Contemporary Art, Chicago, USA |
| From the Collection of Dorothy and Herbert Vogel, Arnot Art Museum, Elmira, New York, USA. Traveled to: Grand Rapids Art Museum, Michigan, UsA, Terra Museum of American Art, Chicago, USA, Laumeier Sculpture Park, St. Louis, Missouri, USA, Art Museum at Florida International University, Miami, USA | |
| Amerikkalaista nykytaidetta, Sara Hildén Art Museum, Tampere, Finland, Traveled to: Kunstnernes Hus, Oslo, Norway | |
| 1987 | Sculptors on Paper: New Work, Madison Art Center, Wisconsin, USA. Traveled to: Pittsburgh Center for the Arts, Pennsylvania, USA, Kalamazoo Institute of Arts, Michigan, USA, Sheldon Memorial Art Gallery, University of Nebraska, Lincoln, USA |
| Skulptur Projekte in Münster 1987, Westfälische Landesmuseum, Münster, Germany | |
| 1987 Biennial Exhibition, Whitney Museum of American Art, New York, USA | |
| Die Gleichzeitigkeit des Andern: Materialien zu einer Austellung, Kunstmuseum Bern, Switzerland | |
| 1967: At the Crossroads, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA | |
| 1986 | Drawings from the Collection of Dorothy and Herbert Vogel, Department of Art Galleries, University of Arkansas, Little Rock, USA. Traveled to: Moody Gallery of Art, University of Alabama, Tuscaloosa; Museum of Art, Pennsylvania State University, State College, USA |
| 1985 | Spuren, Skulpturen und Monumente ihrer präzisen Reise, Kunsthaus Zurich, Switzerland |
| Three Sculptors: John Duff, Joel Shapiro, Richard Tuttle, Krannert Art Museum, University of Illinois, Chicago, USA | |
| Affiliations: Recent Sculpture and Its Antecedents, Whitney Museum of American Art, Fairfield County, Stamford, Connecticut, USA | |
| Drawings Acquisitions: 1981–1985, Whitney Museum of American Art, New York, USA | |
| In offener Form, Museum Haus Esters, Krefeld, Germany | |
| Fortissimo: Thirty Years from the Richard Brown Baker Collection of Contemporary Art, Museum of Art, Rhode Island School of Design, Providence, USA. Traveled to: San Diego Museum of Art, California, USA, Portland Museum of Art, Oregon, USA | |
| 1984 | Sculptors’ Drawings 1910–1980: Selections from the Permanent Collection, Whitney Museum of American Art¸New York, USA, Visual Arts Gallery, Florida International University, USA. Traveled to: Aspen Art Museum, Colorado, USA, Art Museum of South Texas, Corpus Christi, USA, Philbrook Arts Center, Tulsa, USA |
| Zeichnungen für die dritte Dimension (eigene Bestände), Basel Museum für Gegenwartskunst, Switzerland | |
| Drawing by Sculptors: Two Decades of Non-Objective Art in the Seagram Collection, Montreal Museum of Fine Arts, Canada. Traveled to: Vancouver Art Gallery, British Columbia, Canada, Nickle Arts Museum, Calgary, Alberta, Canada, Seagram Building, New York, USA, London Regional Art Gallery, Ontario, Canada | |
| Painting and Sculpture Today, 1984, Indianapolis Museum of Art, Indiana, USA | |
| 1983 | The First Show: Painting and Sculpture from Eight Collections 1940–1980, Museum of Contemporary Art, Los Angeles, USA |
| 15 Jahre Sammlung Helga und Walther Lauffs im Kaiser Wilhelm Museum Krefeld, Kaiser Wilhelm Museum, Krefeld, Germany | |
| Werke auf Papier / Works on Paper: James Bishop, Sol LeWitt, Robert Mangold, Richard Tuttle, Annemarie Verna Galerie, Zurich, Switzerland | |
| Minimalism to Expressionism: Paintings and Sculpture Since 1965 from the Permanent Collection, Whitney Museum of American Art, New York, USA | |
| 1982 | 20th Anniversary Exhibition of the Vogel Collection, Brainerd Art Gallery, State University College of Arts and Science, Potsdam, New York, USA. Traveled to: Gallery of Art, University of Northern Iowa, Cedar Rapids, USA |
| Documenta 7, Museum Fridericianum, Kassel, Germany | |
| Prints by Contemporary Sculptors, Yale University Art Gallery, New Haven, Connecticut, USA | |
| ‘60–’80: Attitudes/Concepts/Images, Stedelijk Museum, Amsterdam, The Netherlands | |
| 1981 | Murs, Centre National d’art et de culture Georges Pompidou, Musée national d’art moderne, Paris |
| Art Materialized: Selections from the Fabric Workshop, organized by Independent Curators Incorporated, New York, USA. Traveled to: New Gallery for Contemporary Art, Cleveland, USA, Gibbes Art Gallery, Charleston, South Carolina, USA, Hudson River Museum, Yonkers, New York, USA, University of South Florida Art Galleries, Tampa, USA, Art Museum and Galleries, California State University, Long Beach, USA, Alberta College of Art Gallery, Calgary, USA, Pensacola Museum of Art, Florida, USA | |
| No Title: The Collection of Sol LeWitt, Wesleyan University Art Gallery and Davidson Art Center, Middleton, Connecticut, USA | |
| Drawing Acquisitions, 1978–1981, Whitney Museum of American Art, New York, USA | |
| Drawing Distinction: American Drawings of the Seventies, Louisiana Museum of Modern Art, Humlebæk, Denmark, Traveled to: Kunsthalle Basel, Switzerland, as Amerikanische Zeichnungen der Siebziger Jahre, Städtische Galerie im Lenbachhaus, Munich, Germany, Wihelm-Hack-Museum, Ludwigshafen, Germany | |
| Il limite svelato: Artista, cornice, pubblico, Museo Civico di Torino, Mole Antonelliana, Turin, Italy | |
| 1980 | Drawn in Space, Washington Project for the Arts, Washington, D.C., USA |
| Maximum Coverage: Wearables by Contemporary American Artists, John Michael Kohler Arts Center, Sheboygan, Wisconsin, USA. Traveled to: University of North Dakota, Grand Forks, USA | |
| Pier + Ocean: Construction in the Art of the Seventies, Hayward Gallery, London, UK. Traveled to: Rijkmuseum Kröller-Müller, Otterlo, The Netherlands | |
| Printed Art: A View of Two Decades, The Museum of Modern Art, New York, USA | |
| Die Sammlung der Emanuel Hoffman-Stiftung, Museum für Gegenwartskunst, Öffentliche Kunstsammlung, Basel, Switzerland | |
| Art/Book/Art, organized by Detroit Institute of Arts, Michigan. Traveled to: Slusser Gallery, University of Michigan, Ann Arbor, USA. Traveled to: Mid-Michigan Community College, Harrison; Urban Institute for Contemporary Art, Grand Rapids, Michigan, USA, Willard Library, Battle Creek, Michigan, USA, Ella Sharp Museum, Jackson, Michigan, USA | |
| 1979 | Material Pleasures: The Fabric Workshop at ICA, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA |
| 1979 Biennial Exhibition, Whitney Museum of American Art, New York, USA | |
| Drawings About Drawings Today, The Ackland Art Museum, University of North Carolina, Chapel Hill, North Carolina, USA | |
| 1978 | Door beeldhouwer gemaakt, Stedelijk Museum, Amsterdam, The Netherlands |
| 20th Century American Drawings: Five Years of Acquisitions¸ Whitney Museum of American Art, New York, USA | |
| 1977 | Small Objects, Whitney Museum of American Art, Downtown Branch, New York, USA |
| A View of a Decade, Museum of Contemporary Art, Chicago, USA | |
| American Drawing, 1927–1977, Minnesota Museum of Art, St. Paul, USA | |
| 20th-Century American Art from Friends’ Collection, Whitney Museum of American Art, New York, USA | |
| Documenta 6, Orangerie, Kassel, Germany | |
| 1977 Biennial Exhibition, Whitney Museum of American Art, New York, USA | |
| 1976 | New York in Europa, Nationalgalerie Berlin, Germany |
| Two Hundred Years of American Sculpture, Whitney Museum of American Art, New York, USA | |
| Bis Heute: Zeichnungen für das Kunstmuseum Basel aus dem Karl A. Burckhardt-Kpechlin-Fonds, Kunsthalle Basel, Switzerland | |
| Line, Visual Arts Museum, New York, USA. Traveled to: Philadelphia College of Art, Pennsylvania, USA | |
| Drawing Now, The Museum of Modern Art, New York, USA. Traveled to: Kunsthalle Basel, Switzerland, Kunsthaus Zurich, Switzerland, Staatliche Kunsthalle Baden-Baden, Germany, Graphische Sammlung Albertina, Vienna, Austria, Sonja Henie-Niels Onstad Museum, Oslo, Tel Aviv Museum, Israel | |
| 1975 | Painting, Drawing, and Sculpture of the ‘60s and ‘70s from the Dorothy and Herbert Vogel Collection, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA. Traveled to: Contemporary Arts Center, Cincinnati, USA |
| Tendances actuelles de la nouvelle peinture americaine, ARC 2, Musée d’art moderne de la ville de Paris, France | |
| Color. Organized by the International Council of The Museum of Modern Art, New York, USA Traveled to: Museo de Arte Moderno, Bogotá, Colombia, Museo de Arte de São Paulo, Brazil, Museu de Arte Moderna, Rio de Janeiro, Brazil, Museo de Bellas Artes, Caracas, Venezuela, Museo de Arte Moderno, Mexico City, Mexico | |
| 1974 | Printed, Cut, Folded, Pasted and Torn, The Museum of Modern Art, New York, USA |
| Works on Paper, Art Lending Service Exhibition, Penthouse Gallery, The Museum of Modern Art, New York, USA | |
| Line as Language: Six Artists Draw, Art Museum, Princeton University, New Jersey, USA | |
| 1973 | Works on Paper, Art Lending Service Exhibition, Penthouse Gallery, The Museum of Modern Art, New York, USA |
| A Selection of American and European Paintings from the Richard Brown Baker Collection, San Francisco Museum of Art, California, USA. Traveled to: Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA | |
| American Drawings 1963–1973, Whitney Museum of American Art, New York, USA | |
| 1972 | [Drawing], The Museum of Modern Art, Oxford, UK |
| 1971 | Die Hanspeter Schulthess-Oeri-Siftung, 1961–1971, Kunstmuseum Basel, Switzerland |
| 1970 | Die Sammlung der Emanuel Hoffman-Stiftung, Kunstmuseum Basel, Switzerland |
| Paperworks, Art Lending Services, Penthouse Gallery, The Museum of Modern Art, New York, USA Using Walls (Indoors), Jewish Museum, New York, USA | |
| 1969 | Young Artists from the Collection of Charles Cowles, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, USA |
| Anti-Illusion: Procedures/Materials, Whitney Museum of American Art, New York, USA | |
| 1968 | Betty Parsons’ Private Collection, Finch College Museum of Art, New York, USA. Traveled to: Cranbrook Academy of Art, Bloomfield, Michigan, USA, Brooks Memorial Art Gallery, Memphis, USA |
| 1966 | Selections from the Art Lending Service, Penthouse Gallery, The Museum of Modern Art, New York, USA |
| 1965 | A New York Collector Selects, Mrs. B. Tremaine, San Francisco Museum of Art, California |
| The Seventh Selection of the Society for the Encouragement of Contemporary Art: A New York Collector Selects, San Francisco Museum of Art, California, USA | |
| Drawings from the Collection of Betty Parsons, Virginia Museum of Fine Arts, Richmond, USA |
Publications
| 2015 | Making Silver, Bergen Kunsthall, Bergen, Norway |
| The Art of American Still Life: Audubon to Warhol (exhibition catalogue), Mitchell, Mark D., Philadelphia: Philadelphia Museum of Art, 2015: 61, illustrated. | |
| Calder Lightness, Richard Tuttle Wire Pieces, Fred Sandback 64 Three-part Pieces (exhibition catalogue). Text by Cole Swensen. Saint Louis: Pulitzer Arts Foundation, 2015. | |
| Whitney Museum of American Art: Handbook of the Collection. Text by Adam D. Weinberg, ed. by Dana Miller, New York: Whitney Museum of American Art, 2015: 386, illustrated. | |
| Hello, The Roses (exhibition catalogue). Texts by Richard Tuttle, Steven Holl and Barbara Rose. Rhinebeck, New York: ‘T’ Space, 2015. Drawing Redefined: Roni Horn / Esther Kläs / Joëlle Tuerlinckx / Richard Tuttle / Jorinde Voight (exhibition catalogue). Edited by Jennifer R. Gross. Lincoln, Massachusetts: deCordova Sculpture Park and Museum, 2015: 52–65, illustrated. |
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| 2014 | Annual 2014: Redefining Tradition (exhibition catalogue). New York: National Academy Museum, 2014: 131, illustrated. |
| Eva Rothschild (exhibition catalogue). Dublin and London: Dublin City Gallery The Hugh Lane; Ridinghouse, 2014: 70, illustrated. | |
| Make it New: Abstract Painting from the National Gallery of Art, 1950–1975 (exhibition catalogue). Williamstown: The Clark Art Institute, 2014: 124–5, illustrated. | |
| Re-View: Onnasch Collection (exhibition catalogue). London: Snoeck; Hauser & Wirth, 2014: 216–221, illustrated. | |
| I Don’t Know, Or The Weave of Textile Language (exhibition catalogue). Texts by Richard Tuttle, Iwona Blazwick, Magnus Af Petersens, Chris Dercon and Achim Borchardt-Hume. London: Tate Publishing; Whitechapel Gallery, 2014. | |
| Looking for the Map (exhibition catalogue). New York: Pace Gallery, 2014. | |
| Prints (exhibition catalogue). Texts by Christine von Rotenhan, Susan Tallman, Armin Kunz et al. Zurich: JRP Ringier, 2014. | |
| Slide (exhibition catalogue). Norway: Bergen Kunsthall, 2012. | |
| The Shaped Canvas, Revisited (exhibition catalogue). New York: Luxembourg & Dayan, 2014. | |
| Contemporary Drawing: From the 1960s to Now, Katharine Stout, London: Tate Publishing, 2014: 125, illustrated. | |
| 2013 | Richard Tuttle: Use of Time, Kunsthaus Zug, Hatje Cantz Verlag, Zug, Switzerland |
| The Contemporary Art Masters. Bijutsu Shuppan-Sha, Japan | |
| Parkes, Brian and Elliat Rich. Wood: Art Design Architecture (exhibition catalogue). JamFactory and Botanic Gardens of Adelaide, Adelaide, Australia | |
| The Thrill of the Ideal–Richard Tuttle: The Reinhart Project (exhibition catalogue). New York: C.G. Boerner & Pocket Utopia, New York, USA | |
| 2012 | Decade: Contemporary Collecting 2002 – 2012 (exhibition catalogue). Texts by David Pagel and Heather Pesanti. The Buffalo Fine Arts Academy, Buffalo, New York, USA |
| Extreme Abstraction: Revisited. Buffalo, New York: The Buffalo Fine Arts Academy, USA | |
| Handmade Holiday Cards from 20th-Century Artists. Smithsonian Books, Washington, D.C., USA | |
| 2011 | Get There First, Decide Promptly: The Richard Brown Baker Collection of Postwar Art. Yale University Art Gallery, New Haven, Connecticut, USA |
Public collections
| Albright – Knox Art Gallery, Buffalo, New York City, USA | |
| Art Institute of Chicago, Chicago, USA | |
| Baltimore Museum of Art, Baltimore, USA | |
| Birmingham Museum of Art, Birmingham, USA | |
| Blanton Museum of Art, Austin, USA | |
| Bowdoin College Museum of Art, Brunswick, USA | |
| Brooklyn Museum, New York City, USA | |
| Carnegie Museum of Art, Pittsburgh, USA | |
| Centre Pompidou, Musee national d’art moderne, Paris, France | |
| Columbus Museum of Art, Columbus, USA | |
| Contemporary Art Museum, Honolulu, USA | |
| Des Moines Art Center, Des Moines, USA | |
| Dublin City Gallery, Dublin, Ireland | |
| Fogg Art Museum, Harvard University Art Museums, Cambridge, USA | |
| Fondation Cartier pour l’art contemporain, Jouy-en-Josas, France | |
| Galleria Nazionale d’Arte Moderna e Contemporanea, Rome, Italy | |
| High Museum, Atlanta, USA | |
| Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, USA | |
| Indianapolis Museum of Fine Art, Indianapolis, USA | |
| The Israel Museum, Jerusalem, Israel | |
| Institut Valencia d’Art Modern, Valencia, Spain | |
| Kaiser Wilhelm Museum, Krefeld, Germany | |
| Kunsthaus Zug, Zug, Switzerland | |
| Kunstmuseum Winterthur, Switzerland | |
| Louisiana Museum of Modern Art, Humlebaek, Denmark | |
| Ludwig Museum, Cologne, Germany | |
| Metropolitan Museum of Art, New York City, USA | |
| Mies Van der Rohe Museum, Berlin, Germany | |
| Moderna Museet, Stockholm, Sweden | |
| Modern Art Museum of Fort Worth, Fort Worth, USA | |
| Musee Cantonal des Beaux – Arts de Lausanne, Switzerland | |
| Musee nationale d’art moderne, Paris, France | |
| Museum Brandhorst, Munich, Germany | |
| Museum of Art, Rhode Island School of Design, Providence, USA | |
| Museum of Contemporary Art, Chicago, USA | |
| Museum of Contemporary Art, Los Angeles, USA | |
| Museum of Fine Arts, Boston, USA | |
| Museum of Fine Arts, Santa Fe, USA | |
| The Museum of Modern Art, New York City, USA | |
| Museum of Kolumba, Cologne, Germany | |
| National Gallery of Art, Washington, USA | |
| National Gallery of Canada, Ottawa, Canada | |
| New York Public Library, New York City, USA | |
| Norton Museum of Art, West Palm Beach, USA | |
| San Francisco Museum of Modern Art, San Francisco, USA | |
| Seattle Art Museum, Seattle, USA | |
| Sprengel Museum Hannover, Hannover, Germany | |
| Staatliche Kunstammlungen, Kassel, Germany | |
| Stadtisches Museum Abteiberg, Monchengladbach, Germany | |
| Stedelijk Museum, Amsterdam, The Netherlands | |
| Tate Modern, London, UK | |
| Victoria and Albert Museum, London, UK | |
| Wadworth Atheneum, Hartford, Connecticut, USA | |
| Walker Art Center, Minneapolis, USA | |
| Whitney Museum of American Art, New York City, USA | |
| Yale University Art Gallery, New Haven, USA |
