Here, Ortwed’s attitudes become more than a historical rebellion. What was once a no to a particular sculptural tradition has become a sustained method. Ortwed is no longer rebelling against anything in particular; she simply keeps nudging the work away from the place where we think we have understood it. Over an entire lifetime, she has positioned herself slightly to one side of what we expect a sculpture, a woman, and an artist to be. | Cecilie Høgsbro Østergaard | Read here