A Kassen | Bronze Pours

 

The gallery is pleased to highlight an ongoing series of works by artist group A Kassen, on view in our exhibition space through mid-January and online.

Relying purely on the chemical and physical reactions of natural elements, A Kassen’s “Bronze Pour” series is created by pouring small amounts of hot, liquid bronze directly into the water. The bronze cools upon impact, creating small, unpredictable and unexpected shapes, which are scanned and cast on a larger scale in bronze.

The artists’ hands are notably absent in the shaping of the works. They are necessarily abstract, yet they retain a referential quality to them as we instantly try and place them and find recognisable sources for their imagery. Reminiscent of modern sculptures, “Bronze Pour” retains a kind of biomorphic form that adds to this ambiguity.

 

 

A Kassen

Bronze Pour LXXXII (2023)

Bronze
150 x 62 x 40 cm
Unique

To Inquire

 

 

A Kassen

Bronze Pour LXXVI (2023)

Bronze
89 x 122 x 62 cm
Unique

To Inquire

 

 

A Kassen

Bronze Pour LXXIX (2023)

Bronze
48 x 42 x 39 cm
Unique

To Inquire

 

 

A Kassen

Bronze Pour LXXVII (2023)

Bronze
45 x 68 x 53 cm
Unique

To Inquire

 

 

 

 

 

A Kassen

Bronze Pour XXX (2016)

Bronze
45 x 83 x 74 cm
Unique

To Inquire

 

 

A Kassen

Bronze Pour XLIII (2021)

Bronze
80 x 107 x 69 cm
Unique

To Inquire

 

 

A Kassen

Bronze Pour LXXI (2021)

Bronze
88 x 86 x 55 cm
Unique

To Inquire

 

 

 

A Kassen

Bronze Pour LXVIII (2021)

Bronze
80 x 80 x 35 cm
Unique

To Inquire

 

A Kassen’s commissioned work River Men in progress at Kistefos Musset (2016) as part of their Bronze Pour series

 

 

Artist group A Kassen (collaborating since 2004)’s practice is first and foremost an exploration of the relationship between form and content. Beginning with an object or an element, such as an everyday object, a material such as bronze, or something more ephemeral like a puddle or a reflection, A Kassen task themselves with acts of construction and deconstruction, with reinterpretation and re-appropriation, against the backdrop of questioning our preconceived notions of what the phenomenon in question really is.

Through these manipulations, A Kassen create works that are necessarily meant to be seen through the context of art and aesthetics. It is not so much a question of what happens when these works are placed within an institutional art setting, but rather what happens when we take something that we have come to see as ordinary or mundane, and see it through the lens of “art”. With this in mind, the role of the spectator becomes central. Conceived as an integral part of the work, the spectator becomes an interpreter, creating layers of meaning and understanding for each of the works, re-writing their narratives.

 

carrie emberlyn