MARIE LUND
Born 1976 in Copenhagen, Denmark
Lives and works in London, UK
Education
| 2002 – 2004 | The Royal College of Art, London, UK |
| 1999 – 2002 | The Royal Danish Academy of Fine Arts, Schools of Architecture, Copenhagen, Denmark |
Solo exhibitions
| 2023 | bldngs, The Botanical Garden’s Palm House, Copenhagen, Denmark |
| 2021 | The Falling, Kunstmuseum St. Gallen, St. Gallen, Switzerland |
| 2020 | The Apartment, Croy Nielsen, Vienna, Austria |
| 2019 | The Thirst, Galleri Nicolai Wallner, Copenhagen, Denmark |
| 2018 | Grip, Jose Garcia, Mexico City, Mexico Face to Back, Croy Nielsen, Vienna, Austria |
| 2017 | Legumes, Holstebro Kunstmuseum, Holsterbro, Denmark |
| 2016 | Scout, Jose Garcia, Merida, Mexico |
| 2015 | PIT, Croy Nielsen, Berlin, Germany Flush, Badischer Kunstverein, Karlsruhe, Germany |
| 2014 | Drums, Museo Marino Marini, Florence, Italy |
| Dip, Laura Bartlett Gallery, London, UK | |
| 2013 | Handstand, IMO Projects, Copenhagen, Denmark |
| Back Pack, Proyectos Monclova, Mexico City, Mexico | |
| 2012 | End On, Christian Andersen Gallery, Copenhagen, Denmark |
| Clickety Click, Croy Nielsen Gallery, Berlin, Germany | |
| 2011 | Turtles, Laura Bartlett Gallery, London, UK |
| Two Ways to Fall, Proyectos Monclova, Mexico City, Mexico | |
| 2010 | The Testimony (with Nina Beier), Contemporary Art Museum St. Louis, St. Louis, USA |
| The Object Lessons (with Nina Beier), MUDAM, Luxembourg | |
| 2009 | The Testimony (with Nina Beier) Les Sabots, The Making of Difference, The Complete Works, Nomas |
| Foundation, Rome, Italy The Object Lessons (with Nina Beier), De Vleeshal, Middelburg, The Netherlands |
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| Permanent Collection, Croy Nielsen, Berlin, Germany | |
| Loss and Cause, Proyectos Monclova, Mexico City, Mexico | |
| 2008 | Two Women (with Nina Beier), Laura Bartlett Gallery, London, UK |
| All The Best, David Roberts Art Foundation, London, UK | |
| A Circular Play, Kunstverein Braunschweig, Braunschweig, Germany | |
| A Circular Play (A Play in Circles), Wako Works of Art, Tokyo, Japan |
Group exhibitions
| 2022 | Routes & Routines, Martina Simeti, Milan, Italy Form Follows Energy, LAGO / ALGO, OMR, Mexico City Deep Horizons, The Robert Institute of Art (collaboration with Middlesbrough Institute of Modern Art), London |
| 2021 | At The End Of The Rainbow, Arken Museum of Modern Art, Ishøj, Denmark The Legacy of Anne Marie Carl Nielsen, Den Frie, Copenhagen, Denmark Transitive Objects, COSAR HMT, Düsseldorf, Germany |
| 2020 | Transparent Things, Goldsmiths CCA, London, UK The Way We Are 2.0, Weserburg Museum of Modern Art, Bremen, Germany |
| 2019 | Chinese Whispers, Meessen De Clerq, Brussels, Belgium Løbende Kontakt. Marie Lund & Jesper List Thomsen, Kunstscenen, Copenhagen, Denmark Foncteur d’oubli, frac île-de-france, Paris, France |
| 2018 | The Atlantic Project, Plymouth, UK One Hour Long Exhibition – with Chosil Kil, Le Plateau, Paris, France What do you dream of? The Mohole flower and other tales, Gallery Luisa Strina, Sao Paulo, Brazil Spirit Painting, PEANA, Monterrey, Mexico |
| 2017 | Casa Miller, Gallery Allan, Paris, France Sous le Regard de Machines Pleines D’amour et de Grace, Palais de Tokyo, Paris, France |
| 2016 | Teoria Ingenua Degli Insiemi, P420, Bologna, Italy Vanilla and Concrete, Tate Britain, London, UK La Camera, Palazzo De’ Toschi, Bologna, Italy Acquisitions récentes, Frac Franche-Comté, Besançon, France The Lasting. L’intervallo e la durata, Galleria Nazionale d’Arte Moderna, Rome, Italy Hinter dem Vorhang. Verhüllung und Enthüllung seit der Renaissance. Von Tizian bis Christo, Museum Kunstpalast, Düsseldorf, Germany |
| 2015 | Art Now, Tate Britain, London, UK |
| wow! Woven?, Künstlerhaus – Halle für Kunst & Medien, Graz, Austria | |
| One Hour Long Exhibition (with Chosil Kil, Jesper List Thomsen, Johannes Lund), South London | |
| Gallery, London, UK | |
| Welcome You’re in the Right Place, Fondazione Sandretto Re Rebaudengo, Turin, Italy | |
| The Camera’s Blind Spot II, Extra City Antwerp, Belgium | |
| L’usage des formes: Artisans d’art et artistes, Palais de Tokyo, Paris, France | |
| Dealing with Surfaces, GAK – Gessellschaft fuer Aktuelle Kunst, Bremen, Germany | |
| 2014 | A Picture is No Substitute, Seventeen Gallery, London, UK |
| Living in The Material World, Galerie im Taxispalais, Innsbruck, Austria | |
| Frieze Sculpture Park, London, UK | |
| Living in a Material World, Kunstmuseum Krefeld, Krefeld, Germany | |
| One Hour Long Exhibition – with Chosil Kil, Artsonje, Seoul, South Korea | |
| Nouveau festival, Centre Pompidou, Paris, France | |
| 2013 | Motor, Bettina Buck invites Marie Lund, Spacex, Exeter, UK |
| One Hour Long Exhibition (with Chosil Kil, Round House, Vilnius Chaque), Frac Franche-Comté, | |
| Besançon, France | |
| Flat Bed (with Benjamin Hirte and Rolf Nowotny), Joe Sheftel Gallery, New York, USA | |
| Grundlag. Materialitet #2 (jord), Sorø Kunstmuseum, Sorø, Denmark | |
| It’s Over There, Simone Subal Gallery, New York, USA | |
| One Hour Long Exhibition (with Chosil Kil and Francesco Pedraglio), New York Gallery, New York, USA | |
| When Attitudes Became Form Become Attitudes, Museum of Contemporary Art Detroit, Detroit, USA | |
| 2012 | House of Leaves, David Robert Art Foundation, London, UK |
| When Attitudes Became Form Become Attitudes, CCA Wattis, San Francisco, USA | |
| From Stavanger with Love, Galleri Opdahl, Stavanger, Norway | |
| A wavy line is drawn across the middle of the original plans, Kölnischer Kunstverein, Cologne, Germany | |
| One Hour Long Exhibition (with Chosil Kil and Francesco Pedraglio), Shanaynay, Paris, France | |
| Who Am I? What Am I Doing Here??, Shanaynay, Paris, France | |
| L’Entre-deux: des savoirs bouleversés, La Kunsthalle, Mulhouse, France | |
| Beyond Words, GAK Gesellschaft für Aktuelle Kunst, Bremen, Germany | |
| 2011 | One Hour Long Exhibition (with Chosil Kil and Tr Kirstein & Johns Lunds), Supplement Gallery, London, UK |
| Day without a Temperament, Galerie Emanuel Layr, Vienna, Austria | |
| Young London, V22, London, UK | |
| Somiglianze Non Sensibili, Galleri Opdahl, Berlin, Germany | |
| Paysages avec Objets Absents, Kunsthalle Freiburg, Freiburg, Germany | |
| Under Destruction, The Swiss Institute, New York, USA | |
| Bob Dylan, Bob Dylan, Boba Dylana (with Jiri Kovanda and Nina Beier), DOX, Prague, Czech Republic | |
| 2010 | Best Laid Plans, Drawing Room, London, UK; Tate Modern, London, UK |
| Frieze Sculpture Park, London, UK | |
| Tumult, Public art festival, Lolland Falster, Denmark | |
| Under Destruction, Museum Tinguely, Basel, Switzerland | |
| Der ideale Ort, Künstlerhaus Bremen, Germany | |
| Nomad-ness, Hab Galerie, Nantes, France | |
| À l’ombre d’un Doute, Frac Lorraine, Metz, France | |
| We Have as Much Time as it Takes, CCA Wattis Institute, San Francisco, USA | |
| History of Art, DRAF, London, UK | |
| In Which the Wind is Also a Protagonist, La Generale, Sevres, France | |
| A Very Very Long Cat, Wallspace, New York, USA | |
| Gestures, Museum of Contemporary Art, Roskilde, Denmark | |
| Gallerie, Galleria, Norma Mangoine Gallery, Turin, Italy | |
| Performative Strategies, Kunsthaus Glarus, Glarus, Switzerland | |
| 2009 | Momentum: Nordic Biennial, Momentum Kunsthall and Galleri F15, Moss, Norway |
| Collective Spirits, Four Boxes Gallery, Skive, Denmark | |
| A Sensed Pertubation, Murray Guy, New York, USA | |
| We Would Like To Thank (Again) The Curators Who Wish To Remain Anonymous, Anne Barrault, Paris, France | |
| The Wall of the Sky, The Wall of the Eye, About Change Collection, Berlin, Germany | |
| The Announcement, ICA – Institute for Contemporary Art, London, UK | |
| Audio, Video, Disco, Kunsthalle Zürich, Zürich, Switzerland | |
| Don’t Expect Anything, Francesca Minini, Milan, Italy | |
| Berlin-Paris, GB Agency, Paris, France | |
| La Notte, La Kunsthalle, Mulhouse, France | |
| Reduction & Suspense, Kunstverein Bregenz, Bregenz, Austria | |
| 2008 | What is my name, Hisk, Gent, Belgium |
| Insoluables Solides, Betonsalon, Paris, France | |
| Oh, A Show, Showroom Platform, Basel, Switzerland | |
| Nought To Sixty, ICA – Institute of Contemporary Art, London, UK | |
| Nordic Art and Experimental Film, Malmö Konsthall, Malmö, Sweden | |
| Playtime, Betonsalon, Paris, France | |
| I have nothing to say and I am saying it, Platform Seoul, Seoul, South Korea | |
| Good Fences (with Chosil Kil), Galleri Opdahl, Stavanger, Norway | |
| U-Turn, Quadrennial for Contemporary Art, Copenhagen, Denmark | |
| Eurasia, MART – Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy | |
| When I Was A Little Boy…, Klatovy, Czech Republic | |
| Laughing In A Foreign Language, Hayward Gallery, London, UK | |
| The Unfair Fair, Rome, Italy | |
| From a Distance, Wallspace, New York, USA | |
| 2007 | Actions & Interruptions, Tate Modern, London, UK |
| The Difference Between Humans & Walls, Tate Britain, London, UK | |
| Collectivity, Yerba Buena Center for the Arts, San Francisco, USA | |
| Abstract Things, Laura Bartlett Gallery, London, UK |
Catalogue/Publications (selected)
| 2018 | The Atlantic Project, Plymouth, UK |
| What do you dream of? The Mohole Flower and other tales, Luisa Strano Gallery, Sao Paulo, Brazil | |
| One Hour Long Exhibition, Le Plateau, Paris, France | |
| 2017 | ‘Scout’, MIDI/ Mousse Publishing, Milan |
| 2014 | ‘Drums’, MIDI/ Mousse Publishing, Milan |
| ‘Living in a Material World’, Museum Krefeld, Germany | |
| 2013 | ‘Best of – 67 x Kunst’, Michael Jeppesen, Strandbjerg Publishing, Denmark |
| ‘Grundlag. Materialitet #2 (jord)’, Sorø Kunstmuseum, Denmark | |
| 2012 | ‘When Attitudes Became Form Become Attitudes’, CCA Wattis, San Francisco |
| ‘The Object Lessons’, Nina Beier, Marie Lund and Francesco Pedraglio, Mousse Publishing, Milan | |
| 2011 | ‘Turtles’, Mousse Publishing, Milan |
| ‘Bob Dylan, Bob Dylan, Boba Dylana’, Dox, Prague | |
| ‘Under Destruction’, Museum Tinguely, Basel and the Swiss Institute, NYC | |
| 2010 | ‘We Have as Much Time as it Takes’, CCA Wattis Institute for Contemporary Arts, San Francisco |
| ‘History of Art, The’, DRAF, London | |
| ‘Best Laid Plans’, Drawing Room, London | |
| 2009 | ‘Present Future’, Artissima, Italy |
| ‘Momentum Nordic Biennial 2009’, Norway | |
| ‘The Points #02’, Nina Beier and Marie Lund, Croy Nielsen, Berlin | |
| ‘The Points #01’, Nina Beier and Marie Lund, Proyectos Monclova, Mexico City | |
| ‘Nought to Sixty’, ICA, London ‘Platform Seoul’, Artsonje, Korea | |
| 2008 | ‘Eurasia’, MART Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italy |
| ‘Past Forward’, 176 Project Space, London | |
| ‘U-Turn’, U-Turn, Denmark | |
| ‘Laughing In A Foreign Language’, Hayward, England |
Articles/reviews (selected)
| 2015 | Artforum, ‘Marie Lund, Flush’, review, May |
| Art Review, ‘Marie Lund, Dip’, review, Paul Pieroni, Jan | |
| 2014 | This is Tomorrow, ‘Marie Lund, Dip’, review, Gabrielle Schwarz, Dec |
| Aesthetica, ‘Marie Lund, Dip’, review, Ivan Knapp, Dec | |
| Marie Lund | Drums, Cecilia Canziani and Trine Friis Sørensen, Art Text Pics, atpdiary.com, April | |
| 2013 | Information, ‘Skulpturen Lever’, review, Michael Jeppesen, May |
| Frieze, ‘Marie Lund, Clickety Click’, review, Kirsty Bell, Jan | |
| 2012 | Cura Magazine, ‘Spot Light – Marie Lund’, Cecilia Canziani, Autumn Annual Magazine, ‘Marie Lund’, interview, Romain Chenais, Autumn |
| 2011 | Frieze, ‘Marie Lund, Turtles’, review, Kari Rittenbach, Nov |
| 2010 | Modern Painters, ‘Immaterial Girls’, feature/interview, Coline Milliard, Oct |
| Mousse, ‘Palpable Distance’, feature, Mihnea Mircan, Nov | |
| 2009 | Kopenhagen, ‘Marie Lund’, interview, Sep |
| Artforum, ‘Permanent Collection’, review, June | |
| Petunia, ‘Nina Beier and Marie Lund’, interview, Vincent Honore, France, Summer | |
| Artworld, ‘Nina Beier & Marie Lund’, interview, July | |
| Artforum, ‘Permanent Collection’, review, June | |
| 2008 | Mousse, ‘Follow the Instructions’, Nov |
| Arte e Critica, ‘The Glue and the Wedge – Conversation with Beier and Lund’, Italy, March | |
| 2007 | Artforum, ‘2007’, Catherine Wood, Dec |
| Artforum, ‘Performance and its appropriations’, Melanie Gilligan, June |
Permanent Installations
| 2019 | Mærsk Tårnet, University of Copenhagen, Copenhagen, Denmark |
