MARIE LUND

Born 1976 in Copenhagen, Denmark
Lives and works in London, UK

 

Education

2002 – 2004 The Royal College of Art, London, UK
1999 – 2002 The Royal Danish Academy of Fine Arts, Schools of Architecture, Copenhagen, Denmark

 

Solo exhibitions 

2019 The Thirst, Galleri Nicolai Wallner, Copenhagen, Denmark
2018 Grip, Jose Garcia, Mexico City, Mexico
Face to Back, Croy Nielsen, Vienna, Austria
2017 Legumes, Holstebro Kunstmuseum, Holsterbro, Denmark
2016 Scout, Jose Garcia, Merida, Mexico
2015 Flush, Badischer Kunstverein, Karlsruhe, Germany
PIT, Croy Nielsen, Berlin, Germany
2014 Drums, Museo Marino Marini, Florence, Italy
Dip, Laura Bartlett Gallery, London, UK
2013 Handstand, IMO Projects, Copenhagen, Denmark
Back Pack, Proyectos Monclova, Mexico City, Mexico
2012 End On, Christian Andersen Gallery, Copenhagen, Denmark
Clickety Click, Croy Nielsen Gallery, Berlin, Germany
2011 Turtles, Laura Bartlett Gallery, London, UK
Two Ways to Fall, Proyectos Monclova, Mexico City, Mexico
2010 The Testimony (with Nina Beier), Contemporary Art Museum St. Louis, St. Louis, USA
The Object Lessons (with Nina Beier), MUDAM, Luxembourg
2009 The Testimony (with Nina Beier) Les Sabots, The Making of Difference, The Complete Works, Nomas
Foundation, Rome, Italy
The Object Lessons (with Nina Beier), De Vleeshal, Middelburg, The Netherlands
Permanent Collection, Croy Nielsen, Berlin, Germany
Loss and Cause, Proyectos Monclova, Mexico City, Mexico
2008 Two Women (with Nina Beier), Laura Bartlett Gallery, London, UK
All The Best, David Roberts Art Foundation, London, UK
A Circular Play, Kunstverein Braunschweig, Braunschweig, Germany
A Circular Play (A Play in Circles), Wako Works of Art, Tokyo, Japan


Group exhibitions

2019 Chinese Whispers, Meessen De Clerq, Brussels, Belgium (upcoming)
Løbende Kontakt. Marie Lund & Jesper List Thomsen, Kunstscenen, Copenhagen, Denmark
Foncteur d’oubli, frac île-de-france, Paris, France (upcoming)
2018 The Atlantic Project, Plymouth, UK
One Hour Long Exhibition – with Chosil Kil, Le Plateau, Paris, France
What do you dream of? The Mohole flower and other tales, Gallery Luisa Strina, Sao Paulo, Brazil
Spirit Painting, PEANA, Monterrey, Mexico
2017 Casa Miller, Gallery Allan, Paris, France
Sous le Regard de Machines Pleines D’amour et de Grace, Palais de Tokyo, Paris, France
2016 Hinter dem Vorhang. Verhüllung und Enthüllung seit der Renaissance. Von Tizian bis Christo, Museum Kunstpalast, Düsseldorf, Germany
The Lasting. L’intervallo e la durata, Galleria Nazionale d’Arte Moderna, Rome, Italy
Acquisitions récentes, Frac Franche-Comté, Besançon, France
La Camera, Palazzo De’ Toschi, Bologna, Italy
Teoria Ingenua Degli Insiemi, P420, Bologna, Italy
Vanilla and Concrete, Tate Britain, London, UK
2015 Art Now, Tate Britain, London, UK
wow! Woven?, Künstlerhaus – Halle für Kunst & Medien, Graz, Austria
One Hour Long Exhibition (with Chosil Kil, Jesper List Thomsen, Johannes Lund), South London
Gallery, London, UK
Welcome You’re in the Right Place, Fondazione Sandretto Re Rebaudengo, Turin, Italy
The Camera’s Blind Spot II, Extra City Antwerp, Belgium
L’usage des formes: Artisans d’art et artistes, Palais de Tokyo, Paris, France
Dealing with Surfaces, GAK – Gessellschaft fuer Aktuelle Kunst, Bremen, Germany
2014 A Picture is No Substitute, Seventeen Gallery, London, UK
Living in The Material World, Galerie im Taxispalais, Innsbruck, Austria
Frieze Sculpture Park, London, UK
Living in a Material World, Kunstmuseum Krefeld, Krefeld, Germany
One Hour Long Exhibition – with Chosil Kil, Artsonje, Seoul, South Korea
Nouveau festival, Centre Pompidou, Paris, France
2013 Motor, Bettina Buck invites Marie Lund, Spacex, Exeter, UK
One Hour Long Exhibition (with Chosil Kil, Round House, Vilnius Chaque), Frac Franche-Comté,
Besançon, France
Flat Bed (with Benjamin Hirte and Rolf Nowotny), Joe Sheftel Gallery, New York, USA
Grundlag. Materialitet #2 (jord), Sorø Kunstmuseum, Sorø, Denmark
It’s Over There, Simone Subal Gallery, New York, USA
One Hour Long Exhibition (with Chosil Kil and Francesco Pedraglio), New York Gallery, New York, USA
When Attitudes Became Form Become Attitudes, Museum of Contemporary Art Detroit, Detroit, USA
2012 House of Leaves, David Robert Art Foundation, London, UK
When Attitudes Became Form Become Attitudes, CCA Wattis, San Francisco, USA
From Stavanger with Love, Galleri Opdahl, Stavanger, Norway
A wavy line is drawn across the middle of the original plans, Kölnischer Kunstverein, Cologne, Germany
One Hour Long Exhibition (with Chosil Kil and Francesco Pedraglio), Shanaynay, Paris, France
Who Am I? What Am I Doing Here??, Shanaynay, Paris, France
L’Entre-deux: des savoirs bouleversés, La Kunsthalle, Mulhouse, France
Beyond Words, GAK Gesellschaft für Aktuelle Kunst, Bremen, Germany
2011 One Hour Long Exhibition (with Chosil Kil and Tr Kirstein & Johns Lunds), Supplement Gallery, London, UK
Day without a Temperament, Galerie Emanuel Layr, Vienna, Austria
Young London, V22, London, UK
Somiglianze Non Sensibili, Galleri Opdahl, Berlin, Germany
Paysages avec Objets Absents, Kunsthalle Freiburg, Freiburg, Germany
Under Destruction, The Swiss Institute, New York, USA
Bob Dylan, Bob Dylan, Boba Dylana (with Jiri Kovanda and Nina Beier), DOX, Prague, Czech Republic
2010 Best Laid Plans, Drawing Room, London, UK; Tate Modern, London, UK
Frieze Sculpture Park, London, UK
Tumult, Public art festival, Lolland Falster, Denmark
Under Destruction, Museum Tinguely, Basel, Switzerland
Der ideale Ort, Künstlerhaus Bremen, Germany
Nomad-ness, Hab Galerie, Nantes, France
À l’ombre d’un Doute, Frac Lorraine, Metz, France
We Have as Much Time as it Takes, CCA Wattis Institute, San Francisco, USA
History of Art, DRAF, London, UK
In Which the Wind is Also a Protagonist, La Generale, Sevres, France
A Very Very Long Cat, Wallspace, New York, USA
Gestures, Museum of Contemporary Art, Roskilde, Denmark
Gallerie, Galleria, Norma Mangoine Gallery, Turin, Italy
Performative Strategies, Kunsthaus Glarus, Glarus, Switzerland
2009 Momentum: Nordic Biennial, Momentum Kunsthall and Galleri F15, Moss, Norway
Collective Spirits, Four Boxes Gallery, Skive, Denmark
A Sensed Pertubation, Murray Guy, New York, USA
We Would Like To Thank (Again) The Curators Who Wish To Remain Anonymous, Anne Barrault, Paris, France
The Wall of the Sky, The Wall of the Eye, About Change Collection, Berlin, Germany
The Announcement, ICA – Institute for Contemporary Art, London, UK
Audio, Video, Disco, Kunsthalle Zürich, Zürich, Switzerland
Don’t Expect Anything, Francesca Minini, Milan, Italy
Berlin-Paris, GB Agency, Paris, France
La Notte, La Kunsthalle, Mulhouse, France
Reduction & Suspense, Kunstverein Bregenz, Bregenz, Austria
2008 What is my name, Hisk, Gent, Belgium
Insoluables Solides, Betonsalon, Paris, France
Oh, A Show, Showroom Platform, Basel, Switzerland
Nought To Sixty, ICA – Institute of Contemporary Art, London, UK
Nordic Art and Experimental Film, Malmö Konsthall, Malmö, Sweden
Playtime, Betonsalon, Paris, France
I have nothing to say and I am saying it, Platform Seoul, Seoul, South Korea
Good Fences (with Chosil Kil), Galleri Opdahl, Stavanger, Norway
U-Turn, Quadrennial for Contemporary Art, Copenhagen, Denmark
Eurasia, MART – Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy
When I Was A Little Boy…, Klatovy, Czech Republic
Laughing In A Foreign Language, Hayward Gallery, London, UK
The Unfair Fair, Rome, Italy
From a Distance, Wallspace, New York, USA
2007 Actions & Interruptions, Tate Modern, London, UK
The Difference Between Humans & Walls, Tate Britain, London, UK
Collectivity, Yerba Buena Center for the Arts, San Francisco, USA
Abstract Things, Laura Bartlett Gallery, London, UK


Catalogue/Publications (selected)

2018 The Atlantic Project, Plymouth, UK
What do you dream of? The Mohole Flower and other tales, Luisa Strano Gallery, Sao Paulo, Brazil
One Hour Long Exhibition, Le Plateau, Paris, France
2017 ‘Scout’, MIDI/ Mousse Publishing, Milan
2014 ‘Drums’, MIDI/ Mousse Publishing, Milan
‘Living in a Material World’, Museum Krefeld, Germany
2013 ‘Best of – 67 x Kunst’, Michael Jeppesen, Strandbjerg Publishing, Denmark
‘Grundlag. Materialitet #2 (jord)’, Sorø Kunstmuseum, Denmark
2012 ‘When Attitudes Became Form Become Attitudes’, CCA Wattis, San Francisco
‘The Object Lessons’, Nina Beier, Marie Lund and Francesco Pedraglio, Mousse Publishing, Milan
2011 ‘Turtles’, Mousse Publishing, Milan
‘Bob Dylan, Bob Dylan, Boba Dylana’, Dox, Prague
‘Under Destruction’, Museum Tinguely, Basel and the Swiss Institute, NYC
2010 ‘We Have as Much Time as it Takes’, CCA Wattis Institute for Contemporary Arts, San Francisco
‘History of Art, The’, DRAF, London
‘Best Laid Plans’, Drawing Room, London
2009 ‘Present Future’, Artissima, Italy
‘Momentum Nordic Biennial 2009’, Norway
‘The Points #02’, Nina Beier and Marie Lund, Croy Nielsen, Berlin
‘The Points #01’, Nina Beier and Marie Lund, Proyectos Monclova, Mexico City
‘Nought to Sixty’, ICA, London ‘Platform Seoul’, Artsonje, Korea
2008 ‘Eurasia’, MART Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italy
‘Past Forward’, 176 Project Space, London
‘U-Turn’, U-Turn, Denmark
‘Laughing In A Foreign Language’, Hayward, England


Articles/reviews (selected)

2015 Artforum, ‘Marie Lund, Flush’, review, May
Art Review, ‘Marie Lund, Dip’, review, Paul Pieroni, Jan
2014 This is Tomorrow, ‘Marie Lund, Dip’, review, Gabrielle Schwarz, Dec
Aesthetica, ‘Marie Lund, Dip’, review, Ivan Knapp, Dec
Marie Lund | Drums, Cecilia Canziani and Trine Friis Sørensen, Art Text Pics, atpdiary.com, April
2013 Information, ‘Skulpturen Lever’, review, Michael Jeppesen, May
Frieze, ‘Marie Lund, Clickety Click’, review, Kirsty Bell, Jan
2012 Cura Magazine, ‘Spot Light – Marie Lund’, Cecilia Canziani, Autumn Annual Magazine, ‘Marie Lund’, interview, Romain Chenais, Autumn
2011 Frieze, ‘Marie Lund, Turtles’, review, Kari Rittenbach, Nov
2010 Modern Painters, ‘Immaterial Girls’, feature/interview, Coline Milliard, Oct
Mousse, ‘Palpable Distance’, feature, Mihnea Mircan, Nov
2009 Kopenhagen, ‘Marie Lund’, interview, Sep
Artforum, ‘Permanent Collection’, review, June
Petunia, ‘Nina Beier and Marie Lund’, interview, Vincent Honore, France, Summer
Artworld, ‘Nina Beier & Marie Lund’, interview, July
Artforum, ‘Permanent Collection’, review, June
2008 Mousse, ‘Follow the Instructions’, Nov
Arte e Critica, ‘The Glue and the Wedge – Conversation with Beier and Lund’, Italy, March
2007 Artforum, ‘2007’, Catherine Wood, Dec
Artforum, ‘Performance and its appropriations’, Melanie Gilligan, June

 

Permanent Installations

2019 Mærsk Tårnet, University of Copenhagen, Copenhagen, Denmark