DAN GRAHAM
Born 1942 in Urbana, Illinois, USA
Died 2022 in New York, USA
Solo exhibitions (selected)
| 2023 |
Dan Graham’s Schema, 1966-1975, 3A Gallery, New York, USA |
| 2020 | Three Models, Three Sizes, Three Price Ranges, 303 Gallery, New York, USA Zig Zag Rooftop Pavillon, Galeria Filomena Soares, Lisbon, Portugal |
| 2019 | New Works, Marian Goodman Gallery, Paris, France Dan Graham, Galerie Meyer Kainer, Vienna, Austria New Classic Models, Galería Cayón, Madrid, Spain Fashion and Architecture, Galleria Francesca Minini, Milan, Italy Whirligig, Molinete, Fundación Proa, Buenos Aires, Argentina |
| 2018 | Dan Graham: beyond walls, Sirius Arts Center, County Cork, Ireland Dan’s World, Galleri Nicolai Wallner, Copenhagen, Denmark Rock ‘n’ Roll, Lisson Gallery, London, UK ‘New Works By A Small-Town Boy’, Regen Projects, Los Angeles, USA ‘TV Producer as Conceptual Artist’, Greene Naftali, New York, USA |
| 2017 | Dan Graham, Galeria Nara Roesler, Sao Paulo, Brazil Dan Graham: Works that are Fun for the Family, Museum of Contemporary Art Zagrab, Zagrab, Croatia Greatest Hits, Red Brick Art Museum, Beijing, China |
| 2016 | Dan Graham/Rocks, Cleveland of Art, Cleveland, USA Dan Graham, Galeria Filomena Soares, Lisbon, Portugal |
| 2015 | Centre d’art de la Cité Radieuse, MAMO Marseille, France Dan Graham, Galerie Marian Goodman, Paris, France FIAC Hors les Murs Place Vendome, Paris, France Observatory/Playground, MAMO, Marseille, France Models for Pavillions, ETH Zurich, Switzerland Dan Graham – with an intervention by Günther Vogt, Institute for the History and Theory of Architecture (GTA), Zürich, Switzerland |
| 2014 | Tunnel of Love, Galleri Nicolai Wallner, Copenhagen, Denmark |
| Models and Beyond, Museum de Pont, Tilburg, The Netherlands | |
| The Roof Garden Commission: Dan Graham, Metropolitan Museum of Art, New York City, USA | |
| Design For Showing Rock Videos, Greene Naftali, New York City, USA | |
| Art as Design/Design as Art (with Heimo Zobernig), Galerie Christine Mayer, Munich, Germany | |
| Rock My Religion, Shaker Museum, Mount Lebanon, New York, USA | |
| 2013 | Two Cubes, One Rotated 45, Turner Contemporary, London, UK |
| Past Future Split Attention, Manchester International Festival, Manchester | |
| Future Es Dan Graham, Uma Certa Falta de Coerência, Porto, Portugal | |
| Performance Cafe with Perforated Sides, Plug In Institute of Contemporary Art, Winnipeg, Canada | |
| 2012 | Rock n’ Roll show. Unrealised Projects for Children and Boutique Architecture, Hauser and Wirth, Zurich, Switzerland |
| Pavilions, Lisson Gallery London, UK | |
| Dan Graham: Urbanism, Johnen Galerie, Berlin, Germany | |
| 2011 | Models and Videos, Eastside Projects, Birmingham, UK |
| Exposition d overture, Le Consortium, Dijon, France | |
| Through the Looking Brain. A Swiss Collection of Conceptual Photography, Kunstmuseum St. Gallen, St. Gallen, Switzerland | |
| Dan Graham, Protocinema, Istanbul, Turkey | |
| 2010 | Dan Graham, Center for Contemporary Art, CCA Kitakyushu, Kitakyushu, Japan |
| Dan Graham, Taka Ishii Gallery – Tokyo, Tokyo, Japan | |
| Dan Graham, Regen Projects, Los Angeles, USA | |
| 2009 | Theatre, Lisson Gallery, London, UK |
| Beyond, MOCA – Museum of Contemporary Art, Los Angeles, USA; Whitney Museum of American Art, New York, USA | |
| Dan Graham Presents New Jersey, Portikus, Frankfurt am Main, Germany | |
| Death By Chocolate, daadgalerie, Berlin, Germany | |
| Dan Graham, Galerie Marian Goodman, Paris | |
| Dan Graham, Marian Goodman Gallery, New York, USA | |
| 2008 | Dan Graham in Copenhagen, Gallery Nicolai Wallner, Copenhagen, Denmark |
| Dan Graham: Sagitarian Girls, Francesca Minini, Milan, Italy | |
| More of the Same, Hauser & Wirth Zurich, Zurich, Switzerland | |
| From Seriousness to Silliness (with Jeppe Hein), Galerie Rudiger Schottle, Munich, Germany | |
| 2007 | Dan Graham: Mannerism/Rocco, Galerie Marian Goodman, Paris, France |
| Dan Graham’s New Jersey, Arthur Ross Architecture Gallery Columbia University, New York, USA | |
| Dead Already, Reena Spaulings Fine Art, New York, USA | |
| 2006 | Concetto, Corpo e Sogno, Castello di Rivoli, Museo d’Arte Contemporanea, Turin, Italy |
| Dan Graham, Villa Caldogno, Guggenheim Foundation, Caldogno, Italy | |
| Don’t trust anyone over thirty, Dan Graham in collaboration with Tony Oursler and Rodney | |
| Graham, Walker Art Center, Minneapolis, USA | |
| Dan Graham: Dan Graham, Johnen Galerie, Berlin, Germany | |
| Death by Chocolate: West Edmonton Shopping Mall, Orchard, New York, USA | |
| 2005 | Dan Graham, Galerie Micheline Szwajcer, Antwerp, Belgium |
| Don’t trust anyone over thirty, Dan Graham in collaboration with Tony Oursler and Rodney Graham, Festival of Vienna, Vienna, Austria; Staatsoper Berlin, Berlin, Germany | |
| 2004 | Performance, Lisson Gallery, London, UK |
| Ext 17, Swiss Institute, New York, USA | |
| Dan Graham by Dan Graham, Kitakyushu Municipal Museum of Art, Kitakyushu | |
| Dan Graham, Galerie Christine Mayer, Munich, Germany | |
| Don’t trust anyone over thirty, Dan Graham in collaboration with Tony Oursler and Rodney Graham, Art Basel, Miami Beach, FL, USA | |
| 2003 | Dan Graham by Dan Graham, Chiba City Museum of Art, Chiba, Japan |
| Dan Graham, Contemporary Art Gallery, Vancouver, Canada | |
| Double Exposure., Fundacao de Serralves, Porto, Portugal | |
| Dan Graham, Meyer Kainer, Vienna, Austria | |
| 2002 | Five Films (1969-1973), Marian Goodman, New York, USA |
| Dan Graham, Galerie Rüdiger Schottle, Munich, Germany | |
| Labyrinth II, Galleria Massimo Minini, Brescia, Italy | |
| Dan Graham Works 1965-2000, Kunsthalle Dusseldorf, Dusseldorf, Germany; Kiasma – Museum of Contemporary Art, Helsinki, Finland | |
| Spiritus, Magasin 3, Stockholm, Sweden | |
| Dan Graham, Galerie Marian Goodman, Paris, France | |
| Dan Graham, Galerie Christine Mayer, Munich, Germany | |
| Waterloo Sunset (with Haworth Tompkins Architects), Hayward Gallery, London, UK | |
| Bisected Triangle. Target Art in the Park, Madison Square Park, New York, NY, USA | |
| The Children’s Pavillion, Centre Rhénan d’Art Contemporain d’Alsace, Altkirch, France | |
| 2001 | A Show For All The Children, Hauser & Wirth, Zürich, Switzerland |
| Dan Graham Works 1965-2000, Fundacao de Serralves, Porto, Portugal; ARC – Musee d’art Moderne de la Ville de Paris, Paris, France; Kröller-Müller Museum, Otterlo, The Netherlands | |
| Sculptures / Pavilions, London, UK | |
| Reflective Glass Moon Windows, Shima/Islands, Shigemori Residence, Kyoto, Japan | |
| Rooftop Urban Project (with Dara Birnbaum), Dia Center for the Arts/Electronic Arts Intermix, New York, NY, USA | |
| 2000 | Children’s Day Care Center, CD-Rom, Cartoon, and Computer Screen Library Project, Marian Goodman Gallery, New York, USA |
| Rivoli Gate Pavilion, Collezione Massimo Minini, Brescia, Italy | |
| Julie Becker / Dan Graham, China Art Object Galleries, Los Angeles, USA | |
| 1999 | Architekturmodelle, Kunst-Werke Institute for Contemporary Art, Berlin, Germany |
| 1998 | Dan Graham, Fundacio Antoni Tapies, Barcelona, Spain |
| Architectural Proposals Photographs, Galerie Rudiger Schottle, Munich, Germany | |
| Dan Graham, Galerie Jiri Svestka, Praha, Czech Republic | |
| Empty Shoji Screen/Two-way Mirror Container, Lothbury Gallery, London, UK | |
| Unrealized Projects, Galerie Meyer Kainer, Vienna, Austria | |
| Dan Graham: Recent Works, School of the Museum of Fine Arts, Boston, USA | |
| 1997 | Dan Graham, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain |
| The Suburban City, Neue Galerie am Landesmuseum Joanneum, Graz, Austria | |
| Models to Proejcts. 1989-1997, Galerie Marian Goodman, Paris, France | |
| Dan Graham, Galerie Rüdiger Schöttle, Munich, Germany | |
| Dan Graham – Candida Höfer, Galerie Johnen & Schottle, Cologne, Germany | |
| Architecture 1, Camden Arts Center, London, UK | |
| Architecture 2, The Architectural Association, School of Architecture, London, UK | |
| New Works/New Age, Hauser & Wirth, Zurich, Switzerland | |
| 1996 | Dan Graham, Galleria Massimo Minini, Brescia, Italy |
| The Suburban City, Museum fur Gegenwartskunst, Basel, Switzerland | |
| Models to Projects 1978 – 1995, Marian Goodman Gallery, New York, USA | |
| Detumescence, Wooster Gardens, New York, USA | |
| Videos on Sculptures/Pavilions, Gallery Schimada, Tokyo, Japan | |
| Star of David, Schloss Buchberg, Buchberg, Austria | |
| Dan Graham, Galerie Micheline Szwajcer, Antwerp, Belgium | |
| 1995 | Video / Architecture / Performance, EA-Generali Foundation, Vienna, Austria |
| Dan Graham, Marian Goodman Gallery, New York, USA | |
| Dan Graham and Mariko Mori, American Fine Arts, New York, USA | |
| Skulpturenweg, Städtische Galerie Nordhorn, Nordhorn, Germany | |
| Skulpturenweg, Museumvan Hadendaagse Kunst, Ghent, Beligium | |
| 1994 | Dan Graham: Selected Photographs, 1965-1991, Galerie Mai 36, Zürich, Switzerland |
| New American Films and Video Series, Whitney Museum of American Art, New York, USA | |
| Korrektur: Dan Graham, Ausstellungsraum Kunstlerhaus, Stuttgart, Germany | |
| Kunst und Architektur – Architektur und Kunst, Museum Villa Stuck, Munich, Germany | |
| 1993 | Art in Relation to Architecture / Architecture in Relation to Art, Van Abbemuseum, Eindhoven, The Netherlands |
| House and Garden, Margo Leavin Gallery, Los Angeles, USA; Marian Goodman Gallery, New York, USA | |
| The Childrens Pavilion, a collaboration with Jeff Wall, Museum Boymans-van Beuningen, Rotterdam, The Netherlands | |
| Walker Evans / Dan Graham, Westfälisches Landesmuseum, Münster, Germany; Whiteny Museum of American Art, New York, USA | |
| Public / Private, Moore College of Art and Design, Philadelphia, USA; Art Gallery of Ontario, Toronto, Canada; Los Angeles Contemporary Exhibitions, Los Angeles, USA | |
| 1992 | Travaux 1964-1992, Le Nouveau Musee-Institut dArt Contemporain, Villeurbanne, France |
| The Children’s Pavilion, Musée d’Art Moderne, Saint-Etienne, France | |
| Modelle, Grafisches Kabinett und Ver Sacrum Zimmer ‘Triangular Pavilion’, Wiener Secession, Vienna, Austria | |
| Photographs, Galerie Bleich-Rossi, Graz, Austria | |
| Walker Evans/Dan Graham, Witte de With Center for Contemporary Art/Museum Boymans-van Beuningen, Rotterdam, Netherlands; Musée Cantini, Marseille, France | |
| Pavilions Sculptures & Photographs, Lisson Gallery, London, UK | |
| Star of David Pavilion’, Schloss Buchberg, Buchberg am Kemp, Austria | |
| Dan Graham, Ars Electronica, Linz, Austria | |
| 1991 | Dan Graham, Galerie Rüdiger Schöttle, Munich, Germany |
| Photographs and Models, Margo Leavin Gallery, Los Angeles, USA | |
| Dan Graham, Castello di Rivara, Turin, Italy | |
| Roof Project, DIA Center for the Arts, New York, USA | |
| Dan Graham, Galleria Pieroni, Rome, Italy | |
| Dan Graham, Galerie Micheline Szwajcer, Antwerp, Belgium | |
| Pavilions / Sculptures, Galerie Roger Pailhas, Marseille, France; Fondation pour l’Architecture, Brussels, Belgium | |
| Pavilions, Sculptures and Photographs, Lisson Gallery, London, UK | |
| Photographs 1966-1987, Le Case d’Arte, Milan, Italy | |
| 1990 | Zeichnungen 1965-69- Fotographien 1966-78, Galerie Bleich-Rossi, Graz, Austria |
| Photographs 1965-1985, Marian Goodman Galler, New York, USA | |
| Dan Graham, The Yamaguchi Prefectural Museum of Art, Yamaguchi, Japan | |
| Dan Graham, Shimada Gallery, Yamaguchi, Japan | |
| 1989 | The Children’s Pavilion, a collaboration with Jeff Wall, Marian Goodman, New York, USA; Santa Barbara Contemporary Arts Forum, Santa Barbara, USA; Galerie Roger Pailhas, Marseille, France; Fonds Regional d’Art Contepmorain Rhone-Alpes, Lyons, France; Galeire Chantal Boulanger, Montreal, Canada |
| 1988 | Dan Graham: Sculpture – Pavilions, Kunsthalle zu Kiel, Kiel, Germany |
| Pavilions, Münchner Kunstverein, Munich, Germany | |
| The Children’s Pavilion, a collaboration with Jeff Wall, Musee dArt Moderne de Saint-Etienne, Saint-Etienne, France | |
| 1987 | Dan Graham, ARC – Musee dArt Moderne de la Ville de Paris, Paris, France |
| Dan Graham, Le Consortium, Dijon, France | |
| Dan Graham, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain | |
| Dan Graham, Marian Goodman Gallery, New York, USA | |
| Photographs 67-68, Galerie Hufkens-Noirhomme, Brussels, Belgium | |
| Video/Cinema, Fruitmarket Gallery, Edinburgh, UK | |
| 1986 | Dan Graham, Cable Gallery, New York, USA |
| Exhibition of Environmental Aesthetic, Storefront for Art and Architecture, New York, USA | |
| Dan Graham, Lisson Gallery, London, UK | |
| Dan Graham, Galerie Liliane et Michel Durand-Dessert, Paris, France | |
| Dan Graham, Galleria Lia Rumma, Naples, Italy | |
| Interior Design for Space Showing Videotapes, Het Kijkhuis, The Hauge, The Netherlands | |
| Sculpture, Pavilions & Photographs, Galerie Rüdiger Schöttle, Munich, Germany | |
| Three Pavilions / Sculptures, Galerie fur Architektur und Kunst, Munich, Germany | |
| Dan Graham & Sol LeWitt, Lisson Gallery, London, UK | |
| Dan Graham, Galerie Johnen & Schöttle, Cologne, Germany | |
| Ludger Gerdes, Dan Graham, Kaiser Wilhelm Museum, Krefeld, Germany | |
| Arts Electroniques, Videomorphies Dan Graham, La Criée, Halle d’Art Contemporain, Rennes, France | |
| 1985 | Dan Graham, The Art Gallery of Western Australia, Perth, Australia |
| 1984 | Dan Graham, Galleria del Cavallino, Venice, Italy |
| Dan Graham, Marianne Deson Gallery, Chicago, USA | |
| Dan Graham, Todd’s Gallery, New York, USA | |
| 1983 | Pavilions, Kunsthalle Bern, Berne, Switzerland |
| Dan Graham, Amelia A. Wallace Gallery, old Westbury Campus, College of New York State, Old Westbury, USA | |
| Dan Graham, Walter Philips Gallery, Banff Center for Art, Alberta, Canada | |
| Dan Graham, David Bellman Gallery, Toronto, Canada | |
| 1982 | Dan Graham, Galerie Liliane et Michel Durand-Dessert, Paris, France |
| Dan Graham, Geward 23, Ghent, Belgium | |
| Dan Graham, Johnson State College, Johnson, Canada | |
| Dan Graham, Parachute, Montreal, Canada | |
| Dan Graham, Hotel Wolfers, Brussels, Belgium | |
| Dan Graham, Anna Leonowens Gallery, Nova Scotia College of Art, Halifax | |
| Dan Graham, Plan B, Tokyo, Japan | |
| 1981 | Buildings and Signs, Lisson Gallery, London, UK; Michel et Liliane Durand-Dessert, Paris, France; Renaissance Society at the University of Chicago, Chicago, USA |
| Pavilion / Sculpture, Center for the Arts, Muhlenberg College, Allentown, USA | |
| Video at 30th St. Station, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA | |
| 1980 | Gallery Projections, Architectural Proposals, Photographs, Galerie Rüdiger Schöttle, Munich, Germany |
| Dan Graham, Central Library, City of Los Angeles, Los Angeles, USA | |
| Dan Graham, Museum of Contemporary Art, Lisbon, Portugal | |
| Two Viewing Rooms, MOMA – Museum of Modern Art, New York, USA | |
| Dan Graham, P.S.1. Institute for Art and Urban Resources, Long Island City, USA | |
| 1979 | Dan Graham, Galerie Rüdiger Schöttle, Munich, Germany |
| Architectural Models and Photographs, Galleria Paola Betti, Milan, Italy | |
| Dan Graham, Franklin Furnace, New York, USA | |
| Videotapes and Diagrams, Center for Art Tapes, Halifax, Canada | |
| Dan Graham, Locus Solus, Genoa, Italy | |
| 1978 | Dan Graham, Corps de Garde, Groningen, The Netherlands |
| Dan Graham, Museum of Modern Art, Oxford, UK | |
| 1977 | Video-Architecture Projects, Photographs, Galerie Rene Block, Berlin, Germany |
| Dan Graham, Stedelijk Van Abbemuseum, Eindhoven, The Netherlands | |
| Video Piece for Two Glass Buildings, Leeds Polytexchnix Gallery, UK | |
| Dan Graham, Studio Terelli, Ferrara, Italy | |
| Two Rooms Reverse Video Delay, MuHKA – Museum van Hedendaagse Kunst, Ghent, Belgium | |
| 1976 | Dan Graham, Sperone Westwater Fischer Gallery, New York, USA |
| Dan Graham, Salle Simon I. Patino, Geneva, Switzerland | |
| Dan Graham, Saman Gallery, Genoa, Italy | |
| Dan Graham, Galerie Vega, Liege, Belgium | |
| Dan Graham, Institute of Contemporary Art, New Gallery, London, UK | |
| Dan Graham, Galerie Anne-Maria Verna, Zürich, Switzerland | |
| Dan Graham, Galleria Banco, Brescia, Italy | |
| Dan Graham / Lawrence Weiner, Kunsthalle Basel, Basel, Switzerland | |
| 1975 | Video Project, Griffiths Art Centre, St. Lawrence University, New York, USA |
| Dan Graham, Lucio Amelio, Modern Art Agency, Naples, Italy | |
| Dan Graham, John Gibson Gallery, New York, USA | |
| Dan Graham, Palais des Beaux-Arts, Brussels. Belgium | |
| Dan Graham, Otins Institute Gallery, Los Angeles, USA | |
| 1974 | Dan Graham, Galleria Marilena Bonomo, Bari, Italy |
| Dan Graham, Lisson Gallery, London, UK | |
| Dan Graham, Galerie 17, Paris, France | |
| Dan Graham, Royal College of Art, London, UK | |
| Performance and Films, Epson School of Art, Surrey, UK | |
| Dan Graham, Galerie M.T.L., Brussels, Belgium | |
| 1973 | Dan Graham, Galerie M.T.L., Brussels, Belgium |
| Dan Graham, Gallery A 402, Institute of Arts, Valencia, USA | |
| Dan Graham, Galerie Rudolf Zwirner, Cologne, Germany | |
| Dan Graham, Galleria Schema, Florence Italy | |
| 1972 | Dan Graham, Project Inc., Cambridge, USA |
| Dan Graham, Lisson Gallery, London, UK | |
| Performance: New Piece, Fourth Floor Gallery, Halifax, Canada | |
| Dan Graham, Protech-Rivkin Gallery, Washington, USA | |
| Dan Graham, Galleria Toselli, Milan, Italy | |
| Dan Graham, Gallery A 402, California Institute of the Arts, Valencia, USA | |
| 1970 | Dan Graham, Anna Leonowens Gallery, Nova Scotia College of Art, Halifax, Canada |
| Dan Graham, The Mezzanine, Nova Scotia College of Art, Halifax, Canada | |
| 1969 | Dan Graham, John Daniels Gallery, New York, USA |
Group exhibitions (selected)
| 2023 2021 |
Signals: How Video Transformed The World, Museum of Modern Art, New York, USA 40 Aniversario, Museo Tamayo, Mexico City, Mexico |
| 2020 | When We First Arrived…, Whitman Walker, Washington D.C., USA Overwrite, Greene Naftali, New York, USA |
| 2019 | Inspired By Moon Window, State Gallery of Lower Austria, Krems, Austria The Lab. Culture City. Culture Space. Art, Urban Change and the Public Sphere, NTU Centre for Contemporary Art, Singapore, Singapore 303 Gallery. 35 Years, 303 Gallery, New York, USA Picnic, Sammlung Hoffmann, Berlin, Germany Family Ties. The Schröder Donation, Museum Ludwig, Cologne, Germany 5 Ways In. Themes From the Collection, Walker Art Center, Minneapolis, USA Reflections on Space and Time, Galeria Nara Roesler, Sao Paulo, Brazil Art Basel Parcours (curated by Samuel Leuenberger), Münsterplatz, Basel, Switzerland Food Show 3, 3A Gallery, New York, USA Unexplained Parade, Catriona Jeffries Gallery, Vancouver, Canada This Is Not America, Vancouver Biennale re-IMAGE-n, Vancouver, Canada Arquitecturas do imaginário, Galeria Nara Roesler, Rio de Janeiro, Brazil Life to come, Metro Pictures, New York, USA A Time Capsule Continued, Parkett Exhibition Space, Zurich, Switzerland |
| 2018 | The Szewchan Tale, FM Centro Per l’Arte Contemporanea, Milan, Italy Faith Love Hope, Kunsthaus Graz, Austria Group Show, Marian Goodman Gallery, Paris, France Is It My Body?, Francesca Minini, Milan, Italy Generali Foundation. 30 Years, Museum der Moderne, Salzburg, Austria 3D Double Vision, LACMA, Los Angeles, USA Maré, Filomena Soares Gallery, Lisbon, Portugal Group Exhibition, Magenta Plains, New York, USA Picture Industry. A Provisional History of the Technical Image, Luma Arles, Arles, France Foundation for Contemporary Arts 2018 Benefits Exhibition, Gladstone Gallery, New York, USA Crossroads, Carnegie Museum of Art, Pittsburgh, USA Frieze Sculpture 2018, Frieze Scultpure, London, UK |
| 2017 | Time Capsule, Funcação Caixa Geral de Depósitos, Lisbon, Portugal Everything At Once, The Store Studios, London, UK Cologne Sculpture #9, Cologne Sculpture Park, Cologne, Germany Folklore, Museum der Moderne, Salzburg, Austria Wanderings, Cristina Guerra Contemporary Art, Lisbon, Portugal Sur/face: Mirrors, Angewandtekunst Museum, Frankfurt, Germany I am you, you are too, Walker Art Center, Minneapolis, USA Sampler 1, MACBA, Barcelona, Spain JUMP, Galleri Nicolai Wallner, Copenhagen, Denmark Diapositive: Histoire de la photographie projectée, Musée de l’Elysée, Lausanne, Switzerland A still life by Chardin, Lisson Gallery, London, UK Variable Dimensions – Artists and Architecture, Museum of Art, Architecture and Technology, Lisbon, Portugal Visual Notes for an Upside-Down World, PPOW, New York, USA |
| 2016 | Drawing Dialogues: Selection from the Sol LeWitt Collection, The Drawing Center, New York, USA |
| An Imagined Museum Woks From the Centre Pompidou, The Tate and The Mmk, MMK, Frankfurt am Main, Germany PUNK. Its Traces In Contemporary Art, MACBA, Barcelona, Spain Garden Show, Regards, Chicago, USA |
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| A Sense of History, Nordstern Videokunstzentrum, Gelsenkirchen, Germany Visibility, Campoli Presti, London, UK Sammeln ist wie Tagebuch fuhren Kleinskulpturen aus 50 Jahren, Galerie Rainer Wehr, Stuttgart, Germany |
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| Koeln Skulptur #8, Skulpturenpark Koeln, Cologne, Germany 50JPG Triennal 2016, Camera(Auto)Controle, Geneve, Switzerland Sculpture en Partage, Fondation Villa Datris, L’Isle-sur-la Sorgue, France Occupying Space – The Generali Collection – Image/Text/Research, Nederlands Fotomuseum, Rotterdam, The Netherlands |
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| 2015 | Dan Graham – with an intervention by Günther Vogt, Institute for the History and Theory of Architecture (GTA), Zurich, Switzerland |
| (un)moglich! Kunstler als Architekten, MARTa Herford, Herford, Germany | |
| PUNK. Its Traces In Contemporary Art, CA2M – Centro de Arte Dos de Mayo, Madrid, Spain | |
| 2014 | A Inusitada Colecao De Sylvio Perlstein, MASP, Sao Paolo, Brazil |
| Retro Active: Performance Art form 1964-1987, Delaware Art Museum, Delaware, USA | |
| Postscript: Writing After Conceptual Art, The Eli and Edythe Broad Art Museum, Michigan, USA | |
| Generali Foundation Collection, Museum der Moderne Salzburg, Salzburg, Austria | |
| 1984-19991. La Decennie, Centre Pompidou-Metz, Metz, France | |
| Wenn wir dich nicht sehen, siehst du uns auch nicht, Frankendael Foundation, Amsterdam, The Netherlands | |
| Freezer Burn Organized By Rita Ackermann, Hauser & Wirth New York, 69th Street, New York City, USA | |
| Blackout, Galerie Rodolphe Janssen, Brussels, Belgium | |
| Music palace. The power of music seen by visual artsits. Villa Empain – Boghossian Foundation, Brussels, Belgium | |
| Kunst/Geschichten, Museum der Moderne, Salzburg, Germany | |
| Dan Graham, Giuseppe Penone, Danh Vo, Jeff Wall, Marian Goodman Gallery, New York City, USA | |
| Soleil politique – The museum between light and shadow, MUSEION Museum fur moderne und zeltgenossische Kunst, Bolzano, Italy | |
| Bad Conscience, Metro Pictures Gallery, New York City, USA | |
| Auf den Punkt – Der Punkt zwischen grafischer Bedeutung und Standpunkt, Raum 2810, Bonn, Germany | |
| The Centre For Dying On Stage #1, Project Arts Centre, Dublin, Ireland | |
| Summer Show, Galerie Christine Mayer, Munich, Germany | |
| Was Modelle konnen, Eine kleine Geschichte des Architekturmodells in der zeitgenossischen Kunst, Museum fur Gegenwartskunst Siegen, Siegen, Germany | |
| Retro active: Performance Art From 1964 – 1987 – Delaware Art Museum, Wilmington, USA | |
| Space Interventions. Gordon Matta Clark and Beyond, Salon Dahlmann, Berlin, Germany | |
| Set in Motion, The Petach Tikva Museum of Art, Petach Tikva, Israel | |
| Puppet Show, Grundy Art Gallery, Blackpool, UK | |
| Video Container: Museum As Method, MOCA at Goldman Warehouse, Miami, USA | |
| Simulacra, Galerie Max Mayer, Dusseldorf, Germany | |
| J’En Veux Plus, Toujours Plus! /// And I Still Want More!, Galerie Thomas Henry Ross Art Contemporain, Montreal, Canada | |
| Musee a vendre pour cause de faillite. Werke und Dokumente aus der Herbert Foundation und mumok im Dialog, Museum Moderner Kunst Stiftung Ludwig, MUMOK, Vienna, Italy | |
| Dan Graham / Heimo Zobernig – Art as Design / Design as Art, Galerie Christine Mayer, Munich, Germany | |
| Dernieres Nouvelles de l’Ether, La Panacee, Montpellier, France | |
| Art By Te – Le – Phone… Re – Cal – Led, La Panacee, Montpellier, France | |
| CounterIntelligence, Justina M Barnicke Gallery, University of Toronto, Toronto, Canada | |
| 2013 | Against Method – The Collection Seen by Gertrud Sandqvist, Generali Foundation, Vienna, Austria |
| La Fabrique des Possibles, – FRAC Alpes-Cote dAzur, Marseille, France | |
| The Content of Form, Generali Foundation, Vienna, Austria | |
| Amazing! Clever! Linguistic! An Adventure in Conceptual Art, Generali Foundation, Vienna, Austria | |
| Turn off the Sun: Selections from la Coleccion Jumex, Arizona State University Art Museum, Tempe, Arizona | |
| The Insides are on the Outside, Casa de Vidro and SESC Pompeia, Sao Paulo, Brazil | |
| Dynamo, Un siecle de lumiere et de movement dans l’art 1913-2013, Grand Palais, Paris, France | |
| Empire State, Palazzo delle Esposizioni, Rome, Italy | |
| Contra Tapies, Fundacion Antoni Tapies, Barcelona, Spain | |
| Video Vintage 1963 – 1983. A Selection of New Media Collection, Centre Georges Pompidou, Paris, Beirut Art Center, Beirut, Lebanon | |
| Koln Skulptur #7, Skulpturenpark, Cologne, Germany | |
| This is Not a Love Song, La Virreina – Center de la Image, Barcelona, Spain | |
| Dynamo – A century of light and movement in art from 1913 to 2013, Grand Palais, Paris, France | |
| Continental Drift. Conceptual Art in Canada: The 1960’s and 197’’s, Badischer Kunstverein, Karlsruhe, Germany | |
| 24 Jahre Generali Foundation. The Content of Form, Generali Foundation,Vienna, Austria | |
| 2012 | Traffic: Conceptual Art in Canada 1965-1980, Vancouver Gallery, Vancouver, Canada |
| Ourselves, Melbourne Festival & The Australian Center for Contemporary Art, Melbourne, Australia | |
| Modernism: Suicide of Art? Reflections of the Collection of the Neue Galerie Graz, Neue Galerie Graz, Graz, Austria | |
| Alice in Wonderland of Art, Hamburger Kunsthalle, Hamburg, Germany | |
| Circa 1971: Early Video & Film from the EAI Archive, DIA: Beacon, Beacon, USA | |
| Architektonika, Hamburger Bahnhof, Berlin, Germany | |
| Alice in Wonderland, Museo dArte Moderna e Contemporanea di Trento e Rovereto, Rovereto, Italy | |
| Move: Art and Dance since the 1960s, National Museum of Contemporary Art, Seoul, South Korea | |
| Graham/Mangold, Dan Graham, Robert Mangold, Gallery Nicolai Wallner, Copenhagen, Denmark | |
| Great St Helen’s: Sculpture Space, Great St Helens, London, UK | |
| KolnSkulptur 6, Skulpturpark Koln, Cologne, Germany | |
| 2011 | Exposition d’ouverture, Le Consortium, Dijon, France |
| Move – Art and Dance since the 60’s, K20 – Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany | |
| Finite + Infinite, Artspeak, Vancouver, Canada | |
| Through the Looking Brain. A Swiss Collection of Conceptual Photography, Kunstmuseum St. Gallen, St. Gallen, Switzerland | |
| Paradigm Shift. Serralves Collection 60’s, 70’s, MUSAC – Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain | |
| 5th Biennal of Moving Image, Contour, Mechelen, Belgium | |
| Beziehungsarbeit – Kunst und Institution, Kunsterhaus Wien, Vienna, Austria | |
| I Hate Karl Marx, Merry Christmas, Berezdivin Collection Expacio 1414, Santurce, Puerto Rico | |
| Through the looking Brain – A Swiss Collection of Conceptual Photography, Kunstmuseum Bonn, Bonn, Germany | |
| Out of Sync: The Paradoxes of Time, Mudam Luxembourg, Luxembourg | |
| Alice in Wonderland of Art, Tate Liverpool, Liverpool, UK | |
| Architektonika, Hamburger Bahnhof, Berlin, Germany | |
| 2010 | KolnSkulptur 5, Skulpturenpark Koln, Cologne, Germany |
| Publicos y contrapublicos, Centro Andaluz de Arte Contemporaneo, Seville, Spain | |
| THE UNKNOWN GROUP, FRAC Fonds regional dart contemporain de Bourgogne, Dijon, France | |
| Ordinary Madness, Carnegie Museum of Art, Pittsburgh, USA | |
| Move: Choreographing You, Hayward Gallery, London, UK | |
| Che cosa sono le nuvole? Works from the Enea Righi Collection, Museion Bolzano, Bolzano, Italy | |
| Joint Dialogue. Lozano/Graham/Kaltenbach, OVerduin and Kite, Los Angeles, USA | |
| Conversation Pieces. A Chamber Play, Act III, Scene I, Johnen Galerie, Berlin, Germany | |
| The Travelling Show, Galeria de Fundacion/Coleccion Jumex, Mexico City, Mexico | |
| Starter Works from the Vehbi Koc Foundation Contemporary Art Collection, ARTER- space for art, Istanbul, Turkey | |
| Larger Than Life-Stranger Than Fiction, Triennale Kleinplastik, Fellbach, Germany | |
| Mixtapes: Contemporary Art in Popular Music, Lewis Glucksman Gallery, Cork, Ireland | |
| KolnSkulptur 5, Skulpturenpark Koln, Cologne, Germany | |
| FAX, Torrance Art Museum, Torrance, USA | |
| Focus on Artists, SAN Francisco Museum of Modern Art SFMOMA, San Francisco, USA | |
| Works in Editions, Margo Leavin Gallery, Los Angeles, USA | |
| DO/REDO/UNDO, WIELS Centrum voor Hedendaagse kunst, Brussels, Belgium | |
| Modernologies: Contemporary Artist Researching Modernity and Modernism, Museum of Modern Art Warsaw, Warsaw, Poland | |
| DOUBLE BLIND, Villa Arson, Nice, France | |
| Fax, Para/ Site Art Space, Hong Kong, China | |
| Prisonniers du Soleil – Erudition concrete 2, FRAC – Ile-de-France Le Plateau, Paris, France | |
| Changing Channels, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria | |
| Ordinary Madness, Carnegie Museum of Art, Pittsburgh, USA | |
| 2009 | Sonic Youth etc…: Sensational Fix, Kunsthalle Dusseldorf, Dusseldorf, Germany |
| Looking at Music: Side 2, Museum of Modern Art, New York, USA | |
| Portrait de lartiste en motorcycliste, MAGASIN Centre National dArt Contemporain de Grenoble, Grenoble, France | |
| Magic Jackpot, Galerie Christine Mayer, Munich, Germany | |
| Of other spaces, Columbus College of Art and Design, Columbus, USA | |
| MAN SON 1969. Vom Schrecken der Situation, Hamburger Kunsthalle, Hamburg, Germany | |
| Modernologies, Museu dArt Contemporani de Barcelona, Barcelona, Spain | |
| Gegen den STrich! 15 Jahre Sammlung des Kunstmuseum Woflsburg, Kunstmuseum Woflsburg, Woflsburg, Germany | |
| DIE MODERNE ALS RUINE. Eine Archaologie der Gegenwart, Generali Foundation, Vienna, Austria | |
| Stardust, Park De Oude Warande, Tilburg, The Netherlands | |
| 2008 | Paraisos indefinidos, Centro de Fotografia, Universidad de Salamanca, Salamanca, Spain |
| 15 years anniversary exhibition, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| Interieur / Exterieur: Wohnen in der Kunst, Kunstmuseum Wolfsburg, Wolfsburg, Germany | |
| Rock my Religion, Domus Artium 2002, Salamanca, Spain | |
| Inside Out, Galerie Mikael Andersen, Berlin, Germany | |
| Art/tapes/22, University Art Museum, Long Beach, USA | |
| Dan Graham/Jeppe Hein. From Seriousness to Silliness, Galerie Rudiger Schottle, Munich, Germany | |
| Summer 08, Margo Leavin Gallery, Los Angeles, USA | |
| Kapitel 4. Die Videosammlung der Staditschen Galerie im Lenbachhaus, Munich, Germany | |
| Sonic Youth etc… : Sensational Fix, Life, St. Nazaire, France | |
| Sonic Youth etc… : Sensational Fix, MUSEION, Bolzano, Italy | |
| Kavalierstart 1978-1982, Museum Morsbrioch, Leverkusen, Germany | |
| Color Chart: Reinventing Color, 1950 to Today, MOMA-Museum of Modern Art, New York, USA | |
| Genau und Anders. Mathematik in der Kunst von Durer bis Sol LeWitt, MUMOK-Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria | |
| Worlds Away: New Suburban Landscapes, Walker Art Center, Minneapolis, USA | |
| The Puppet Show, ICA-Institute of Contemporary Art, Philadelphia, USA | |
| 2007 | American Video Art, Laznia Centre for Contemporary Art, Danzig, Poland |
| Ruckblende. Die Fotosammlung der Neuen Galerie Graz, Neue Galerie Graz, Graz, Austria | |
| A theatre without threatre, Museu Berardo, Lisbon, Portugal | |
| Performance on Demand, EFA Gallery, New York, USA | |
| Sympathy for the Devil, Museum of Contemporary Art Chicago, Chicago, USA | |
| Projektion, Lentos Kunstmuseum, Linz, Austria | |
| Ohne Wenn und Aber: Die Schenkung Bogner, MUMOK-Museum Moderner Kunst Stifung Ludwig Wien, Vienna, Austria | |
| Gezeichnet, Galeire Peter Borchardt, Hamburg, Germany | |
| Licht-Glas-Transparenz, Kunsthalle Dominikanerkirche, Osnabruck, Germany | |
| MACBA im Frankfurter Kunstverein, Framkfurter Kunstverein, Framkfurt am Main, Germany | |
| StoneFace I, Fellows of Contemporary Art, Los Angeles, USA | |
| Imagine Action, Lisson Gallery, London, UK | |
| Franz West: Souffle, Kunstraum Innsbruck, Innsbruck, Austria | |
| Who’s got the Big Picture?, MuHKA – Museum van Hedendaagse Kunst, Antwerp, Belgium | |
| The Most Curatorial Biennial in the Universe, Apexart, New York, USA | |
| On fait le mur, Espace de lArt Concret, Mouans-Sartoux, France | |
| Camere, RAM radioartemobile / SoundArtMuseum, Rome, Italy | |
| Works on Paper, Galerie Christine Mayer, Munich, Germany | |
| 27th Sao Paulo Biennale, Sao Paulo, Brazil | |
| The Suspended Moment, Z33, Hasselt, Belgium | |
| Tanzen, Sehen, Museum fur Gegenwartskunst, Siegen, Germany | |
| No. 1: Destroy, she said, Julia Stoschek Collection, Dusseldorf, Germany | |
| A theater without theater, MACBA- Museu ’Art Contemporain de Barcelona, Barcelona, Spain | |
| Sammlung, Generali Foundation, Vienna, Austria | |
| Vertigo, MAMbo-Museo dArte Moderna di Bologna, Bologna, Italy | |
| KINOMUSEUM, 53. Internationale Kurzfilmtage, Oberhausen, Germany | |
| KolnSkulptur 4, Skulpturenpark, Cologne, Germany | |
| Gartenlust. Der Garten in der Kunst, Atelier Augarten, Vienna, Austria | |
| For a special place, Austrian Cultural Forum, New York, USA | |
| Mapping the City, Stedelijk van Abbemuseum, Amsterdam, The Netherlands | |
| 2006 | Espai public/Dues audiences, obres i documents de la Colleccio Herbert, MACBA-Museu de Art Contemporani de Barcelona, Barcelona, Spain |
| Video Art 1965-2005, Centre Georges Pompidou, Paris, France | |
| Embodied Time, Lewis Glucksman Gallery, Cork, Ireland | |
| Busy going crazy, La Maison Rouge, Paris, France | |
| Kapital, Kent Gallery, New York, USA | |
| … Und so hat Konzept noch nie Pferd bedeutet, Generali Foundation, Vienna, Austria | |
| Projektion, Kunstmuseum Luzern, Lucerne, Switzerland | |
| Beyond Cinema: The Art of Projection, Hamburger Bahnhof, Berlin, Germany | |
| Mostly Harmless, Govett-Brewster Art Gallery, New Plymouth, New Zealand | |
| 25 Jahre Osterreichische Ludwig Stiftung, MUMOK-Museum Moderner Kunst Stifung Ludwig Wien, Vienna, Austria | |
| Galeire Christine Mayer, Munich, Germany | |
| The Downtown Show, Andy Warhol Museum, Pittsburgh, USA | |
| The Downtown Show, Austin Museum of Art, Austin, USA | |
| Switch on the Power!, MARCO-Museo de Arte Contemporaneo, Vigo, Spain | |
| Intouchable. Lideal transparence, Villa Arson, Nice, France | |
| Thank you for the Music, Simon Lee, London, UK | |
| Moving Home(s), Sfeir-Semler Gallery, Beirut, Lebanon | |
| Ideal City-Invisible Cities, Offentlicher Raum Potsdam, Potsdam, Germany | |
| Ideal City-Invisible Cities, Offentlicher Raum Zamosc, Zamosc, Poland | |
| Helga de Alvear. Concepts for a collection, Exhibition Centre of Centro Cultural de Belem, Belem, Brazil | |
| The Expanded Eye, Kunsthaus Zurich, Zurich, Switzerland | |
| Whitney Biennale, Whitney Museum of Art, New York, USA | |
| Inventur. WErke aus der Sammlung Herbert, Kunsthaus Graz, Graz, Austria | |
| ArchiSkulptur, Kunstmuseum, Wolfsburg, Germany | |
| 27th Sao Paulo Biennial, Sao Paulo, Brazil | |
| I still love the 20th century, Georg Kargl Fine Arts, Vienna, Austria | |
| Metropolitanscape, Palazzo Cavour, Turin, Italy | |
| O Momento Suspendido. Collecion H&F, MARCO-Museo de Arte Contemporaneo, Vigo, Spain | |
| XX Encontros de Fotografia, Centro de Artes Visuais, Coimbra, Portugal | |
| Emilio Prini “Manifesto Bianco”, Diapson, New York, USA | |
| Draft Deceit, Kunstnernes Hus, Oslo, Norway | |
| 20e Anniversaire de la Galerie, Galerie Gabrielle Maubrie, Paris, France | |
| 2005 | Kontexte der Fotografie, Museum fur Gegenwartskunst Siegen, Siegen, Germany |
| Interstate, Project Room HOORAY, New York, USA | |
| De la comtesse De Castiglione a Cindy Sherman, Galeire de France, Verrerie, France | |
| 2nd Guangzhou Triennale, Guangzhou Triennale, Guangzhou, China | |
| Single Screen Selections of Rare Film and Audio from the Kramlich Collection, Part II: Video Sculpture, The Fabric Workshop and Museum, Philadelphia, USA | |
| Thank You For The Music, Spruthe Magers Projekte, Munich, Germany | |
| Open Systems: Rethinking Art c.1970, Tate Modern, London, UK | |
| Les grands spectacles. 120 Jahre Kunst und Massenkultur, Museum der Moderne, Salzburg, Austria | |
| Big Bang, Centre Georges Pompidou, Paris, France | |
| SlideShow, Baltimore Museum of Art, Baltimore, USA | |
| SlideShow, Contemporary Arts Center, Cincinnati, USA | |
| SlideShow, Brooklyn Museum of Modern Art, New York, USA | |
| Der Traum vom Ich, der Traum von der Welt, Fotomuseum Winterthur, Winterthur, Switzerland | |
| Covering the Real, Kunstmusum Basel, Basel, Switzerland | |
| Behind the Facts. Interfunktionen 1968-75, Kunsthalle Fridericianum, Kassel, Germany | |
| Entdecken und Besitzen, MUMOK-Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria | |
| 2004 | Metamorph: 9th International Exhibition of Architecture, La Biennale di Venezia, Venice, Italy |
| The Last Picture Show. Artists Using Photography, 1960-1982, UCLA Hammer Museum, Los Angeles, USA, MARCO, Vigo, Spain, Fotomuseum, Winterthur, Switzerland | |
| Behind the Facts (Interfunktionen) 1968-75, Museu de Serralves, Porto, Portugal, Fundacion Joan Miro, Barcelona, Spain, Kunsthalle Fridericianum, Kassel, Germany | |
| Friedrich Christian Flick Collection, Hamburger Bahnof Museum fur Gegenwart, Berlin, Germany | |
| Beyond Geometry: Experiments in Form, 1940s-70s, Miami Art Museum, Miami, Florida, USA | |
| The Last Picture Show: Artists Using Photography 1960-1982, Fotomuseum Winterthur, Winterthur, Switzerland | |
| A Minimal Future? Art as Object 1958-68, The Geffen Contemporary at The Museum of Contemporary Art, Los Angeles, USA | |
| Art and Utopia: Action Restricted, Museu de Art Contemporani de Barcelona, Barcelona, Spain | |
| A Fripon. Fripon et demi, Collection Lambert en Avignon, Avignon, France | |
| 2003 | Happiness: A Survival Guide for Art and Life, Mori Art Museum, Tokyo, Japan |
| X-Screen. Filmische Installationen und Aktionen der 60er und 70er Jahre, MUMOK – Museum Moderner Kunst Stifung Ludwig Wien, Vienna, Austria | |
| To find a home, SeARCH, Searchitects, Amsterdam, The Netherlands | |
| Temporal values, von Minimal zu Video, ZKM-Zentrum fur Kunst und Medientechnologie, Stadtische Galerie, Karlsruhe, Germany | |
| Reproduktion, Georg Kargl, Vienna, Austria | |
| Delays and Revolutions, Italian Pavilion, La Biennale di Venezia, Venice, Italy | |
| The last picture show: Artists using photography, 1960-1982, Walker Art Center, Minneapolis, USA | |
| Sammlung, Generali Foundation, Vienna, Austria | |
| Re-Produkiton 2, Georg Kargl Galerie, Vienna, Austria | |
| Die zeitgenössische Diskontinuitat in der modernen Kunst, Fundacao Miro, Barcelona, Spain | |
| Art, Lies and Videotape, Tate Liverpool, Liverpool, UK | |
| American Tableaux, Miami Art Museum, Miami, USA | |
| The Distance Between Me and You, Lisson Gallery, London, UK | |
| 2002 | Artists Imagine Architecture, Institute of Contemporary Art, Boston, Massachusetts, USA |
| The Larson Effect, Casino Luxembourg, Forum dart Contemporain, Luxembourg | |
| Passanger: The Viewer as Participant, Astrup Fearnley Museum of Modern Art, Oslo, Norway | |
| Ten Tears: Galerie Hauser & Wirth, Hauser & Wirth, Zürich, Switzerland | |
| Les annees 70: lart en cause, CAPC-Musee dart contemporain de Bordeaux Entrepot, Bordeaux, France | |
| Comer o no Comer. To Eat or not to Eat, Or, the relations between art and questions of eating, Centro de Arte de Salamanca, Salamanca, Spain | |
| Centro de Arte de Salamanca, Salamanca, Spain | |
| Public Affairs, Kunsthaus Zürich, Zürich, Switzerland | |
| Mapping the Process, Essor Gallery, London, UK | |
| Painting on the Move, Kunsthalle Basel, Basel, Switzerland | |
| Les Entants du Paradis, Yvon Lambert, Paris, France | |
| Herzog & de Meuron: Natural History, Centre Canadien dArchitecture, Montreal, Canada | |
| Communicative tubes, O.K. Center for Contemporary Art, Linz, Austria | |
| Na Paisagem. Coleccao da Fundacao de Serralves, Museu Serralves. Museu de Arte Contemporenea, Porto, Portugal | |
| My head is of fire but my heart is full of love, Charlottenborg, Copenhagen, Denmark | |
| Fundamentalists of the New Order, Charlottenborg, Copenhagen, Denmark | |
| Pictures, Greene Naftali Gallery, New York, USA | |
| Dan Graham 1965/2000 works, Kiasma, Museum of Contemporary Art, Helsinki, Finland | |
| Sans commune mesure. Image et texte dans lart actuel, Musee dArt moderne de Lille Metropole, Villeneuve d’Ascq, France | |
| Target Art in the Park, Bisected Triangle, Madison Square Park, New York, USA | |
| I Promise it’s Political, Ludwig Museum, Cologne, Germany | |
| 2001 | Mia san mia, Generali Foundation, Vienna, Austria |
| Conception: Conceptual Documents 1968-72, Norwich Gallery, touring to Chisenhale Gallery, London, UK; Morris and Helen Belkin Gallery, UBC, Vancouver, Canada | |
| Many Colored Objects Placed Side By Side To Form A Row Of Many Colored Objects: Works from the collection of Annick and Anton Herbert, Casino Luxembourg -Forum dart Contemporain, Luxembourg, Luxembourg | |
| Inauguration show, Museum fur Gegenwartskunst, Siegen, Germany | |
| Into the Light. The Project Image in American Art 1964-1977, Whitney Museum of American Art, New York, USA | |
| Let’s Entertain: Life’s Guilty Pleasures, Miami Art Museum, Miami, USA | |
| 40th Anniversary, John Gibson Gallery, New York, USA | |
| Dan Graham, Reflective Glass Moon Windows, Shima/Islands Shigemori Residence, Kyoto, Japan | |
| Let’s Entertain: Life’s Guilty Pleasures, Museo Rufino Tamayo, Mexico City, Mexico | |
| Avatare und Andere. Dan Graham – Lynn Hershman -Marcus Huemer – Kristin Lucas – Victoria Vesna, Edith-Russ-Haus fur Medienkunst, Oldenburg, Germany | |
| CTRL (SPACE), ZKM – Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany | |
| Into the Light, The Whitney Museum of American Art, New York, USA | |
| Sculpture Contemporaine: Aeuvres de la Collection Frac Rhone-Alpes de l’Institut d’art contemporain, Substances, Lyon, France | |
| 2000 | Ich ist etwas Anderes, Kunstsammlung Nordhein Westfalen, Düsseldorf, Germany |
| Hausschau – the house in art, Deichtorhallen, Hamburg, Germany | |
| Lets Entertain, Walker Art Center Minneapolis, Minneapolis, USA | |
| La Ville, le Jardin, la Memoire, Villa Medici, Rome, Italy | |
| Voici: 100 years of contemporary art, Palais des Beaux Arts, Brussels, Belgium | |
| Against Architecture, Espai d’Art Contemporani de Casteloo, Castellon de la Plana, Spain | |
| Au-dela du spectacle, Centre Georges Pompidou, Paris, France | |
| Artisti e Architetti: La collezione del FRAC Centre di Orleans, Palazzo delle Papesse Centro Arte Contemporanea, Siena, Italy | |
| L’oeuvre Collective, les Abattoirs, Toulouse, France | |
| Quotidiana, The Continuity of the Everyday in 20th Century Art, Castello di Rivoli Museo d’Arte Contemporanea, Turin, Italy | |
| Dream Machines, Royal Festival Hall, Hayward Gallery, London, UK; Camden Arts Centre, London, UK | |
| Postmedia, Conceptual Photography in the Guggenheim Museum Collection, The Solomon R. Guggenheim Museum, New York, USA | |
| Insites, Interior Spaces in Contemporary Art, Whitney Museum American Art at Champion, Stamford, USA | |
| Media City Seoul 2000, Contemporary Art and Technology Biennial, Seoul, South Korea | |
| Hex Enduction Hour by The Fall, Team Gallery, New York, USA | |
| Ein/räumen, Hamburger Kunsthalle, Hamburg, Germany | |
| Fiets & Stal, The Hague City Council, The Hague, The Netherlands | |
| Protest and Survive, Whitechapel Centenary, London, UK | |
| Worthless, Moderna Galerija Ljubljana, Ljubljana, Slovenia | |
| Seeing time, ZKM – Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany | |
| Julie Becker – Dan Graham, China Art Objects Galleries, Los Angeles, USA | |
| Sequences, Galerie Roger Pailhas, Marseille, France | |
| Vision and Reality, Louisiana Museum of Modern Art, Humlebaek, Denmark | |
| Two Different Anamorphic Surfaces, Wanaas Foundation, Skulpture Garden Wanaas, Wanaas, Sweden | |
| Die verletzte Diva. Hysterie, Körper, Technik in der Kunst des 20. Jahrhunderts, Lenbachhaus Kunstbau / Kunstverein Munchen / Rotunde Siemens Kulturprogramm, Munich, Germany | |
| How you look at it. Fotografien des 20. Jahrhunderts, Sprengel Museum Hannover, Hannover, Germany; Städelsches Kunstinstitut und Städtische Galerie, Frankfurt am Main, Germany | |
| Accrochage, Jiri Svestka Gallery, Prague, Czech Republic | |
| 1999 | New Art. New Ideas. New Walls, Contemporary Museum, Baltimore, USA |
| A summer show, Marian Goodman Gallery, New York, USA | |
| Impact – Revealing Sources for Contemporary Art, Inaugural Exhibition: Contemporary Museum, Baltimore, USA | |
| In The Midst Of Things, Bournville, Birmingham, UK | |
| Beauty – 25th Anniversary, Hirshhorn Museum and Sculpture Garden, Washington DC, USA | |
| Nobodies Home, Momenta Art, Brooklyn, New York, USA | |
| Seeing Time: Selections from the Pamela and Richard Kramlich Collection, San Francisco Museum of Modern Art, San Francisco, USA | |
| Circa 1968, Serralves Museum of Contemporary Art, Porto, Portugal | |
| American Century: Art and Culture (1950-2000), Whitney Museum of American Art, New York, USA | |
| The Self is Something Else: Art at the End of the 20th Century, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany | |
| Tomorrow For Ever, Photographie als Ruine, Kunsthalle Krems, Basel, Switzerland | |
| ART in Living Room, arkipelag TV, Stockholm, Sweden | |
| Isla des Esculturas, Xacobeo 99, Galicia, Spain | |
| Rewind to the Future, Bonner Kunstverein, Bonn, Germany; Kunst-Werke – Institute for Contemporary Art, Berlin, Germany | |
| Photo / Social, Margarete Roeder Gallery, New York, USA | |
| Einblicke in die Sammlung, EA-Generali Foundation, Vienna, Austria | |
| 1998 | Berlin/Berlin, Berlin Biennale, Berlin, Germany |
| Dan Graham / Rachel Khedoori / Marcel Broodthaers / Jason Rhoades’, Hauser & Wirth, Zürich, Switzerland | |
| Then and Now, Lisson Gallery, London, UK | |
| Dan Graham, Astrid Klein, Wolfgang Koethe, Alf Schuler, Staatliche Kunstsammlungen, Dresden, Germany | |
| Breaking Ground, Marian Goodman Gallery, New York NY, USA | |
| Mega-Salon: Portrait Show, Jorgensen Gallery, New York NY, USA | |
| Transparantie, Stichting Groot Glas, Oude Kerk, Amsterdam, The Netherlands | |
| Weather Everything, Galerie fur zeitgenössische Kunst, Leipzig, Germany | |
| I Love New York, Museum Ludwig, Cologne, Germany | |
| Giovanni Anselmo, Stanley Brouwn, Dan Graham, On Kawara, Galerie Micheline Szwajcer, Antwerp, Belgium | |
| Then and Now, Lisson Gallery, London, UK | |
| Sharawadgi, Felsenvilla, Baden, Germany | |
| Conceptual Photography from the 60s and 70s, David Zwirner, New York, USA | |
| Dan Graham Rooftop Urban Park Project, Dia Center for the Arts, New York, USA | |
| 1997 | Broken Home, Greene Naftali Gallery, New York, USA |
| Documenta X, Kassel, Germany | |
| KünstlerInnen: 50 Positionen zeitgenössischer internationaler Kunst, Kunsthaus Bregenz, Bregenz, Austria | |
| Broken Home, Greene Naftali Gallery, New York, USA | |
| In Visible Light, Museum of Modern Art, Oxford, UK | |
| Whitney Biennial,Whitney Museum of American Art, New York, USA | |
| Skulptur. Projekte in Münster 97, Westfälisches Landesmuseum fur Kunst und Kulturgeschichte, Münster, Germany | |
| The Crystal Stopper, Lehman Maupin Gallery, New York, USA | |
| Cita Natura, Mostra Internazionale d Arte Contemporanea, Rome, Italy | |
| Unite de Production & de Creation Contemporaine, Encore Bruxelles, Brussels, Belgium | |
| Rooms with a View: Environments for Video, Guggenheim Museum SoHo, New York, USA | |
| Kunst in der Leipziger Messe, Leipziger Messe, Leipzig, Germany | |
| Paper Trail, Pierogi 2000, Brooklyn, USA | |
| P.S. 1, P.S.1 / Institute for Art and Urban Resources, Long Island City, USA | |
| Dan Graham. Candida Hofer, Galerie Johnen & Schottle, Cologne, Germany | |
| Photo-Works, Brooke Alexander, Brazilooke Alexander Editions, New York, USA | |
| Popocultural, Southampton City Art Gallery, Southampton, UK | |
| Patrick Painter Editions, S.L Simpson Gallery, Toronto, Canada | |
| Citta Natura, Mostra Internazionale di Arte Contemporanea, Rome, Italy | |
| 1996 | Les Contes de Fees se terminent bien, Chateau du Val Freneuse, Sottevillesous-le-Val, France |
| Project for Survival, National Museum of Modern Art, Kyoto, Japan | |
| Home Show II, Santa Barbara Contemporary Arts Forum, Santa Barbara, USA | |
| Artists Photographs, John Gibson Gallery, New York, USA | |
| Everything Thats Interesting is New: The Dakis Joannou Collection, Anotate Schole Kalon Technon, Athens, Greece; Museum for Moderne Kunst, Copenhagen, Denmark | |
| Light Construction, MOMA – Museum of Modern Art, New York NY, USA | |
| Cityscape, City Space, Copenhagen, Denmark | |
| Victor Burgin, Dan Graham, Rodney Graham, John Hilliard, Lisson Gallery, London, UK | |
| 1995 | 25 Years, Margo Leavin Gallery, Los Angeles, USA |
| Referanser, Museet for Samtidskunst, Oslo, Norway | |
| ARS 95, Museum of Contemporary Art, Finnish National Gallery, Helsinki, Finland | |
| Les fragments du desir, Futur Musee des Instruments, Brussels, Belgium | |
| A Summer Show, Marian Goodman Gallery, New York, USA | |
| La transparence dans l’art du XXe siecle, Musee des Beaux Arts Andre Malraux, Le Havre, France | |
| Le domaine du diaphane, Le Domaine de Kerguehennec, Centre d Art Contemporain, Bignan, France | |
| 1965-1975: Reconsidering the Object of Art, MOCA – Museum of Contemporary Art, Los Angeles, USA | |
| Gang Warfare, Independent Art Space, London, UK | |
| Artistes/Architects, Nouveau Musee/Institut d Art Contemporain, Villeurbanne, France | |
| Dan Graham and Moriko Mori, American Fine Arts, New York, USA | |
| Lyon Biennial, Lyon, France | |
| L’Effet Cinema Quand l’Image Raconte, Musee d’Art Contemporain, Montreal, Quebec Maison de Lyon, Lyon, France | |
| Intervenciones en el espacio/Interventions in Space, Museo de Bellas Artes, Caracas, Venezuela | |
| Mapping, American Fine Arts, New York, USA | |
| 1994 | Pictures of the Real World (In Real Time), Paula Cooper Gallery, New York, USA; L’Usine, Dijon, France |
| Multiple Dimensions, Centro Cultural de Belem, Lisbon, Portugal | |
| Changing Views, Feigen Incorporated, Chicago, USA | |
| Serial, Angles Gallery, Santa Monica, USA | |
| Where is home?, Kent Gallery, New York, USA | |
| Toujours Moderne, Nouveau Musee, Institut d’Art Contemporain, Villeurbanne, France | |
| Zerynthia Associasione per l’Arte Contemporanea, Paliano, Italy | |
| Cityscape, Monica de Cardenas Gallery, Milan, Italy | |
| Public Information: Desire, Disaster, Document, San Francisco Museum of Modern Art, San Francisco, USA | |
| House Rules, Wexner Center for the Arts, Ohio State University, Columbus, USA | |
| Radical Scavenger(s): The Conceptual Vernacular in Recent American Art, Museum of Contemporary Art, Chicago, USA | |
| Films on Art, National Gallery of Art, Washington DC, USA | |
| Public Domain, Centre d’Art Santa Monica, Barcelona, Spain | |
| East of Eden, Museum Schloss Mosigkau, Dessau, Germany | |
| Corpus Loquendi-Body for Speaking, Dalhousie University, Halifax, Canada | |
| Inaugural Exhibition, Musee d’Art Moderne et Contemporain, Geneva, Switzerland | |
| Dont Look Now, Thread Waxing Space, New York, USA | |
| Crash, Thread Waxing Space, New York, USA | |
| 1993 | Transpositions, Centre d’Art Contemporain, Marne-La-Vallee, France |
| Passageworks, Rooseum, Malmö, Sweden | |
| American Art of the Twentieth Century, Martin-Gropius-Bau, Berlin, Germany; Royal Academy of Arts, London, UK | |
| 5ieme Semaine Internationale de Video, Saint-Gervais, Geneva, Switzerland | |
| Out of Sight Out of Mind, Lisson Gallery, London, UK | |
| Some artists I’ve been thinking about who fall under the title of: Wouldnt it be more pluralistic to embrace turmoil and/or violence?, Andrea Rosen Gallery, New York, USA | |
| Museum for Matta-Clark, for Paris 1984, Marie-Paul Macdonald and Dan Graham, Ausstellungsraum Künstlerhaus Stuttgart, Stuttgart, Germany | |
| Le monde en eclats, l’oeuvre en effraction, Galerie Yvon Lambert, Paris, France | |
| Die Arena des Privaten, Kunstverein München, Germany | |
| 1992 | Passage de l’Image, Museum of Modern Art, San Francisco; Power Plant, Toronto, Canada |
| Transform, Kunstmuseum und Kunsthalle Basel, Basel, Switzerland | |
| Marian Goodman Gallery, New York, USA | |
| Documenta IX, Kassel, Germany | |
| Like Nothing Else in Tennessee, Serpentine Gallery, London, UK | |
| Cameras Indiscretes, Generalitat de Catalunya, Department de Cultura, Barcelona, Spain | |
| Queues, Rendezvous, Riots: Questioning the Public, Walter Philips Gallery, Banff Center for Art, Alberta, Canada | |
| Rendez-vous manques, Galerie Gabrielle Maubrie, Paris, France | |
| Manette et Jacques Repriels. Vega 20 ans, Anciens etablissements sacres, Liege, Belgium | |
| Travaux d’artistes’, Galerie Roger Pailhas, Paris, France | |
| 1991 | Sixties, John Gibson Gallery, New York, USA |
| Passage de l’Image, Fundacio Caixa de Pensions, Barcelona, Spain; Wexner Center for the Arts, Ohio State University, Columbus, USA | |
| In anderen Räumen, Museum Haus Lange / Haus Esters, Krefeld, Germany | |
| Carnegie International, Carnegie Museum of Art, Pittsburgh, USA | |
| A Dialogue about Recent American and European Photography, MOCA – Museum of Contemporary Art, Los Angeles, USA | |
| Diaporama des expositiones de la galerie, Galerie Roger Pailhas, Paris, France | |
| Little Things Mean a Lot (Slice it Down to Size), Warmoesstraat 12, Amsterdam, The Netherlands | |
| Konzept auf Papier, XPO Galerie Ida Kaufmann und Anton Rotger, Hamburg, Germany | |
| Juste en Dessous 6, Villa Arson, Centre National d’Art Contemporain, Nice, France | |
| A Group Show, Marian Goodman Gallery, New York, USA | |
| Art Conceptuel des Annees 70 a Aujourd’hui, Galerie Rüdiger Schöttle, Munich, Germany | |
| Nouvel Espace, Galerie Durand-Dessert, Paris, France | |
| Enclosures and Encounters: Architectural Aspects of Recent Sculpture, Storm King Art Center, Mountainville, USA | |
| La Revanche de l’Image, Pierre Huber Gallery, Geneva, Switzerland | |
| Acquisitions, Galerie Roger Pailhas, Marseille, France | |
| Video Events, Tom Cugliani Gallery, New York, USA | |
| Inscapes, Foundation De Appel, Amsterdam, The Netherlands | |
| 1990 | The New Urban Landscape, The World Financial Center, New York, USA |
| Passage de l’Image, Centre Georges Pompidou, Paris, France | |
| A New Necessity, First Tyne International Exhibition of Contemporary Art, Newcastle, UK | |
| Interventions. An Exhibition from the Collection of Delfryd Clelf, Art Gallery of Ontario, Toronto, Canada | |
| Conceptual Art. Conceptual Forms, Gallery 1900-2000 / Gallery de Poche, Paris, France | |
| Affinities and Intuitions: The Gerald S. Elliot Collection of Contemporary Art, Art Institute of Chicago, Chicago, USA | |
| Some Seventies Work, Marian Goodman Gallery, New York, USA | |
| Pas n’importe ou sous le soleil 5, Villa Arson Centre National d’Art Contemporain, Nice, France | |
| Wittgenstein, Wiener Secession, Vienna | |
| Dan Graham and Jeff Wall. Children’s Pavilion, Marian Goodman Gallery, New York, USA | |
| A New Necessity. The First Tyne International Exhibition of Contemporary Art, National Garden Festival, Newcastle, UK | |
| 1989 | Selected Artists for the First 20 Years, Max Protetch Gallery, New York, USA |
| Some Detached Houses, Contemporary Art Gallery, Vancouver, Canada | |
| Künstlerische Fotografie der 70er und 80er Jahre, Galerie Schurr, Stuttgart, Germany | |
| Exactement pas a cote 3, Villa Arson, Centre National dArt Contemporain, Nice, France | |
| A Photo Show, Marian Goodman Gallery, New York, USA | |
| Perspektivismus, Galerie Bleich-Rossi, Graz, Austria | |
| Outdoor Projects, Ulla Klot, Hamburg, Germany | |
| Effets de Miroir, Gare de Paris-Austerlitz, Paris, France | |
| Theatergarden Bestiarium, P.S.1/Institute for Art and Urban Resources, Long Island City NY, USA; Casino del Teatro Lope de Vega, Sevilla, Spain; Confort-Moderne, Poitiers, France | |
| Les Graces de la Nature, Fonds Régional d’Art Contemporain des Pays de la Loire, Glisson, France | |
| Balkon mit Fächer, Akademie der Bildenden Künste, Berlin, Germany | |
| Hier wird getanzt, XPO Galerie Ida Kaufmann und Anton Rotger, Hamburg, Germany | |
| Kunstraum Buchberg 1989, Schloss Buchberg am Kamp, Vienna, Austria | |
| Not Photography, Meyers/Bloom, Santa Monica, USA | |
| Photographies 1969-89, Galerie Chantal Boulanger, Montreal, Canada | |
| Skulpturen fur Krefeld II, Museum Haus Esters, Krefeld, Germany | |
| Suburban Home Life, Tracking the American Dream, Whitney Museum of American Art, New York, USA | |
| The Silent Baroque, Galerie Thaddaeus Ropac, Salzburg, Austria | |
| Travaux de Dan Graham et Marie-Paule Macdonald, Galerie Chantal Boulanger, Montreal, Canada | |
| Spazio Humano, Galeria Comico, Lisbon, Portugal | |
| Image World: Art and Media culture, Whitney Museum of American Art, New York, USA | |
| L’Art Conceptuel en Perspective, Musee Nationale d’Art Moderne, Paris, France; Musee d’Art Contemporain, Montreal, Canada; Caja de Pensiones, Madrid, Spain; Deichtorhallen, Hamburg, Germany | |
| Wittgenstein, Ilet Spel van hel Naamloze / The Play of the Unsayable, Wiener Secession, Vienna, Austria; Palais des Beaux-Arts, Brussels, Belgium | |
| The Presence of Absence: New Installations, University of Illinois at Chicago, Chicago, USA; Museum of Art, Tucson, USA; Laumeier Sculpture Park and Garden, St. Louis, USA; Albany Institute of History and Art, Albany, USA; Oakville Galleries in Gailroch Gardens, Oakville, USA; University of Kentucky Art Museum, Lexington, USA; Longview Museum and Arts Center, Longview, USA; Prichard Art Gallery, University of Idaho, Moscow, USA; Museum of Art, Pennsylvania State University Park Campus, University Park, USA; University of Iowa Museum of Art, Iowa City, USA; University Art Museum, University of New Mexico, Albuquerque, USA | |
| 1988 | Accrochage I, Dennis Adams, Dan Graham, Louise Lawler, Galerie Meert Rihoux, Brussels, Belgium |
| A Group Show, Marian Goodman Gallery, New York, USA | |
| Material Ethics, Milford Gallery, New York, USA | |
| Cultural Geometry, Deste Foundation for Contemporary Art, Athens, Greece | |
| New Urban Landscape, 2 World Financial Center, New York, USA | |
| Selected Photographs from the Donnelley Collection, Barbara Gladstone Gallery, New York, USA | |
| Accrochage I, Dennis Adams, Dan Graham, Louise Lawler, Galerie Meert Rihoux, Brussels, Belgium | |
| Aspects of Conceptualism in American Work, Avenue B Gallery, New York, USA | |
| 1967: At the Crossroads, Institute of Contemporary Art, University of Philadelphia, Philadelphia, USA | |
| Pyramiden, Galerie Jule Kewenig, Berlin, Germany | |
| Bilanz Balance, Krefelder Kunstmuseum, Krefeld, Germany | |
| Cascade/Vertical Landscapes, Tom Cugliani Gallery, New York, USA | |
| Neo-Classicism, Loughelton Gallery, New York, USA | |
| Immaculate Beginnings, Althea Viafora Gallery, New York, USA | |
| International Landscape, Galerie Christoph Durr, Munich, Germany | |
| 1987 | L’epoque, la mode, la morale, la passion, Musee National d’Art Moderne Centre Georges Pompidou, Paris, France |
| Non In Codice, Galleria Pieroni, Rome, Italy | |
| 77-78, Centre Georges Pompidou, Paris, France | |
| Skulptur Projekte in Münster, Westfälisches Landesmuseum, Münster, Germany | |
| Whitney Biennal, Whitney Museum of American Art, New York, USA | |
| L’Epoque, la mode, la morale, la passion, Centre Georges Pompidou, Paris, France | |
| Group Exhibition, Marian Goodman Gallery, New York, USA | |
| 1967: At the Crossroads, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA | |
| Future of Storefront, Storefront for Art and Architecture, New York, USA | |
| Schema, Baskerville and Watson, New York, USA | |
| The Viewer as Voyeur, Whitney Museum American Art, New York, USA | |
| Artist and Decoration, Daniel Newburger Gallery, New York, USA | |
| 1986 | Sol LeWitt, Dan Graham, Aldo Rossi, Galerie Rüdiger Schöttle, Munich, Germany |
| Chambre d’Amis, MuHKA – Museum van Hedendaagse Kunst, Gent, Belgium | |
| Nouvelles Acquisitions, Centre Georges Pompidou, Paris, France | |
| Off-Off Festival, MuHKA – Museum van Hedendaagse Kunst, Gent, Belgium | |
| Cinema Objects, New York Cultural Center, New York, USA | |
| Videowochen im Wenkenpark, Wenkenpark, Basel, Switzerland | |
| International Sculpture Exhibition, Sonsbeek 86, Arnhem, The Netherlands | |
| A.P. Comune di Marciana, Elba, Italy | |
| Dan Graham and Sol Lewitt, Lisson Gallery, London, UK | |
| De Appel, Amsterdam, The Netherlands | |
| Arts Electroniques, Videomorphies Dan Graham, La Criee, Halle dArt Contemporain, Rennes, France | |
| Video by Artists, Art Metropole, Toronto, Canada | |
| Video, Hallwalls, Buffalo, USA | |
| Le Temps: Regards sur la Quatrieme Dimension, Le Nouveau Musee-Insitut d’Art Contemporain, Villeurbanne, France | |
| Ludger Gerdes, Dan Graham, Kaiser Wilhelm Museum, Krefeld, Germany | |
| First Person Documentary, American Museum of the Moving Image, Astoria, New York, USA | |
| New Acquisitions, Musee National d’Art Moderne, Centre Georges Pompidou, Paris, France | |
| Louis XIV tanzt, Muhle Tiefenbrunn, Zürich, Switzerland | |
| Chambres d’Amis, Museum van Hedendaagse Kunst, Gent, Belgium | |
| Cinema Objects, New York Cultural Center, New York, USA | |
| Benefit for Just Another Asshole, Cash/Newhouse Gallery, New York, USA | |
| 1985 | New Video Acquisitions, MoMA – Museum of Modern Art, New York, USA |
| Doch, Doch, Klapstuck 85, Arenberg Institute, Louvain, Belgium | |
| Les Immateriaux, Centre Georges Pompidou, Paris, France | |
| Nouvelle Biennale de Paris, Villette, Paris, France | |
| The Art of Memory: The Loss of History, New Museum of Contemporary Art, New York, USA | |
| Le Temps, Le Nouveau Musee-Institut dArt Contemporain, Villeurbanne, France | |
| TV Sculpture, Emily Lowe Gallery, Hofstra University, Long Island, USA | |
| Louis XIV tanzt, Purgatorium, Inferno, Rette sich wer kann, Galerie Der Künstler, Munich, Germany | |
| International Video Festival, American Film Institute, Los Angeles, USA | |
| Le Temps, Nouveau Musee, Lyon, France | |
| Opening Exhibition, Josh Baer Gallery, New York, USA | |
| Video Art, Emily Lowe Gallery, Hofstra University, Hempstead, New York, USA | |
| The Art of Memory: The Loss of History, New Museum of Contemporary Art, New York, USA | |
| Nouvelle Biennale de Paris, La Villette, Paris, France | |
| 1984 | Repertoire: works from the Herbert Collection, Stedelijk Van Abbemuseum, Eindhoven, The Netherlands |
| Barry, Buren, Graham, Weiner, Wilson, Or Gallery,Vancouver, USA | |
| Vanishing Points, Moderna Museet, Stockholm, Sweden | |
| Skulptur im 20. Jahrhundert, Merian Park, Basel, Switzerland | |
| L’Art et le Temps, Palais des Beaux-Arts, Brussels, Belgium | |
| Le Livre, Galerie Pierre et Marie, Paris, France | |
| 1983 | The 60s, PSI Museum, Institute for Contemporary Art, New York, USA |
| 1, 2, 3, etc., Musee des Beaux-Arts et dArcheologie Autun, Musee Rollin dAutun, Autun, France | |
| Scenes and Conventions in Architecture by Artists, ICA – Institute of Contemporary Art, London, UK | |
| Une Exposition en Travaux, Galerie Pierre et Marie, Paris, France | |
| Artists Use Photographs, Marianne Deson Gallery, Chicago, USA | |
| Sessanta Opere, Galleria Massimo Minini, Brescia, Italy | |
| An Artistic Conversation, 1931-83: Poland/USA, Douglas Hyde Gallery, Dublin, Ireland Trouble in Paradise, A&M Artworks, New York, USA | |
| Live to Air, Tate Gallery, London, UK | |
| Une Experience Museographique: Exchange entre Artistes 1931-1982; Poland-USA, ARC, Musee d’art Moderne de la Ville de Paris, Paris, France | |
| 1982 | Godard, Barry, Graham, Knight, Rüdiger Schöttle, Munich, Germany |
| Documenta VII, Kassel, Germany | |
| Sydney Biennal, Sydney, Australia | |
| Thoughts and Actions, Japan Foundation at La Foret Museum, Tokyo, Japan | |
| Ten American Artists, John Gibson Gallery, New York, USA | |
| Extended Photography, Wiener Secession, Vienna, Austria | |
| Cinema & Video, Galerie Rüdiger Schöttle, Munich, Germany | |
| Live to Air, Artist’ Sound Works, Audio Arts, London, UK | |
| Spiegel-Bilder, Kunstverein Hannover, Hanover, Germany; Haus am Waldsee, Berlin, Germany | |
| 1960-80 Attitudes/Concepts/Images, Stedelijk Museum, Amsterdam, The Netherlands | |
| Rock Religion: Architecture by Artists, Institute of Contemporary Art, London, UK | |
| Liliane & Michel Durand-Dessert, Paris, France | |
| Record Covers, White Columns, New York, USA | |
| 74th American Exhibition, Art Institute of Chicago, Chicago, USA | |
| ICA Street Sights, Institute of Contemporary Art, Chicago, USA | |
| 1981 | Mixage, Lantaren, Rotterdam, The Netherlands |
| Artist as Architect/Architect as Artist, Ohio State University Gallery, Columbus, USA | |
| Construction in Process, Stpwarzuszemie Tworcow Kultury, Lodz, Poland | |
| Video Classics, Bronx Museum of Arts, New York, USA | |
| Westkunst, Museen der Stadt Köln, Cologne, Germany | |
| City Sites, Institute of Contemporary Art, Philadelphia, USA | |
| Line, Pecsi Galeria, Pecsi, Hungary | |
| Video, El Temps I LEspai, Barcelona, Spain | |
| 1980 | New Work, Hal Bromm Gallery, New York, USA |
| Radio by Artists, A Space, Toronto, Canada | |
| Video, P.S.1/Institute for Art and Urban Resources, Long Island City, USA | |
| 1979 | Peter Nadin, Louise Lawler, Lawrence Weiner, Dan Graham, Peter Nadin, New York, USA |
| Oeuvres Contemporaines des Collections Nationales, Accrochage III, Centre Georges Pompidou, Paris, France | |
| 12 Films, Beeldende Kunstenaars, Stichting de Appel, Amsterdam, The Netherlands | |
| An Exhibition of Smaller Works by the Faculty of the Studio Division of the Nova Scotia College of Art and Design, Nova Scotia College of Art and Design, Halifax, Canada | |
| Perceiving Time and Space Through Art, Hartnett Gallery, University of Rochester, Rochester, USA | |
| Map met 12 Werken, MUHKA – Museum van Hedendaagse Kunst, Antwerp, Belgium | |
| Concept, Narrative, Document, Museum of Contemporary Art, Chicago, USA | |
| 5 Artists Using Video, Gallery of the University of Western Ontario, London, Canada | |
| 73rd American Exhibition, The Art Institute of Chicago, Chicago, USA | |
| Livres, MUHKA – Museum van Hedendaagse Kunst, Antwerp, Belgium | |
| Livres, Galerie Vega, Liege, Belgium | |
| 1978 | Video Pieces for Shop Windows and Arcades, Groningen, The Netherlands |
| Numerals 1924-1977, Leo Castelli Gallery, New York, USA | |
| In Video, Art Gallery of Ontario, Toronto, Canada; | |
| Drawings and Other Works on Paper, Sperone Westwater Fischer, New York, USA | |
| Videotapes and Diagrams, Centre for Art Tapes, Halifax, Canada | |
| 1977 | American Art in Belgium, Palais des Beaux-Arts, Brussels, Belgium |
| Opening Exhibition of the Permanent Collection, Centre Georges Pompidou, Paris, France | |
| Documenta VI, Kassel, Germany | |
| Time, Philadelphia College of Art, Philadelphia, USA | |
| In Video, Dalhousie University, Halifax, Canada | |
| Kunst und Architektur, Galerie Magers, Bonn, Germany | |
| 1976 | Dan Graham, Lawrence Weiner, Kunsthalle Basel, Basel, Switzerland |
| Ambiente Arte, La Biennale di Venezia, Venice, Italy | |
| 1975 | A Space: A Thousand Word, Royal College of Art, London, UK |
| Video Art, Institute of Contemporary Art, University of Pennsylvania, Philadelphia, USA; Contemporary Art Center, Cincinnati, USA; Museum of Contemporary Art, Chicago, USA; Wadsworth Atheneum, Hartford, USA | |
| Painting, Drawing and Sculpture of the 60s and 70s from the Herbert and Dorothy Vogel Collection, Institute of Contemporary Art, Philadelphia, USA | |
| Language and Structure in North America, K.A.A. Gallery, Toronto, Canada | |
| 1974 | Returned to Sender, Galleria Schema, Florence, Italy |
| New Acquisitions, Tate Gallery, London, UK | |
| Art Video/Confrontation, ARC – Musee d’Art Moderne de la Ville de Paris, Paris, France | |
| Kunst bleibt Kunst: Projekt 74, Kunstverein, Cologne, Germany | |
| 1972 | Body, Loeb Student Center, New York University, New York, USA |
| Documenta V, Kassel, Germany | |
| 1971 | Sonnsbeek 71, International Sculpture Exhibition, Arnheim, The Netherlands |
| John Gibson at Galerie Daniel Templon, Galerie Daniel Templon, Paris, France | |
| ARC – Musee d’Art Moderne de la Ville de Paris, Bois de Vincennes, 7th Paris Biennal, France | |
| Prospect 71, Städtische Kunsthalle, Düsseldorf, Germany | |
| Art de Sistemas, Museo de Arte Moderna de la Ciudad, Buenos Aires, Argentina | |
| The Boardwalk Show, Convention Hall, Atlantic City, USA | |
| Earth, Air, Fire, Water: Elements of Art, Boston Museum of Fine Art, Boston, USA | |
| 1970 | Recorded Activities, Moore College, Philadelphia, USA |
| Information, MOMA – Museum of Modern Art, New York, USA | |
| 955,000, Vancouver Art Gallery, Vancouver, Canada | |
| Art in the Mind, Allen Art Museum, Oberlin College, Oberlin, USA | |
| Artists and Photography, Multiples Gallery, New York, USA | |
| American Drawings, Galerie Yvon Lambert, Paris, France | |
| 1969 | Language III, Dwan Gallery, New York, USA |
| Konzeption-Conception, Städtisches Museum, Leverkusen, Germany | |
| No. 7, Paula Cooper Gallery, New York, USA | |
| 557-087, Seattle Museum, Seattle, USA | |
| Time Photography, Visual Arts Gallery, School of Visual Arts, New York, USA | |
| 1967 | Language II, Dwan Gallery, New York, USA |
| Artist-Writers, Fordham University, New York, USA | |
| Focus on Light, New Jersey State Museum, Trenton, USA | |
| Language to be Looked at -Words to be Seen, Dwan Gallery, New York, USA | |
| Art in Series, Contemporary Wing of Finch College Art Museum, New York, USA | |
| Fifteen Artists Present Their Favorite Book, Lannis Museum of Normal Art, New York, USA | |
| Cre-action, Goucher College, Baltimore, USA | |
| 1966 | Projected Art, Contemporary Wing of Finch College Art, New York, USA |
| Working Drawings and other Visible Things on Paper not Necessarily Meant to be Viewed as Art, Visual Arts Gallery, School of Visual Arts, New York, USA | |
Publications
| 2013 | Hauser & Wirth.20 Years, edited by Michaela Unterdorfer, Ostfildern: Hatje Cantz, Germany |
| Sculpture Now, Anna Moszynska, London: Thames & Hudson, UK | |
| 2012 | Materializing Six Years, Lucy R. Lippard and the Emergence of Conceptual Art (exhibition catalogue), edited by Catherine Morris, Vincent Bonin, Brooklyn: Brooklyn Museum, UK |
| I wish this was a song. Music in Contemporary Art (exhibition catalogue), National Museum for Art, Architecture and Design Sweden, Elanders: Ingvild Krogvig, Sweden | |
| Gegenwartskunst. 1945-heute im Stadel Museum, edited by Max Hollein, Martin Engler, Ostfildern: Hatje Cantz, Germany | |
| Insular Insight. Where art and Architecture Conspire with Nature, Lars Müller, Miki Akiko, Zürich: Lars Müller Publishers, Switzerland | |
| 2011 | Epoque contemporaine XIX – XXI siecles, Philippe Dagen, Francoise Hamon, Paris: Flammarion, France |
| Artists Magazines. An alternative space for art, edited by Gwen Allen, Cambridge: The MIT Press, UK | |
| 2009 | Art, Le Present: La creation plasticienne au tournant du XXI. siecle, Paul Ardenne, Paris: Edition du Regard, France |
| Modernologies, Contemporary Artists Researching Modernity and Modernism, edited by Sabine Breitwieser, Barcelona: Museu d’Art Contemporani de Barcelona, Spain | |
| 200 Artworks 25 Years Artists’ Editions for Parkett, edited by Mark Welzel, Zurich: Parkett Publishers, Switzerland | |
| Rock/Music Writing, Graham, Dan, New York NY: Primary Information, USA | |
| Dan Graham, Pavilions: A Guide, Josh Thorpe, Toronto ON: Art Metroplole, Canada | |
| SEE THIS SOUND – Promises in Sound and Vision, edited by Cosima Rainer, Stella Roliig et als., Cologne: Walther König, Germany, Manchester: Cornerhouse Publications, UK | |
| The Contemporary Art Book, Charlotte Bonham-Carter, David Hodge, London: Goodman, UK | |
| Die Moderne als Ruine. Eine Archaologie der Gegenwart (exhibition catalogue), edited by Sabine Folie, Nuremberg: Verlag fur moderne Kunst, Germany | |
| Be my Mirror, Swenson, Kirsten, in: Art in America, New York NY, May 2009, pp. 104-110, ill. | |
| 2008 | The Art of Participation 1950 to Now, SFMOMA, London/San Francisco: Thames and Hudson, USA |
| Artists Monographs, Friedrich Christian Flick Collection Volume 8, Gregor Stemmrich, Cologne: DuMont / Christian Friedrich Flick Collection, Germany | |
| Qu’est-ce que lart video aujourd’hui?, edited by Claude Pommereau, Boulogne: Beaux Arts editions / TTM, France | |
| Dan Graham, Kavalierstart, Leverkusen: Museum Morsbroich Leverkusen, Germany | |
| Kinomuseum. Towards an Artists’s Cinema, Mike Sperlinger, Ian White, Cologne: Walther König, Germany | |
| Patio and Pavilion – The Place of Sculpture In Modern Architecture, Penelope Curtis, London/Los Angeles LA: Ridinghouse and The J. Paul Getty Trust, UK/USA | |
| Zerbrechliche Schönheit – Glas im Blick der Kunst, Barbara Til, Düsseldorf/Ostfildern: museum kunst palast/Hatje Cantz, Germany | |
| Paraisos indefinidos, edited by Centro de Fotografia, Universidad de Salamanca, Salamanca: Ediciones Universidad de Salamanca, Spain | |
| 2007 | Art Guide. Moderna Museet, Lars Nittve, Stockholm: The Moderna Museet, Sweden 50 geants de lart americain, Pierre Sterckx, Paris: Beaux Arts, France |
| La collection du Centre Pompidou. Musee national d’art moderne. Selected works, edited by Centre Pompidou, Paris: Centre Pompidou, France | |
| Plötzlich diese Übersicht. Was gute Zeitgenössische Kunst ausmacht, Jörg Heiser, Berlin: claassen/ Ulstein Buchverlage, Germany | |
| Licht – Glas – Transparenz, edited by Kunsthalle Osnabrück/ Stadt Osnabrück, Bramsche: Rasch Druckerei und Verlag, Germany | |
| 2006 | Jenseits des Kinos: Die Kunst der Projektion, Joachim Jäger, Gabriele Knapstein, Annette Husch, |
| Ostfildern: Hatje Cantz Verlag, Germany | |
| Telle est la Tele. L art contemporain et la television, Paris: Cercle d Art, France | |
| 2005 | Friedrich Christian Flick Collection im Hamburger Bahnhof, edited by Eugen Blume, Berlin: Staatliche Museen zu Berlin, Germany |
| Dan Graham. Mark Francis in conversation, Mark Francis, in: press PLAY. contemporary artists in conversation, London: Phaidon Press Limited, UK | |
| Don’t Trust Anyone Over Thirty, edited by Thyssen-Bornemisza Art Contemporary, Vienna: Thyssen-Bornemisza Art Contemporary, Austria | |
| 2004 | Bad Behaviour. From the Arts Council Collection, London: Hayward Gallery Publishing, UK |
| 2003 | Waterloo Sunset at the Hayward Gallery, edited by Hayward Gallery, Susan Ferges, Emma Mahoney, Graham Haworth, Mark Francis, London: Hayward Gallery, UK |
| Dan Graham by Dan Graham, edited by Hirokazu Mizunuma, Makiko Matake, Shin’ichi Hanada, Fumihiro Nonomura, Chiba/Kitakyushu: Chiba City Museum of Art and Kitakyushu Municipal Art Museum, Japan | |
| Video Acts. Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Truts, edited by Klaus Biesenbach, Barbara London, Long Island City: P.S.1 Contemporary Art Center, USA | |
| Dreams and Conflicts. The Dictatorship of the Viewer, Daniel Birnbaum, Venezia: la Biennale di Venezia, Italy | |
| Spiritus, Stockholm, edited by Magasin 3 Stockholm Konsthall, Stockholm, Sweden | |
| 2002 | Painting on the Move, edited by Kunsthalle Basel, Bernhard Mendes Burgi, Peter Pakesch, Basel: Schwabe Verlag, Switzerland |
| Dan Graham, edited by Jan Debbaut, Monique Verhulst, in: Van Abbemuseum. A Companion to Modern and Contemporary Art (exhibition catalogue), Eindhoven: Van Abbemuseum, The Netherlands | |
| The House of Fiction. Sammlung Hauser und Wirth / 3, Michaela Unterdorfer, Nuremberg: Verlag fur moderne Kunst, Germany | |
| 2001 | Stadt Fellbach, 8. Triennale Kleinplastik Fellbach 2001 Vor-Sicht Ruck-Sicht, Fellbach, 2001, pp. 146-149, ill. (exh. cat.) |
| Whitney Museum of American Art (ed.), American Visionaries. Selection from the Whitney Museum of American Art’, New York NY, 2001, p. 125, ill. | |
| Parfait, Francoise, Video: Un Art Contemporain, Paris: edition du Regard | |
| Brouwer, Marianne (ed.), Dan Graham Works 1965-2000 (texts by Marianne Brouwer, Eric de Bruyn, Thierry de Duve, Brian Hatton, John Miller), Museu de Arte Contemporanea de Serralves, Porto/Richter Verlag, Düsseldorf, ill. (exh. cat.) | |
| 8. Triennale Kleinplastik Fellbach 2001 Vor-Sicht Ruck-Sicht, Stadt Fellbach, Fellbach, Germany | |
| American Visionaries. Selection from the Whitney Museum of American Art, edited by Whitney Museum of American Art, New York: Whitney Museum, USA | |
| Video: Un Art Contemporain, Francois Parfait, Paris: edition du Regard, France | |
| Dan Graham Works 1965-2000, edited by Marianne Brouwer, Museu de Arte Contemporanea de Serralves, Düsseldorf: Porto/Richter Verlag, Germany | |
| Eine barocke Party, edited by Sabina Folie, Michael Glasmeier, Kunsthalle Wien, Vienna: Kunsthalle Wien, Austria | |
| 2000 | Trans plant. Living vegetation in contemporary art, Barbara Nemitz, Barbara, Ostfildern-Ruit: Hatje Cantz Publishers, Garmany |
| Dan Graham. Two Different Anamorphic Surfaces. A New Two Way Mirror Pavilion In The Wanas Park, Sweden, edited by The Wanas Foundation, Knislinge: The Wanas Foundation, Sweden | |
| media_city seoul 2000. Media art 2000. City vision. Subway Project, edited by media city seoul 2000, Seoul: media city seoul 2000, South Korea | |
| HausSchau. Das Haus in der Kunst, edited by Felix Zdenek, Ostfildern-Ruit: Hatje Cantz, Germany | |
| Moving Targets 2. A User’s Guide to British Art Now, Louisa Buck, London: Tate Publishing, UK | |
| Presumes innocents. Lart contemporain et l’enfance, edited by capcMusee dart contemporain de Bordeaux, Bordeaux: capcMusee dart contemporain de Bordeaux , France | |
| The Artist’s Body, edited by Tracey Warr, Amelia Jones, London: Phaidon, UK | |
| How you look at it. Fotografien des 20. Jahrhundert, edited by Thomas Weski, Heinz Liesbrock, Cologne: Oktagon, Germany | |
| Let’s Entertain: Life’s Guilty Pleasures, edited by Walker Art Center, Minneapolis MN: Walker Art Center, USA | |
| Many colored objects places side by side to form a row of many colored objects. Works from the collection of A. and A. Herbert edited by E. Lunghi, Luxembourg City: Casino Luxembourg – Forum dart contemporain, Luxembourg | |
| 1999 | Light Boxes: Leuchtkastenkunst, Stephan Trescher, Nuremberg: Verlag fur moderne Kunst, Nuremberg, Germany |
| New Media in Late 20th-Century Art, Michael Rush, London: Thames & Hudson, UK | |
| Two-Way Mirror Power. Selected Writings by Dan Graham on His Art, Alexander Alberro, London: MIT Press, UK | |
| La Ville le Jardin, la Memoire, edited by Academie de France a Rome, Rom/Paris: Academie de France a Rome, France/Italty | |
| 1998 | Conceptual Art, Tony Godfrey, London: Phaidon Press, UK |
| 1997 | Realisation. Kunst in der Leipziger Messe, edited by Brigitte Oetker, Christine Schneider et al., Cologne: Oktagon, Germany |
| KunstlerInnen. 50 Gesprache (exhibition catalogue), edited by Kunsthaus Bregenz, Edelbert Kob, Cologne: Verlag der Buchhandlung Walther König, Germany | |
| Westfalisches Landesmuseum fur Kunst und Kulturgeschichte, Kunst und der öffentliche Raum, Skulptur. Projekte in Münster | |
| Dan Graham: Architect, Camden Arts Center, London, UK | |
| Dan Graham Interviews, Hans Dieter Huber, Ostfildern-Ruit: Cantz Verlag, Germany | |
| Dan Graham, Xunta de Galicia, Conselleria de Cultura e Comunicacion Social, Santiago de Compostela, Spain | |
| 1996 | Two-Way Mirror Pavilions 1989-1996, Städtische Galerie Nordhorn, Martin Kotering, Roland Nachtigaller, Nordhorn, Germany |
| 1995 | Lehrgeld. Zwanzig Künstlerportraits, Renate Puvogel, Stuttgart: Oktagon Verlag, Germany |
| Dan Graham, Editions Dis Voir, Paris, France | |
| 1994 | Dan Graham. Ausgewählte Schriften, edited by Ulrich Wilmes, Stuttgart: Oktagon Verlag, Germany |
| Wild in the Streets: The Sixties, Dan Graham, Marie-Paule Macdonald, Gent: Imschoot Publishers, Belgium | |
| The Conceptual Vernacular (exhibition catalogue), Richard Francis, Museum of Contemporary Art, Chicago, USA | |
| 1993 | Dan Graham: Rock my Religion’ edited by Brian Wallis, Brian, (Writings and Art Projects 1965-1990), (text by Dan Graham), Cambridge: MIT Press, 1993 |
| Le Nouveau Musée, Van Abbemuseum, et al., ‘Dan Graham: Kunst und Architektur / Architektur und Kunst’ (texts by Jo-Anne Birnie Danzker, Dan Graham, Birgit Pelzer, Adachiara Zevi), 1993 – 1994, bio., bib., pp. 64, ill. (exh. cat.) | |
| Goldie Paley Gallery, Moore College of Art and Design, ‘Dan Graham: Public/Private’ (texts by Dan Graham, Mark Francis, Christina Ritchie), Philadelphia, 1993, pp. 50, ill. (exh. cat.) | |
| Witte de With, Musées de Marseille, et al., ‘Walker Evans and Dan Graham’ (text by Jean-François Chevrier, Benjamin Buchloh, Alan Sekula), New York NY, 1992-1994 (exh. cat.) |
Permanent Installations (selected)
| S-Curve for St. Gallen, Collection Hauser & Wirth Art Collection, St. Gallen, Switzerland | |
| Two-Way Mirror, Curved Hedge, Open Parallelogram, Collection Kirishima Open – Air Museum, Japan | |
| Two Different Anamorphic Surfaces, Collection Wanas Foundation, Wanas, Sweden | |
| Curved Two-Way Triangle, One Side Perforated Steel, Collection Museum of Contemporary Art, Tokyo Japan | |
| Bisected Two-Way Mirror Triangle, Collection Marzona, Italy | |
| Cafe Bravo, Nalbach, Berlin, Germany | |
| Two-Way Mirror Triangle with One Curved Side, collection Vaagan County, Norway | |
| Cylinder Bisected by Plane, Collection Naoshima Contemporary Art Museum, Japan | |
| Heart Pavilion, Collection Eileen Rosenau, Bryn Mawr, Pennsylvania, USA | |
| Two-Way Mirror Triangular Pavilion with Shoji Screen, Collection Yamaguchi Prefectural Museum of Art, Yamaguchi, Japan | |
| Two-Way Mirror hedge Labyrinth, Collection Robert Orton, La Jolla, California, USA | |
| Star of David Pavilion, Collection Stadt Hamburg – Uhlenhorst, Germany | |
| Triangular Solid with Circular Inserts, Collection Atlanta Contemporary Art Center, Georgia , USA | |
| Skateboard Pavilion, Collection Generali Foundation, Vienna, Austria | |
| Two-Way Mirror Pergola Bridge, Collection FRAC des Pays de la Loire, Nates, France | |
| Octagon for Munster, Collection Westfalisches Landesmuseum fur Kunst und Kulturgeschichte, Munster, Germany | |
| Two-Way Mirror Cylinder Inside Cude and a Video Salon: Rooftop Urban Park Project for DIA Center for the Arts, New York | |
| Two Adjacent Pavilions, Collection Kröller-Müller Museum, Otterio, Holland | |
| Pavillion/ Sculpture for Argonne, Collection Argonne National Laboratory, Chicago, Illonois, USA |
Public collections
| ARKEN Museum for Moderne Kunst, Ishoj, Denmark | |
| Burger Collection, Berlin, Germany | |
| Cal Cego – Colleccion de Arte Contemporaneo, Barcelona, Spain | |
| CAMeC – Centro de Arte Moderna e Contemporanea della Spezia, La Spezia, Italy | |
| Centro Andaluz de Arte Contemporaneo (CAAC), Sevilla, Spain | |
| CGAC – Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain | |
| Daimler Contemporary, Berlin, Germany | |
| Ellipse Foundation, Alcoitao, Portugal | |
| Fotomuseum Winterthur, Winterthur, Switzerland | |
| FRAC – Basse-Normandie, Caen, France | |
| FRAC – Bourgogne, Dijon, France | |
| FRAC – Centre, Orleans, France | |
| FRAC – Champagne-Ardenne, Reims, France | |
| FRAC – Nord-Pas de Calais, Dunkerque, France | |
| FRAC – Pays de la Loire, Carquefou, France | |
| FRAC – Poitou – Charentes – Angouleme, Angouleme, France | |
| Galerie Agart, Amilly, France | |
| Hamburger Kunsthalle, Hamburg, Germany | |
| Haifa Museum of Art, Haifa, Israel | |
| Hirshhorn Museum and Sculpture Garden, Washington, USA | |
| IAC – Institut d’art contemporain Villeurbanne / Rhone – Alpes, Villeurbanne, France | |
| Inhotim Centro de Arte Contemporanea, Brumadinho, Brazil | |
| Julia Stoschek Collection, Dusseldorf, Germany | |
| K21 Standehaus, Dusseldorf, Germany | |
| Kroller – Muller Museum, Otterlo, The Netherlands | |
| Kunsthaus Bregenz, Bregenz, Austria | |
| Kunsthaus Zurich, Zurich, Switzerland | |
| Kunstmuseet Koge Skitsesamling, Koge, Denmark | |
| Kunstmuseum Liechtenstein, Vaduz, Liechtenstein | |
| Laumeier Sculpture Park, Saint Louis, USA | |
| Louisiana Museum of Modern Art, Humlebaek, Denmark | |
| Los Angeles County Museum of Art – LACMA, Los Angeles, USA | |
| Middelheim Museum, Antwerp, Belgium | |
| MOCA Grand Avenue, Los Angeles, USA | |
| MoMA – Museum of Modern Art, New York City, USA | |
| ms2 – Muzeum Sztuki Lodz, Lodz, Poland | |
| Museet for Samtidskunst / Museum of Contemporary Art, Roskilde, Denmark | |
| Museu d’Art Contemporani de Barcelona – MACBA, Barcelona, Spain | |
| Museu Serralves – Museu de Arte Contemporânea, Porto, Portugal | |
| Museum fur Moderne Kunst (MMK), Frankfurt am Main, Germany | |
| Museum of Contemporary Art Chicago (MCA), Chicago, USA | |
| Musee d’Art Contemporain Lyon, Lyon, France | |
| National Gallery of Canada – Musee des beaux-arts du Canada, Ottawa, Canada | |
| National Museum of Contemporary Art – EMST, Athens, Greece | |
| Samuel P. Harn Museum of Art, Gainesville, USA | |
| San Francisco Museum of Modern Art – SFMOMA, San Francisco, USA | |
| SMAK Stedelijk Museum voor Actuele Kunst, Ghent, Belgium | |
| Stadtisches Museum Abteiberg, Monchengladbach, Germany | |
| Stedelijk Van Abbemuseum, Eindhoven, The Netherlands | |
| Tate Britain, London, UK | |
| T-B A21 – Thyssen – Bornemisza Art Contemporary, Vienna, Austria | |
| The Walther Collection, Neu – Ulm, Germany | |
| The Wanas Foundation, Knislinge, Sweden | |
| Tel Aviv Museum of Art, Tel Aviv, Israel |
