JESPER JUST
Born 1974 in Copenhagen, Denmark
Lives and works in New York, USA
Education
| 1997 – 2003 | The Royal Danish Academy of Fine Arts, Copenhagen, Denmark |
Solo exhibitions (selected)
| 2024 | Interferes, Gallerie Perrotin, New York, USA Exhibition and Screenings, Thessaloniki Film Festival, Thessaloniki, Greece |
| 2023 | Interfears, Galleri Nicolai Wallner, Copenhagen, Denmark Interfears, macLYON, Lyon, France Interfears Galerie Perrotin, Los Angeles, USA |
| 2022 | Seminarium, Museo Marino Marini, Firenze, Italy |
| 2021 | Corporealités, ARS FENNICA exhibition at Hämeenlinna Art Museum, Hämeenlinna, Finland Seminarium, Gl. Holtegaard, Holte, Denmark Seminarium, Galerie Perrotin, Tokyo, Japan |
| 2020 | Corporealités, Galerie Perrotin, New York, USA |
| 2019 | This Nameless Spectactle, Guggenheim Museum, Bilbao, Spain Servitudes, Kunsthal Charlottenborg, Copenhagen, Denmark Servitudes, MAAT Museum of Art Architecture & Technology, Lisbon, Portugal Cadavre Exquis (play), Revolver, Østerbro Teater, Copenhagen, Denmark |
| 2018 | Circuits (Interpassivities), Galleri Nicolai Wallner, Copenhagen, Denmark Continuous Moments, Wentrup Gallery, Berlin, Germany Coordenadas, Museo Anahuacalli, Mexico City, Mexico |
| 2017 | Jesper Just, EYE Collection Centre, Amsterdam, The Netherlands Continuous Monuments, Arcade #1, West, Den Haag, Hague, The Netherlands Continuous Monuments (Interpassivities), Perrotin, Hong Kong Performance – Interpassivities, Corpus, Det Kgl. Teater, Copenhagen, Denmark |
| 2015 | Servitudes, Palais de Tokyo, Paris, France Servitudes, Performa15, Times Square, New York, USA Jesper Just, Various Small Fires (VSF), Los Angeles, USA |
| 2014 | A Ruin in Progress, Galleri Nicolai Wallner, Copenhagen, Denmark |
| Jesper Just: This Is a Landscape of Desire, Des Moines Art Center, Des Moines, Iowa, USA | |
| This Is a Landscape of Desire, MMCA, The National Museum of Modern and Contemporary Art, South Korea | |
| Appearing / Intercourses, ARoS, Aarhus, Denmark | |
| Jesper Just: This Nameless Spectacle, Portland Art Museum, Portland, USA | |
| 2013 | Jesper Just, The Danish Pavilion, The 55th Venice Biennale, Venice, Italy |
| This is a Landscape of Desire, Galerie Perrotin, Paris, France | |
| This is a Landscape of Desire, Herning Museum of Contemporary Art, Herning, Denmark | |
| 2012 | This Nameless Spectacle, Galleri Nicolai Wallner, Copenhagen, Denmark |
| This Nameless Spectacle, University of Michigan Museum of Art, Ann Arbor, MI, USA | |
| This Nameless Spectacle, James Cohan Gallery, New York, NY, USA | |
| 2011 | This Nameless Spectacle, MAC/VAL, Vitry-sur-Seine, France |
| A Vicious Undertow, Des Moines Art Center, Des Moines, USA | |
| John Curtin Gallery, Perth, Australia | |
| This Nameless Spectacle, BALTIC Centre for Contemporary Art, Gateshead, UK | |
| Photo Spring, Beijing, China | |
| MAP, Mobile Art Production, Stockholm, Sweden | |
| Le Mois de la Photo à Montréal, Montréal, Canada | |
| This Nameless Spectacle, MAC/VAL, Val-de-Marne, France | |
| 2010 | ARTscape: Denmark – Jesper Just, Galerija VARTAI, Vilnius, Lithuania |
| Jesper Just: Romantic Delusions, Tampa Museum of Art, Tampa, USA | |
| 2009 | Invitation to Love, Kunstnernes Hus, Oslo, Norway |
| Jesper Just, Centro de Arte Moderna José de Azeredo Perdigao – Fundacao Calouste Gulbenkian, Lisbon, Portugal | |
| Jesper Just, Tromsø Gallery of Contemporary Art, Norway | |
| 2008 | Romantic Delusions, Galerie Emmanuel Perrotin, Paris, France |
| Romantic Delusions, Brooklyn Museum of Art, Brooklyn, NY, USA | |
| Romantic Delusions, U-turn / Kunsthallen Nikolaj, Copenhagen, Denmark | |
| A Voyage in Dwelling, Victoria Miro Gallery, London, UK | |
| Jesper Just, La Casa Encendida, Madrid, Spain | |
| 2007 | A Vicious Undertow, Perry Rubenstein Gallery, New York, USA |
| Jesper Just, Kunsthalle Wien (Museumsquartier), Vienna, Austria | |
| Jesper Just, SMAK Stedelijk Museum voor Actuele Kunst, Gent, Belgium | |
| Jesper Just, Witte de With Center for Contemporary Art, Rotterdam, The Netherlands | |
| Jesper Just, Ursula Blickle Foundation, Kraichtal-Unteröwisheim, Germany | |
| Jesper Just, Miami Art Museum, Miami, USA | |
| No Man is an Island II, Bliss and Heaven, Something to Love, Miami Art Museum, Miami, USA | |
| 2006 | Jesper Just – Something to Love, Stedelijk Museum, Amsterdam, The Netherlands |
| It Will All End In Tears, Galleri Christina Wilson, Copenhagen, Denmark | |
| It Will All End In Tears, Perry Rubenstein Gallery, New York, USA | |
| It Will All End In Tears, Special viewing during Frieze Art Fair: ArtProjx presentation in Prince Charles Cinema, London, UK | |
| Black Box: Jesper Just, Hirshhorn Museum and Sculpture Garden, Washington, USA | |
| Jesper Just, UCLA Hammer Museum, Los Angeles, USA | |
| Something to Love, Moderna Museet, Stockholm, Sweden | |
| 2005 | True Love is Yet to Come, Performa 05, Weiss Studio, New York, USA |
| Something to Love, Herning Kunstmuseum, Denmark | |
| 2004 | Jesper Just, Perry Rubenstein Gallery, New York, USA |
| No Man Is an Island II, YYZ Gallery, Toronto, Canada | |
| Bliss And Heaven, Gallery Maze, Torino, Italy | |
| A Fine Romance, Midway Contemporary Art, St. Paul, USA | |
| A Fine Romance, Galleri Christina Wilson, Copenhagen, Denmark | |
| 2003 | The Man Who Strayed, artnode.dk / Den Anden Opera, Copenhagen, Denmark |
Group exhibitions (selected)
| 2024 | Interfears, RAY Triennale, Frankfurt, Germany La Biennale de Lyon, Lyon, France |
| 2021 | THE AUTUMN SHOW, Galleri Nicolai Wallner, Copenhagen, Denmark Re/Projections: Video, Film, and Performance for the Rotunda, In Between Days: Video from the Guggenheim Collection, Guggenheim New York, USA Blue Peal of Bells, Museum of Contemporary Art Busan, South Korea |
| 2020 | Servitudes. Universe Society Being, Museum of Contemporary Art Busan, South Korea |
| 2019 | Nordic Impressions. Contemporary Art From Åland, Denmark, Finland, Greenland, Iceland, Norway, And Sweden, Scandinavia House, New York, USA Feel the Sun in Your Mouth, Hirshhorn Museum and Sculpture Garden, Washington, USA |
| 2018 | Tak i lige Måde. Contemporary Art from Denmark, Reykjavík Art Museum, Reykjavík, Iceland Hollywood and other Myths, The Tel Aviv Museum of Art, Tel Aviv, Israel Music for the Eyes, Santa Maria della Scala, Siena, Italy |
| 2017 | You Are In My Wave, Lothringer13 Halle, München The Darkened Mirror: Global Perspectives on Water, San Jose Museum of Art, San Jose, USA The Arcades: Contemporary Art and Walter Benjamin, The Jewish Museum, New York Cool calm and collected, ARoS, Aarhus, Denmark Generation Loss, Julia Stoschek Collection, Berlin, Germany |
| 2016 | Habile beaute – L’Art comme processus, FRAC Languedoc-Roussilon, Montpellier, France Love, Devotion, and Surrender, 22 London, Asheville, NC The people’s Cinema, Salzburger Kunstverein, Salzburg |
| 2015 | IN THE SHADOW/ OF A SPECTACLE/ IS THE VIEW OF THE CROWD, PERFORMA, New York, US Chercher le garcon, Musee d’art contemporain du Val-de-Marne MAC/Val, Vitry-sur-Seine, France City Walks, Bonniers Konsthall, Stockholm, Sweden Obey!-!Obedece!, M100 – Centro Culturtal Matucana 100, Santiago, Chile Wilderness, New Shelter Plan, Copenhagen, Denmark Turn On – Time-Based Art from the Julia Stoschek Collection, Tel Aviv Museum of Art, Tel Aviv, Israel Creating Realities – Begegnungen Zwischen Kunst Und Kino, Pinakothek der Moderne, Munich, Germany |
| 2014 | #1: Cartagena, International Biennial of Contemporary Art, Cartagena de Indias, Colombia |
| HPB14, Helsinki Photography Biennial, Helsinki, Finland | |
| All About These… Ladies And Gentlemen, National Gallery of Arts – Tirana, Tirana, Albania | |
| 1 + 1 = 1 : When Collections Collide, The Montreal Museum of Fine Arts – Musee des beaux-arts de Montreal, Montreal, Canada | |
| Drommeland, KUNSTEN Museum of Modern Art, Aalborg, Denmark | |
| Impact, Art Gallery of Western Australia, Perth, Australia | |
| Hindsight, V1 Gallery, Copenhagen, Denmark | |
| Imaginare Reisen – von hier ab ins Abenteuer!, Galerie im Marstall Ahrensburg, Ahrensburg, Germany | |
| Real Emotions: Thinking in Film, KW Institute for Contemporary Art, Berlin, Germany | |
| Bikuben, UMOCA Utah Museum of Contemporary Art, Utah, USA | |
| High Performance, The JULIA STOSCHEK COLLECTION as guest at the ZMK. Time-based Media Art sine 1996, ZMK, Karlsruhe, Germany | |
| Performance Now, Delaware Art Museum, Delaware, USA | |
| 2013 | Love me Gender, ARKEN Museum for Moderne Kunst, Copenhagen, Denmark |
| The Mystery of Tears, MAC Belfast, Belfast, UK | |
| A More Perfect Day: Collection of Mudam Luxembourg, Artsonje Center, Seoul, South Korea | |
| The weak sex, how are pictures the new male, Kunst Museum Bern, Bern, Switzerland | |
| Jesper Just, Sharjah Biennial 11, Sharjah, United Arab Emirates | |
| A More Perfect Day: Collection of Mudam Luxembourg, Artsonje Center, Seoul, South Korea | |
| Nordic Outbreak, touring exhibition, New York City, REykjavik, Stavanger, Copenhagen, Nuuk | |
| XIII Cordoba Photography Biennale, Cordoba, Spain | |
| Double Feature, Schirn Kunsthalle, Frankfurt, Germany | |
| 2012 | PINK CAVIAR, Louisiana Museum of Modern Art, Humlebæk, Denmark |
| 2011 | TIME AND PLACE Inaugural Exhibition 01, Kunsthalle Detroit, Detroit, USA |
| Intermission, James Cohan Gallery, Shanghai, China | |
| A Tell-Tale Heart Part 2, James Cohan Gallery, New York, USA | |
| El Grito, MUSAC, Museo de Arte Contemporaneo de Castilla y Léon, Spain | |
| Lust and Last, Swedish National Gallery, Stockholm, Sweden | |
| What’s He Building in There?, Fuse Gallery, New York, USA | |
| 2010 | Body/Space Mechanics, De Hallen, Haarlem, The Netherlands |
| Emporte-moi / Sweep me off my feet, Musee d’art contemporain du Val-de-Marne, MAC/Val, Vitry-sur-Seine, France | |
| I love you, ARoS, Aarhus, Denmark | |
| Detroit, Kunsthalle Wien, Vienna, Austria | |
| National Gallery of Art Lithuanian Art Museum, Vilnius, Lithuania | |
| Searching Songs, Yebisu International Festival, Tokyo Metropolitan Museum of Photography, Tokyo, Japan | |
| Fast Forward 2. The Power of Motion, group show, Media Art Sammlung Goetz, Karlsruhe, Germany | |
| 2009 | Code Share: 5 Continents, 10 Biennales, 20 Artists, Contemporary Art Center Vilnius (CAC), Vilnius, Lithuania |
| Angli – Heart, Herning Kunstmuseum, Herning, Denmark | |
| Mia Vida, From Heaven to Hell, Mucsarnok Kunsthalle, Budapest, Hungary | |
| Damaged Romanticism: A Mirror of Modern Emotion – Parrish Art Museum, Southampton, NY, USA | |
| Play – Film and Video, Moderna Museet, Stockholm, Sweden | |
| It’s Raining Men…!, Galleri Christina Wilson, Copenhagen, Denmark | |
| Damaged Romanticism, Grey Art Gallery, NYU, New York City, USA | |
| Swing Time Free Style, Charlotte Fogh Contemporary, Aarhus, Denmark | |
| Popisme, Episode IV – Le Lieu Unique, Nantes, France | |
| Emporte-moi/Sweep Me Off My Feet, Musée national des beaux-arts du Québec, Quebec City, Canada | |
| Kurs: Torvet, Museet for Samtidskunst / Museum of Contemporary Art, Roskilde, Denmark | |
| Sounds And Vision, Tel Aviv Museum of Art, Tel Aviv, Israel | |
| Höhepunkte der Kölner KunstFilmBiennale in Berlin, KW Institute for Contemporary Art, Berlin, Germany | |
| 2008 | Unknown Pleasures, Aspen Art Museum, Aspen, USA |
| Dance, Dance, Dance, Statens Museum for Kunst, Copenhagen, Denmark | |
| Fluid Street – Alone, Together, Kiasma – Museum of Contemporary Art, Helsinki, Finland | |
| Filmprogramm, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany | |
| Carnegie Art Award, Henie Onstad Art Centre, Høvikodden, Norway | |
| Two-Fold Faction, PKM GALLERY, Beijing, China | |
| 56º N, 10º E, Museo Nacional de San Carlos, Mexico City, Mexico | |
| Intimacy, ACCA – Australian Center for Contemporary Art, Melbourne, Australia | |
| Worlds on video – international video art, Centro di Cultura Contemporanea Strozzina (CCCS), Florence, Italy | |
| OVERCOMING, Ernst Museum Budapest, Budapest, Hungary | |
| Stop.Look.Listen: An Exhibition of Video Works, Haggerty Museum of Art, Milwaukee, USA | |
| Carnegie Art Award, Göteborgs Konstmuseum, Göteborg, Sweden | |
| Locked-in, The Image of Humanity in the Age of Intrusion, Casino Luxembourg, Luexembourg | |
| LCPH, Malmöfestivalen, Malmö, Sweden | |
| Romantic Delusions, Liverpool Biennial, Liverpool, UK | |
| Damaged Romanticism, Blaffer Gallery, Houston, USA | |
| UNCLASSIFIABLE, Overgaden, Institut for Samtidskunst, Copenhagen, Denmark | |
| Glasgow International Festival of Contemporary Visual Art, Glasgow, Scotland | |
| Ciclo Video, CGAC (Galician Centre of Contemporary Art), Santiago de Compostela, Spain | |
| DanskDjävlar – en svensk kanon, Charlottenborg Udstillingsbygning, Copenhagen, Denmark | |
| Angli, Heart – Herning Kunstmuseum, Herning, Denmark | |
| Swing Time, Beaver Projects, Copenhagen, Denmark | |
| (LOVE) WILL TEAR US – OPTION LIEBE, Kunstverein Medienturm, Graz, Austria | |
| BodyBerserk, Kunsthallen Brandts, Odense, Denmark | |
| Unclassifiable Video, Darling Foundry, Montreal, Canada | |
| Carnegie Art Award, Den Frie Udstillingsbygning, Copenhagen, Denmark | |
| 2007 | Carnegie Art Award, KIASMA, Helsinki, Finland |
| Beijing Center for Creativity, Millennium Art Museum, Beijing, China | |
| The Drake, Toronto, Canada | |
| CRACK THE SKY, Biennale de Montreal, Montreal, Canada | |
| Timer 01, intimitá/intimacy, Triennale Bovisa, Milan, Italy | |
| I’M ONLY HUMAN, Contemporary Art Centre of Thessaloniki, Thessaloniki, Greece | |
| MoA (Museum of Art), Seoul National University, Seoul, South Korea | |
| Gaze.space.desire, Den Frie Udstillingsbygning, Copenhagen, Denmark | |
| The Moore Space/Moca, Miami, USA | |
| Eternal Beautiful Now, Sherman Galleries, Sydney, Australia | |
| Stedelijk Museum voor Actuele Kunst, Amsterdam, The Netherlands | |
| Argos, Brussels, Belgium | |
| KölnShow 2, European Kunsthalle, Cologne, Germany | |
| 5-Year Anniversary Show, Galleri Christina Wilson, Copenhagen, Denmark | |
| KunstFilmBiennale7, Kunstmuseum Bonn, Bonn, Germany | |
| Stop. Look. Listen: An Exhibition of Video Works, Herbert F. Johnson Museum of Art, Ithaca, New York, USA | |
| Existencias, Musac Museo de Arte Contemporáneo de Castilla y Léon, Léon, Spain | |
| Delicatessen, Schmidt Center Gallery & Ritter Art Gallery, Boca Raton, USA | |
| Replaying Narrative, Le Mois de la Photo à Montréal, Montréal, Canada | |
| Novelle (Not Yet Another Story), Halle für Kunst e.V., Lüneburg, Germany | |
| An Interpersonal Journey – Santralistanbul, Istanbul, Turkey | |
| IMAGES OF MAN today – ARKEN Museum for Moderne Kunst, Copenhagen, Denmark | |
| Borderline/Moving Images 2007 – Borderline, Beijing, China | |
| I Love Malmö, Kuntsi Museum of Modern Art, Vaasa, Finland | |
| Contemporary Scandinavian Art, Scottsdale Museum of Contemporary Art – SMoCA, Scottsdale, USA | |
| Love Addiction: pratiche video dal ’61 ad oggi – GC.AC – Galleria Comunale d’Arte Contemporanea di Monfalcone, Monfalcone, Italy | |
| OPEN ev+a 2007 – ev+a, Limerick, Ireland | |
| Depiction Perversion Repulsion Obsession Subversion – Witte de With Center for Contemporary Art, Rotterdam, The Netherlands | |
| I Love Malmö: Works from Malmö Art Museum, Turku Art Museum, Turku, Finland | |
| MediaArtLab Museum, Moscow, Russia | |
| 2006 | Dreamlands Burn, MÛCSARNOK | KUNSTHALLE BUDAPEST, Budapest, Hungary |
| Empathetic Temple Gallery, Old City, Pennsylvania, USA | |
| EXPORTABLE GOODS – Danish art now, Krinzinger Projekte, Vienna, Austria | |
| Artprojx, Prince Charles Cinema, Frieze Art Fair Event, London, UK | |
| The Big Scene: Emotionality in Recent Video Art, Magazin4 – Bregenzer Kunstverein, Bregenz, Austria | |
| Toronto Film Festival, Toronto, Canada | |
| Hot/Cold? Summerloving?, Zacheta National Gallery of Art, Warsaw, Poland | |
| Empathetic Temple Gallery, Old City, Pennsylvania, USA | |
| Busan Biennale, Busan, South Korea | |
| LIAF 06 Lofoten International Art Festival, Lofoten, Norway | |
| Biennale du Havre, Le Havre, France | |
| Ars 06 Sense of the Real, Kiasma Museum, Helsinki, Finland | |
| Trial Balloons, MUSAC Museo de Arte Contemporáneo de Castilla y Léon, Spain | |
| Bühne des Lebens – Rhetorik des Gefühls, Lenbachhaus, Munich, Germany | |
| Don Quijote, Witte de With, Rotterdam, The Netherlands | |
| BENT: Gender and Sexuality in Contemporary Scandinavian Art, International Center for the Arts at San Francisco State University, San Francisco, USA | |
| Naivism in Contemporary Art – ARKEN’s Collection – ARKEN Museum for Moderne Kunst, Copenhagen, Denmark | |
| MONITOR – DUNK!, Copenhagen, Denmark | |
| Something More Than Feelings, Rochester Art Center, Rochester, USA | |
| Globos Sonda – Musac – Museo de Arte Contemporáneo de Castilla y Léon, Léon, Spain | |
| Amazing Friends, Galleria Maze, Turin, Italy | |
| COPENHAGEN – SAN FRANCISCO, Scandinavian Short film Festival, ATA, Sam Francisco, USA | |
| Another Worlds, Arario Gallery, Seoul, South Korea | |
| 2005 | Do Not Interrupt Your Activities, Royal College of Art Galleries, London, UK |
| Collection Lambert, Musée d’art contemporain, Avignon, France | |
| The Final Floor Show, Objectif_exhibitions, Antwerp, Belgium | |
| Grønningen, Charlottenborg Udstillingsbygning, Copenhagen, Denmark | |
| Gender Bender, Galleria D’Arte Moderna Bologna, Bologna, Italy | |
| Matisse & August, Royal Musem of Fine Art, Copenhagen, Denmark | |
| Something to Love, Herning Art Museum, Herning, Denmark | |
| The Final floor Show, Objectif_exhibitions, Antwerp, Belgium | |
| 2004 | I Feel Mysterious Today, Palm Beach INC, Miami, USA |
| No one else can make me feel the colours that you bring, Temple Bar Gallery, Dublin, Ireland | |
| MALM I, Malmö Konsthall, Malmö, Sweden | |
| Altered Spaces, Indianapolis Museum of Contemporary Art, Indianapolis, USA | |
| Fabulation, VOX, Montreal, Canada | |
| 3rd Momentum 04, Nordic Festival of Contemporary A rt, Moss, Norway | |
| Video Killed the Radio Star, Migros Museum fur Gengenwarts Kunst, Zurich, Switzerland | |
| 2003 | Survival Strategies for Untrained Ones, Adlershof, Berlin, Germany |
| Something about Love, Casino Luxembourg, Luxembourg | |
| Rosebud, Galleri Christina Wilson, Copenhagen, Denmark | |
| Exit, Kunstforeningen, Copenhagen, Denmark | |
| The Man Who Strayed, Den Anden Opera & Artnode, Copenhagen, Denmark | |
| 2002 | The Island And The Aeroplane, SparwasserHQ, Berlin, Germany |
| ALIBI, Den Frie Udstillingsbygning, Copenhagen, Denmark | |
| Brøl, Copenhagen Zoo, Copenhagen, Denmark | |
| BIG Social Game, GAM, Turin, Italy | |
| Bits and Pieces, Royal Museum of Fine Art, Copenhagen, Denmark | |
| Kunstformkunst, Danmarks Tekniske Museum, Helsingør, Denmark | |
| copkop, Gallery Asbæk, Copenhagen, Denmark | |
| The Harder They Come, SparwasserHQ, Berlin, Germany |
Articles/reviews (selected)
| 2017 | “Uncomfortable Gaze: Profile of Jesper Just”, Ysabelle Cheung, ArtAsiaPacific, October 10, 2017 |
| “Interpassivities: Jesper Just”, Mousse Magazine, September, 2017 | |
| “17 Artists Share the Films That Influenced Them”, Scott Indrisek, Artsy, August 24, 2017 | |
| 2015 | “Videokunst nu!”, Merete Møndrup, Magasinet Kunst #2, March, 2015 |
| “En udvidet undersøgelse af det moderne vildnis”, Kristian Handberg, kunsten.nu, May 1, 2015 | |
| “New York artist Jesper Just commandeers Paris’ Palais de Tokyo with a spectacular multimedia show”, Ali Morris, wallpaper.com, July 20, 2015 | |
| “Experience Jesper Just’s haunting audiovisual installation Servitudes in Paris”, Michael Slenske, Architectural Digest, June 30, 2015 | |
| “At tage rummet tilbage – Jesper Just”, Maria Bordorff, kopenhagen.dk, July 8, 2015 | |
| 2014 | “Ugens kunstner – Jesper Just”, Pernille Taagaard Dinesen, kunsten.nu, September 24, 2014 |
| 2013 | “Biennale de Venise: Ai Weiwei, DSK et Prada sur la Lagune”, Les Echos, June 1, France |
| “Jesper Just on his Immersive, Cinemativ Takeover of the Danish Pavilion”, Artsy, May 31, New York, USA | |
| “Just, Arrived: With Three New Ambitious Films, Just Explores the Poetry of Place”, GalleristNY, USA | |
| “Jesper Just”, Wall Street International, May 29, New York, USA | |
| “On View: Jesper Just’s Paradoxical Danish Pavilion at the Venice Biennale”, The New York Times, T Magazine, May 28, New York, USA | |
| “A Work That’s Site Unspecific”, The New York Times, June 2, New York, USA | |
| “In the studio: Jesper Just”, Art + Auction 60,300, USA | |
| “Meet Me Someplace Else: Jesper Just at the Venice Biennale”, Art in America, May 28, USA | |
| “En video-kunstners rejse”, Martin Burcharth, Information, February 13, Copenhagen, Denmark | |
| “Jesper Just: In Denmark for Jesper Just’s solo exhibition”, Alessia Rosini, vogue.it, L’Uomo Vogue edition, February, Milan, Italy | |
| “Just So”, Felix Burrichter, W Magazine, February 7, New York, USA | |
| “Verdenskunst pa den jyske hede”, Thilde Nyborg, Politiken, February 8, Copenhagen, Denmark, pp.14-15 | |
| “Han saetter minoriteterne i centrum”, Maria Juel Glasius, Jyllands-Posten, February 10, Aarhus, Denmark, pp.22-23 | |
| 2012 | “Jesper Just”, David Frankel, Artforum, December Issue, New York, USA |
| “Jesper Just”, Christopher French, ARTnews, November Issue, New York, USA | |
| “Jesper Just: This Nameless Spectacle”, Mette Garfield, Thalo, October 7, New York, USA | |
| “15 Questions for Danish Video Artist Jesper Just”, Julian Halperin, Blouin Artinfo, Issue for October 8, New York, USA | |
| “Cinematic Crises: Q+A with Jesper Just”, Faye Hirsch, Art in America, September 25, New York, USA | |
| “Jesper Just: ‘This Nameless Spectacle’”, Ken Johnson, The New York Times, September 13, New York, USA | |
| “Just, Arrived.”, Susan Michals, New York Observer, September 10, New York, USA | |
| “Denmark Picks Jesper Just for 2013 Venice Biennale”, GalleristNY, May 23, New York, USA | |
| “Nuances that Carry Weight: Jesper Just at James Cohan”, Kris Scheifele, Artcritical, September 16, New York, USA | |
| 2011 | “Jesper Just: The Human Touch”, Richard Rhodes, Canadian Art, December 1, Toronto, Canada |
| 2010 | “Tampa Museum of Arts features Jesper Just video art exhibit”, Lennie Bennett, St. Petersburg Times, May 16, St. Petersburg, Russia |
| “An observer of the Undercurrent”, Catherine Y. Hsieh, NY Arts Magazine, New York, USA | |
| “Stills from Sirens of Chrome”, Objektiv, no. 1, April Issue, Oslo, Norway, pp.72-76 | |
| “Omer Fast at Postmasters and the Whitney; Anthony McCall’s ‘Leaving’; Josh Dorman’s ‘New Works'”, Robert Shuster, The Village Voice, January 12, New York, USA | |
| 2009 | “Art That Leaps Off the Canvas”, Carol Kino, The New York Times, October 29, New York, USA |
| “Jesper Just: A Vicious Undertow”, Stephane Aquin, The Magazine of the Montreal Museum of Fine Arts, September Issue, Montreal, Canada | |
| “Interview: Jesper Just – Arkens Rejselegat 2009”, kopenhagen.dk, March 24, Copenhagen, Denmark | |
| “A Touch of Romanticism”, Everett Daquino, Artslant, February 19, Los Angeles, USA | |
| “Urovekkende dragsug”, Hanne Hammer Stien, Billedkunst, February 10, Oslo, Norway | |
| “Love and Other Disappointments”, Karen Rosenberg, The New York Times, February 12, New York, USA | |
| “Jesper Just’s Theater of Exclamation Points”, Christopher French, Art Papers, no. 33.3, May-June Issue, Atlanta, USA, pp. 30-37 | |
| 2008 | “Shiny Art-World Celebrities Turn Out for Performa’s Metal Ball”, Andrew Goldstein, New York Magazine, November 17, New York, USA |
| “Newest Haggerty exhibit is worth a look, listen”, Molly Gamble, Marquette Tribune, November 6, Marquette, USA | |
| “Validated Vagueness of “Damaged Romanticism””, Troy Schulze, Houston Press, October 16, Houston, USA | |
| “Brooklyn Museum: Jesper Just: Romantic Delusions”, Ken Johnson, The New York Times, October 3, New York, USA | |
| “Jesper Justs personlige U-turn”, Mikkel Mindegaard-Mullertz, kunsten.nu, October 1, Aarhus, Denmark | |
| “Værkerne nedbryder konventionerne”, Julie Hjerl Hansen, Information, October 1, Copenhagen, Denmark | |
| “Just at Hammer Museum in LA”, Hannah Barry, Artslant, September 22, Los Angeles, USA | |
| “Walking in dreams”, Georgia Fee, Artslant, September 9, Los Angeles, USA | |
| “Fall Preview: Jesper Just’s Schizo Enigma. Four Films at the Brooklyn Museum of Art”, Robert Shuster, The Village Voice, September 2, New York, USA | |
| “Cinematic Images of Masculine Vulnerability”, Ken Johnson, The New York Times, September 26, New York, USA | |
| “En haabefuld romantiker”, Matthias Hvass Borello, kunsten.nu, September 11, Aarhus, Denmark | |
| “Jesper Just”, Eliza Williams, Frieze, no. 117, September Issue, London, UK | |
| “Carnegie Art Award 2008 – Den Frie Udstillingsbygning”, kopenhagen.dk, August, Copenhagen, Denmark | |
| “Dansk billedkunstner i stald hos Londons topgallerist”, Line Rosenvinge, Information, June 30, Copenhagen, Denmark | |
| “Jeg bruger et kendt sprog og giver folk noget, de ikke forventer”, Information, Line Rosenvinge, June 30, Copenhagen, Denmark | |
| “Digitale Drømme”, Kristoffer Zøllner, Berlingske Tidende, March 1, Copenhagen, Denmark | |
| “I følelsernes vold” Oliver Stilling, Filmmagasinet Ekko, March/April, Copenhagen, Denmark | |
| “Romantic Delutions”, Lilian Davies, Idoménée, Issue 3, Paris, France | |
| “Videokunstneren, der sætter ny standard”, Ole Lindboe, Magasinet Kunst, Issue 3, Copenhagen, Denmark | |
| 2007 | “Jesper Just”, Holland Cotter, The New York Times, August 9, New York, USA |
| “Suspense en subtiliteit in verlaten parkeergarages – Mannen als lustobject in de films van de Deense kunstenaar Jesper Just”, Manon Braat, NRC Handelsblad, January 3, Amsterdam, The Netherlands | |
| “Interview: Jesper Just”, Torben Zenth, kopenhagen.dk, June 29, Copenhagen, Denmark | |
| “Nordisk Samtidskunst når det er bedst”, Astrid la Cour, Berlingske Tidende, April 29, Copenhagen, Denmark | |
| “Carnegie priser til Just og Kørner”, Informations webredkation, Information, June 30, Copenhagen, Denmark | |
| “Fine Kunstpriser til Danmark”, Torben Weirup, Berlingske Tidende, June 30, Copenhagen, Denmark | |
| 2006 | “Hollywood og hinsides”, Toke Lykkeberg Nielsen, Information, October 30, Copenhagen, Denmark |
| “Det handler om mænd”, Poul Pilgaard Johnsen, Weekendavisen, October 27, Copenhagen, Denmark | |
| “Nat I New York”, Trine Ross, Politiken, October 23, Copenhagen, Denmark | |
| “It Will All end in Tears”, Jeffrey Kastner, The New York Times, October 20, New York, USA | |
| “Art Films With Hollywood Production Values”, Blake Gopnik, Washington Post, October 17, Washington, USA | |
| “Jesper Just: Love, desire and impersonation; opera, film and masculinity”, Ronald Jones, Frieze, Summer 100th issue, June Issue, London, UK | |
| “Jetzt bloß nicht sentimental werden”, Holger Liebs, Süddeutsche Zeitung, April 7, Munich, Germany | |
| “Crying Time The Films of Jesper Just”, Faye Hirsch, Art In America, February Issue, New York, USA | |
| “Varför alla dessa män, Jesper”, Erica Treijs, Svenska Dagbladet, January 2, Stockholm, Sweden | |
| 2005 | “17 Days of Nothing You’d Ever Beheld”, Roberta Smith, The New York Times, December 25, New York, USA |
| “Future Greats”, Adam Budak, ArtReview, December Issue, London, UK | |
| “Forførende, flygtige hologramer”, Mette Garfield Mortensen, Magasinet Kunst, November Issue, Copenhagen, Denmark | |
| “Performance Art Gets Its Biennial”, Roberta Smith, The New York Times, November 3, New York, USA | |
| “Styrtblødende skønhed”, Maria Gadegaard, Politiken, November 20, Copenhagen, Denmark | |
| “Det maskuline fængsel”, Anders Haarh, Information, November Issue, Copenhagen, Denmark | |
| “Jesper Just”, Torben Weirup, Dansk Kunst 06, November, Copenhagen, Denmark | |
| “Videokunstneren Jesper Just om rum og fortælling”, Rie Lykke, Danske Scenografer, September, 1:25, Copenhagen, Denmark | |
| “Jesper Just”, Michael Wilson, Artforum, March Issue, New York, USA | |
| “Something to Love”, Svala Vagnsdatter Andersen, Kvinfo, March 8, Copenhagen, Denmark | |
| “Reflections in a Glass Curtain”, Andrea Bellini , Flash Art, January/February Issue, Milan, Italy | |
| 2004 | “Jesper Just”, Caroline Corbetta, Flash Art, November Issue, Milan, Italy |
| “Jesper Just”, Raphael Gygax, Tema Celeste, November/December Issue, Milan, Italy | |
| “Jesper Just”, Noah Chasin, Time Out, Issue No. 481/482,December 16-29, New York, USA, p. 102 | |
| “Jesper Just”, Julia Morton, NYPRESS, vol. 17, no. 46, November 17-23, New York, USA, p. 55 | |
| “Critic’s Picks”, Brian Sholis, Artforum, November/December, New York, USA | |
| “Shortlist”, Kim Levin, The Village Voice, November 17-23, New York, USA, p. 45 | |
| “Jesper Just”, Max Andrews, Frieze, June/July/August Issue, London, UK | |
| “Review of Midway Contemporary Art Exhibition”, Kris Douglas, ArtUS, No. 3, June–August Issue, Los Angeles, USA | |
| “Jesper Just”, Aron Van Dyke, Rearview Mirror, May-June Issue, Rome, Italy | |
| “Kunstrevy”, Mette Sandbye, Weekendavisen, Febuary 6–12, Copenhagen, Denmark | |
| “Fortællinger om kærlighed”, Kristine Kern, Politiken, January, Copenhagen, Denmark | |
| “Mand og mand imellem”, Rune Gade, Information, January 14, Copenhagen, Denmark |
Essays
| “Jesper Just”, Hannah Barry, 2006 | |
| “Melodrama for Modern Men”, Gry Hoengsmark Knudsen, 2005 | |
| “Something to Love”, Gry Hoengsmark Knudsen and Holger Reenberg, 2005 | |
| “En feminisme for menn”, Joergen Lorentzen, 2004 | |
| “Everyone changes be my friend”, Caroline Corbetta, 2004 | |
| “Man Stripped Bare by Stories of Love”, Jacob Lillemose, 2004 | |
| “Passionate Glance”, Kristine Kern, 2003 |
Publications/catalogues
| Jesper Just. It Will All End in Tears, La Casa Encendida, Madrid, Spain, 2008 | |
| Jesper Just, Romantic Delusions, Brooklyn Museum of Art, New York, USA, 2008 | |
| JESPER JUST, Film works 2001-2007, Witte de With, Rotterdam, The Netherlands, 2007 | |
| Bent: Gender and Sexuality in Contemporary Scandinavian Art, University of Washington Press, Washington, Seattle, USA, 2006 | |
| Bühne des Lebens – Rhetorik des Gefühls, Lenbachhaus, Munich, Germany, 2006 | |
| Do Not Interrupt Your Activities, Royal College of Art Galleries, London, UK |
Public Collections
| Arario Gallery, South Korea | |
| Arken Museum of Modern Art, Ishøj, Denmark | |
| ARoS Aarhus Kunstmuseum, Denmark | |
| Art Gallery of Western Australia, Perth, Australia | |
| Carnegie Museum, Pittsburg, USA | |
| Castello di Rivoli, Turin, Italy | |
| EMMA, Helsinki, Finland | |
| FRAC, Fonds Regional D’Art Contemporain Champagne-Ardenne, Reims, France | |
| Guggenheim Museum, New York, USA | |
| Herbert F. Johnson Museum, New York, USA | |
| Herning Kunstmuseum, Herning, Denmark Hirshhorn Museum and Sculpture Park, Washington, USA |
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| Honart Museum, Teheran, Iran | |
| Israel Museum, Jerusalem, Israel | |
| Kiasma, Finnish National Gallery, Helsinki, Finland | |
| Louisiana Museum, Humlebaek, Denmark | |
| Malmo Konstmuseum, Malmo, Sweden | |
| Moderna Museet, Stockholm, Sweden | |
| MoMA, Museum of Modern Art, New York, USA | |
| Montreal Museum of Fine Arts, Canada | |
| Musac, Leon, Spain | |
| Musee d’Art Moderne, Luxembourg | |
| Statens Kunstfond, Copenhagen, Denmark | |
| Statens Museum, Danish National Gallery, Copenhagen, Denmark | |
| Tate Modern, London, UK |
