JAKOB KOLDING
Born 1971 in Albertslund, Denmark
Lives and works in Berlin, Germany
Education
| 1995 – 2000 | The Royal Danish Academy of Fine Arts, Copenhagen, Denmark |
Solo exhibitions
| 2024 | Shadow Architectures, Galerie Martin Janda, Vienna, Austria Architecture & Morality, Bonamatic, Copenhagen, Denmark Everything’s Gone Green: Architectural Drawings, Galleri Nicolai Wallner, Copenhagen, Denmark |
| 2022 | Cuts, Politikens Forhal, Copenhagen, Denmark |
| 2019 | Pieces, Galerie Martin Janda, Vienna, Austria |
| 2018 | Movements, Salzburger Kunstverein, Salzburg, Austria |
| 2017 | Corbulations, Cobra Museum For Modern Art, Amstelveen, The Netherlands To the Lighthouse (scenography), Bregenzer Festspiele, Bregenz, Austria Dress Rehearsals, Sommer Contemporary Art, Tel Aviv, Israel dislocated dislocated, Acud Gallery, Berlin, Germany self, portraits, Galleri Nicolai Wallner, Copenhagen, Denmark |
| 2016 | Making a Scene, The Neubauer Collegium, Chicago, USA |
| Another World With Difficulties, Team Gallery, Los Angeles, USA | |
| 2015 | World with Difficulties, Team Gallery, New York, USA |
| Nothing is Always Absolutely So, Rond-Point Projects Room, Marseille, France | |
| 2014 | Masquerades, Galerie Martin Janda, Vienna, Austria |
| 2013 | Balancing Acts, Galleri Nicolai Wallner, Copenhagen, Denmark |
| 2011 | A Plan for Escape, Galleri Nicolai Wallner, Copenhagen, Denmark |
| Blocks, Team Gallery, New York, USA | |
| The Uncertainty of the Stability, Galerie Martin Janda, Vienna, Austria | |
| 2010 | Jakob Kolding, University of Michigan Museum of Art, Ann Arbor, USA |
| Stakes Is High, Stedelijk Museum Bureau Amsterdam, The Netherlands | |
| 2009 | Radical World, Studio Dabbeni, Lugano, Switzerland |
| Memories of the future, Team Gallery, New York, USA | |
| 2008 | Posters, Fondazione Pastificio Cerere Onlus, Rome, Italy |
| 2007 | The Surburban, Chicago, USA |
| REC, Berlin, Germany | |
| Overgaden, Copenhagen, Denmark | |
| 2006 | Pattern Recognition, Marabouparken, Sundbyberg, Sweden |
| Galerie Martin Janda, Vienna, Austria | |
| Team Gallery, New York, USA | |
| 2005 | Playstation, Amsterdam, The Netherlands |
| 2004 | Architextures, Fotogalleriet, Oslo, Norway |
| Project with Museum in Progress/Arbeitskammer, Vienna, Austria | |
| Space invaders, Marres, Maastricht, The Netherlands | |
| 2003 | Cubitt Gallery (with Luke Fowler), London, UK |
| Centre d’Edition Contemporaine, Geneva, Switzerland | |
| Project with D.A.E., San Sebastian, Spain | |
| Am Parlamentplatz (with Gitte Villesen), Frankfurt, Germany | |
| 2002 | Galleri Nicolai Wallner, Copenhagen, Denmark |
| Martin Janda-Raum Aktueller Kunst, Vienna, Austria | |
| 2001 | Project Space, Galleri 54, Goteborg, Sweden |
| Presentation (with Gitte Villesen), Atelier Augarten, Vienna, Austria | |
| Hamburger Kunstverein, Hamburg, Germany | |
| Projectroom, Finnish Museum of Photography, Helsinki, Finland | |
| Project at Center for Urbanism, Dialogue and Information. Vollsmose, Denmark | |
| 2000 | Galerie Enja Wonneberger, Kiel, Germany |
| Galleri Nicolai Wallner, Copenhagen, Denmark | |
| Schnitt Austellungsraum, Cologne, Germany | |
| 1999 | Galleri F 15, Moss, Norway |
| Power, Corruption & Lies, Galerie Enja Wonneberger, Kiel, Germany | |
| 1997 | Kunstruimte Wagemans, Beetsterzwaag, The Netherlands (with Kirsten Justesen) |
| 1996 | Our House, Forumgalleriet, Malmö, Sweden |
| 1995 | Who do you wish was with us, Galleri Campbells Occasionally, Copenhagen, Denmark |
| 1994 | Krasnapolsky, Copenhagen, Denmark |
Group exhibitions (selected)
| 2021 | Summer Show, Galleri Nicolai Wallner, Copenhagen, Denmark |
| 2019 | Summer Show, Galleri Nicolai Wallner, Copenhagen, Denmark Political Affairs. Language is not Innocent, Hamburger Kunstverein, Hamburg, Germany |
| 2017 | JUMP, Galleri Nicolai Wallner, Copenhagen, Denmark Becoming Human, Skulptur Odense 17, Odense, Denmark Cool, calm and collected, ARoS, Aarhus, Denmark |
| 2016 | Perspectives 2: Artists in the Berla Collection, Centro d’Arte Contemporanea Ticino. Bellinzona, Switzerland |
| Béton – Museumsquartier, Kunsthalle Wien, Vienna, Austria | |
| 2015 | Donde Esta La Playa? The Summer Show, Galleri Nicolai Wallner, Copenhagen, Denmark |
| Foraarsudstillingen 2015, Den Frie Udstillingsbygning, Copenhagen, Denmark | |
| Höhenrausch. Das Geheimnis der Vögel, OK Offenes Kulturhaus, Linz, Austria | |
| Old News (Again), CNEAI Paris, Paris, France | |
| Geh und spiel mit dem Riesen (Go and Play with the Giants), Museum Villa Stuck, Munich, Germany | |
| A MAN WALKS INTO A BAR. . ., me Collectors Room Berlin, Berlin, Germany | |
| 2014 | Bikuben, UMOCA Utah Museum of Contemporary Art, Utah, USA |
| Systemics #3: Against the idea of growth, towards poetry (or, how to build a universe that doesn’t fall apart two days later), Kunsthal Aarhus, Aarhus, Denmark | |
| Encountering the City. The Urban Experience in Contemporary Art, Kemper Art Museum, St. Louis, USA | |
| Sessel, Stuhl Hocker in der Kunst, Galerie im Traklhaus, Salzburg, Austria | |
| B1|A40 Die Schonheit der grossen Strasse, Urbane Kunste Ruhr, Duisburg bis Dortmund, Dortmund, Germany | |
| 2013 | Giving Form to the Impatience of Liberty, SKV Stuttgart, Stuttgart, Germany |
| MOTINTERNATIONAL Project Space Gallery, London, UK | |
| Cut ‘n’ Paste: From Architectural Assemblage to Collage City, MoMA, New York, USA | |
| The Society Without Qualities, Tensta Konsthall, Stockholm, Sweden | |
| Ein Ahnungsloser Traum vom Park, Museum Abteiberg, Monchengladbach, Germany | |
| Utopie Beginnt im Kleinen, 12. Triennale Kleinplastick 2013, Fellbach, Germany | |
| An Innocent Dream of a Park, Museum Abteiberg, Monchengladbach, Germany | |
| 2012 | Habita(n)t, Rabo Art Zone, Utrecht, Germany |
| Liverpool Biennial, Liverpool, United Kingdom | |
| Skyscraper: Art and Architecture Against Gravity, Museum of Contemporary Art Chicago, Chicago, USA | |
| Treffpunkt Berlin, Arken Museum of Modern Art, Ishoj, Denmark | |
| Nach Bonn – Eine Montage, Bonner Kunstverein, Bonn, Germany | |
| 2011 | 3rd Athens Biennale 2011 Monodrome, Athens, Greece |
| Absolut Wien, Wien Museum, Vienna, Austria | |
| Tresnjevacki salon, Neighbourhood Museum, Zagreb, Croatia | |
| Synecdoche, Bourouina Gallery, Berlin, Germany | |
| Is that true? Possibilities of (Non-)Knowledge, Kunsthaus Dresden, Dresden, Germany | |
| Catalogue of the Exhibition, Triple V, Paris, France | |
| 2 oder 3 Dinge die ich von ihr weiss, Map/The Chain, Düsseldorf, Germany | |
| Hauntings. Secret and Uncanny Presence in Media, Art and Pop, Kunstverein Medienturm, Graz, Austria | |
| Urban Noise, Kunstraum Kreuzberg/Bethanien, Berlin, Germany | |
| Of the Wall, Danske Grafikeres Hus, Copenhagen, Denmark | |
| 2010 | Decolté-Décollage, The Forgotten Bar, Berlin, Germany |
| Project at Museum of Contemporary Art Detroit, Detroit, USA | |
| Talking to Rocks, Villa Romana, Florence, Italy | |
| Polis Polis Potatismos, Malmö Konsthal, Malmö, Sweden | |
| Display 2, Studio Dabbeni, Lugano, Switzerland | |
| Kick-Off, Kunsthallen Nikolaj, Copenhagen, Denmark | |
| 2009 | Fri Porto, Den Frie Udstillingsbygning, Copenhagen, Denmark |
| The House The Cat Built, Galerie Salvador Diaz, Madrid, Spain | |
| Printed Matter, Fotomuseum Winterthur, Winterthur, Switzerland | |
| Regarding the City, ev+a, Limerick, Ireland | |
| 50/50, Wien Museum, Vienna, Austria | |
| Automatic Cities, Museum of Contemporary Art San Diego, San Diego, USA | |
| 2008 | 15 Years Anniversary Exhibition, Galleri Nicolai Wallner, Copenhagen, Denmark |
| Games & Theory, South London Gallery, London, UK | |
| On Produceability, Alti Aylik, Istanbul, Turkey | |
| Andersen’s Wohnung Revisited, Andersen Contemporary, Berlin, Germany | |
| Moralische Fantasien, Kunstmuseum des Kantons Thurgau, Ittingen, Switzerland | |
| LE ETE, Galerie Martin Janda, Vienna, Austria | |
| Home Is The Place You Left, Trondheim Kunstmuseum, Trondheim, Norway | |
| Zero Gravity – The Architecture Of Social Space, Art Today Association Center for Contemporary Art, Plovdiv, Bulgaria | |
| The Map Is Not the Territory, Esbjerg Kunstmuseum, Esbjerg, Denmark | |
| Pendre la Crémaillère, Sommer & Kohl, Berlin, Germany | |
| 2007 | Stable – The Balance of Power, Organised by para/site at Embassy Projects, Hong Kong |
| Who remembers where they are from?, Martin Janda, Vienna, Austria | |
| Political/Poetical, Tallinn Arthall, Tallinnn, Estonia | |
| Habitat/Variations, CECCH-Centre d’édition contemporaine, Genève, Switzerland | |
| Habitat/Variations, BAC, Bâtiment d’art contemporain, Genève, Switzerland | |
| Skate Culture, Bildmuseet, Umeå, Sweden | |
| The Evil- Part 1, Galerie Gebr. Lehmann, Dresden, Germany | |
| The Evil- Part II: Pop & Politics, Galerie Gebr. Lehmann, Dresden, Germany | |
| Twee en twintig duizend vijf honderd, Museum De Pavijoens, Almere, The Netherlands | |
| The Shadow Cabinet- part II, De Appel, Amsterdam, The Netherlands | |
| REC., Berlin, Germany | |
| Silly Adults, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| 2006 | Ideal cities/Invisible cities, Zamosc, Poland + Potsdam, Germany |
| As if by magic, Bethlehem Peace Centre, Bethlehem, Palestine | |
| Accrochage des editions 1995-2005, CECCH-Centre d’édition contemporaine, Genève, Switzerland | |
| When the moon shines on the moonshine, The Breeder, Athens, Greece | |
| Busan Biennale, Busan, South Korea | |
| Stray, Para/site, Hong Kong | |
| Post-, Skor, Amsterdam, The Netherlands | |
| I like politique and politique likes me, Triangle France, Marseille, France | |
| How to build a universe that doesn’t fall apart two days later, CCA Wattis Institute for Contemporary Arts, San Francisco, USA | |
| REGARDING DENMARK, Ileana Tounta Contemporary Art Centre, Athens, Greece | |
| The Urban Condition, Museum de Paviljoens, Almere, The Netherlands | |
| Skate Culture, Preus Museum, Oslo, Norway | |
| Europart, Public billboard projects, Vienna, Austria | |
| Para todo los públicos, Sala Rekalde, Bilbao, Spain | |
| 2005 | Social Democracy Revisited, Apexart, New York, USA |
| Quelques editions…, CECCH-Centre d’édition contemporaine, Genève, Switzerland | |
| ARBEITSWELTEN, Museum in Progress, Vienna, Austria | |
| Nach Rokytnik- Die Sammlung der EVN, MUMOK Museum Moderner Kunst, Stiftung Ludwig im MQ, Vienna, Austria | |
| Team Gallery, New York, USA | |
| Galerie der Stadt Schwaz, Schwaz, Austria | |
| Re-act. Nikolaj Kirke, Copenhagen, Denmark | |
| Saltuna, Rooseum, Malmö, Sweden | |
| New II, Atelier Augarten, Vienna, Austria | |
| Old News, LACE, Los Angeles, USA | |
| The Pursuit of Happiness, Organised by Bureau Beyond, Leidsche Rijn, Utrecht, The Netherlands | |
| Talk to the Land, Andrew Kreps Gallery, New York, USA | |
| 2004 | Public/Private, the 2nd auckland Triennial, Artspace, Auckland, New Zealand |
| Platform, Istanbul, Turkey | |
| Danish Posters over the past 10 years, Ginza Graphic gallery, Tokyo & DDD Gallery, Osaka, Japan | |
| Wiener Linien, Wien Museum, Vienna, Austria | |
| Posters, videos and other stuff, Consulta/Santa Monica, Barcelona, Spain | |
| Black friday, Galerie Kamm, Berlin, Germany | |
| Stafet, Esbjerg Kunstmuseum, Esbjerg, Denmark | |
| Non Standard Cities, Schlachthof, Berlin, Germany | |
| 2003 | Modern Islands, Public space project – Pragerstr., Dresden, Germany |
| Utopia Station, Ongoing project – First installment at The Venice Biennual 2003, Venice, Italy | |
| CUBITT Artists, London, UK | |
| Martin Janda, Raum Aktueller Kunst, Vienna, Austria | |
| Unbuilt Cities, Bonner Kunstverein, Bonn, Germany | |
| Plunder, DCA, Dundee, Scotland | |
| Ten years anniversary exhibition, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| Seethe, Catriona Jeffries Gallery, Vancouver, Canada | |
| Accessoiremaximalismus, Kunsthalle Kiel, Kiel, Germany | |
| Not now!, Kunstraum B2, Leipzig, Germany | |
| Present Perfect, &:, Paris, France | |
| GNS, Palais de Tokyo, Paris, France | |
| Greyscale, Royal Hibernian Gallery, Dublin, Ireland | |
| 1 million people incl. suburbs arranged by Fia Bäckström, New York, USA | |
| 2002 | Concrete Garden, Museum of Modern Art, Oxford, England |
| Mega Structures: manifestos of presumptuousness – Forum for experimental architecture – Vienna Architectural Triennial, Künsthaus Mürz, Mürz, Austria | |
| Binder Archives, Arranged by Temporary Services, Chicago, USA | |
| Greyscale, Tramway, Glasgow, Scotland | |
| Centre of Attraction , Baltic Trennial of International Art, Vilnius, Lithuania | |
| Rent-a-bench, Project arranged by Jacob Fabricius, Los Angeles, USA | |
| Esplanaden, Charlottenborg, Copenhagen, Denmark | |
| 2001 | International Biennial of Graphic Arts, Ljubljana, Slovenia |
| Groupshow, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| uto (the technology of tears) Casco, Utrecht, The Netherlands | |
| Post Production. Arte Continua, San Gimignano, Italy | |
| Du er helt ny – du er retro, Clausens Kunsthandel + Danske Grafikers Hus, Copenhagen, Denmark | |
| Affiches-Livres, CECCH-Centre d’édition contemporaine, Genève, Switzerland | |
| Borgmann + Nathusius, Cologne, Germany | |
| Intentional Communities, Rooseum – Center For Contemporary Art, Malmö, Sweden | |
| Kunsthallen, Copenhagen, Denmark | |
| Du er helt ny – du er retro, Trapholt Museum, Kolding, Denmark | |
| Take Off 20:01, Aarhus Kunstmuseum, Denmark | |
| Beyond, DCA, Dundee, Scotland | |
| Zero Gravity, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany | |
| 2000 | Negotiations, Contemporary Art Center, Sete, France |
| Drawings, Sommer Contemporary Art, Tel Aviv, Israel | |
| Organising Freedom, Charlottenborg, Copenhagen, Denmark | |
| Wonderfull Copenhagen, Stadtgalerie Kiel, Kiel, Germany | |
| Use your illusion, part 3, Arnolfini, Bristol, England | |
| Viva Scanland, Catalyst Arts, Belfast, Ireland | |
| Out of space, Kölnischen Kunstverein, Köln, Germany | |
| Kwangju Biennale, Korea 2000, Kwangju, South Korea | |
| Momentum, The Nordic Biennale, Moss, Norway | |
| På sporet af… Nikolaj Contemporary Art Center, Copenhagen, Denmark | |
| Organising Freedom, Moderna Museet, Stockholm, Sweden | |
| The Social Engineer, Transmission, Glasgow, Scotland | |
| 1999 | Le Grand Praemiere Opening Show, Galleri Nicolai Wallner, Copenhagen, Denmark |
| Kunstart, Vega, Copenhagen, Denmark | |
| Bildung, Grazer Kunstverein, Graz, Austria | |
| Dispensing with Formalities, Project organised by Brett Bloom and Jacob Fabricius consisting of 11 free dispensers placed around Copenhagen, Denmark | |
| 1998 | Undergrund, Galerie Asbæk, Copenhagen, Denmark |
| Artgenda, Kulturhuset, Stockholm, Sweden | |
| Something is Rotten in the State of Denmark, Museum Fridericianum, Kassel, Germany | |
| Wrapped, Vestsjællands Kunstmuseum, Sorø, Denmark | |
| It all began in the Seventies, Mishkan Le’Omanut Museum of Art, Ein Harod, The Netherlands | |
| 1997 | The Louisiana Exhibition 1997, Louisiana Museum of Modern Art, Humlebæk, Denmark |
| Take Off, Benger Fabrik, Bregenz, Austria | |
| Stofskifte, Museum of Contemporary Art, Roskilde, Denmark | |
| I modernismens Labyrint, Esbjerg Kunstmuseum, Esbjerg, Denmark | |
| 1996 | Update, Tubinehallerne, Copenhagen, Denmark |
| 9 dimensional theory, Nikolaj Church, Copenhagen, Denmark | |
| HAPAX, Tinanik, Turku, Finland | |
| 1995 | Drawings, Galleri Campbells Occasionally, Copenhagen, Denmark |
| Atomic, Oberwelt, Stuttgart RAM, Portalen, Hundige, Denmark | |
| 2 dimensional theory, Nikolaj Church, Copenhagen, Denmark | |
| Art Against AIDS, Galleri Nicolai Wallner, Copenhagen, Denmark |
Publications and Catalogues (selected)
| 2015 | Nothing is always absolutely so, Pork Salad Press, Copenhagen, Denmark |
| Jakob Kolding – The Hat, Cru, Barcelona, Spain | |
| 2012 | Treffpunkt: Berlin, ARKEN Museum of Modern Art, Ishøj, Denmark |
| 2011 | Cut & Paste, Richard Brereton (ed.), Laurence King Publishing, London, UK |
| 2010 | Jakob Kolding, Shifting Realities, Christoph Keller Editions, University of Michigan Museum of Art, USA |
| Can I Come Over to Your House?, Michelle Grabner and Brad Killiam (ed.), The Suburban, Chicago, USA | |
| 2009 | Art and Text, Black Dog Publishing, London, UK |
| Utopics: Systems and landmarks, Simon Lamunière (ed.), JRP|Ringier, Zurich, Switzerland | |
| Automatic Cities, Museum of Contemporary Art San Diego, San Diego, USA | |
| Beyond Architecture, Lukas Feireiss (ed.), Die Gestalten Verlag, Berlin, Germany | |
| Differentiated Neighbourhoods, Museum Of Contemporary Art Belgrade, Belgrade, Serbia | |
| Pavilion No. 13: Social Medicine, Journal for Politics and Culture, Bucharest, Romania | |
| 50/50, Wien Museum, Vienna, Austria | |
| Reading the City, ev+a, Limerick, Ireland | |
| 2008 | Starship No. 11, “Border Communities”, pp38, Berlin, Germany |
| Jakob Kolding, Marco Scotoni, THE/END, Milano, Italy | |
| ”Umbau, Umbruch: Untersuchungsgebiet Hustadt”, Florian Neuner, in Bildsatz. Texte zu bildener Kunst, Franz J. Czernin and Martin Jenda (eds.), Dumont, Cologne, Germany | |
| Home Is the Place you Left, Elmgreen & Dragset (ed.), Walther König, Cologne, Germany | |
| The Map Is Not the Territory, Esbjerg Kunstmuseum, Esbjerg, Denmark | |
| L’effet Papillon 1989-2007, Centre d’édition Contemporaine, Geneva, Switzerland | |
| Moralische Fantasien, Kunstmuseum Thurgau, Thurgau, Switzerland | |
| Political/Poetical, 14th Tallinn Print Tiennial, Tallinn, Estonia | |
| The Evil, Raimar Stange/Galerie Gebr. Lehmann, Dresden, Germany | |
| IdN: Black and White – Beyond and Within, Vol. 14, No. 1, Hong Kong | |
| Tale of two cities, Busan Biennale, Busan, South Korea | |
| 2006 | Seize the City! Form and Function Re-mixed, Leire Vergara (For All Audiences catalogue), Rekalde, Bilbao, Spain |
| Nybrud. Dansk kunst i 1990erne, Rune Gade & Camilla Jalving, Aschehough, Copenhagen, Denmark | |
| Overblik. 63 danske samtidskunstnere, Michael Jeppesen, Politikens Forlag, Copenhagen, Denmark | |
| When the sky was sea – Galerie der Stadt Schwaz 1998-2005, Elisabeth Schlebrèugge, Schwaz, Austria | |
| Project for Black Friday: Exercises in Hermetics, Christoph Keller/Piet Zwart Institute, Rotterdam, The Netherlands | |
| North Drive Press #3, published by Matt Keegan, New York, USA (Poster) | |
| North Drive Press – Special Miami Edition, ”Our houses”, Margaret Honda and Jakob Kolding, Miami, USA | |
| Ideal cities/Invisible Cities, Sabrina van der Ley and Markus Richter (ed.), Revolver Publishing, Berlin, Germany | |
| Retfærd No. 3, Copenhagen, Denmark (Front cover) | |
| 2005 | The Pursuit of Happiness, Utrecht, The Netherlands |
| Old News, Pork Salad Press, Copenhagen, Denmark | |
| 22 interviews, Thomas Trummer (ed.), Atelier Augarten, Vienna, Austria | |
| Re-Act, Nikolaj Kirke, Copenhagen, Denmark | |
| 2004 | Put About: A Critiacal Anthology on Independent Publishing, “Project pages”, Maria Fusco and Ian Hunt (ed.), Bookworks, London, UK |
| City 2, Revolver Verlag, Frankfurt, Germany | |
| Remixed EP, Artwork for Lawrence (Dial records) | |
| Non Standard Cities, Berlin, Germany | |
| Project pages, Lettre Internationale (DK) 004, Informations Forlag, Copenhagen, Denmark | |
| Crease Magazine, April | |
| Project pages, Hasenbergl, Art, Architecture Masons’ Guild – A Documentation, Ottmann/Keller (ed.), Frankfurt a.M, Germany | |
| Project pages, Kurt Schwitters: Merz – A Total Vision of the World, Benteli Publishers, Wabern/Bern, Switzerland | |
| Public/Private, 2nd Auckland Triennial, Auckland, New Zealand | |
| 2003 | GNS, Palais de Tokyo, Paris, France |
| Modern Islands, Dresden, Germany | |
| Unbuilt cities, Bonner Kunstverein, Bonn, Germany | |
| Accessoiremaximalismus, Kunsthalle Kiel, Kiel, Germany | |
| Jakob Kolding – Posters, Centre d’Edition Contemporain, Genève, Switzerland | |
| Postproduction, Galleria Continua, San Gimignano, Italy | |
| 2002 | Greyscale/CMYK, Tramway, Glasgow, Scotland |
| Finisterre, Saint Etienne album (booklet) | |
| Centre of Attraction, Contemporary Art Center, Vilnius, Lithuania | |
| Insert, dérive – Zeitschift für Stadtforschung no. 7, Vienna, Austria | |
| 2001 | Jakob Kolding, Kunstverein in Hamburg, Germany |
| Take Off 20:01, Aarhus Kunstmuseum, Aarhus, Denmark | |
| Zero Gravity, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany | |
| Rooseum Provisorium 2:2001, Jan Verwoert, Malmoe, Sweden | |
| Material 5, Migros Museum für Gegenwartskunst, Zurich, Switzerland | |
| Archis 5, Artimo Foundation, Amsterdam, The Netherlands | |
| 2000 | Gwangju Biennale 2000, South Korea |
| Out of Space – Schnitt Austellungsraum zu Gast im Kölnischen Kunstverein, Kölnischen Kunstverein, Cologne, Germany | |
| Park – The Main Exhibition of Momentum, The Nordic Biennale, Moss, Norway | |
| 1998 | Wrapped, Sorø Kunstmuseum, Sorø, Denmark |
| Something Rotten in the State of Denmark, Museum Fridericianum, Kassel, Germany |
Articles (Selected)
| 2017 | “Festspielfinale mit Junger Oper”, Christa Dietrich, Vorarlberger Nachrichten, August 10, 2017 |
| “Im KUB sein ist wie eine Auszeichnung”, Christa Dietrich, Vorarlberger Nachrichten, July 21, 2017 | |
| “Bilder, die un die Welt gehen”, Christa Dietrich, Vorarlberger Nachrichten, July 19, 2017 | |
| “Kunst, Musik, Medien und dazu ein Starschmitt”, Christa Dietrich, Vorarlberger Nachrichten, July 15, 2017 | |
| 2015 | “Jakob Kolding: Kopflose Schatten und Medusenhäupter”, Anne Katrin Fessler, derStandard.at, January, 2015 |
| 2014 | “Ugens kunstner – Jakob Kolding”, kunsten.nu, January, 2014 |
| “Raus aus dem Papier”, Susanne Rohringer, artmagazine.cc, December, 2014 | |
| “Mere vil have mere”, Theis Vallø Madsen, kunsten.nu, January, 2014 | |
| 2011 | “Nicht nur die Zukunft ist ungewiss”, Anne Katrin Febler, Der standard, July, 2011 |
| “Skævheder og skavanker som betingelse”, Henrik Pedersen Noe, kunsten.nu, April, 2011 | |
| 2010 | Conversation Piece by Luca Cerizza and Jakob Kolding, SMBA newsletter, No. 115, 2010 |
| “A Town Called Alice”, Paolo Antognoli, Temporale 70, 2010 | |
| 2008 | “What Is the Good of Moving if a Person Could Travel so Wonderfully Sitting in a Chair”, Architext 03, Chus Martinez, 2008 |
| “Jakob Kolding at Overgaden”, Lars Bang Larsen, Artforum, October, 2008 | |
| “Jakob Kolding – Collages and urban relation practices”, Paolo Antognoli, Arte e Critica, March, 2008 | |
| 2007 | “Al kunst er en del af samfundet”, Malene Wichmann, Information, April, 2007 |
| 2004 | “Jakob Kolding”, Roos Gortzak, Metropolis M, December/January, 2004 |
| 2002 | “Neighbourhood Threat”, Lars Bang Larsen, Frieze, Issue 66, April, 2002 |
| “Rückkoppelung Im Raum”, Jörg Heiser, Werk, Bauen + Wohnen, March, 2002 | |
| 2001 | “Jakob Kolding – Schnitt Austellungsraum”, Astrid Wege, Artforum, January, 2001 |
| “Der subURBANIST”, Raimar Stange, Kunst-Bulletin, March, 2001 |
Permanent installations
| 2023 2022 2015 |
Species of Spaces, Skive Gymnasium, Skive, Denmark Horisont, Valby, Denmark Jakob Kolding: Ohne Titel, Bergpark Dinslaken-Lohberg, Dinslaken, Germany |
Collections
| Fotomuseum Winterthur, Winterthur, Switzerland | |
| Galerie für Zeitgenössische Kunst – GfZK, Leipzig, Germany | |
| Kunsthallen Kiel, Keil, Germany | |
| MOCSD – Museum of Contemporary Art San Diego, San Diego, USA | |
| MoMA – Museum of Modern Art, New York City, USA | |
| Museet for Samtidskunst, Roskilde, Denmark | |
| Österreichische Galerie Belvedere, Vienna, Austria | |
| Stedelijk Museum, Amsterdam, The Netherlands | |
| The Roayl Collection of Graphic Art, National Gallery of Denmark, Copenhagen | |
| UMMA – University of Michigan Museum of Art, Ann Arbor, USA | |
| Wien Museum, Vienna, Austria |
