JEPPE HEIN
Born 1974 in Copenhagen, Denmark
Lives and works in Copenhagen, Denmark and Berlin, Germany
Education
| 1999 | Städel, Hochschule für Bildende Künste, Frankfurt a.M., Germany |
| 1997 | Royal Academy of Arts, Copenhagen, Denmark |
Solo exhibitions (selected)
| 2024 | Project Room, 303 GALLERY, New York Today I feel like… PLANET UTOPIA, Kinder Biennale, Japanese Palace, Staatliche Kunstsammlungen Dresden, Germany Breathe with Me, PIN, Freunde der Pinakothek der Moderne, Kindertag, Munich, Germany Today I feel like, 60th October salon, Belgrade Biennale, Belgrade, Serbia Breathe with Me, UC San Diego, Stuart Collection, San Diego, USA KÖNIG Telegraphenamt, Berlin, Germany |
| 2023 | Terrace of St. Regis Hotel, Venice, Italy Share Your Perspectives, The Artbarn, Cape Schanck, Australia Under Overfladen / Under the Surface, SMK Thy, Thy, Denmark Appearing Rooms, Kunsthaus Baselland, Basel, Switzerland Salling Roofgarden, Aarhus, Denmark Open-Air Art, Ordupgaard, Charlottenlund, Denmark TBC, Platanvej / Frederiksberg Allé, Copenhagen, Denmark |
| 2022 | Changing Spaces, Rockefeller center, New York City, USA Who are you really?, Moderna Museet, Stockholm, Sweden Distance, Konschthal Esch, Esch-Sur-Alzette, Luxembourg The best things in life aren’t things, Herbert Gerisch-Stiftung, Neumünster, Germany RIGHT HERE RIGHT NOW, Carte Blanche Maison Ruinart 2022 Seriously Fun – Jeppe Hein and Frederik Næblerød, Studio Jeppe Hein, Berlin, Germany |
| 2021 | Your Light Is The Light In Me, Galleri Nicolai Wallner, Copenhagen, Denmark The Best Things In Life Aren’t Things, Herbert Gerisch-Stiftung, Neumünster, Germany kunst findet stadt – Jeppe Hein, Kurgarten Baden-Baden, Germany Space in Action. Action in Space, Lenbachhaus, Munich, Germany YOU MAKE ME SHINE, KÖNIG SEOUL, MCM HAUS, Seoul, Korea |
| 2020 | Nothing Is As It Appears, König Galerie, Berlin, Germany Circular Appearing Rooms, Bundeskunsthalle, Bonn, Germany Today I Feel Like, Schirn Kunsthalle, Frankfurt, Germany |
| 2019 | I Am With You, 303 Gallery, New York, USA Change Yourself, Politiken Forhal, Copenhagen, Denmark Breathe With Me, UN Headquarters and Central Park, New York, USA Behind Hein, König Galerie, Berlin, Germany Intervention Impact , Artconnexion, Lille, France Scai Park, Scai The Bathhouse, Tokyo, Japan |
| 2018 | INHALE-HOLD-EXHALE, Kunstmuseum Thun, Switzerland In is the only way out, Cisternerne, Copenhagen, Denmark Carl Nielsen and Anne Marie Carl-Nielsens Award 2018, Den Frie, Copenhagen, Denmark |
| 2017 | Your Way, Château La Coste, Le Puy-Sainte-Réparade, France Festival of Love, Modified Social Benches, NY, Southbank Centre, Festival Terrace & Queens Walk, London, UK Don’t expect anything be open for everything, Johann König Galerie, Berlin, Germany Distance, SKMU Sørlandets Kunstmuseum, Kristiansand, Norway At Sanse Verden i Dig Selv, Museet for Religiøs Kunst, Lemvig, Denmark |
| 2016 | Semicircular space, National Gallery of Victoria, Melbourne, Australia Sculpture 21st, Lehmbruck Museum, Duisburg, Germany Reflection, Kistefos – Museet, Jevnaker, Norway Interact With Art – Modified Social Benches, Ventana Contemporary Ibiza, Spain A New End, World’s End, Trustees of Reservation, Boston, USA |
| 2015 | All We Need Is Inside, 303 Gallery, New York City, USA |
| This Way, Kunstmuseum Wolfsburg, Wolfsburg, Germany | |
| Opening, Johann König at St. Agnes, Berlin, Germany | |
| Part of Art Basel Unlimited, Art Basel, Basel, Switzerland | |
| Jeppe Hein: Please Touch the Art, Brooklyn Bridge Park, Public Art Fund, New York City, USA | |
| 2014 | STILLHET, Galleri Nicolai Wallner, Copenhagen, Denmark |
| Distance, LIFE et le Grand Cafe, Saint-Nazaire, France | |
| 2013 | There are no ordinary moments, Amos Anderson Art Museum, Helsinki, Finland |
| Appearing Rooms, Art Basel Miami Beach, Miami Beach, USA | |
| YOU, Johann König at St. Agnes, Berlin, Germany | |
| Art Park, Ordrupgaard, Charlottenlund, Denmark | |
| A Smile for You, Johann König at St.Agnes, Berlin, Germany | |
| A Smile for You, Bonniers Konsthall, Stockholm, Sweden | |
| A Smile for You, Wanaas Foundation, Knislinge, Sweden | |
| Distance, ARos, Aarhus Museum of Art, Aarhus, Denmark | |
| 2012 | Sacra Conversazione, (w/ Alexander Tovborg) Galleri Nicolai Wallner, Copenhagen, Denmark |
| Hexagonal Water Pavilion, Neues Museum Nurnberg, Germany | |
| Robert-Jacobsen-Preistrager, Museum Wurth, Bad Mergentheim, Germany | |
| 2011 | I am right here right now, Johann König Galerie, Berlin, Germany |
| 360°, 21st Century Museum of Contemporary Art, Kanazawa, Japan | |
| 303 Gallery, New York, USA | |
| 2010 | 1 x Museum, 10 x Rooms, 11 x Works, Jeppe Hein, Neues Museum, Staatliches Museum für Kunst und |
| Design, Nürnberg, Germany | |
| Milieu Social, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| Jeppe Hein and Larry Bell, Galerie Daniel Templom, Paris, France | |
| backyardoutdoorsculptureseries#5: Modified Social Benches, Johann König Galerie, Berlin, Germany | |
| Distance, IMA – Indianapolis Museum of Art, Indianapolis, USA | |
| Appearing Rooms, Perth International International Arts Festival, Perth, Australia | |
| PICA – Perth Institute of Contemporary Arts, Perth, Australia | |
| Mobile Mobile, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| 2009 | Jeppe Hein, Sense City, ARoS, Aarhus Artmuseum, Aarhus, Denmark |
| 360° Illusion II, Henry Art Gallery, Seattle, USA | |
| Hello! Shall I Call You Back?, Jan Mot, Brussels, Belgium | |
| Jeppe Hein, No Music Every Friday, Kunstverein & Stiftung Springhornhof, Germany | |
| Jeppe Hein, Invisible Labyrinth + Frac Île-de-France, Paris, France | |
| Please, Please, Please…, Contemporary Art Gallery, Canada | |
| Madision Square Garden, New York, USA | |
| Kuru Kuru, Shiraishi Contemporary Art Inc, Tokyo | |
| 2008 | Please…, 303 Gallery, New York, USA |
| Illusion, Fieze Art Project, London, UK | |
| From Seriousness to Silliness, Gallery Rüdiger Schöttle, Munich, Germany (with Dan Graham) | |
| From Seriousness to Silliness, Gallery Johnen & Schöttle, Cologne, Germany (with Dan Graham) | |
| Modified Social Benches, Bonner Kunstverein, Bonn, Germany | |
| 2007 | Illusion, Sculpture Centre, New York, USA |
| Objects in the mirror are closer than they appear, Carré d’art, Musée d’Art contemporain de Nîmes, France | |
| Johann König Galerie, Berlin, Germany | |
| Museum of Modern Art, Honolulu, Hawaii, USA | |
| Distance, The Curve, Barbican Art Centre, London, UK | |
| Inbetween, Scai The Bathhouse, Masami Shiraishi, Tokyo, Japan | |
| 2006 | Diagonal Space, Base Room, Florence, Italy |
| Fontane, ZERO Gallery, Milan, Italy | |
| Hayward Gallery, London, UK | |
| Reflection, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| Usynlig labyrint, x-rummet, Statens Museum for Kunst, Copenhagen, Denmark | |
| Jeppe Hein, Centre d’Art Contemporain la Synagogue de Delme, Delme, France | |
| Jeppe Hein, Sies + Höke Galerie, Düsseldorf, Germany | |
| Sommer i Præstø, Præstø Kunstforening, Præstø, Denmark | |
| Delme Synagogue, Delme, France | |
| 2005 | New Minimal, La Salle de bains, Lyon, France |
| Private Rain, Sculptureparc Bodø, Norway | |
| Distance, The Moore Space, Miami, USA | |
| Simplified, Yvon Lambert, Paris, France | |
| Invisible Labyrinth, space 315, Centre Georges Pompidou Paris, France | |
| Neonwall, Art Gallery of New South Wales, Sydney, Australia | |
| Minimal Overload, Johann König Galerie, Berlin, Germany | |
| Roller Coaster, Dunkers Kulturhus, Helsingborg, Sweden | |
| Tate Liverpool, Liverpool, UK | |
| 2004 | Anziehung/Abstoßung, Galerie für zeitgenössiche Kunst, Leipzig, Germany |
| Connected Presence, Union Gallery, with Johannes Wohnseifer, London, UK | |
| Johann König Galerie, Berlin, Germany | |
| La salle de bains, Lyon, France | |
| Intervention Impact, Spregel Museum, Hannover, Germany | |
| Appearing Rooms – Sculpture Project, Villa Manin – Centro d’Arte Contemporanea, Passariano, Udine, Italy | |
| Flying Cube, P.S 1 New York, USA | |
| Køge Skitsesamling, Køge, Denmark | |
| Distance, Ludwig Forum, Aachen, Germany | |
| 2003 | ROR ProjectRoom, Helsinki, Finland |
| Continuity Reflecting Space, Foundation La Caixa, Barcelona, Spain | |
| Take a Walk in the Forest at Sunlight, Kunstverin Heilbronn, Germany | |
| Bear the Consequences, Gallery Stene & Brandström, Stockholm, Sweden | |
| Presenting/Representing, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| 2002 | Take a Walk in a Forest at Moonlight, capc Musee d’art Contemporain, Bordeaux, France |
| 360° Presence, Johann König Galerie, Berlin, Germany | |
| Action in Space/Space in Action, Lenbachhaus, Musemsplatz, München, Germany | |
| Hello, Goodbye, Los Angeles Contemporary Exhibitions, Los Angeles, CA, USA | |
| Art Statements, Art Basel, Galerie Michael Neff, Switzerland | |
| 2001 | Sving, Galerie Michael Neff, Frankfurt am Main, Germany |
| 1998 | Summer, OTTO, Copenhagen, Denmark |
Group exhibitions (selected)
| 2024 | Opening anniversary exhibition KAT_A (collection Andra Lauds-Wegner), Bad Honnef, Germany |
| NEON, LED & CO., Schauwerk Sindelfingen, Germany | |
| Stiftung Welt der Versuchungen, Defensionskaserne auf dem Petersberg, Erfurt, Germany | |
| FEEL ME – are emotions real?, Trapholt Museum of Modern Art and Design, Kolding, Denmark | |
| Nordic Flux: Innovating Unity and Zeitgeist, Nordic Embassies Felleshus, Berlin, Germany | |
| 2023 | Noor Riyadh, Riyadh, Saudi Arabia Métro ! Le Grand Paris en Movement, Cite de l’Architecture et du Patrimoine, Paris, France Wildes Morgen, Stadtgalerie Saarbrücken, Saarbrücken, Germany Ephram Unterwegs, Haus Kunst Mitte, Berlin, Germany Imaginary Friends, Fundació Joan Miró, Barcelona, Spain Solaris, Frac Provence Côte d’Azur, Marseilles, France TBC, Villa Datris Foundation for contemporary sculpture, Vaucluse, France Double Up! Mirrors and System, Neues Museum, Nuremberg |
| 2022 | Aus spiel wird kunst, Museum Ritter, Waldenbuch, Germany Tempo! Alle Zeit der Welt, Museum Sinclair-Haus, Bad Homburg Germany Minimal Art. Körper Im Raum, Bucerius Kunstforum, Hamburg, Germany Group Exhibition, Patricia Low Contemporary, Gstaad Switzerland |
| 2021 | Light & Space, Copenhagen Contemporary, Copenhagen, Denmark Albion Fields, Albion Barn, Church Hill, Little Milton, Oxford, UK 2e Bienniale Kunst in de Heilige Driehoek, Monastery St. Catharinadal, Oosterhout, The Netherlands Mirror | Mirror, Kunsthal KAdE, Amersfoort, The Netherlands Me, Myself and I, Centre culturel numérique Saint-Exupéry, Reims, France In aller Munde, Kunstmuseum Wolfsburg, Germany Aus Spiel Wird Kunst, Museum Ritter, Waldenbuch, Germany |
| 2020 | In aller Munde, Kunstmuseum Wolfsburg, Germany Neon Delight, Centre for International Art Unna, Unna, Germany ECHT UND FALSCH, Skulpturen Triennale Bingen, Bingen, Germany Medgang og Modgang. Udvekslinger mellem dansk og tysk kunst, Kunstmuseet i Tønder, Tønder, Denmark Right Here. Right Now. Jeppe Hein zu Gast in der Sammlung, Kunsthalle Kiel, Germany Living in the City, Tempelhof Airport, Berlin, Germany There is Another Way of Looking at Things, Schauwerk Sindelfingen, Germany You Are Right Here Right Now, Rønnebæksholm, Næstved, Denmark Zeitlos. Vom Wesen der Zeit, Kunsthalle Göppingen, Göppingen, Germany Re-Art. Readymade Recykled, Overbeck-Gesellschaft, Lübeck, Germany Circular Appearing Rooms, Bundeskunsthalle, Bonn, Germany Nuitnumérique #17, Saint-Ex, Reims, France Safra’Numériques, Le Safran-Scène conventionée, Amiens, France Who Am I, Tang Contemporary Art, Beijing, China |
| 2019 | A rose is a rose is a rose, HOW Art Museum, Wenzhou, China I Would Love Just One Flower, I Don’t Need the Whole Bouquet, Galleri Nicolai Wallner, Copenhagen, Denmark 58. International Art Exhibition curated by Ralph Rugoff, La Biennale di Venezia, Venice, Italy Biennale OpenArt, Örebro, Sweden Der Funke Gottes, Bamberger Diözesanmuseum, Bamberg, Germany 303 Gallery. 35 Years, 303 Gallery, New York, USA SENSE ME, Trapholt, Kolding, Denmark Can I Show You My Collection? 40 Visiting Masterpieces, Wilhelm Hack Museum, Ludwigshafen, Germany Now Is The Time, Kunstmuseum Wolfsburg, Wolfsburg, Germany Under Water, Museomontagna di Turino, Torino, Italy Blickachsen 12, Stiftung Blickachsen, Bad Homburg, Germany Move!, ARoS Aarhus Museum of Art, Aarhus, Denmark Thrill of Deception. From Ancient Art to Virtual Reality, Ludwig Forum, Aachen, Germany Negative Space, ZMK Zentrum für Kunst und Medien, Karlsruhe, Germany Prism Fantasy, Paradise City Art Space, Incheon, South Korea I Will Be Dead, König Galerie, London, UK |
| 2018 | The Streets. Where The World Is Made, Maxxi, Rome, Italy Post Water, National Mountain Museum of Turin, Turin, Italy Der flexible Plan, das Rokoko in der Gegenwartskunst, Museum Morsbroich, Leverkusen, Germany Action <-> Reaction, 100 years of kinetic art, Kunsthal Rotterdam, Rotterdam, The Netherlands BIG ART, Kunsthal Charlottenburg, Copenhagen, Denmark NO ORDINARY MOMENTS, EMMA Museum, Tapiola, Espoo, Finland The Playground Project – Outdoor, Bundeskunsthalle, Bonn, Germany Ausstellen des Ausstellens, Kunsthalle Baden-Baden, Germany (upcoming) Der flexible Plan, das Rokoko in der Gegenwartskunst, Museum Morsbroich, Leverkusen, Germany Adventure in “Seeing”, 21st Century Museum of Contemporary Art, Kanazawa, Japan She sees the shadows, MOSTYN, Llandudno, Wales Lust der Täuschung, Kunshalle München, München, Germany SELVSPEJLINGER, Esbjerg Kunstmuseum, Esbjerg, Denmark Starry nights, ARKEN, Copenhagen, Denmark Welt ohne Aussen. Immersive Räume seit den 60er Jahren, Martin-Gropius-Bau, Berlin, Germany |
| 2017 | JUMP, Galleri Nicolai Wallner, Copenhagen, Denmark Karin Sander: Zeigen. Eine Audiotour durch die Sammlung der GfZK Leipzig, GfZK, Leipzig, Germany Sichten einer Landschaft – Kunst auf der IGA, IGA – Internationale Gartenausstellung, Berlin, Germany Mirroir Mirroir, MUDAC, Lausanne, Switzerland Blickachsen 11, Skulpturen in Bad Homburg und Frankfurt RheinMain, Bad Homburger Kurpark, Bad Homburg, Germany Ways of Seeing, ARTER Space for art, Istanbul, Turkey Light in Darkness, ARKEN Museum of Modern Art, Ishøj, Denmark This is not the reality – what kind of reality?, San Clemente Palace Kempinski, Venice, Italy Cool, calm and collected, ARoS, Aarhus, Denmark |
| 2016 | Im Käfig der Freiheit, Kunstmuseum Wolfsburg, Wolfsburg, Germany |
| LUSCIOUS THRILLS Baroque Reflections then and now, Gl Holtegaard, Holte, Denmark | |
| Roppongi Art Night annual event of Mori Art Museum, Roppongi Hills, Tokyo, Japan | |
| Auftrag Landschaft, ZKR, Berlin, Germany | |
| HONEY, I REARRANGED THE COLLECTION, Hamburger Kunsthalle, Humburg, Germany | |
| Skulptur im Fokus der Sammlung Würth. Die Robert-Jacobsen-Preisträger der Stiftung Würth, Forum Würth Rorschach, Rorschach, Switzerland | |
| Let’s Play, Danish Architecture Centre, Copenhagen, Denmark | |
| Festival of Love, Modified Social Benches NY, Southbank Centre, Festival Terrace & Queens Walk, London, UK | |
| Die Kerze, Museum Frieder Burda, Baden-Baden, Germany | |
| How Long is Now?, KINDL, Zentrum für zeitgenössische Kunst, Berlin, Germany | |
| Würth, Forum Würth Rorschach, Rorschach, Switzerland | |
| Art Festival Watou 2016, Watou, Belgium | |
| An Imagined Museum, works from the Centre Pompidou, the Tate and the MMK, MMK – Museum für Moderne Kunst, Frankfurt am Main, Germany | |
| An der Oberfläche_On Surface, Lehmbruck Museum, Duisburg, Germany | |
| The world was flat, MAZ Museo de Arte de Zapopan, Zapopan, Mexico | |
| Another Minimalism: Art after California Light and Space, Mead Gallery, Warwick Arts Center, Coventry, UK | |
| Berliner Banhof, CCA Andratx, Andratx, Mallorca, Spain | |
| Reality Perceived, Galleri Christoffer Egelund, Copenhagen, Denmark | |
| Gartenschau, König Galerie, Berlin, Germany | |
| 2015 | Another Minimalism: Art after California Light and Space, The Fruitmarket Gallery, Edinburgh, UK |
| Construire une Collection, Villa Sauber, Nouveau Musee National de Monaco, Monaco | |
| Art Altstetten Albisrieden, Stadt Zürich – Kunst im öffentlichen Raum, Zürich, Switzerland | |
| Skulptur Im Fokus Der Sammlung Würth – Die Robert-Jacobsen-Preisträger Der Stiftung Würth, Museum Würth, Künzelsau, Germany | |
| Risk, Turner Contemporary, Kent, UK | |
| Playing future, Kunsthalle Kiel, Kiel, Germany | |
| sculptural possible / group show, Galerie Mirko Mayer / m-projects, Cologne, Germany | |
| Formen, Farven, Fladen, ARoS – Aarhus Kunstmuseum, Aarhus, Denmark | |
| Kunst i sollys, ARKEN Museum of Modern Art, Ishoj, Denmark | |
| Material, König Galerie, Berlin, Germany | |
| The Coming Museum, Forum Engenio de Almeida, Evora, Portugal | |
| Spielobjekte – Die Kunst der Möglichkeiten, Museum Tinguely, Basel, Switzerland | |
| Spieglein, Spieglein an der Wand, Kunstverein Wiesen, Wiesen, Germany | |
| 2014 | Vanitas – Ewig its eh nichts, Georg Kolbe Museum, Berlin, Germany |
| Schwindel der Wirklichkeit, AdK – Akademie der Kunste, Berlin, Germany | |
| Græsset er altid grønnere, Museum of Contemporary Art, Roskilde, Denmark | |
| Kunsten Besøger Brandts, BRANDTS 13, Odense, Denmark | |
| Jorn-familien, Gimsinghoved Kunst- og Kulturcenter, Struer, Denmark | |
| Bikuben, UMOCA Utah Museum of Contemporary Art, Utah, USA | |
| Traces of Modernism, Kunstmuseum Wolfsburg, Germany | |
| Jorn Lab, KunstCentret Silkeborg Bad, Silkeborg, Denmark | |
| Ludic objects. The Art of Possibilities, Museum Tinguely, Basel, Switzerland | |
| Slapstick! Alys, Bock, Chaplin, Hein, Laurel & Hardy, Keaton, Matta-Clark, LENTOS, Kunstmuseum Linz, Linz, Austria | |
| A Galinha da Vizinha…/Græsset er altid grønnere…/Die Kirschen in Nachbars Garten, CAM, Foundation Calouste Gulbenkian, Lisbon, Portugal | |
| Man in the Mirror, Vanharenets Art Collection, Brussels, Belgium | |
| Moving Parts: Time and Motion in Contemporary Art, Mildred Lane Kemper Art Museum, Washington University, St. Louis, USA | |
| Art Festival Watou 2014, Watou, Belgium | |
| Antworten auf Calder: Mobiles in der Gegenwartskunst, Kunsthalle Wilhelmshaven, Wilhelmshaven, Germany | |
| 2013 | The Great Magic – Selected Artworks from the Unicredit Art Collection, MAMbo, Bologna, Italy |
| Acting in the City, Norrköping Art Museum/Norrköpings Konstmuseum, Norrköping, Sweden | |
| DYNAMO, Grand Palais, Galeries Nationales, Paris, France | |
| For My Eyes Only, Maribor Art Gallery, Maribor, Slovenia | |
| Fading Nights – feat. Parra for Cuva, Gerhardsen Gerner, Berlin, Germany | |
| EmscherKunst.2013, Emscher Kunst, Essen, Germany | |
| For the Time Being, Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany | |
| Either/Or, Nikolaj Kunsthal, Copenhagen, Denmark | |
| Either/Or, Haus am Waldsee, Berlin, Germany | |
| I knOw yoU, IMMA Irish Museum of Modern Art, Dublin, Ireland | |
| Luminous! Dynamic! Space and Vision in art from today back to 1913,Y O U, MOSTYN, Llandudno, UK | |
| Pica Salon 2013, Perth Institute of Contemporary Arts – PICA, Perth, Australia | |
| Slapstick! Alys, Bick, Chaplin, Hein, Laurel & Hardy, Keaton, Matta-Clark, Kunstmuseum Wolfsburg, Germany | |
| The World Turned Upside Down – Buster Keaton, Sculpture and the Absurd, Mead Gallery, Coventry, UK | |
| The Phylogenesis of Generosity, Prinzessinnengarten, Berlin, Germany | |
| Visions: An Atmosphere of Change, Marta Herford, Herford, Germany | |
| You, Oriel Mostyn Gallery, Llandudno, Wales, UK | |
| 2012 | Tuileries 2012 (FIAC Hors les murs), Paris, France |
| Enlightened: Electric light as the fairy of art, Konsthallen Artipelag, Stockholm, Sweden | |
| Treffpunkt Berlin, Arken Museum of Modern Art, Ishoj, Denmark | |
| Beaufort04, Den Haan, Belgium | |
| 30 Künstler / 30 Raume, Neues Museum Nürnberg, Germany | |
| Parallelwelt Zirkus, Kunsthalle Wien, Austria | |
| We Will Disappear You, Frutta Gallery, Rome, Italy | |
| Sammlung, Kunstmuseum Wolfsburg, German | |
| House of Cards, Waddesdon Manor, London, UK | |
| Wie kommt das Neue in die Welt? – Zehn Internationale Bildhauer in Berlin, Haus am Waldsee, Berlin, Germany | |
| The Mystery Spot, Fondation d’Entreprise Ricard, Paris, France | |
| Invisible, Hayward Gallery, London, UK | |
| Regionale 12, Murau, Austria | |
| When Attitudes Became Form Become Attitudes,CCA Wattis Institute for Contemporary Art, San Francisco, USA | |
| 2011 | En Piste! Domaine Departemental De Chamrande, Centre D’Art Contemporain, Chamarande, France |
| Western Bridge, Seattle, WA, USA | |
| Höhenrausch.2, OK Offenes Kulturhaus Oberösterreich, Linz, Austria | |
| Zwei Sammler, Deichtorhallen, Hamburg, Germany | |
| 2010 | 100 Acres, The Virginia Fairbanks Art & Nature Park, Indianapolis Museum of Art, New Zealand |
| Gallery, Galerie, Galleria, Norma Mangione Gallery, Turin, Italy | |
| Bild für Bild – Film und zeitgenössische Kunst, Museum am Ostwall, Dortmund, Germany | |
| Circus Hein at Open Space, Art Cologne, Germany | |
| EMSCHERKUNST.2010 – European Capital of Culture RUHR.2010, Essen, Germany | |
| I want to see how you see – Julia Stoschek Collection, Deichtorhallen, Hamburg, Germany | |
| Lichtparcours Braunschweig, Braunschweig, Germany | |
| Nordic Models + Common Ground, Scandinavia House, New York, USA | |
| USA SNAPSHOTS OF TOURISM, Gallery Augusta – HIAP Suomenlinna, Helsinki, Finland | |
| 2009 | Dépaysage, Jeppe Hein, Ulrik Weck, Joachim Koester, Le Frac Basse-Normandie, France |
| Appearing Rooms, Cordoba, Spain | |
| Circus Hein, FRAC Orléans, Orléans, France | |
| DLA Piper Series: This is Sculpture, Tate Liverpool, UK | |
| KURS: SØEN, Vestsjællands Kunstmuseum Sorø, Denmark | |
| Silent, Hiroshima City Museum of Contemporary Art, Hiroshima, Japan | |
| The Kaleidoscopic Eye: Thyssen-Bornemisza Art Contemporary Collection, Mori Art Museum, Tokyo, Japan | |
| While we are waiting (for the new space), Galleri Nicolai Wallner, Copenhagen, Denmark | |
| 2008 | Reality Check, Statens Museum for Kunst, Copenhagen, Denmark |
| Folkestone Triennial, Folkestone, UK | |
| Fabricateurs d’espaces, Institut d’art contemporain Villeurbanne/Lyon, France | |
| FLUID STREET: Alone, Together, KIASMA, Helsinki, Finland | |
| LUSTWARANDE, Tilburg, The Netherlands | |
| Museum as Medium, MARCO Museo de Arte Contemporánea, Vigo, Spain | |
| Platform Seoul 2008, Art Sonje Center, Seoul, Korea | |
| Reconstruction #3, Sudeley Castle, UK | |
| Take Me There – Show Me The Way, Haunch of Venison Gallery, New York, USA | |
| The World as a Stage, ICA Boston, USA | |
| Wonder, Singapore Biennale, Singapore | |
| 15 Years Anniversary Exhibition, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| 2007 | Just Use it!, Nordjyllands Kunstmuseum, Aalborg, Denmark |
| Passion for Art, Essl Museum, Klosterneuburg/Vienna, Austria | |
| Silly Adults, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| The Freak Show, Musée art contemporain, Lyon, France | |
| Phantasmagoria: Specters of Absence, touring exhibition by iCL | |
| Made in Germany, Sprengel Museum Hannover/Kunstverein Hannover/ kestnergesellschaft, Hannover, Germany | |
| Half Square, Half Crazy, Villa Arson, Nizza, France | |
| Absent without leave, Victoria Miro Gallery, London, UK | |
| Skulptur Projekte Münster 07, Münster, Germany | |
| The world as a stage, Tate Modern, London, UK | |
| 2006 | Art06, Preston, UK |
| This is not for you: Sculptural Discourses, Thyssen-Bornemisza Art Contemporary, Vienna, Austria | |
| Exportable Goods, Krinzinger Projekte, Vienna, Austria | |
| Nichts, Shirn Kunsthalle, Frankfurt, Germany | |
| Momentum 2006, Moss, Norway | |
| No. 14 Light Play, Z33, Hasselt, Belgium | |
| Testigos, Fundación NMAC, Cádiz, Spain | |
| Kit-o-parts, CAN Neuchâtel, Switzerland | |
| Liverpool Biennale, Liverpool, UK | |
| Le mouvement des images, Centre Georges Pompidou, Paris, France | |
| Johann König Galerie, Berlin, Germany | |
| Play Station, Sprengel Museum, Hannover, Germany | |
| Backdrop, Bloomberg Space, London, UK | |
| Sid Ned, Copenhagen, Denmark | |
| 2005 | Baby Shower, Galleri Nicolai Wallner, Copenhagen, Denmark |
| Visionäre Sammlung Vol. 1, Haus Konstruktiv, Zürich, Switzerland | |
| Ecstacy. In and about altered states, MOCA, Los Angeles, USA | |
| A Whiter Shade Of Pale – Kunst aus den nordischen Ländern, Kunstverein Kehdingen, Germany | |
| Kunst findet Stadt, Gesellschaft für aktuelle Kunst, Bremen, Germany | |
| Wall to be destroyed, FRAC Lorraine, Metz, France | |
| Extra Ordinary, Kulturhuset Stockholm, Sweden | |
| Tanz im August, Siemens Arts Program, Berlin, Germany | |
| Esprits du Lieu, Château du roi René, FRAC, Tarascon, France | |
| L’oeil moteur, Les musées de Strasbourg, Strasbourg, France | |
| Parklandschaften, Lüdenscheid, Germany | |
| Black Market Worlds, 9th Baltic Triennial of International Art, CAC Vilnius & ICA Vilnius, Lithuania | |
| The Pantagruel Syndrome, T1 Torino Triennial of Contemporary Art, Torino, Italy | |
| Universal Experience – Art, Life, The Tourist Eye, Museum of Contemporary Art, Chicago, USA | |
| Flux, Illuminate Productions, London, UK | |
| Light Lab. In the name of the light, Museion, The Museum of Modern & Contemporary Art, Bolzano, Italy | |
| Sous les ponts, le long de la vallée, Casino Luxembourg, Luxembourg | |
| Moving parts, Museum Tinguely, Basel, Switzerland | |
| 2004 | Reflecting the Mirror, Marian Goodmann Gallery New York, USA |
| Tra Monti 04, Rome, Italy | |
| Gegen den Strich, Kunsthalle Baden-Baden, Germany | |
| Connected Presence. with Johannes Wohnseifer, Union Gallery, London, UK | |
| Intervention Impact, Galerie für zeitgenössische Kunst, Leipzig, Germany | |
| Moving Parts, Kunsthalle Graz, Graz, Switzerland | |
| NMAC Foundation, Cadiz, France | |
| A Secret History of Clay: From Gaugauin to Gormley, Tate Liverpool, Liverpool, UK | |
| Quicksand, De Appel, Amsterdam, The Netherlands | |
| Rum I Rum, Vendsyssel Kunstmuseum, Hjørring, Denmark | |
| Galerist, Istanbul, Turkey | |
| Galerie Jan Mot, Brussels, Belgium | |
| Arnold, Eastman, and Weatherford, Daniel Hug Gallery, Los Angeles, USA | |
| Interactive White Sphere, Tra Monti 04, Rom, Italy | |
| 2003 | Auf eigene Gefahr, Schirn Kunsthalle, Frankfurt a.M., Germany |
| Jeppe Hein. ROR ProjectRoom, Helsinki, Finland | |
| Ten Years Anniversary of Galleri Nicolai Wallner, Nicolai Wallner, Copenhagen, Denmark | |
| Western, Autumn Show, Charlottenborg, Copenhagen, Denmark | |
| Skulpturenpark, Graz 2003, Kulturhauptstadt Europas, Austria | |
| Interludes, 50th Biennale di Venezia, Venice, Italy | |
| Das lebendige Museum, MMK, Kuseum für moderne Kunst, Frankfurt a.M., Germany | |
| Schnittprojekte, Schnittraum, Cologne, Germany | |
| aufgeschraubt & abgestaubt, Ludwig Forum für Internationale Kunst, Aachen, Belgium | |
| Hein, Schellberg, Wohnseifer, Schnittraum, Cologne, Germany | |
| The Straight or Crooked Way, Royal Collage of Art, London, UK | |
| 2nd Biennal of Ceramic in Contemporary Art, Albisola, Italy | |
| 2002 | No Return. Positions from the collection Haubrock, Museum Abteiberg, Mönchengladbach, Germany |
| Gangurinn, The Corridor Gallery, Reikjavik, Iceland | |
| Ingrepp, Uppsala Kunstmuseum, Uppsala, Sweden | |
| CAPC Museed’art Contemorain, Bordeaux, France | |
| I Promise it’s Political, Museum Ludwig, Cologne, Germany | |
| Fuzzy, Galerie Minini, Brescia, Italy | |
| Inside / Outside, Galerie für zeitgenössiche Kunst, Leipzig, Germany | |
| Hell, Galerie neugerriemschneider, Berlin, Germany | |
| 2001 | Stage, Design of meeting point for interviews and discussions. In connection with the IASPIS show, Venice, Italy |
| Meglepetes 2 / Surprise 2, Budapest, Hungary | |
| Changes Possible, Kiel, Germany | |
| Arbeit, Essen, Angst, Kokerei Zollverein, Essen, Germany | |
| F20 P01 Frankfurter Positionen 2001, Frankfurt a.M., Germany | |
| Strategies Against Architecture II, Pisa, Italy | |
| Neue Welt, Frankfurter Kunstverein, Germany | |
| Take Off 20:01, Århus Kunstmuseum, Denmark | |
| 2000 | Dynamo Eintracht, Frankfurt, Dresden, Germany |
| Charlottenborg, Autumn Show, Copenhagen, Denmark | |
| Festival Junger Talente, Frankfurt a.M., Germany | |
| Mandelbaums Wunderöl, Cologne-Berlin, Germany | |
| Artspace 1%, Video Lounge Design, Stockholm Art Fair, Sweden | |
| 1999 | An Architecture, in collatboration with Frans Jacobi and Lars Bent Petersen, De Appel, Amsterdam, The Netherlands |
| On Paper, Stalke Gallery, Copenhagen, Denmark | |
| 1997 | Cellar, Otto, Copenhagen, Denmark |
| Ikea, Charlottenborg Spring Exhibition with Kenneth Balfelt, Copenhagen, Denmark |
Articles/Reviews (selected)
| 2017 | “Du Senser dig selv – og Jeppe Hein”, Folkebladet Lemvig, June 2, 2017, pp. 2 – 3 |
| ”Balloner kan skabe naervaer og stoppe kampen om facebook likes”, Metier Magasin, March 21, 2017 | |
| “Svaevende kunstvaerk indtager metroen”, kunsten.nu, January 16, 2017 | |
| 2016 | “Hall of mirrors or optical illusion? Danish artist Jeppe Hein’s Semicircular Space appears at National Gallery of Victoria”, Debbie Cuthbertson, The Sidney Morning Herald, June 7 |
| 2015 | ”Heins lykkelige sammenbrud”, Michael Solgaard, Børsen, August 21, pp.4-7 |
| ”Jeg skal genfinde balancen”, Sofie Rud, Børsen, July 24 | |
| ”NYC’s Newest Outdoor Art: A mirrored Maze, A Treetop Mirage”, Susan Delson, The Wall Street Journal, June 9 | |
| ”New Yorkers Get a Playground in Jeppe Hein’s Interactive Sculpture Park”, Hilarie M. Sheets, artsy.net, May 19 | |
| ”Brooklyn Bridge Park to Display Danish Artist”, The New York Times, March 26 | |
| ”Touchly-Feely Sculptures and Fountains Headed to Brooklyn Bridge Park”, Observer, March 27 | |
| ”Please Touch the Art exhibition coming to Brooklyn Bridge Park”, Brooklyn Daily Eagle, March 31 | |
| ”New York’s 10 Most Beautiful Public Art Shows for Spring”, Artnet News, March 31 | |
| 2014 | ”Græsset er grønt i vellykket portugisisk-østrigsk-dansk møde”, Kristian Handberg, kunsten.nu, October |
| ”Dansekulpturer”, Mette Garfield, kunsten.nu, September | |
| ”Kunstpark Ordrupgaard: Impressionisme anno 2014 nu i 3D”, Katrine Ramsing, Magasinet Kunst, June | |
| ”Jeppe Hein Artwork as a reactor” Allimite, May-June, pp.82-89 | |
| ”Jeppe Hein modtager Arkens kunstpris 2014”, Tabita Henriksen, kunsten.nu, March | |
| 2013 | ”YOU – Jeppe Hein @ St. Agnes, Berlin”, Torben Zenth, KOPENHAGEN MAGAZINE, September |
| ”Spredte spejle giver sjove syner”, Karsten R. S. Ivfersen, Politiken, June 15, p.18 | |
| ”Den svåra konsten att fånga lyckan”, Sune Johannesson, Kristianstadsbladet, May 17, pp.24-25 | |
| “Jeppe Hein and His Happiness” by Alida Ivanov, Arterritory, May 17 | |
| ”Arte 114, guest creative”, Mariano Mayer, NEO2, May, pp.114-115 | |
| ”Lyckan i en dansk skalle”, Ingela Lind, DN.KULTUR, April 25, pp.8-9 | |
| ”A Smile For You”, Sara Arrhenius, Bonniers Konstall, Spring , pp.12-21 | |
| 2012 | ”The man behind the water walls”, Stephen Bevis, West Australian Newspaper, November 22 |
| ”Ugens kunstner: Jeppe Hein”, kunsten.nu, October | |
| ”Spritziger Klarissenplatz”, Christian Muckl, Nurnberger Zeitung, May 15, Feuilleton p.7 | |
| ”Modified social benches l-u by Jeppe Hein at Beaufort04”, Leigha DB, Designboom.com, April 29 | |
| ”Natur und Kunst im Einklang”, Mainpost.de, April 24 | |
| ”Hein uden hegn”, Rikke Boendum, Berlingske, April 20 | |
| ”Jeppe Hein vender tilbage til Kobenhavn”, Emil Moeller Svendsen, Borsen. Kultur, March 16, p.48 | |
| 2011 | ”Dansk stjernekunstner: ‘Jeg er ikke den gamle Jeppe’”, Oliver Stilling, Politiken, December 17 |
| “Das Spiel mit den Erwartungen des Betrachters”, Julia Schmitz, Kunst Magazin, November 30 | |
| ”Im Riesenmobile”, Heiko Klaas & Nicole Busing, Artinvestor, October 6, pp.50-53 | |
| ”Technokratie ist machbar”, Heike Fuhlbrugge, Artnet, September 14, p.16 | |
| ”Auch Kunstler brauchen manchmal ein Sabbatjahr”, Berliner Morgenpost, September 4 | |
| ”Get ready for the funhouse”, Weekend Herald, August 20 | |
| “Invisible: Art about the Unseen 1957-2012”, The Guardian, June 17 | |
| ”Jeppe Hein, Banca in spirala/ Loop Bench”, Arhitext, April, pp.116-117 | |
| ”Jeppe Hein”, Karen Rosenberg, New York Times, February 3 | |
| “Jeppe Hein”, Michael Wilson, Artforum International, Vol. 49, No. 8 | |
| 2010 | “Jeppe Hein: L’envers du miroir/ The other side of the mirror”, ‘A’A’, September, pp.175-180 |
| “Kunst kann Wunden heilen”, Kunstforum International, July, pp.142-159 | |
| “100 Acres to Roam, No Restrictions”, The New York Times, New York, June 8 | |
| “Please touch”, ARTnews, New York, June | |
| “Warten auf den sauberen Fluss”, Kolner Stadt-Anzeiger, Cologne, May 28 | |
| “Jeppe Hein – Don’t Look At Me”, X-Press, Perth, February 16 | |
| “Smoke and Mirrors”, The West Weekend Magazine, Perth, January 30 | |
| “Jeppe Hein: ‘Sense City'”, Monopol, January, p.108 | |
| 2009 | “art a la carte”, Sleek, #24, Berlin/New York, Winter 2009/10, pp.81-87 |
| “Der Spieler: Jeppe Hein will uberraschen”, Style and the Family Tunes, #4/4, December, pp.142-143 | |
| “In Aarhus fuhrt Jeppe Hein Froh – und Tiefsinn zusammen”, Monopol, Berlin, December, p.107 | |
| “Brunnen-Kunstwerk am Schloss”, Rheinische Post, Dusseldorf, November 24 | |
| “Die Leute sollen miteinander reden“, Die Tageszeitung, Berlin, November 24 | |
| “Zwischen den Stühlen“, Kunst Zeitung, #159, Regensburg, November | |
| “Climart Change”, Kunstforum International, #199, Cologne, Oct.-Dec., p.70 | |
| “Vent d’optimisme sur la capitale”, le Journal des Arts, #311, Paris, October 16, pp.16-18 | |
| “Folge der Kugel“, Segeberger Zeitung, Bad Segeberg, October 14 | |
| “Studio“, art – Das Kunstmagazin, Berlin, October | |
| “Umsonst und draußen“, Kulturspiegel, August, pp.26/27 | |
| “Gib mir fünf! Tipps der Woche“, Art Magazin, July 9 | |
| “Bling-Bling in Basel“, art-magazin.de, Berlin, June 10 | |
| “Jeppe Hein bygger sansernes by”, Kunsten.nu, June 3 | |
| “Public Art Projets: less is more on the platz“, The Art Newspaper, June, p.6 | |
| “Der Mann, der Kugeln zu Kunst macht“, Berliner Morgenpost, May 10, p.3 | |
| “Jeppe Hein“, Art Forum, May, p.173 | |
| “Die interaktive Kunst des Jeppe Hein“, Castor & Pollux, April 3 | |
| “Good For You“, Tokion, V2.9, New York, March, p.18 | |
| “Jeppe Hein“, The Globe and Mail, February | |
| “Jeppe Hein wants you to touch the art”, Vancouver Sun, February | |
| 2008 | “Dan Graham + Jeppe Hein”, Artforum International, December, pp.315-316 |
| “Les etranges sculptures qui font bouger les murs”, Le Monde, Paris, December 26 | |
| “Ein neues Highlight für die Stadt“, Der Landbote, November 11 | |
| “Que pasa en Dinamarca? Arte Contemporáneo – Los Esenciales – Diez Propuestas – Jeppe Hein”, Zona de Obras, numero 53, Autumn 08, p.162 | |
| “Jeppe Hein – La Place du Spectateur”, Espace, Été/Summer, pp.28-29 | |
| “Phantasmagoria: Specters of Absence at USC’s Fisher Museum of Art“, Los Angeles Times, October 27 | |
| “Le Rideau de pluie du canal”, Est Républicain, October 1 | |
| “Trees for Frieze”, The FT Weekend, Collecting, October | |
| “Jeppe Hein”, Tank, Vol 5 Issue 5, September | |
| “Jeppe Hein: Karriere bar, Copenhagen”, Art World, Issue 6, August/September, Review Bar, p.102 | |
| “Die Art Home Story: Jeppe Hein“, Das Kunstmagazin, August | |
| “Das große Dilemma der Kunst ist: Sie muss mit Disneyland klarkommen”, Interview Dan Graham + Jeppe Hein, Monopol, , July/August, pp.25-91 | |
| “Wir müssen hier raus”, Monopol, July/August, p.25 | |
| “Jeppe Hein & Dan Graham – The Mirror Stage”, Art Review, July/August, pp.59-63 | |
| “Stille und bewegte Wasser. Das Gemeinschaftsprojekt von Dan Graham und Jeppe Hein in der Galerie Schöttle“, Süddeutsche Zeitung, July 29 | |
| “Kunstnernes hus”, D2 -www.dno.no/d2, June | |
| “Kunstnerisk topmøde mellem to generationer”, Børsen, May | |
| ”Personaggi: La sorpresa dell’opera”, Casamica, May, p.121 | |
| “Storbyen er for pæne borgere”, Weekendavisen, April, p.1 + p.3 | |
| “There’s cheap beer on friday afternoons”, Dansk, Edition 17, Life, pp.186-187 | |
| “Critics’ Picks Jeppe Hein”, Artforum.com, March | |
| “Kunsten på karriere bar”, Kunst 08, February | |
| “The World as a Stage”, Flash Art, January/February, p.86 | |
| “Jeppe Hein – ‘Ce qui est intéressant dans le miroir et le reflect, c’est l’ensemble des illusions que l’on pout créer'”, Art Actuel, January/Febuary | |
| 2007 | Review by Morgan Falconer, Frieze, Nov/Dec issue 111, p.193 |
| Monopol, Magazin für Kunst und Leben, June, p.115 | |
| Domus Special Issue- Space, light and architecture, June, light, p.5 | |
| “Seele schlägt Stuck”, AD- Architectural Digest 06, p.131 | |
| “Magische Fontänen. Trockenen Fusses durchs Wasser: eine neue Installation des Meisterkonstrukteuers Jeppe Hein”, Berliner Zeitung, No. 140, juni 19 | |
| “Spiel’s noch einmal. Jeppe Hein lässt in der Galerie Johann König Wasser sprudeln”, Zitty, No 13, p.110 | |
| Sleek, No 14, Solid/Liquid, Spring, p.109 | |
| Artpress, April , No 333, p.82 | |
| ARTINVESTOR 02/2007, Focus: Jeppe Hein, p.60, February | |
| “Getting the ball rolling”, Fiona Macdonald, Metro, February 9, p.41 | |
| “Szene: Bar “Karriere – für Szenefreaks und Wannabes”, art-magazin.de, December, 20/27 | |
| “Puissance 3 – Jeppe Hein et le Cube Minimaliste”, Michel Gauthier, Revue de textes critiques sur l’art / n 1 / M19, p.127 | |
| “Jeppe Hein – dégourdit les formes“, Beaux Art Magazine, December, pp.106-107 | |
| “Chloe la barbare et Jeppe le trublion, nouvelles stars de l’art contemporain“, Le Figaro, December 28 | |
| “Tageskarte Kunst: Trink, trink, Künstler trink”, Spiegel Online, November | |
| “Café som kunst – Fra Sommersko til KarriereBar”, Berlingske M/S, November, p.14 | |
| “Jeppe Hein -Projekt Karriere”, Cover – feature, October, p.80 | |
| “Visiting and Revisiting Art etc.”, Tate etc., Issue 11 – Autumn, p.71 | |
| Arkitema – Firmainformationer, pp.80-93 | |
| “Kendte kunstnere indretter ny café”, Berlingske Tidende – Kultur, May 14, p.06 | |
| ”Jeppe Hein og søster abner international kunstbar”, Aarhus.nu, April 25 | |
| “Kød, kunst og caféer på Flaesketorvet”, Politiken – Kultur, April 25, p.3 | |
| “Jeppe Hein og søster åbner international kunstbar”, Information – Kultur, April 25, p.14 | |
| Artpress, No. 333, April, p.82 | |
| “Sit on that”, Kingpin -Skateboarding Europa, deutsche Ausgabe No 39, March, p.43 | |
| “Street Water”, Urban, No 58, March | |
| Brutus, No 611, 3/1, p.160 | |
| Bolig Exklusiv, No. 50, March, p.160 | |
| “Absent without leave”, Time Out London, March 17 | |
| 2006 | “Jeppe Hein”, Anna Sansom, Art 21, No. 87, pp.46-47 |
| Flash Art, October, pp.68/69 | |
| “Jeppe Hein”, Francesco Stocchi, Artforum, October | |
| “Appearing Rooms”, Time Out London, August 2-9, p.29 | |
| “Physik, die Spaß macht”, Heiko Klaas, Art no. 8, August, pp.54-59 | |
| “A home for water babies”, Tim Teeman, The Times, August 2, p.16 | |
| “It will be all meat and no veg if the heat goes on”, The Times, July 29, p.38 | |
| The Daily Telegraph, July 28 | |
| “Jeppe Hein fait danser l’eau et le feu”, Le Monde, July 27 | |
| “Succer”, Cover, July 27 | |
| “Water way to do it for summer art”, PNE Review, Preston Today, May 13, p.3 | |
| “Art arrives with with splash”, The Citizen, May 11 | |
| “Backdrop”, Modern Painters, April | |
| “Killer Balls”, PAP, February/March, pp.26-27 | |
| Kunstzeitung, no. 115, March, p.27 | |
| “Interactive Art”, Elisa Turner, The Miami Herald, January 29 | |
| 2005 | “Das Ausstellungswunder von Berlin”, Miklas Maak, FAZ, December 22 |
| “Die letzte Lampe”, Der Tagesspiegel, December 21 | |
| “Jeppe Hein: pinball wizard”, The Art Newspaper, Art Basel/Miami Beach Edition, December 3 | |
| “Dialog zwischen dem Betrachter, den Räumen und den Kunstobjekten”, Kunstforum International, Bd. 178, pp.147-155 | |
| “Jeppe Hein: zigzags postminimalistes”, l’oeil, November | |
| “Jeppe Hein, labyrinthe invisible”, Culture.fr. | |
| “The Art Trip”, Hunter Drohojowska-Philip, Artnet Magazine, October 21 | |
| Les Cahiers du MNAM, Autumn | |
| “En mann og en benk”, Hans Trygve Holm, an.no, October 28 | |
| “J’ai testé…le labyrinthe invisible”, Télérama, October 26 , p.18 | |
| “Labyrinthe invisible, Juste une illusion”, vsd, October | |
| “Mémoire et trajectoire, Jeppe Hein”, Yasmine Youssi, Zurban, October 5 | |
| “Oeuvre à vivre”, Yoann Gourmel, Citizen K, Autumn | |
| “Il labirinto invisibile di Jeppe Hein a Parigi”, MOOD, October | |
| “Jeppe Hein, Labyrinthe Invisible”, Muriel Denet, PARISart, October | |
| “Jeppe Hein”, Emilie Villez, Art21, October/November | |
| Artinvestor, Nr. 03/2005, p.94 | |
| “FÜNF FRAGEN an Jeppe Hein”, Zitty, September 29, p.35 | |
| “Le sensuel et le non-sens”, Olivier Cena, Télérama, September 28 | |
| “Jeppe Hein: Neonwall”, Qantas, September, p.152 | |
| “Smile, you’re on candid art”, The Sydney Morning Herald | |
| “Jeppe Hein, Virtual Labyrinth”, Anna Sansom, Eyemazing, Issue 8, Autumn | |
| “L’art renouvelé”, Anne Laure Gannac, Muze, September | |
| “Nel labirinto dove artista e pubblico sono complici”, Giacomo Turolla, Arte Italy, September | |
| Pol Oxygen, Issue 14 | |
| “Se perdre dans un espace vide”, 20 Minutes, September 19 | |
| “Save the Date”, DS Magazine, September | |
| “Labyrinthe” & “Unrestored”, Pierre-Emmanuel Nyeborg, Têtu | |
| “Dans le labyrinth de Jeppe Hein”, Les Inrockuptibles | |
| “Jeppe Hein på Centre Pompidou”, Kunstportalen, September 30 | |
| “Den usynlige udstilling”, Torben Weirup, Berlingske Tidende, September 22, p.6 | |
| “Attention à la boule et gare au cube”/”Minimalism with a Vengeance”, Michel Gauthier, Artpress, September, p.30 | |
| “Dossier Jeppe Hein. La tête au carré.”, Elisabeth Wetterwald, 02, Summer, No. 34 | |
| Artpress, July/August, p.30 | |
| “Mange bolde i luften”, Henrik Wivel, Weekendavisen, July 22-28, p.11 | |
| Cover, June/July, p.68 | |
| KunstbaZaren, May | |
| Les Inrockuptibles, May 10 | |
| “Jeppe Hein”, Katrin Wittneven, Der Tagesspiegel, May 7, p.26 | |
| “Exposition Minimaliste”, Le Progrès, April 28 | |
| “Mer nordiskt på mässan”, Sanna Björling, Dagens Nyheter, supplement ‘Kultur’, April 7, p.2 | |
| “Speglar människan i konsten”, Berit Bergendahl, Göteborgs-posten, April 7, p.88 | |
| “Jeppe Heins verk vår saker att hända”, Clemens Poellinger, Svenska Dagbladet, supplement ‘Kultur’, April 7, p.7 | |
| “Jeppe Hein, 360° Presence”, Michel Gauthier, Frog, No. 1, Spring/Summer, p.80 | |
| “Top Ten”, Tomas Saraceno, Artforum International, March, p.100 | |
| 2004 | “Challenging the Space”, Michele Robecchi, Flash Art International, No. 238, October, pp.106-109 |
| “Gennem etager og vægge, gennem loops og sving…”, Politiken, June 1 | |
| “Diese da ist meine!”, Catrin Lorch, Frankfurter Allgemeine Zeitung, May 13, p.36 | |
| “Dänen lügen nicht”, Jutta Göricke, Süddeutsche Zeitung, May 12, p.12 | |
| Hannoversche Allgemeine, May 27, by Alexandra Glanz | |
| “In the Line of Fire”, Kirsty Bell, Frieze, issue 81, March | |
| James Westcott on Jeppe Hein at PS1, Spring | |
| “Villa manin apre al contemporaneo”, Alberto Rochira, Cultura & Spettacoli, March 30, p.27 | |
| 2003 | Art in Culture, Vol. No 4, December |
| Nu-E magazine, Issue #1, September | |
| Flash Art, Vol. XXXVI, No. 231, July, by Vincent Pécoil | |
| Frieze, Issue 73, pp.92-93, by Dominic Eichler | |
| “Immer in einem anderen Licht”, Kira Van Lil, Art das Kunstmagazin, No. 2, February | |
| 2002 | “Kunst: Die Rache des Minimalismus”, Nilas Maak, Frankfurter Allgemeine Sonntagszeitung, December |
| 29, p.19 | |
| “Like a Rolling Stone? Zur künstlerischen Strategie von Jeppe Hein”, Raimar Stange, Kunstbulletin no. 11 | |
| Thema Celeste, no.11, by Finn Janning | |
| Artforum,no. 11, by Luca Cerizza | |
| Der Tagesspiegel, October 19, by Raimer Stange | |
| Zitty, 17, October 30 | |
| Kultur-Spiegel, Heft 7/July, by Ingeborg Wiensowski | |
| Süddeutsche Zeitung, June 17, by Thomas Münster | |
| Süddeutsche Zeitung, May 29, by Anne Erfle | |
| TZ-München, May 29, by Alexander Altmann | |
| Münchner Merkur, May 29, by Simone Dattenberger | |
| 2001 | Artist Kunstmagazin, Nr. 51, by Raimar Stange |
| NU: Art Magazin, Take Off | |
| DCA Newsletter, no. 2, by Helle Qvistgaard |
Catalogues / Books (selected)
| 2015 | The Happiness of Burnout. [The Case of Jeppe Hein], Finn Janning, Koenig Books, London |
| Wege (English title: Ways), Rebekka Csizmazia, Jeppehein.net, Berlin (Illustrations) | |
| 2014 | STILLHET, Finn Janning, Jeppe Hein Studio, Berlin |
| 2013 | I knOw yoU, Irish Museum of Modern Art, Onestar Press (pp. 9, 21) |
| A Smile For You, Jeppe Hein, Koenig books, London | |
| DYNAMO – un siecle de lumiere et de mouvement dans l’art 1913 – 2013, ADAGP (pp. 73, 108, 220) | |
| 2012 | Treffpunkt: Berlin, ARKEN Museum of Modern Art |
| Invisible, art about the unseen 1957 – 2012, Hayward Gallery (pp. 75-76) | |
| 2011 | Rewriting worlds, 4 Moscow Biennale Contemporary Art, Institute of Contemporary Art, Moscow (pp. 92-93) |
| Vaerk som handling, Camilla Jalving, Museum Tusculanums Forlag, Københavns Universitet (pp. 133-146) | |
| Jeppe Hein, 360°, 21st Century Museum of Contemporary Art, Kanazawa | |
| 2010 | Modern Art for Sale, die bedeutendsten Kunstmessen der Welt, Henry Werner, Feymedia |
| Düsseldorf (pp. 98, 130) | |
| Emscherkunst.2010 Eine Insel für die Kunst / An Island for the Arts, Hatje Cantz, Emschergenossenschaft, Essen (p. 63-67) | |
| Julia Stoschek Collection: I want to see how you see, Dirk Luckow (Ed.), Julia Stoschek Foundation e.V., Snoeck Verlag, Cologne (pp. 86-87) | |
| Schauwerk Sindelfingen. 100 Kunstler, 100 Werke, 100 positionen, Peter Schaufler, DUMONT Literatur und Kunst Verlag, Cologne (pp. 198-199) | |
| Art for the World / The city of forking paths, JGM Galerie, Paris-Shanghai (pp.122-123) | |
| Circus Hein, Jeppe Hein (Ed.), Berlin | |
| Invisible Labyrinth + FRAC Ile-de-France. Jeppe Hein au Theatre National deChaillot, FRAC Ile-de-France / LePlateau, La collection, Paris | |
| 2009 | JEPPE HEIN: Sense City, ARoS – Aarhus kunstmuseum, Aarhus |
| 2008 | Jeppe Hein Oppenheim, Jeppe Hein (ed.), Cologne |
| Reality Check, Statens Museum for Kunst, Copenhagen | |
| 2007 | The World as Stage, Tate Gallery London, London |
| Made in Germany, Sprengel Museum Hannover/Kunstverein Hannover/kestnergesellschaft, Hannover | |
| Royal Academy Illustrated, Royal Academy of Arts, London | |
| Passion for Art, Sammlung Essl, Klosterneuburg, Vienna | |
| 2006 | Invisible Collection Productions, FRAC Lorraine (pp. 3-126, E-296) |
| Jeppe Hein. Usynlig Labyrint. x’rummet, Statens Museum for Kunst, Copenhagen | |
| Nichts Nothing, Schirn Kunsthalle, Frankfurt | |
| Play Station, Sprengel Kunstmuseum Hannover, Hannover | |
| Wall to be destroyed, Frac Lorraine, Metz | |
| Try Again. Fail Again. Fail Better, Momentum 2006, 4th Nordic Festival of Contemporary Art (pp. 68-71) | |
| Lichtkunst aus Kunstlicht, Peter Weibel/Gregor Jansen (eds.), Hatje Kantz Verlag, Ostfildern (pp. 578-579, 696) | |
| Overblik- 63 danske samtidskunstnere, Politikens Forlag, Copenhagen | |
| Manual til dansk samtidskunst, Lisbeth Bonde/Mette Sandbye (eds.), Gyldendal, Copenhagen | |
| Liverpool International Biennal 06, Liverpool Biennal, Liverpool | |
| Testigos/Witness, Fundación NMAC, Montemedio (pp. 44-49) | |
| What’s New Pussycat, Die Neuerwerbungen, Museum für Moderne Kunst, (pp. 112-113) | |
| Garten der Kunst – Österreichischer Skulpturenpark, Österreichischer Skulpturenpark Privatstiftung (ed.), Hatje Cantz Verlag, Ostfildern (pp. 140-141) | |
| Jeppe Hein Until Now, Jeppe Hein (Ed.), Koenig Books, London | |
| 2005 | The Pantagruel Syndrom, exhibition catalogue, T1 Torino Triennale Tremusei (pp. 284-287) |
| ART NOW Vol 2, Uta Grosenick (Ed.), Taschen, Cologne (pp. 192-195) | |
| Most Wanted – The Olbricht Collection, Verlag der Buchhandlung Walther König, Berlin | |
| Jeppe Hein, Editions du Centre Pompidou, Paris | |
| Sous les ponts, le long de la riviére II, Édition Casino Luxembourg, Luxembourg | |
| EVN Sammlung 95-05, EVN AG | |
| A Whiter Shade of Pale – Kunst aus den Nordischen Ländern an der Unterelbe, Elke Falat, Kunstverein Kehdingen/Landschaftsverband Stade, Stade | |
| 2004 | Bibliotheca Alexandrina’s First International Biennale |
| Jeppe Hein, Appearing Rooms, Villa Manin | |
| Gegen den Strich – neue Formen der Zeichnung, Markus Heinzelmann/Andreas Bee (eds.), Staatliche Kunsthalle Baden-Baden, Verlag für Moderne Kunst, Nürnberg | |
| Performative Installation, Angelika Nollert (ed.), Snoeck Verlag, Cologne | |
| 2003 | Albisola Ceramic Biennale |
| Zurück in die Kunst, Raimar Strange | |
| Straight or Crooked Way, Royal Collage of Art | |
| Take A Walk In The Forest At Sunlight, Jeppe Hein, Kunstverein Heilbronn | |
| At your own risk, Schirn Kunsthalle, Frankfurt | |
| Exempla 2003, Werkstätten der Gartengestaltung, Edition Handwerk, Munich (pp. 40-41) | |
| 2002 | Uppsala Kunstmuseum |
| I promise it’s political, Museum Ludwig, Cologne | |
| No Return, Collection Axel Haubrok | |
| 2001 | Jeppe Hein, Frankfurter Positionen |
| Arbeit, Essen, Angst, Kokerei Zollverein, Essen | |
| 49. Venice Biennial (IASPIS) | |
| Neue Welt, Frankfurter Kunstverein | |
| TAKE OFF, Aarhus Kunstmuseum, Aarhus | |
| REAL OTTO, Borgen, Copenhagen | |
| Festival Junger Talente, Jesper N. Jorgensen |
Awards (selected)
| 2018 | Carl Nielsen and Anne-Marie Carl Nielsens Award |
| 2014 | ARKENs KUNSTPRIS, Denmark |
| 2013 | Ars Fennica award of the Henna and Pertti Niemistö Ars Fennica Art Foundation, Finland |
| 2012 | Robert-Jacobsen-Preis der Stiftung Würth, Germany |
| 2011 | Kulturpris i Vordingborg Kommune, Denmark |
| 2010 | 3-year grant of Statens Kunstfond, Denmark |
| 2009 | Honorary Chair Henry Art Gallery, Seattle, USA |
| 2007 | Landschaftskunstpreis NEULAND der Stiftung Niedersachsen, Germany |
Permanent Installations (selected)
| 2024 | Water Pavilion, Ordrupgaard, Charlottenlund, Denmark Modified Social Bench for Jahnsdorf, Jahnsdorf, Germany |
| 2020 | Eye of the North, Langåsen Natur- og Skulpturpark, Svolvær, Lofoten, Norway Coloured Mirror Balloons, Kongens Nytorv Station, Copenhagen, Denmark LaGuardia Airport Terminal B, New York, USA |
| 2017 | Modified Social Benches, Lemvig, Denmark Endless Connection, Havnepladsen, Aarhus Denmark |
| Water Pavilion Norra Djurgårdsstaden, Bobergsplats Stockholm, Sweden | |
| Danfoss, Nordborg, Denmark | |
| 2016 | Path of Silcence, Kistefos-Museet, Jevnaker, Norway |
| Hexagonal light, Novo Nordisk, Plainsboro, USA | |
| 2015 | Mobile of Enlightenment, VIA University College Aarhus, Aarhus, Denmark |
| Kastrup Metro/Den Blå Planet, Copenhagen, Denmark | |
| 2013 | Encircle, Place Laperouse, Albi, France |
| Hide and See(k), Rijksmuseum, Amsterdam, The Netherlands | |
| Spaces Between Trees and People, Munich-Pasing, Germany | |
| 2012 | Appearing rooms Forrest Place, Forrest Place, Perth, Australia |
| 2011 | Long Modified Bench Auckland, Auckland Art Gallery Toi O Tamaki, New Zealand |
| Water Pavillion Aalborg, KUNSTEN Museum for Modern Art, Aalborg, Denmark | |
| Double Exposure Blue, KPMG Flintholm, Copenhagen, Denmark | |
| 2010 | 4 Dimensional Circle Cannes, Hotel Miramar, Cannes, France |
| Bench Around the Lake, 100 Acres, The Virginia B. Fairbanks Art & Nature Park, IMA – Indianapolis Museum of Art, Indianapolis, USA | |
| Water Island Morsbroich, Museum Morsbroich, Leverkursen, Germany | |
| Mobile ENBW, ENBW, Stuttgart, Germany | |
| 2009 | Follow Me, Bristol University, UK |
| 2008 | Lightline, Sydbank, Aabenraa, Denmark |
| Mirror Labyrinth Krauss Residence, New York, USA | |
| Monsieur Canal, Rhône-Rhin-Canal, Thoraise, France | |
| Water Pavilion Oppenheim, Bankhaus Sal. Oppenheim, Cologne, Germany | |
| 2007 | Did I Miss Something, Öesterreichischer Skulpturenpark Graz, A Camp Reinsehlen, Germany, Nantes, France |
| Mirror Labyrinth Chiswick Park, Chiswick Park, London, UK | |
| 2006 | Place de la Fleur, Lorient, France |
| Water Island, Leeuwenborgh College, Maastricht, The Netherlands | |
| 2005 | Private Rain, Bodø, Norway |
Public collections
| 21st Century Museum of Contemporary Art, Kanazawa, Japan | |
| 49 NORD 6 EST – Frac Lorraine, Metz, France | |
| Arken Museum of Modern Art, Arken, Denmark | |
| ARoS Aarhus Kunstmuseum, Denmark | |
| FNAC Paris, France | |
| FRAC, Marseille, France | |
| Fundación NMAC – Montenmedio Arte Contemporáneo, Vejer de la Frontera, Cádiz, Spain | |
| Julia Stoschek Collection, Dusseldorf, Germany | |
| Lehnbachhaus, Munich, Germany | |
| MMK, Museum für Moderne Kunst, Frankfurt am Main, Germany | |
| MNAM – Centre Pompidou, Paris, France | |
| MOCA, Museum of Contemporary Art, Los Angeles, USA | |
| Neues Museum Nürnberg, Germany | |
| Ordrupgaard, Charlottenlund, Denmark | |
| Österreichischer Skulpturenpark, Unterpremstätten, Austria | |
| Sammlung Haubrok, Berlin, Germany | |
| SMK, Statens Museum for Kunst, Denmark | |
| Tate Gallery, London, UK | |
| The Saatchi Gallery, London, UK | |
| Zabludowicz Collection London, London, UK |
