JONATHAN MONK
Born 1969 in Leicester, UK
Lives and works in Berlin, Germany
Solo exhibitions (Selected)
| 2024 | Loom Gallery, Milan, Italy (upcoming) Taro Nasu Gallery, Tokyo, Japan (upcoming) Espace Muraille, Geneva, Switzerland (upcoming) Not A Cloud In The Sky (a summer group show), Meyer Riegger, Berlin, DE (upcoming) S L, Mahler LeWitt Residency, Torre Bonomo, Festival dei Due Mondi 2024, Spoleto, Italy (upcoming) |
| 2023 | Sunset on Sunset, Christina Guerra, Lisbon, Portugal Metallic Sunsets, Dvir Gallery, Paris, France |
| 2022 | einbucchas, Berlin, Germany Metallic Sunsets, Dvir, Paris, France Sunset on Sunset, Cristina Guerra, Lisbon, Portugal Various Locations, Milan, Italy König2 project space, Vienna, Austria Casey Kaplan, New York, USA LIGHTS OFF, AFTER HOURS, IN THE DARK lights off, after hours, in the dark, Yvon Lambert Bookshop, Paris, France Piece Unique, Massimo de Carlo, Paris, France Contractual, Meyer Riegger, Karlsruhe, Germany |
| 2021 |
Fritto misto, Massimo Minini, Brescia, Italy |
| 2020 | Dr. Schlau und Dr. Schlauer, Meyer Riegger, Karlsruhe, Germany (with Meuser) Helmut Newton 100 | Jonathan Monk 51, Meyer Riegger Berlin in cooperation with Kicken Berlin and Galerie Friese, Berlin, Germany F.I.N.G.E.R.S., Loom Gallery, Milan, Italy Behind Closed Doors, Norma Mangione, Turin, Italy Three Ball Total Equilibrium Tank and other problems, Quartz Studio, Turin, Italy My Backside, Florence Loewy, Paris, France |
| 2019 | Exhibit Model Four – Plus Invited Guests, KINDL Centre for Contemporary Art, Berlin, Germany Exhibit Model Sox – The Tel Aviv version, CCA Tel Aviv, Israel That’s About The Size Of It, Meyer Riegger, Berlin, Germany Restaurant Drawings, Casey Kaplan, New York, USA Miele Luna, Noire Gallery, Milan, Italy |
| 2018 | We Are Here To Clarify The Situation, Dvir Gallery, Tel Aviv, Israel Two Dozen Eggs And A Thumbprint – After PM, Loom Gallery, Milan, Italy Chinese Whispers #3, Meessen de Clercq, Brussels, Belgium Lenticular LeWitt, Taro Nasu Gallery, Tokyo, Japan |
| 2017 | Exhibit Model Three, Vox, Montreal, Canada Name Used To Fill Space, Megamelange, Cologne, Germany The Sound Of Laughter Isn’t Necessarily Funny, The Gallery, De Montford University, Leicester, UK The Knowledge, Meyer Riegger, Berlin, Germany |
| Pisoletto’s Dog, Dvir, Brussels, Belgium | |
| Hand Held Gesture, Emergency, Vevey, Switzerland The Land That Time Forgot II, Mehdi Chouakri, Berlin, Germany |
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| Perfectly Concocted Context, Cherry and Martin, LA, USA I speak to people on the telephone, Cristina Guerra, Lisbon, Portugal |
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| 2016 | Cool Your Jets, with Liam Gillick, Quartz Studio, Torino, Italy |
| Exhibit Model Two, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| Exhibit Model One, Kunsthaus Baselland, Muttenz, Switzerland | |
| In Relief (my collection of Sol LeWitt books – exact size, shape and occasionally colour), Meyer Riegger gallery at Archiv, Zurich, Switzerland | |
| The Land That Time Forgot, Studio Salvo, Turin | |
| The Life Sized Black (a Porsche for RH), Blondeau & Cie, Geneva, Switzerland | |
| Paris Bar, with Douglas Gordon, Taro Nasu, Tokyo, Japan | |
| Wall Drawing Covered By Wall (Uncovered), Galleria Massimo Minini, Brescia | |
| 2015 | All the possible combinations of twelve lights lighting (one at a time), Museo D’Arte Contemporanea Roma, Rome, Italy |
| Anything by the Smiths, CAN Neuchâtel, Switzerland | |
| Claymation (Residenza d’artista 2015), Museo Carlo Zauli, Faena, Italy | |
| eye eye, Dvir Gallery, Tel Aviv, Israel | |
| Many Hands make Light Work, Until Then, Paris, France | |
| Open Source, In connection with City of Philadelphia Mural Arts Program, Philadelphia, USA | |
| 2014 | I Heart 1984, Lisson, London, UK |
| IMMA Irish Museum of Modern Art project space, Dublin, Ireland | |
| I went to school with someone called Jonathan Monk, Casey Kaplan, New York, USA | |
| Jonathan Monk a Riso, Museo d’Arte Contemporanea della Sicilia, Fondazione Sambuca, Italy | |
| Left Foot, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| MONK><NANNUCCI, Quartz Studio, Turin, Italy | |
| More Than Four Hundred Million Ways, Meyer Riegger Karlsruhe, Karlsruhe, Germany | |
| The Reader, Taro Nasu, Tokyo, Japan | |
| 2013 | COLOURS, SHAPES, WORDS (pink, blue, square, circle, etc.), CAC, Malaga, Spain |
| Egg, Centre d’édition contemporaine, Geneva, Switzerland | |
| Every Building On The Sunset Strip / None Of The Buildings On Sunset Strip, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| In Between Exhibitions (continuous project), Yvon Lambert, Paris, France | |
| Less Is More Than One Hundred Indian Bicycles (with words from Rikrit Tiravanija and a Silver Shadow), Kunstraum Dornbirn, Dornbirn, Austria | |
| Rhythm in it, Aargauer Kunsthaus, Aarau, Germany | |
| Senza Titolo, Lisson, Milan, Italy | |
| 2012 | Jonathan Monk & David Shrigley, Yvon Lambert, Paris, France |
| “They came out of nowhere” he said, pointing to nowhere (with Ryan Gander), Taro Nasu Gallery, Tokyo | |
| Who Ate All The Pies?, Meyer Riegger, Berlin, Germany | |
| 2011 | Again, A Time Machine, Eastside Projects, Birmingham, UK |
| Balanced Acts (with Ariel Schlesinger), Meyer Riegger, Berlin, Germany | |
| Dear painter, paint for me one last time, BFAS Blondeau Fine Art Service, Geneva, Switzerland | |
| From Horn of Plenty to Lowered Ceiling, W139, Amsterdam, The Netherlands | |
| It’s a Circus!, Yvon Lambert, Paris, France | |
| Life Again, A Time Machine, Eastside Projects, Birmingham, UK | |
| Life and Death, Dvir Gallery, Tel Aviv, Israel | |
| Name Used to Fill Space, Meessen De Clercq, Brussels, Belgium | |
| Pre-Birth communication, Dvir Gallery, Tel Aviv, Israel | |
| World Time Clock and Used Cars, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| ‘Your Name Here’, Casey Kaplan Gallery, New York | |
| 2010 | Al Gatto Nero, (Collaborative works with Douglas Gordon), Sonia Rosso, Torino, Italy |
| The Billboard Book Project (Paris), Three Star Books, Paris, France | |
| Double Act Repeated, (with Douglas Gordon), Lisson, London, UK | |
| e, Yvon Lambert, Paris, France | |
| Ghost Rider (with Ariel Schlesinger), Dvir Gallery, Tel Aviv, Israel | |
| I C U, zwap, Sammlung Haubrok zu Gast bei Wilhelm Schurmann, Berlin, Germany | |
| Jonathan Monk zu Gast bei, BQ, Berlin, Germany | |
| ‘…so different, so appealing?’, Meyer Riegger, Kalsruhe, Germany | |
| Solo Show for Jonathan Monk, Dvir Gallery, Tel Aviv, Israel | |
| 2009 | Book and Poster, Galleri Nicolai Wallner, Copenhagen, Denmark |
| Broken Glass in the Swimming Pool, Cristina Guerra Contemporary Art, Lisbon, Portugal | |
| The Deflated Inflated, Lisson Gallery, London, UK | |
| The Inflated Deflated, Casey Kaplan Gallery, New York, USA | |
| Leon d’Oro (with Douglas Gordon), Fondazione Morra Greco, Napoli, Italy | |
| Rew-Shay Hood Project, Artpace, San Antonio, Texas, USA | |
| The Follower and other works that follow on from The Follower, WCW Gallery, Hamburg | |
| The Store, Artissima 16, International Fair of Contemporary Art in Turin, Italy | |
| 2008 | Apples and Pears and other Fruits of The Forest, Galerie Yvon Lambert, Paris, France |
| Classified Football Results, Jan Mot, Brussels | |
| Jonathan Monk & David Shrigley Corroborative Paintings, Galeria Estrany De La Mota, Barcelona, Spain | |
| Something no less Important than Nothing / Nothing no less Important than Something, Tramway, Glasgow, Scotland | |
| Souvenirs from the East, Meyer Riegger, Karlsruhe, Germany | |
| Time Between Spaces, Palais de Tokyo, Paris, France | |
| Time Between Spaces, Musée d’Art Moderne de la Ville de Paris, Paris, France | |
| 2007 | Jonathan Monk and Peter Roehr, Galerie Mehdi Chouakri, Berlin, Germany |
| Lira Hotel, Galeria Sonia Rosso, Torino, Italy | |
| New Paintings, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| No Title, Y8, Hamburg, Germany * | |
| The Puzzle, twodo project 2007, Neuer Aachener Kunstverein, Aachen, Germany | |
| Rosso, Base, Florence, Italy | |
| Second Hand, Lisson Gallery, London, UK | |
| Some kind of Game Between This and That, Casey Kaplan Gallery, New York, USA | |
| Yesterday, today, tomorrow, etc, Haus am Waldsee, Berlin, Germany | |
| 2006 | Back and Forth, (with Michael Snow), Jessica Bradley Art+Projects, Toronto, Canada |
| Gallery Hours, Musée d’art contemporain du Val-de-Marne MAC/ Val, Vitry-sur-Seine, France | |
| Desenhos (Drawings) (with Gabriel Vormstein), A-Z Collection, Madeira, Portugal | |
| Newton Illustrated/Update, Jonathan Monk & Richard Prince, Galerie Mezzanin, Vienna, Austria | |
| Yes Bruce Nauman (with Jan Mancuska), Zwirner & Wirth, NY, USA | |
| Yesterday today tomorrow etc., Kunsthalle Nürnberg, Nürnberg, Germany | |
| Yesterday today tomorrow etc., Kunstverein Hannover, Hannover, Germany | |
| Yesterday today tomorrow etc., Kunstverein St. Gallen Kunstmuseum, Gallen, Switzerland | |
| 2005 | Continuous Project Altered Daily, ICA, London, UK * |
| Family of Man, Centre d’art Contemporain Domaine de Kerguéhennec, Bignan, France * | |
| Florida Calls, The Moore Space, Miami, USA | |
| If I Could Turn Back Time If I Could Find A Way, Meyer Riegger, Karlsruhe, Germany | |
| In Place and Out of Place, Yvon Lambert, Paris, France | |
| Jonathan Monk & Robert Barry, Yvon Lambert show at Galerie Widmer, Zurich, Switzerland | |
| Miami Calling, The Moore Space, Miami, Florida, USA | |
| Some…Time …Waiting, independent project curated by Adam Carr | |
| To Infinity and Beyond, Public Art Project at Art 36 Basel, Basel, Switzerland | |
| Two Correlated Rotations, École des Beaux-Arts, Nantes, France | |
| Untitled and Unfinished (Afghanistan), The British School at Rome, Rome, Italy Ocean Wave, – but didn’t Bas Jan Ader drink Heineken?. Künstlerhaus Bremen, Germany |
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| 2004 | Dutch Details and Other Details, Büro Friedrich, Berlin, Germany |
| John Baldessari – Jonathan Monk, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| Ocean Wave, Künstlerhaus Bremen, Bremen, Germany | |
| Sculptures, Neons & Drawings, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| Spazio Symphonia, Milan, Italy | |
| Time / Explained / Lengthened / Suspended, Sprüth Magers Projekte, Munich, Germany | |
| The Unrealised Realised, Giò Marconi Gallery, Milan, Italy | |
| The Unseen Seen (part II), Galeri Judin Belot, Zurich, Switzerland | |
| 2003 | During of the exhibition the gallery will be open, Galerie Jan Mot, Brussels, Belgium |
| I wear black on the outside because black is how I feel on the inside, Galleria Sonia Rosso, Torino, Italy | |
| Jonathan Monk: Squares Circles Squares exhibited alongside Kazimir Malevitj: Suprematism, The Menil Collection, Houston, USA | |
| Looking through a hole large enough for me to see you, but not large enough for you…., La Salle de Bain, Lyon, France | |
| Neither a borrower, nor a lender be, Arnolfini, Bristol, UK | |
| Present Tense 23, Art Gallery of Ontario, Canada | |
| Projected Works, Lisson Gallery, London, UK | |
| Small Fires Burning, Grazer Kunstverein, Graz, Austria | |
| Special guest: Pierre Bismuth, Galerie Diana Stigter, Amsterdam, The Netherlands | |
| Spectacular I, Museum Kunst Palast, Dusseldorf, Germany | |
| Squares Circles Squares exhibited alongside Kazimir Malevitj: Suprematism, The Menil Collection, Houston,TX, USA | |
| Time and or Space, The Swiss Institute, New York, USA | |
| The Unrealised Realised Realised in New York, Casey Kaplan, New York, USA | |
| The Unrealised Realised, Galerie Yvon Lambert, Paris, France | |
| YES/NO/MAYBE, Programa Arts Center, Mexico City, Mexico | |
| 2002 | 1+1=2, Meyer Riegger, Karlsruhe, Germany |
| Free Lane, Casey Kaplan 10/6, New York, USA | |
| How the world works, LAC, Sigean, France | |
| Jonathan Monk, Atelier Augarten, Center for Contemporary Art, Österreichische Galerie Belvedere, Vienna, Austria | |
| Jonathan Monk: Speciel Guest: Pierre Bismuth, Galerie Diana Stigter, Amsterdam, The Netherlands | |
| Repertoire & other works by Jonathan Monk, Galerie Yvon Lambert, Paris, France | |
| Roundabout, Art Gallery of Ontario, Toronto, Canada | |
| Small Works, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| The 366th Sunset, am Parlamentsplatz, Frankfurt am Main, Germany (with Isabell Heimerdinger) | |
| Today is just a copy of yesterday (Tel Aviv), Dvir Gallery, Tel Aviv, Israel | |
| Yesterday is almost as yesterday, Galerie Diana Stigter, Amsterdam, The Netherlands | |
| 2001 | Gyrostasis (with Dave Allen), Workwebart, Köln, Germany |
| If you stare at a printed page for long enough it starts to move, Galerie Yvon Lambert, Paris, France | |
| Our trip out west, CAC, Vilnius, Lithuania (with Pierre Bismuth)* | |
| You’ll get a bang out of this, Galleri Nicolai Wallner, Copenhagen, Denmark (with Douglas Gordon) | |
| 2000 | LeSpot, Le Havre, France |
| Sentimental, Yvon Lambert, Paris, France | |
| Sollewittonehundredcubescantz…., Meyer Riegger, Karlsruhe, Germany | |
| Something between something and something else, Galleria Sonia Rosso, Pordenone, Italy | |
| 1999 | …and do you think Phileas Fogg (David Niven) really went around the world in eighty days…, Casey Kaplan, New York, USA |
| …and in Rumble Fish, does Rusty-James (Matt Dillon)really ride his brothers motorbike…, Jack Hanley, San Francisco, USA | |
| Meine Onkel, Meyer Riegger, Karlsruhe, Germany | |
| 1998 | In search of Gregory Peck, Lisson Gallery, London, UK |
| Some time spent looking through a window, Francesca Pia, Bern, Switzerland | |
| Tea Party at 136 and Other Works, Galerie Yvon Lambert, Paris, France | |
| Untitled, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| 1997 | Anything by the Smiths, Centre d’Art Contemporain, Neuchatel, Switzerland |
| Casey Kaplan, New York, USA | |
| 1996 | Brush with Death, Tramway, Glasgow, Scotland |
| Crash Bang Wallop, City Racing, London, UK | |
| Salon Ryman, FRAC Des Pays de la Loire, Nantes, France | |
| The Time between the 12th and the 13th of January 1996, Atle Gerhardsen, Oslo, Norway | |
| 1995 | A Brush with Death, Tramway, Glasgow, Scotland * |
| The Agony, The Ecstasy (and some other stuff), Galleri Index, Stockholm, Sweden | |
| Lust for Life, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| 1994 | Almost Enough, (video show) CCA, Glasgow, Scotland |
| My Record Collection, Beatnick St., Glasgow, Scotland | |
| OLD PECULIAR, Galleri Nicolai Wallner, Copenhagen, Denmark * | |
| 1992 | ON THE CHEAP, Centre for Contemporary Arts, Glasgow, Scotland |
Group exhibitions (selected)
| 2024
2023 |
Unsettled Eye at Ruby City, San Antonio, Texas
‘TOPS OFF: A CENTURY OF FOOTBALL SHIRT ART’, OOF Gallery, Warmington House, London, UK
This Isn’t Who It Would Be, If It Wasn’t Who It Is, Casey Kaplan, New York, USA
Sex, Drugs, Rock n’ Roll, Galleri Nicolai Wallner, Copenhagen, Denmark |
| 2022 |
Croque-morts’, Dvir Gallery, Paris, France |
| 2021 | Goodbye World, apexart, New York, USA Quattro Idee, Galleria Enrico Astuni, Bologna, Italy Obayashi Collection ”Self-History, WHAT Museum, Warehouse Terrada, Tokyo, Japan Inaspettatamente, Cloud Seven, Brussels, Belgium Elle Rit, Palais de Tokyo, Paris, France Llano, Mexico City, MX Autoritratto come Salvo, MACRO – Museum of Contemporary Art of Rome, Italy 27/10/21 – 27/02/2022 Lost Weekend, Galerie Allen and Librairie Yvon Lambert, Paris, France Sound and Silence: Der Klang Der Stille in Der Kunst Der Gegenwart, Kunstmuseum Bonn, Bonn, Germany So wie wir sind 3.0, Museum Weserburg, Bremen, Germany Paint it Black, Meyer Riegger, Berlin, Germany |
| 2020 | News from Home, Dvir Gallery, Brussels, Belgium A Means To An End, Meyer Riegger, Karlsruhe, Germany A Perfect Day, Tekenshow, Amsterdam, The Netherlands Fuckers, curated by Jakob Kolding, Galerie der Stadt Schwaz, Austria X, Frac des Pays de la Loire, Carquefou, France The Waiting List, Grand Palais, Bern, Switzerland gesture, form, technique V, Taro Nasu Gallery, Tokyo, Japan Boxenstopp, Quadrat, Berlin, Germany A Double Headed Coin, Project78 Gallery, St. Leonards at Sea, United Kingdom STUDIO, Berghain, Berlin, Germany Read/ing, Quinta do Quetzal, Vidigueira, Portugal Good Vibrations, Cristina Guerra, Lisbon, Portugal Je me souviens, Dvir Gallery (online) New Word – The Power of Dreams, works from the Taguchi Art Collection, Iwaky city Art Museum, Fukushima, Japan |
| 2019 | Collectionner au XXIe siècle – De leur temps (6), Collection Lambert, Avignon, France Museum of Modern Art and Western Antiquities, Department of Carving and Modeling Section II: Form and Volume, Cristina Guerra Contemporary Art, Lisbon, Portugal Atlas. A Cartography of Donation, Musée cantonal des Beaux-Arts – MCBA, Lausanne Switzerland Last Letter, Remembering Felix Gonzales-Torres, Dvir Gallery, Tel Aviv, Israel The Senseless Body, Palazzo della Ragione, Bergamo, Italy Points de Rencontres, Centre Pompidou, Paris, France Out of Order, works from the Haubrok collection at Neues Museum Nuremberg, Germany #after − de l’édition à l’exposition, CAPC – Musée d’art contemporain, Bordeaux, France Postcard reloaded, Kunstraum Potsdam, Potsdam Germany Drawing Wow, Berlin con mucho arte (BcmA), Berlin, Germany +1 Safe Gallery, Berlin, Germany The Artist’s Brushstroke, Galleri Nicolai Wallner, Copenhagen, Denmark Mirabilia Urbis, ArtQ13, campo de Fiori and around Rome, Italy The Happy Fact: A Popular Mechanics of Feelings, La Casa Encendida, Fundación Montemadrid, Madrid, Spain Exploded Textiles, Art Gallery of New South Wales and Tamworth Regional Gallery, Australia lille3000 2019: eldorama, Lille, France The Zone, Dvir Gallery, Tel Aviv, Israel Des mots et des choses, FRAC Bretagne Châteaugiron France Drawn Together Again, FLAG Art Foundation New York City, NY, USA Kunst Über Kunst, Mehdi Chouakri, Berlin, Germany The Other Is Oneself, Franz Josefs Kai 3, Vienna, Austria Chinese Whispers #7, Meessen De Clerq, Brussels, Belgium Points de Recontres, Centre Pompidou, Paris, France Summer Show, Galleri Nicolai Wallner, Copenhagen, Denmark The Artist Is Everything, Leadapron Gallery, Los Angeles, USA Come Together, Meyer Riegger, Berlin, Germany Calculated Chances, Société, Brussels, Belgium Step 13, Dvir Gallery, Brussels, Belgium Une Poétique du multiple, L’Artothèque Espaces d’art contemporain de Caen, Caen, France Drawn Together Again, The FLAG Art Foundation, New York, USA Der Duft der Bilder, Städtische Galerie Delmenhorst, Delmenhorst, Germany All We Have Is What Our Childhood Gave Us, Untilthen, Paris, France 2817 Homage to Georges Perec, Dvir Gallery, Brussels, Belgium |
| 2018 | Power to the people, Schirn Kunsthalle Frankfurt, Frankfurt, Germany There will never be a door. You are inside. Works from the Coleção Teixeira de Freitas, Santander Art Gallery, Madrid, Spain Collection 100 % Galerie de multiples – GDM Paris, France NAK Benefiz Auktion, Neuer Aachener Kunstverein, Aachen, Germany Stories from the city, Centre d’Art le LAIT, Albi, France 1000 imagens; uma palavra vale mais que mil imagens, Cristina Guerra Contemporary Art, Lisbon, Portugal Nature Morte, Mehdi Chouakri, Berlin, Germany Rien de trop, L’Atelier, Nantes, France It’s Not The Size That Matters, Maison d’Art Bernard Anthonioz Nogent-sur Marne, France Contre tout Espoir, Galerie Dvir, Brussels, Belgium Cliche, Almine Rech Gallery – New York, New York City, NY USA Sarajevo Storage – Collection Pierre Courtin, Art Gallery of Bosnia and Herzegovina Sarajevo, Bosnia and Herzegovina Cote d’Azur, Galerie Emmanuel Hervé, Paris, France The Collection for the Poor Collector, Sperling, Munich, Germany Rose Ocran. Living With Duchamp, Tang Teaching Museum and Art Gallery, Saratoga, USA Dance to the Music of Time, Dvir Gallery, Tel Aviv, Israel Da uno a dieci. Artists make carpets, Galleria Minini, Brescia, Italy Kedem-Kodem-Kadima, CCA The Center for Contemporary Art, Tel Aviv, Israel The Gravity Show, Grisebach, Berlin, Germany Taube x Sperling #3 The Collection for the Poor Collection, Sperling, Munich, Germany Eart & Sky, société, Brussels, Belgium From the Cabinet of Curiosities to the Curatorial Situation, Staatliche Kunsthalle Baden-Baden, Baden-Baden, Germany Kunsthalle for Music, Witte de With, Rotterdam, Netherlands Giant Size, Mehdi Chouakri, Berlin, Germany Paperwork, Haubrok Collection, Berlin, Germany The Electric Comma, Venice, Italy |
| 2017 | And Then There Were None, Meyer Riegger, Karlsruhe, Germany HO HO HO, Frutta Gallery, Rome, Italy Works on Books, R21, Oslo and Konsthall Trondheim, Norway AND THEN THERE WERE NONE, Meyer Riegger, Karlsruhe, Germany The Electric Comma, Kadist, Paris, France VVAA. Displays of Affection II: Imaginar el futuro, Galeria Estrany- de la Mota, Barcelona, Spain Junge Sammlungen 04: The Vague Space – Sammlung Christian Kasper Schwarm, Museum Westerburg, Bremen, Germany Vanishing… Galerie Martine Aboucaya, Paris, France Publishing as an Artistic Toolbox: 1989–2017 – Kunsthalle Wien Museumsquartier, Vienna, Austria Remastered – The Art of Appropriation, Kunsthalle Krems, Austria |
| Barriera, Turin, Italy | |
| The Carpet Kartell, Tanja Grunert, New York, NY, USA | |
| Ubi Fracassorium, Ibi Fuggitorium, artq 13, Rome, Italy | |
| The Transported Man, Broad Art Museum, Michigan State University, East Lansing, MI, USA | |
| JUMP, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| Lisson presents… Speech Act, Lisson Gallery London, United Kingdom | |
| Attics of my life, Jack Hanley Gallery, New York, USA Art of the Postcard, Handel Street Projects, London, UK |
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| Assorted Paper, The Sunday Painter, London, United Kingdom Related things unrelated things related…, Barriera, Turin, Italy |
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| I speak to people on the telephone, Cristina Guerra Contemporary Art, Portugal | |
| Cinque Mostre / Vision (s)’, American Academy in Rome, Rome, Italy | |
| Navigating The Unknown (collaborative works with Ariel Schlesinger)’, Kunsthaus Graz, Austria | |
| 2016 | An Eye for Excellence: Twenty Years of Collecting, The Clark Art Institute, Williamstown, MA, USA |
| Dada est tatou, Galerie de multiples – GDM, Paris, France | |
| Double Act: Art and Comedy, MAC Belfast, Belfast, UK | |
| Fifteen People Present Their Favorite Book (after Kosuth), Skuc Gallery, Ljubljana, Slovenia | |
| Hermann tritt schüchtern herein, Meyer Riegger, Berlin, Germany | |
| Ich/Me, New Forms of Self-Portraiture’, Schirn Kunsthalle, Frankfurt/Main, Germany In Search of the Present, Espoo Museum of Modern Art (EMMA), Espoo, Finland |
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| Jonathan Monk, Christiane Lohr, Jan van der Ploeg, Kunsthaus Baselland, Basel, Switzerland | |
| La Collection Lambert – un Nouveau Regard, Collection Lambert, Avignon, France | |
| Light falling, Dvir Gallery, Tel Aviv, Israel | |
| Line, Lisson Gallery, London, UK | |
| Manifesta 11 – European Biennial of Contemporary Art, Zürich, Switzerland Me, New Forms of Self-Portraiture, Schirn Kunsthalle, Frankfurt am Main, Germany |
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| One, No One and One Hundred Thousand, Kunsthalle Wien, Vienna, Austria | |
| Only Lovers, Le Cæur, Paris | |
| PARIS BAR, with Douglas Gordon, Taro Nasu, Tokyo, Japan | |
| Passengers, Salon Dahlmann, Berlin, Germany | |
| Portrait of the Artist as Alter, FRAC Haute-Normandie, Sotteville-lés-Rouen, France | |
| Professions Performing in Art, The Historical Exhibition: Sites Under Construction, MANIFESTA 11, Zurich, Switzerland | |
| Salvo e vivo – an Homage, Galerie Mehdi Chouakri, Berlin, Germany | |
| Sammeln ist wie Tagebuch führen Kleinskulpturen aus 50 Jahren, Galerie Rainer Wher, Stuttgart, Germany | |
| Shrines to Speed, Art and the Automobile: From the Minimal to The Postmodern, Leila Heller Gallery, New York, USA | |
| Terra Provocata, Fondazione del Monte, Bologna, Italy | |
| The Natural Order of Things – Museo Jumex, Mexico City, Mexico | |
| This is Your Replacement, Sies + Hoke, Dusseldorf, Germany | |
| Timezone, Christine König Galerie, Vienna | |
| Tomorrow is a new day, Yacht Walanka, Quai Antoine Ier, Riva Pontoons, Monaco Un Nouveau Regard, Collection Lambert, Avignon, France |
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| Vanita’/Vanitas, “Non la parola fine ma la fine delle parole”, La donazione Renato Alpegiani, Museo Ettore Fico, Torino, Italy | |
| Wall to Wall: Carpets by Artists, Museum of Contemporary Art Cleveland, Ohio, US | |
| Xerox, The Société, Brussels, Belgium | |
| 2015 | A MAN WALKS INTO A BAR…, me Collectors Room Berlin, Berlin, Germany |
| As the Earth Spins Beneath The Stars, Leal Rios Foundation, Lisbon, Portugal | |
| Black Sun, Foundation Beyeler, Riechen/Basel, Switzerland | |
| By Boat (Farewell), joségarcía, mx, Mexico City, Mexico | |
| Camera of Wonders, works from Colección Isabel y Augustín Coppel CIAC A. C., mexico City and Kadist Art Foundation, Paris and San Fransisco, Centro de la Imágen, Mexico City, Mexico | |
| Cannibalism? On Appropriation in Art, Zacheta National Gallery of Art, Warsaw, Poland | |
| Constellating Images, Villa du Parc – Centre d’Art Contemporain, Annemasse, France | |
| Casa Museo Ivan Bruschi, Arezzo, Italy | |
| Conversation Piece, Part I, Fondazione Memmo, Rome, Italy | |
| Donde Esta La Playa? The Summer Show, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| Ed Ruscha – Books & Co., Gagosian Gallery, Paris, France | |
| Every Inclusion Is An Exclusion Of Other Possibilities II, SALT, Istanbul, Turkey | |
| Facts, Phantoms and Time Machines, Winzavod Art Centre, Moscow, Russia | |
| Forms of the Everyday, Galeria Estrany – De La Mota, Barcelona, Spain | |
| Group Show 2014, Bocconi Art Gallery, BAG, Milan, Italy | |
| I Speak, Knowing It’s Not about Speaking, Caixa Forum, Barcelona, Spain | |
| Je me souviens, La Traverse – centre d’art contemporain d’Alfortville, Alfortville, France | |
| Je me souviens du genocide armenien… I remember the Armenian genocide…, Galerie Sobering, Paris, France | |
| La Sottile Linea Del Tempo, Fondazione Museo Miniscalchi-Erizzo, Verona, Italy | |
| Maurizio Nannucci, Top Hundred, MUSEION, Bolzano, Italy | |
| More Konzeption Conception Now, Museum Morsbroich, Leverkusen, Germany | |
| Not: The Art of Resistance, The Holden Gallery, Manchester, UK | |
| Of the few things we do, the only one we really do is to imagine what we will do, Meyer Riegger Karlsruhe, Karlsruhe, Germany | |
| Old News (Again), Cneai, Chatou, France | |
| Open Source: Engaging Audiences in Public Space, Philadelphia Mural Arts Program, Philadelphia, USA | |
| Packing the bud/opposing the worm/adjusting the heat/ eluding the wind/escaping the bee, Museo Casa Ivan Bruschi, Arezzo, Italy | |
| Postcards are to be looked at, Galerie van Gelder, Amsterdam, The Netherlands | |
| South By Southeast, Osage, Hong Kong, China | |
| TEXT efter TEXT, Den Frie Udstillingsbygning, Copenhagen, Denmark | |
| Wetlands Hero, CNEAI, Chaou, France | |
| 2014 | A Paradise Built in Hell, Kunstverein in Hamburg, Hamburg, Germany |
| Bibliologie – FRAC – Haute-Normandie, Sotteville-les-Rouen, France | |
| Blue Times, Kunsthalle Wien, Vienna, Austria | |
| Draw Me A Sheep, Galerie Gabrielle Maubrie, Paris, France | |
| Films – Corridor, CECCH – Centre d’edition contemporaine – Geneve, Geneva, Switzerland | |
| GENERATION: 25 Years of Contemporary Art in Scotland, Scottish National Gallery, Glasgow, Scotland | |
| Group show 2014, Bocconi Art Gallery BAG, Milan, Italy | |
| Joyride – Marlborough Broome St, New York, USA | |
| Les yeux seuls sont encore capables de pousser un cri *, Dvir Gallery, Tel Aviv, Israel | |
| L’image suivante…, Musee des Artes Contemporains de la Federation Wallonie-Bruxelles, Hornu, Belgium | |
| Never Look Back When Leaving, Casey Kaplan Gallery, New York, USA | |
| Postscript: Writing After Conceptual Art, The Eli and Edythe Broad Art Museum, Michigan, USA | |
| Pourquoi ecrire?, Gallerie Sobering, Paris, France | |
| Return Journey, Oriel Mostyn Gallery, Llandudno, Wales, UK | |
| Somos Libres II, Pinacoteca Giovanni e Marella Agnelli, Torino, Italy | |
| We’ve Got Mail, MOSTYN, Llandudno, Wales, UK Pinault Collection at Grimaldi Forum, Monaco The Circle Walked Casually, Deutsche Bank Kunsthalle, Berlin, Germany Eclipse, Dvir Gallery, Tel Aviv, Israel Who Shall Deliver Us From the Greeks and Romans? Galeri Mana, Istanbul, Turkey Small Rome, Frutta, Rome, Italy Something Old Something New Something Borrowed Something Blue, Fondazione Sandretto Re Rebaudengo, Turin, Italy Everyone Has A Name, Dvir Gallery, Tel Aviv, Israel The distance between you and me, haubrok projects, Fahrbereitschaft Berlin, Germany Textile Languages, Thalie Art Projects, Brussels, Belgium Verwandlung der Dinge – Existenzielle Bildwelten in der Kunst – Sammlung Reinking, Weserburg Museum für moderne Kunst, Bremen, Germany No Such Thing As History: Four Collections and One Artist, Espace Louis Vuitton Munich, Germany |
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| 2013 | 009: Magiciens – Galerie Emmanuel Herve, Paris, France |
| A drawing that illustrates my last show at Meyer Riegger Karlsruhe, Meyer Riegger, Karlsruhe, Germany | |
| A House of Leaves. Third Movement, David Roberts Foundation, London, UK | |
| A Stone Left Unturned, Yvon Lambert, Paris, France By-Cycle, Heldart, Berlin, Germany |
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| Episode 3: Cézanne beats Pollock, In-Situ, Berlin, Germany France       Â, Jonathan Monk & David Shrigley, Yvon Lambert, Paris, France |
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| Four Something, Dvir Gallery, Tel Aviv, Israel | |
| Incontri, Schauwerk Sindelfingen, Germany In Deed: Certificates of Authenticity in Art, CAC Vilnius, Lithuania |
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| In Deed: Certificates of Authenticity in Art – Weatherspoon Art Museum, Greensboro, NC, USA | |
| Honey, I rearranged the collection, Philippe Cohen Collection, Passage de Retz, Paris, France Jetztzeit (Present time) + The Angel’s Back, Centre dArt la Panera, Lleida, Spain |
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| MAPPA, Page 2, Nomas Foundation, Rome, Italy | |
| Meyer Riegger at Independent New York, New York, USA Mindwalk, Galerija Vartai, Vilnius, Lithunia |
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| Nenn mich nicht Stadt, Lokremise, St.Gallen, Switzerland | |
| Nostalgic for the Future, Lisson Gallery, London, UK | |
| Novecento Mai Visto. From Albers to Warhol to (now), Museo di Santa Giulia, Brescia, Italy | |
| Rhythm in it, Vom Rhythmus in der Gegenwartskunst, Aargauer Kunsthaus, Aarau, Switzerland | |
| Societe Satiete, Les Mouettes, Vevey, Switzerland Sister Sara’s Theme, Prism, Los Angeles, USA |
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| There are Other Routes than Ours, Tamayo Contemporary Art Museum, Mexico City, Mexico | |
| Together, Dvir Gallery, Tel Aviv, Israel | |
| The Universal Addressability of Dumb Things, Nottingham Contemporary, Nottingham, UK | |
| The Universal Addressability of Dumb Things, De la Warr Pavilion, Bexhill on Sea, UK | |
| When Attitudes Became Form Become Attitudes, Museum of Contemporary Art Detroit, USA | |
| 2012 | A Corral Around Your Idea, Jan Mot Gallery, Brussels, Belgium |
| Accidentally on Purpose, a project by Candice Jacobs & Fay Nicolson, QUAD, Derby, UK | |
| An Incomplete History Of Incomplete Works Of Art, Galleria Francesca Minini, Milan, Italy An hour of Light, Dvir Gallery, Tel Aviv, Israel |
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| The Artists’ Postcard Show, Spike Island, Bristol, UK | |
| APO-CALYPS, Béard Factory, Clarens / Montreux, Switzerland Appropriation, Essays and Observation, Berlin, Germany |
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| Art Foundation Mallorca Collection – Special Edition, CCA Andratx, Andratx, Mallorca, Spain | |
| Deja-vu? The Art of Copying from Durer to You Tube, Staatliche Kunsthalle Karlsruhe, Karlsruhe, Germany Detective, Galerie Andreas Huber, Wien, Austria |
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| FIRST AVENUE: ONE-WAY STREET – Museu Serralves – Museu de Arte Contemporânea, Porto, Portugal Fremde Überall – Foreigners Everywhere, Pomeranz Collection at Jewish Museum Vienna, Austria |
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| Gold Rush, Kunsthalle Nürnberg, Nürnberg, Germany | |
| Goshka Macuga – Kabinett der Abstrakten (after El Lissitzky), Leeds Art Gallery, Leeds, UK | |
| Group show, Galleria Francesca Minini, Milan, Italy | |
| KonterFrei – zum Porträt heute – General Public, Berlin, Germany | |
| Im Raum des Betrachters – Skulptur der Gegenwart – Werke aus der Sammlung Moderne Kunst – Pinakothek der Moderne, Munich, Germany | |
| January 5-31, 2012, Pavilion am Milchhof, Berlin, Germany | |
| Lightness, Less is More Projects, Paris, France | |
| Ministry of Truth, Boers-Li Gallery, Beijing, China | |
| More Real? Art in the Age of Truthiness, Site Santa Fe, Santa Fe, New Mexico, USA | |
| Neon, Who’s afraid of red, yellow and blue? – La Maison Rouge, Paris, France | |
| No. 17, Casey Kaplan Gallery, New York, NY, USA No Desaster, Sammlung Haubrok bei Falckenberg, Hamburg, Germany |
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| One and the other are another, Ludlow 38, New York City, USA | |
| Parallelwelt Zirkus, Kunsthalle Wien, Austria Postscript: Writing After Conceptual Art – Museum of Contemporary Art Denver, Denver, CO, USA |
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| The Poster Show, Carlier Gebauer, Berlin, Germany | |
| Re-Encounters: Objects and Phenomena, 601 Artspace New York, USA | |
| S,M,L,XL, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| Theatre of life, CoCA – Centre of Contemporary Art Torun, Torun, Poland | |
| “They came out of nowhere” he said, pointing to nowhere, Taro Nasu Gallery, Tokyo, Japan This is a special blackout edition! Kadist Art Foundation, Paris, France |
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| We Disappear You, Frutta Gallery, Rome, Italy When Attitudes Become Form, Become Attitudes, Wattis Institute for Contemporary Arts, San Francisco, USA |
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| 2011 | Again, A Time Machine: re-arranging histories for an alternative future, touring exhibition initiated by Book Works, Eastside Projects, Birmingham, UK, travels to: Motto, Berlin, Germany; The Showroom, London, UK; Spike Island, Bristol, UK; White Columns, New York, USA |
| Alighiero e Boetti Day, Rai Auditorium, Turin, Italy (part of Giorno per Giorna / Day by Day 201, Piedmont and Turin, Italy) | |
| Art & Stars & Cars, Mercedes-Benz Museum Stuttgart, Germany | |
| Balanced Acts , Meyer Riegger, Berlin, Germany (with Ariel Schlesinger) Books on Books, SI Swiss Institute, New York City, NY, USA Compass – Drawings from the Museum of Modern Art New York, Martin-Gropius-Bau, Berlin, Germany Conceptual Tendencies 1960 to Today, Daimler Collection, Berlin |
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| En Obras, Colecao Teixera De Freitas, TEA Tenerife Espacio de las Artes, Santa Cruz de Tenerife, Spain Everything Must Go!, Casey Kaplan, New York, USA |
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| Group Show / Solo Show (Robert Barry), Crate Studio and Project Space, Kent, UK Homage to Bas Jan Ader, Dvir Gallery, Tel Aviv, Isreal |
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| Incongru, Quand l’Art fait rire, Musée cantonal des Beaux-Arts, Lausanne, Switzerland In Deed: Certificates of Authenticity in Art, De Kabinetten Van De Vleeshal, Middelburg, The Netherlands; Travels to: Fondazione Bevilacqua, La Masa, Venice, Italy curated by Susan Hapgood and Cornelia Lauf, Khoj International Artists’ Association, New Delhi, Mumbai Art Room, Mumbai, Nero HQ, Rome, John M. Flaxman Library Special Collections, The School of the Art Institute of Chicago, Illinois, Salt Beyoglu, Istanbul, The Drawing Center, NY* Je suis seul, avec vous, MAC’s Grand Hornu – Musée des Arts Contemporains, Hornu, Belgium Magic Lantern: Recent Acquisitions in Contemporary Art, Israel Museum, Jerusalem MMK 1991-2011 20 Year of Presence, MMK, MMK Zollamt and MainTor Areal, Frankfurt, Germany Odd Size, Galleri Nicolai Wallner, Copenhagen, Denmark O, Green on Red Gallery, Dublin, Ireland |
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| Power to the people: Contemporary conceptualism and the object in art, Australian Centre for Contemporary Art, Melbourne, Australia | |
| Process Time, Meyer Riegger, Berlin, and Meyer Riegger, Karlsruhe, Germany | |
| Syntax: Text and Symbols for a New Generation Selections from the Hadley Martin Fisher Collection, Tampa Museum of Art, Tampa, Florida, USA | |
| The Traveling Show, curated by Adriano Pedrosa, Fundacion/Coleccion Jumex, Mexico City, Mexico | |
| The unbearable lightness of being, Yvon Lambert, Paris, France, Vamiali’s, Athens, Greece | |
| Under Construction, Colecao Teixeira de Freitas, curated by Adriano Pedrosa, TEA Tenerife espacio de Las Artes, Tenerife, Canary Islands, Spain | |
| Unter Helden, Vor-Bilder in der Gegenwartskunst (Among Heroes: Pre-Images in Contemporary Art), Kunsthalle Nürnberg, Nürnberg, Germany | |
| Vamiali’s, Athens, Greece Verschwende Deine Jugend, Wendt + Friedmann Galerie, Berlin, Germany |
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| We Are Grammar, Pratt Manhattan Gallery, NY, USA | |
| 2010 | 89 Km. Colección CGAC, MARCO Museo de Arte Contemporánea de Vigo, Vigo, Spain After the Gold Rush, Charles H. Scott Gallery – Emily Carr University of Art + Design, Vancouver, BC Art Barter,.HBC Berlin, Germany Being There, The Meet Factory, Prague, Czech Republic Chartreuse jeune, an intervention by Olaf Nicolai, Casa Tabarelli, Girlan/Cornaiano, Italy Collecter / Recycler, Centre photographique d’Ile-de-France, Pontault Combault, France Cosa fa la mia anima mentre sto lavorando?, GAM, Civica Galleria d’Arte Moderna di Gallarate, Gallarte (VA), Italy DOUBLE BIND / Arrêtez d’essayer de me comprendre !, Villa Arson, Nice, France Exhibition, exhibition, Castello di Rivoli, Turin, Italy Fische hinter lassen keine spuren, Künstlerhaus Bremen, Germany |
| Gallery, Galerie, Galleria, Norma Mangione Gallery, Turin, Italy Happy End, Kunsthalle Göppingen, Göppingen, Germany In Print, E-Flux, New York, NY Iris. die Erfindung der Farben von 1600 bis heute, Neuer Kunstverein Gießen e.v., Gießen, Germany |
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| Je crois aux miracles, Dix ans de la Collection Lambert, Collection Lambert en Avignon, Avignon, Paris, France | |
| Languages and Experimentations, Mart Roverto, Museo di Arte Moderna e Contemporanea, Rovereto, Italy Mexico: expected/unexpected, B.P.S. 22, Charleroi, Belgium Nevermore: Souvenir, souvenir, que me veux-tu? Musée d’Art Contemporain du Val-de-Marne (MAC/VAL), Vitry-sur-Seine, France Next Generation – Einblicke in junge Ostschweizer Privatsammlungen, Kunstmuseum St. Gallen, St. Gallen, Switzerland |
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| Pictures about Pictures. Discourses in Painting from Albers to Zobernig, MUMOK: Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria Reflection: 15 Years, Casey Kaplan, New York, NY, USA SATURDAY, Sunday Art Fair, Berlin, 2010, Germany Second Hand, Musée d’Art Moderne de la Ville de Paris, Paris, France Sculpture as Time: Major works. New Acquisitions, Art Gallery of Ontario, Toronto, ON SPHERES 2010, 7 energies autour d’une nouvelle experience d’exposition, Galleria Continua, Le Moulin, Boissy-le-Châtel, France Today I Made Nothing, Elizabeth Dee, New York, NY, USA The Berlin Box, Centro Cultural Andratx, CCA, Andratx, Mallorca, Spain The Way We Do Art Now, curated by Pavel Büchler, Tanya Leighton, Berlin, Germany The Cover of a Book is the Beginning of a Journey, The New Art Gallery, Walsall, United Kingdom Viaggio in Italia, Palazzo Fabroni Arti Visive Contemporanee, Pistoia, Italy Wish list of a young collector, Yvon Lambert, Paris, France |
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| 2009 | 53rd International Art Exhibition – La Biennale di Venezia, The Nordic and Danish Pavillions, Venice, Italy |
| All that is solid melts into air, MuHKA Museum voor Hedendaagse Kunst Antwerpen, Antwerp, Belgium Art Foundation Mallorca, Centro Cultural Andratx – CCA, Andratx, Mallorca, Spain Art & Language, Lisson Gallery, London, UK Assembly, Jonathan Monk and Ryan Gander, Yvon Lambert, Paris, France Ballpark, Galería Estrany – De La Mota, Barcelona, Spain Boule to Braid, Lisson Gallery, London, UK |
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| Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary, MoMA, New York, USA Contemporary Drawings Collection, Museum of Modern Art, New York City, USA The Cover of a Book is the Beginning of a Journey, Arnolfini, Bristol, UK |
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| Desenhos [Drawings A – Z], Museu da Cidade, Lisbon, Portugal desire aquire, galerie bob van orsouw, Zurich, Switzerland |
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| The Endless Renaissance, Bass Museum of Art, Miami Beach, FL, USA | |
| Espece d Espace, Yvon Lambert, New York, NY Gallery III, Casey Kaplan, New York City, USA From a Distance, WCW Gallery, Hamburg, Germany |
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| Gestern oder im 2. Stock – Karl Valentin, Komik und Kunst seit 1948, Münchner Stadtmuseum, München, Germany | |
| Gallery III, Casey Kaplan, New York, USA GAGARIN The Artists in their Own Words, SMAK Stedelijk Museum voor Actuele Kunst, Gent, Belgium Groupshow – Autocenter, Berlin, Germany |
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| Group Exhibition, Casey Kaplan Gallery, New York, USA Guardami Il volto e lo sguardo nell’arte 1969-2009, Museo Cantonale d´Arte Lugano, Lugano, Italy Hommage an das Quadrat, Museum Ritter, Waldenbuch, Germany I – Works from the Nicolai Wallner Collection, Galleri Nicolai Wallner, Kopenhagen, Denmark Je est un autre, Meyer Riegger, Berlin, Germany |
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| Learn to read Art: A history of printed Matter, Badishcer Kunstverein, Karlsruhe, Germany Lisson Presents I, Lisson Gallery, London, United Kingdom LOCUS SOLUS, Yvon Lambert Paris, Paris, France Mexico Expected/Unexpected, TEA Tenerife Espacio de las Artes, Tenerife, Spain More than a T-shirt, Bielefelder Kunstverein, Bielefeld, Germany Not Created By A Human Hand, Wilfried Lentz, Rotterdam |
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| On the Beaten Path, organised by FRAC Bourgogne at La Galerie Georges Brassens, Talan, France Pequeña historia de la fotografía, CGAC – Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain Portrait de l’artiste en motocyliste, MAGASIN, Centre National d’art Contemporain de Grenoble, Grenoble, France Pete and Repeat, The Zabludowicz Collection, London, United Kingdom Reflection, PinchukArtCentre, Kiev, Ukraine |
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| Shake It: An Instant History of the Polaroid, Pump House Gallery, London, UK Slow Paintings, Museum Morsbroich, Leverkusen, Germany STILL / MOVING / STILL, Cultuurcentrum Knokke-Heist, Knokke-Heist, Belgium Unbuilt Roads, presented by Hans Ulrich Obrist, e-flux, New York, NY |
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| While we are waiting (for the new space), Galleri Nicolai Wallner, Copenhagen, Denmark | |
| 2008 | 15 Years Anniversary Exhibition, Galleri Nicolai Wallner, Copenhagen, Denmark 8th Panama Biennal: The Sweet Burnt Smell of History, Museum of Contemporary Art, Panama, Panama |
| Anniversary Exhibition, Galleri Nicolai Wallner, Copenhagen, Denmark (keine) Angst, Kunstverein Ludwigshafen, Germany After…, Galerie de multiples – GDM, Paris, France |
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| All-Inclusive- Die welt des Tourismus, Schirn Kunsthalle, Frankfurt am Main, Germany Archeology of Mind, Fondazione Morra Greco, Naples, Italy and Malmo Art Museum, Malmö, Sweden |
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| Betwixt: Sofia Holten between Kendell Geers, Gabriel Orozco, Jonathan Monk, Cosima von Bonin, Paul Chan and Mona Hatoum, Magasin 3, Stockholm, Sweden Book-ish, The Lewis Glucksman Gallery University College, Cork, Ireland |
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| Call it what you like, Collection Rik Reinking, Art Centre Silkeborg Bad, Denmark Call + Response, Museé d’art moderne Grand-Duc Jean, Luxembourg Contemplating Modern Art, Galleri Nicolai Wallner, Copenhagen, Denmark Collection Agustín et Isabel Coppel, Mexico: Expected/Unexpected, La Maison Rouge, Paris, France |
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| Die Wahrnehmung von Ideen führt zu Neuen Ideen, Kunstverein für die Rheinlande und Westfalen, Düsseldorf, Germany | |
| Eight Days, Ingleby Gallery, Edinburgh, Scotland Ephemera, Green On Red Gallery, Dublin Equivalence: Acts of Translation in Contemporary Art, MFAH Museum of Fine Arts Houston, Houston, TX, USA everyone knows this is nowhere, Wendt + Friedmann Galerie, Berlin, Germany Glasgow International 2008, Glasgow, Scotland Gravity, Coleccion Ernesto Exposito, Artium Vcentro Museo Vasco de Arte Contemporaneo, Vitoria-Gasteiz, Spain |
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| The Hamsterwheel, Malmö Konsthall, Sweden | |
| Heavy Metal, Kunsthalle zu Kiel, Germany | |
| IMAGES – A project by Spike Art Magazine / Images by Head, Forde – Espace d’art contemporain, Geneva, Switzerland INTERLUDI, Galería Estrany – De La Mota, Barcelona, Spain The Implications of the Image, El Museo Universitario de Ciencias y Arte, Mexico City, Mexico |
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| Jahresgaben 2007/2008, Kunstverein Braunschweig e.V., Braunschweig, Germany | |
| La marge d’erreur, Centre d’art contemporain la Synagogue de Delme, Delme, France Le dernier qui parle, FRAC – Champagne-Ardenne, Reims, France Le Grand Tour, Académie de France à Rome – Villa Médicis, Rome, Italy Let me tell you a story, Porta 33, Funchal, Portugal LESS, haubrokshows, Berlin, Germany |
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| LIBRARY, UOVO Open Office, Berlin, Germany | |
| Looking Back, Mireille Mosler Ltd., New York, USA | |
| MAXImin, Fundación Juan March, Madrid, Spain Meanwhile in Baghdad, The Renaissance Society, The University of Chicago, USA |
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| Neons, Nomas Foundation, Rome, Italy | |
| Not So Minimal, curated by Pedro Alonzo, Vanmoerkerke Collection, Oostende, Belgium | |
| Once upon a time, Yvon Lambert, Paris, France Oral Culture, Classified Football Results, Jan Mot, Brussels, Belgium Occupancy by More Than 6’682’685’387 Persons is Dangerous and Unlawful – Part One, Bugada & Cargnel (fromer Cosmic Galerie), Paris, France |
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| P2P, Casino Luxembourg, Luxembourg Painting (Still), Galería Elba Benítez, Madrid, Spain Per adesso noi siamo qua!, Villa Romana, Florence, Italy Private/Corporate V, Daimler Contemporary, Berlin, Germany |
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| Recostruction #3: The Artist’s Playground, Sudley Castle, Gloustershire, UK Rock My Religion 1, DA2 – Domus Artium 2002, Salamanca, Spain Ready Made, Yvon Lambert, Paris, France |
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| Superdome, Palais de Tokyo, Paris, France | |
| Six Feet Under, Deutsches Hygiene-Museum, Dresden, Germany | |
| THE STORE, Tulips & Roses, Vilnius, Lithuania | |
| Ten Raised to the Eighty-first Power, Galleri MGM, Oslo, Norway | |
| Tiempo al Tiempo, MARCO Museo de Arte Contemporánea de Vigo, Vigo, Spain | |
| Time Pieces, Galerie Jan Mot, Bruxelles, Belgium Togetherness (with Ariel Schlesinger), Dvir Gallery, Tel Aviv, Israel TINA B. – The Prague Contemporary Art Festival 08, TINA B. – The Prague Contemporary Art Festival, Prague, Czech Republic |
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| Triennial of small sculptures 2007, Murska Sobota, Slovenia Traces du Sacré, Haus der Kunst, Munich, Germany, Centre Pompidou, Paris, France |
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| Words Fail Me, Museum of Contemporary Art Detroit, Detroit, USA Vertrautes Terrain – aktuelle Kunst in und über Deutschland, ZKM Karlsruhe, Germany XV. Rohkunstbau: 3 Farben – Rot, Villa Kellermann, Potsdam, Germany Zeitblick – Ankäufe aus der Sammlung Zeitgenössischer Kunst der Bundesrepublik Deutschland 1998–2008, Martin-Gropius-Bau, Berlin, Germany |
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| 2007 | 1, 2, 3… VANGUARDIAS. El arte como arte contextual, Sala Rekalde, Bilbao, Spain Art Protects, Yvon Lambert, Paris, France |
| Again: Serial Practices in Contemporary Art, Wadsworth Atheneum, Hartford, USA | |
| Arte Povera Now and Then: Perspectives for a New Guerrilla Art, Esso Gallery and Books, New York City, USA | |
| Been up so long it looks like down to me, Presentation House Gallery, North Vancouver, Canada | |
| Breaking Step – U raskoraku, Museum of Contemporary Art Belgrade, Belgrade, Serbia | |
| Chinatown, East Village, Greenwich Village, Times Square, SoHo, Central Park, Wall Street, New York, USA Château de Tokyo / Tokyo Redux, Centre international d´art et du paysage de l´île de Vassivière, Ile de Vassivière, France Clearly invisible, An (invisible) archive, Centre d’Art Santa Monica, Barcelona, Spain |
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| Five Ballerinas in Manhattan, Six Actions for New York City, organized by Creative Time, CA & Silverman Gallery, San Francisco, USA | |
| For Sale, Cristina Guerra Contemporary Art, Lisboa, Portugal Forged Realities, Boers-Li Gallery, Beijing, China Gap between my mother and my sister, Kunstverein Braunschweig, Germany |
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| Half Square Half Crazy, Villa Arson, Nice, France | |
| Idiio I, DA2-Domus Artium 2002, Salamanca, Spain | |
| Idylle. Traum und Trugschluss, Galerie der Stadt Remscheid, Remsheid, Germany Jahresgaben 2007/2008, Kunstverein Braunschweig e.V., Braunschweig, Germany Kopf an Kopf – Serielle Porträtfotografie, Kunsthalle Tübingen, Tübingen, Germany |
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| Learn to read, Tate Modern, London, UK | |
| Light Up, Anselm Dreher, Berlin, Germany Lost Format, Be-Part, Waregem, Belgium |
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| Love Addiction: pratiche video dal ’61 ad oggi, Galeria Comunale d’Arte Contemporanea di Monfalcone, Monfalcone, Italy | |
| Made in Germany, Sprengel Museum Hannover/Kunstverein Hannover/kestnergesellschaft, Hannover, Germany * Meanwhile, in Baghdad…,The Renaissance Society at The University of Chicago, Chicago, IL, USA |
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| neons, tubes & leds, MITTERRAND+CRAMER/FINE ART/GENEVE, Geneva Nothing Moments, Steve Turner Contemporary, Los Angeles, USA |
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| Overtake, Lewis Glucksman Gallery, Cork, Ireland Prague Biennale 3, Prague, Czech Republic |
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| READ Edition, (a fundraising print edition for the ECI Press), curated by Christoph Keller and Kathy Slade, specific object, New York City, USA | |
| Schere Stein Papier, Buchmann Galerie, Berlin, Germany Shoot the Family, organized by iCI, curated by Ralph Rugoff, Sandra and David Bakalar Gallery, MASSArt, Boston, USA |
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| Silly Adults, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| Some time waiting, Kadist Art Foundation, Paris, France | |
| Storyboard, Galerie Mirko Mayer/m-projects, Cologne, Germany Story Tellers, Prague Biennale 3, Prague, Czech Republic |
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| Surrealites – Aspekte des Surrealen in der zeitgenössischen Kunst, Kunsthaus CentrePasquArt – Centre d’art, Biel, Switzerland | |
| Tanzen, sehen, Museum für Gegenwartskunst Siegen, Siegen, Germany | |
| Timer 01, Triennale Bovisa, Milan, Italy Tiempo al Tiempo, Taking Time, MARCO Museo de Arte Contemporánea de Vigo, Vigo, Spain This Winter, Casey Kaplan, New York City, USA Today is just a copy of yesterday, CASM, Barcelona, Spain |
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| Tricky, Galeria Estrany-de la Mota, Barcelona, Spain | |
| Um-Kerungen, Kunstverein Braunschweig, Braunschweig, Germany | |
| Ver Bailar, Centro Andaluz de Arte Contemporáneo, Sevilla, Spain | |
| What’s up? Musik und Popkultur, Museum der Stadt Ratingen, Ratingen, Germany | |
| ZEIT:ZEIT, Mehdi Chouakri, Berlin, Germany | |
| 2006 | 1,2,3…Avant-Gardes, Centre for Contemporary Art, Ujazdowski, Castle, Warsaw, Poland* |
| 1,82, Haubrokshows, Berlin, Germany 5’000’000’000 d’années, Palais de Tokyo, Paris, France |
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| All the Best – The Deutsche Bank Collection and Zaha Hadid, Singapore Art Museum, Singapore | |
| Anagramme, MAC’s Grand Hornu- Musée des Arts Contemporains, Hornu, Belgium | |
| Anstoß Berlin – Kunst macht Welt, Haus am Waldsee, Berlin, Germany Arquivar Tormentas, CGAC – Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain |
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| Chauffe Marcel! A propos de “Mona Lisa”, FRAC- Languedoc-Roussilon, Montpellier, France | |
| Chers Amis, Centre d’art Contemporain Domaine de Kerguéhennec, Bignan, France | |
| Classical: Modern I, DaimlerChrysler Contemporary, Haus Huth, Berlin, Germany | |
| Collaboration I: Liam Gillick & Jonathan Monk, Casey Kaplan, New York, USA | |
| Das Grosse Rasenstück, Nürnberg, Germany Desenhos (A-Z) Collection, Madeira, Portugal Die 90’er – Vom Künstlerbuch zur CD-ROM, Neues Museum Weserburg, Bremen, Germany |
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| Drapeaux Gris, CAPC – Musée d’art Contemporain, Bordeaux, France | |
| Draw a Straight Line and Follow It, The Center for Curatorial Studies, Bard College, Annandale on Hudson, New York, USA | |
| Entagled tongues, Nunnery Gallery London, United Kingdom Eye on Europe: Prints, Books & Multiples/1960 to Now, MOMA, New York, USA |
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| Five Billion Years, Palais de Tokyo, Paris, France | |
| Grey Flags, Sculpture Centre, Long Island, New York, USA | |
| Idylle. Traum und Trugschluss, Sammlung Falckenberg, Hamburg, Germany | |
| Infinity etc, Mercer Union, A Center for Contemporary Art, Canada Il faut rendre à Cézanne: Group Show 2006, Yvon Lambert, New York City, NY USA Inner Go Go, Vaminali’s, Athens, Greece |
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| The interim is mine, Galleria Civica d’arte contemporanea Montevergini, Siracusa, Italy | |
| Into a Journey, Meyer Riegger, Karlsruhe, Germany | |
| Kit-o-Parts, Centre d’art Neuchatel, Neuchatel, Switzerland Klartext Berlin, Kunstraum NOE (Niederösterreich), Vienna, Austria |
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| The Known and The Unknown (Curated with Claus Robenhagen), Galleri Nicolai Wallner, Copenhagen, Denmark | |
| Message Personnel, Yvon Lambert, Paris, France | |
| Minimalism and After IV, Daimler Chrysler Contemporary, Stuggart, Germany | |
| NEOCON – Contemporary Returns to Conceptual Art, apexart, New York, USA | |
| NEOCON – Contemporary Returns to Conceptual Art, The British School at Rome, Rome, Italy | |
| New Photography, The Museum of Modern Art, New York, USA | |
| Nothing But Pleasure, BAWAG Foundation, Vienna, Austria | |
| One Second One Year, Palais de Tokyo, Paris, France | |
| The Peace Tower in Day for Night, The 2006 Whitney Biennial, The Whitney Museum of American Art, New York, USA People, Museo D’Arte Contemporanea Donna Regina – MADRE, Naples, Italy |
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| Personal Affairs, Museum Morsbroich, Leverkusen, Germany Photography Now and The Next 30 Years, The Photographic Resource Center, Boston, MA, USA |
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| PRC / POV: Photography Now and The Next 30 Years, The Photographic Resource Center, Boston, MA, USA | |
| Shoot the family, Cranbrook Art Museum, Bloomfield Hills, USA | |
| Shoot the Family, Knoxville Museum of Art, Knoxville, USA | |
| The Show Will Be Open When The Show Will Be Closed, KADIST ART FOUNDATION and various locations, Paris | |
| The Show Will Be Open When The Show Will Be Closed, curated by Adam Carr, STORE gallery, London, UK | |
| Sisyphe. Le jour se lève, MAC’s Grand Hornu- Musée des Arts Contemporains, Hornu, Belgium | |
| Six Feet Under, Kunstmuseum Bern, Switzerland | |
| Space Boomerang, The Swiss Institue, New York, USA strip – Bilder in Folge / strip – images in line, Galerie Anita Beckers, Frankfurt/Main, Germany Strange Powers, Creative Time, New York, NY, USA |
|
| Tate Triennial 2006: New British Art, Tate Britain, London, UK TEMENOS EL DUCHAMP…, Galería de Arte Mexicano – GAM, Mexico City, Mexico |
|
| Thank you for the music, Sprüht Magers Lee, London, United Kingdom Tokyo Blossoms – The Deutsche Bank Collection meets Zaha Hadid,Hara Museum of Contemporary Art, Tokyo, Japan |
|
| Transmission, Villa Arson, Nice, France | |
| Une Seconde – Une Année, Palais de Tokyo, Paris, France We can do this now, The Power Plant, Toronto, Canada Writing in Strobe, Dicksmith Gallery, London, United Kingdom Wrong, Klosterfelde, Berlin, Germany Yes, Bruce Nauman, Zwirner & Wirth, New York, USA |
|
| 2005 | 50 Jahre – Years documenta 1955 – 2005, Kunsthalle Fridericianum, Kassel, Germany (Misunderstandings) GAM Galeria de Arte Mexicano, Mexico City, Mexico* |
| (IN)TENSION, Beaulieu Gallery, Gent, Belgium | |
| A Brief History of Invisible Art, CCA Wattis, Institute for Contemporary Arts, San Francisco, USA* | |
| Archive in Motion, 50 jahre Documenta, Kunsthalle Fridericianum, Kassel, Germany* | |
| Baby Shower, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| BMW, The 3rd Baltic Triennale, CAC, Vilnius, Lithuania* | |
| Burlesques Contemporains, Jeu de Paume, Paris, France* | |
| Chronos, Cesac- Centro Sperimentale per le Arti Contemporanee, Caraglio, Italy | |
| Daumenkino, Kunsthalle Düsseldorf, Düsseldorf, Germany Das Neue 2, Augarten Contemporary, Vienna, Austria |
|
| Dedicated to you, but you weren’t listening, The Power Plant, Toronto, Canada Die gute Form, Mehdi Chouakri, Berlin, Germany |
|
| En Route: Via Another Route. An Exhibition On Board the Trans-Siberian Train, Moscow to Beijing En/Of, Museum Kurhaus Kleve, Kleve, Germany Family of Man, Art Kerguehennec, Bignan, France |
|
| General Ideas, CCA Wattis Institute for Contemporary Arts, San Francisco, USA * Goodbye Fourteenth Street, Casey Kaplan, New York, USA |
|
| La tour Eiffel n`a jamais été aussi belle, Galerie Frédéric Giroux, Paris, France Lichtkunst aus Kunstlicht, ZKM, Museum für Neue Kunst & Medienmuseum, Karlsruhe, Germany |
|
| Logical Conclusion: 40 years of rule-base art, PaceWildenstein, New York, USA * Misunderstandings, GAM Galeria de Arte Mexicano, Mexico City, Mexico* Murmur, Tent – Centrum Beeldende Kunst, Rotterdam, The Netherlands Nothingness, Galerija Gregor Podnar – Ljubljana, Ljubljana, Slovenia |
|
| The Picture I Carry in My Head, Cirrus Gallery, Los Angeles, CA The Party, Casey Kaplan, New York, USA |
|
| Press Play, Green on Red Gallery, Dublin, Ireland | |
| Post Notes, ICA, Institute of Contemporary Arts, London, UK | |
| Punkt und Linie, Fläche und Raum, Overbeck- Gesellschaft, Lübeck, Germany | |
| Roaming Memories, Ludwig Forum für Internationale Kunst, Aachen, Germany Romance (a novel), Cristina Guerra contemporary art, Lisbon, Portugal |
|
| RundLederWelten, Martin-Gropius-Bau, Berlin, Germany * | |
| Saltuna…the Baltic Sea Experience, Rooseum, Malmö, Sweden | |
| Slide Show, The Baltimore Museum of Art, Baltimore, USA | |
| Slide Show, CAC- Cincinnati Contemporary Arts Center, Cincinnati, Ohio, USA | |
| Thank you for the music, Galerie Sprüth Magers, München, Germany | |
| Theorema. Une Collection Privée en Italie, la collection d’Enea Righi, Collection Lambert en Avignon, Avignon, France | |
| Today Is Just A Copy Of Yesterday, Galerie Jan Mot, Brussels, Belgium | |
| Un Art de Lecteurs, Universite Rennes, Rennes, France * | |
| We Disagree, Andrew Kreps, New York, USA | |
| 2004 | A arañeira. 100 artistas da colección CGAC, CGAC – Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain Arbeiten auf Papier / Works on Paper, Sprüth Mager, München, Germany |
| Artists’ Favourites, ICA, London, UK * | |
| Cave Birds, Raffaella Cortese, Milan, Italy | |
| Ce qui reste, Galerie du TNB, Rennes, France * Divine Heroes, Minoriten, Galerien Graz im Priesterseminar, Austria |
|
| Em Jogo/On Side, CAV, Coimbra, Portugal * | |
| Entropy: On the Vanishing Work, AR/GE Kunst Galerie Museum, Bolzano Bozen, Italy * | |
| Formalismus. Moderne Kunst, heute, Kunstverein in Hamburg, Germany* | |
| Five Billion Years, Swiss Institute, New York, USA | |
| Gegen dem Strich, Kunsthalle Baden-Baden, Germany * | |
| Goodbye to 14th Street, Casey Kaplan, New York, USA | |
| Inset, Blaffer Gallery- the Art Museum of the University of Houston, TX, USA | |
| Io mi ricordi, Galleria S.A.L.E.S., Rome, Italy | |
| It’s All an Illusion. A Sculpture Project, Migros Museum Zurich, Switzerland John Baldessari/Jonathan Monk, Galleri Nicolai Wallner, Copenhagen, Denmark |
|
| Minimal Artists Try to Make Something Look Like Nothing and Conceptual Artists Try to Make Nothing Look Like Something, or Is it the Other Way Around? (curated by Jonathan Monk), Yvon Lambert, New York, USA | |
| Mute, Guild & Greyschkul Gallery, New York, USA Nothingness, Galerie Eugen Lendl, Graz, Austria |
|
| Ouroboros the Music of the Spheres, CCA- Centre for Contemporary Art, Glasgow, Scotland | |
| per amore, Galleria Civica d’arte contemporanea Montevergini, Siracusa, Italy | |
| Play List, Palais de Tokyo, Paris, France * | |
| Pour les oiseaux, FRAC-Pays de la Loire, Carquefou, France | |
| Prototype, Contemporary Art from the Joe Friday Collection, Carleton University Art Gallery, Ottawa, Canada | |
| Small: The Object in Film Video and Slide Installation, Whitney Museum of American Art, New York, USA | |
| Terminal Five, Projects fo JFK Airport, New York, USA | |
| Tonight, Studio Voltaire, London, UK | |
| Ulysses, Atelier Angarten, Vienna, Austria | |
| What Did You Expect, Galerie Jan Mot, Bruxelles, Belgium | |
| 2003 | 50th International Exhibition of Art, Venice Bienniale, Venice, Italy * |
| 24/7: Wilno- Nueva York (visa para), Contemporary Art Center Vilnius (CAC), Vilnius, Lithuania 0003-Edition, Artelier Contemporary, Graz, Austria |
|
| XVIIIe Ateliers Internationaux du Frac des Pays de la Loire, FRAC- Pays de la Loire, Carquefou, France Atelier Augarten, Center for Contemporary Art, Österreichische Galerie Belvedere, Vienna, Austria |
|
| A Nova Geomtria, Galeria Fortes Vilaca, Sao Paulo, Brazil | |
| Adorno. Die Möglichkeit des Unmöglichen, Frankfurter Kunstverein, Frankfurt, Germany * | |
| Air Guitar, Tullie House Museum, Carlisle, Cumbria, UK | |
| Animations, Kunst-werke Berlin e.V– KW Institute for Contemporary Art, Berlin, Germany | |
| Awaiting a Call, CGAC, Santiago de Compostela, Spain * Cave Birds, Galleria Raffaella Cortese, Milan, Italy |
|
| The Daimler Chrysler Collection, Museum für Neue Kunst, Karlsruhe, Germany | |
| The Distance Between Me and You, Lisson Gallery, London, UK | |
| Dust Memories, Swiss Institute, New York, USA Esperando unha chamada/Awaiting a Call, CGAC, Santiago de Compostela, Spain* |
|
| Fue de Bois, FRAC des pays de la Loire, Nantes, France | |
| In portraiture irrelevance is ugliness, at Museum Schloss Hardenberg, Velbert-Neviges, Germany | |
| Independence, SLG, South London Gallery, London, UK | |
| Living with Duchamp, Tang Museum at Skidmore College, Saratoga Springs, New York, USA | |
| Love, Magazin 4 Bregenzer Kunstverein, Austria * | |
| Out of Place, Harewood House, UK | |
| Passing Water, Artmetropole, Toronto, Canada * | |
| Perfect Timeless Repetition, c/o Atle Gerhardsen, Berlin, Germany | |
| Rendez-vous #4, Collection Lambert, Avignon, France Réalités. Collections sans frontiers II, Zacheta – National Gallery of Art, Warsaw, Poland Summer Holiday, Bernhard Knaus Fine Art, Frankfurt, Germany Somewhere between here and there, Le Spot 1, Le Havre, France Spectacular–the Art of Action, Museum Kunst Palast, Düsseldorf, Germany |
|
| Ten Years Anniversary Exhibition, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| Turbulent Screen, Edith-Russ-Haus für Media Kunst, Oldenburg, Germany | |
| Utopia Station, (curated by Molly Nesbit, Hans Ulrich Obrist and Rirkrit Tiravanija), Une collection de « Chefs-d’œuvre » – Emprunts, pastiches, copies, citations et interprétations, FRAC – Limousin, Limoges, France |
|
| We’ll meet you in the lobby, Buyuk Londra Oteli, Istanbul | |
| 2002 | About Belief, SLG South London Gallery, London, UK |
| Air Guitar, Cornerhouse, Manchester, UK | |
| Animations, P.S.1, New York, USA * | |
| Basics, Kunsthalle Bern, Bern, Switzerland | |
| The Berlin Files, De Chiara Gallery, New York, USA | |
| Drawing in Motion, Forum Stadtpark, Graz, Austria Dust Memories, SI Swiss Institute, New York City, NY Entropy: On the Vanishing Work, AR/GE Kunst Galerie Museum, Bolzano, Italy |
|
| Greyscale/CMYK, Tramway, Glasgow, Scotland | |
| In between, Kunsthaus Langenthal, Switzerland It’s all an illusion, Migrosmuseum, Zurich, Switzerland |
|
| Jim Jonathan Kenny Frances and Sol, Stedelijk Museum Bureau, Amsterdam, The Netherlands | |
| Kunst nach kunst, Neues Museum Weserburg, Bremen, Germany * | |
| Minimalism and after, Collection Daimler Chrysler Berlin, Germany | |
| The Music in Me, Gesellschaft für Aktuelle Kunst e.V. Bremen, Bremen, Germany | |
| Né un 3 septembre, FRAC- Bourgogne, Dijon, France | |
| New, Green on Red Gallery, Dublin, Ireland | |
| No Return, Sammlung Haubrok, Museum Abteiberg, Mönchengladbach, Germany * | |
| Photographier, Collection Lambert, Avignon, France Press Play, Green on Red Gallery, Dublin, Ireland |
|
| So Jackie, Galerie P, Brussels, Belgium | |
| Sport in der Zeitgenössischen Kunst, Kunsthalle Nürnberg, Germany | |
| Summer Cinema, Casey Kaplan, New York, USA | |
| Superstudio, Yvon Lambert, Paris, France Spectacular_the Art of Action, Museum Kunst Palast, Düsseldorf, Germany Somewhere between here and there, Le Spot 1, Le Havre, France |
|
| Tableau Vivants, Kunsthalle, Vienna, Austria * | |
| To Whom it May Concern, CCAC Wattis Institute for Contemporary Art, San Francisco, CA, USA | |
| Trans Area, Special Video Projects, Yvon Lambert Le Studio, New York, USA | |
| Wordsindeeds, Portland Institute of Contemporary Art, Oregon, USA | |
| 2001 | 141, ZKM, Karlsruhe, Germany Alchemie de la rencontre, Fonds Regional d’art Contemporain, Champagne-Ardenne, France Animations – MoMA PS1, New York City, NY About Belief, South London Gallery, London, United Kingdom Camoshow, Museum Wiesbaden, Wiesbaden, Germany * |
| Nothing in the Main Hall, Rooseum Center for Contemporary Art, Malmö, Sweden | |
| Berlin Biennale2, Berlin, Germany * Freundschaft, Kuckei + Kuckei, Berlin, Germany |
|
| One for one, Circles no. 4, ZKM, Karlsruhe, Germany Our trip out West, CAC Vilnius, Lithuania (with Pierre Bismuth) |
|
| Group Show, Galeri Nicolai Wallner, Copenhagen, Denmark | |
| Dévolver, FRAC-Rhône Alpes, IAC Institute d’Art contemporain, Villeurbanne, France | |
| Moving pictures, Villa Merkel, Esslingen, Germany * | |
| Nothing, CAC Vilnius, Lithuania (touring) * | |
| Hunger nach Bildern, Kunsthalle Palazzo, Liestal / Baselland, Switzerland | |
| Wedding Show, Casey Kaplan, New York, USA | |
| Rendez-vous #2: Collection Lambert en Avignon, Hôtel de Caumont, Avignon, France | |
| Rovaniemi, Galerie Yvon Lambert, Paris, France | |
| City Racing 1988-1998: a partial account, ICA, London, UK | |
| Underneath the Arches: a New Work by Jonathan Monk and an Old Work by Gilbert & George, Büro Friedrich, Berlin, Germany | |
| Le temps d’un trait, Galerie des Grands Bains Douches de la Plaine, Marseille, France | |
| Out from under, Dvir, Tel Aviv, Israel | |
| G3NY13, Casey Kaplan, New York, USA | |
| Playmakers in Boom!, Manifattura Tabacchi, Florence, Italy | |
| Jonathan Monk, Galerie Diana Stiger, Amsterdam, The Netherlands (with Pierre Bismuth) | |
| Sol Lewitt, Jonathan Monk, Galerie Yvon Lambert, Paris, Italy Sport in der Zeitgenössischen Kunst, Kunsthalle Nürnberg, Germany * Ingenting, Rooseum Center for Contemporary Art, Sweden |
|
| Le Spot, Le Havre, France Le College, Fonds Regional d’art Contemporain, Champagne-Ardenne, France |
|
| L’anonyme, Rencontres Internationales de la Photographie, Arles, France You’ll get a Bang out of this, (with Douglas Gordon), Galleri Nicolai Wallner, Copenhagen, Denmark |
|
| 2000 | Drive, Govett-Brewster Art Gallery, New Plymouth, New Zealand |
| I love Paris, Arnolfini, Bristol, UK | |
| For Those About to Rock, Galerie der Stadt Schwaz, Schwaz, Austria | |
| We want to believe, Sparwasser HQ, Berlin, Germany | |
| Opening Show, Casey Kaplan Gallery, New York, USA | |
| Au-dela de Spectacle, Centre Georges Pompidou, Paris, France | |
| Sentimental Galerie Yvon Lambert, Paris, France | |
| Urban Hymns, Luckman Gallery, Los Angeles, USA | |
| Lisson Gallery in Covent Garden, London, UK In between–Bildmedien im Dialog, Kunsthaus Langenthal, Langenthal Switzerland Le temps d’un trait, Galerie des Grands Bains Douches de la Plaine, Marseilles, France |
|
| Le Fou dédoublé, Château d’Oiron, Oiron, France | |
| Gyrostasis, workweb_art, Cologne, Germany | |
| I Looked at the City and there was no City, Transfert-Kunst im Urbanen Raum-Art dans l’Espace Urbain, The 10th Swiss Sculpture Exhibition, Biel/Bienne, Switzerland | |
| Century of Innocence, Rooseum, Malmö & Liljevalchs Kunsthalle, Stockholm, Sweden | |
| Sailing into San Francisco – Three Sailors & One Tatoo, Jack Hanley Gallery, San Francisco, CA, USA | |
| A Shot in the Head, Lisson Gallery, London, UK | |
| Hair Styling, c/o Coiffures Complices, Paris, France | |
| Duchamp’s Suitcase, perspectives by five European curators, Arnolfini, London, UK Nothing, NCGA, Sunderland; CAC Vilnius, Lithuania; Rooseum, Malmö, Sweden;* |
|
| 10-6, Casey Kaplan, New York, USA | |
| The sky is the limit, Taipei Biennale, Taipei Fine Arts Museum, Taiwan * | |
| Rendez-vous 1, Collection Lambert-Musee d’art Contemporain, Avignon, France I Looked at the City and there was no City, Transfert- Kunst im Urbanen Raum – Art dans l’Espace Urbain, The 10th Swiss Sculpture Exhibition Biel-Bienne, Switzerland |
|
| Diary, Cornerhouse, Manchester, UK | |
| Devoler, Institut d’art contemporain, Villeurbanne, France Playmakers, in Boom!, Manifattura Tabacchi, Florence, Italy Air Guitar: Art Reconsidering Rock Music (curated by Emma Mahony), Milton Keynes Gallery, (cat.) tours to Cornerhouse, Manchester, United Kingdom GS4: 100% Painting, Mehdi Chouakri, Berlin, Germany |
|
| 1999 | Bildung, Grazer Kunstverein, Graz Landscape & Memory, Rosemund Felsen, Santa Monica, LA, USA |
| Lè Grând Præmière Opénïng Shöw, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| L. A. International, Chac-Mool, Los Angeles, USA | |
| Galerie Yvon Lambert, Paris, France | |
| Le fou dédoublé–L’idiotie comme strategie contemporaine, touring, Moscow, Nijni, Novgorod, Samara, Ekaterinbourg, Chateau d’Oiron | |
| Landscape Memories, Rosamund Felsen, Los Angeles, USA | |
| Let’s get lost, Central St. Martins College of Art, London, UK Das Lachen des Ovid, VOGES GALLERY, Frankfurt/Main, Germany |
|
| 1998 | Le Sphere Intime, Printemps de Cahors, Cahors, France * |
| June/July, Casey Kaplan, New York, USA | |
| 1970 N. Bronson Ave., Meyer Riegger Galerie, Karlsruhe, Germany | |
| View Finders, Übermain, LA, USA | |
| Biscuit Barrel, Margaret Harvey Gallery, St. Albans, UK | |
| Group exhibition, Casey Kaplan, New York, USA | |
| J. Armleder, A. Bulloch, P. Joseph, J. Monk, Studio d’Art , Le Havre, France | |
| Work in progress and or finished, Übermain, LA, USA | |
| 1997 | Des Histoires en Formes, La Magasin, Centre National d’Art Contemporain de Grenoble, France |
| It always jumps back and finds its way, De Appel, Amsterdam, The Netherlands | |
| Waves in Particals Out, CCA, Glasgow, Scotland | |
| What is a guy from Leicester, a Swedish girl, a family father and a gay couple doing on a deserted island between Denmark and Sweden?, (curated by Jacob Fabricius) Copenhagen, Denmark | |
| 1996 | Triple Axel, Le Gymnase, Roubaix, France |
| All Girls, Berlin, Germany | |
| Gallery Artists, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| (Almost) an Evening with Jonathan Monk, Part of Wish You Were Here, De Appel, Amsterdam, The Netherlands | |
| The Most Important Thing in the World: Oasis vs. Blur and Artists who Rock, (curated by Bill Arning), Broad Street, New York, USA | |
| Bad Blood, Glasgow Print Studio, Glasgow, Scotland | |
| Never a Dumb Moment, The Film and Video Umbrella, London, UK | |
| Monstrosities 1, Berlin, Germany | |
| Host, OB projects, Amsterdam, The Netherlands | |
| Insane, Stupid, Phat, Fuct, Pervert, Concrete Skates, Glasgow, Scotland | |
| Objective Lune, Centre d’art Contemporain Neuchâtel, Neuchâtel, Switzerland | |
| Transmission, Globe, Copenhagen, Denmark Phatfuctinsanepervert, CUBITT, London, UK |
|
| 1995 | Art Against AIDS, Galleri Nicolai Wallner & Galerie Mikael Andersen, Copenhagen, Denmark |
| Ideal standart summertime, Lisson Gallery, London, UK | |
| RAM, Portalen, Greve, Denmark | |
| Video Screening, Centre d’Art Contemporain Neuchatel, Switzerland | |
| One Night Stand, Kunstlerhaus, Oslo, Norway | |
| Group Show, FRAC Pays-de-Loire, Loire, France | |
| Art Hotel, Galleri Nicolai Wallner, Copenhagen, Denmark * | |
| Summer Shorts, CCA TV, CCA, Glasgow, Scotland | |
| 444 and 222 too, South London Gallery, London, UK | |
| Faction Video, Det Kongelige Danske Kunstakademi, Copenhagen, Denmark * | |
| Gang Warfare, Dallas, USA and IAS, London, UK | |
| FRAC, Nantes, France, project with Hou Hanru | |
| External Links, Glasgow School of art, Glasgow, Scotland | |
| Making Work, Salatfadet, (organized by Nicolai Wallner), Copenhagen, Denmark | |
| Vajre gång jag ser dig, (curated by Nicolai Wallner), Malmö, Sweden | |
| Vajre gång jag ser dig, (curated by Nicolai Wallner), Index Gallery, Stockholm, Sweden | |
| 1994 | Some of my friends, (curated by Jonathan Monk) Campbells Occasionally, Copenhagen, Denmark * |
| Art Unlimited, CCA, Glasgow, touring, Manchester, Leeds, London, UK * | |
| Groupshow, Galleri Nicolai Wallner, Copenhagen, Denmark | |
| Europa 1994, Ratthouse, Munich, Germany | |
| Modern Art, Transmission Gallery, Glasgow, Scotland | |
| Übergange, Bubapest Galeria, Budapest, Hungary* | |
| Young Scottish Artists, Overgaden, Copenhagen, Denmark * | |
| Übergange, Bratislava, Slovakia * | |
| On Line, Galleri Nicolai Wallner, Gent, Belgium * | |
| 30 SECS. Plus Title, Transmission Gallery, Glasgow, Scotland | |
| My Record Collection, Bentinck Street, Glasgow, Scotland | |
| 1993 | Cadavre Exquis, The Drawing Centre, New York, USA* |
| November TV, Esther Schipper Gallery, Cologne, Germany | |
| Unfair (with Maureen Paley, London) Cologne, Germany * | |
| Kiss Alive, Six Pack, Cologne, Germany | |
| Left Luggage, Paris, France (touring) | |
| Übergange, Museum Moderna Kunst, Passau, Germany * | |
| Futura Book Collection, Nice, France | |
| Landscape Painting, Transmission Gallery, Glasgow, Scotland | |
| Instructions for Liam Gillick, Gio Marconi Gallery, Milan, Italy * | |
| 1992 | Superprix, Glasgow, Scotland |
| Sale to European Parliament, Paley Wright Gallery, London, UK | |
| Salon Glasgow, Centre for Contemporary Arts, Glasgow, Scotland | |
| Contact, Transmission Gallery, Glasgow, Scotland * |
Articles/Reviews (Selected)
| 2017 | “I Speak to People on the Telephone’ at Cristina Guerra Gallery, Lisbon”, Blouin Artinfo, September 27 |
| “Enter the Artist’s Berlin Studio – Without Leaving LA”, Leah Ollman, Los Angeles Times, August 18 | |
| ”Jonathan Monk at Cherry and Martin, Los Angelos”, Blouin Artinfo, August 17 | |
| 2014 | “Replika og danseben”, Lisbeth Bonde, kunsten.nu, February 14 |
| “Art & Language “Nobody Spoke” and Jonathan Monk “I heart 1984” at Lisson Gallery, London”, Mousse Magazine, December 1 | |
| ”Monk and Nannucci at Quartz Studio, Turin”, Mousse Magazine, November 11 | |
| ”Textile, a Language for Art”, Pascal Gautrand, Maison D’Exceptions, April 17 | |
| ”Three’s a Trend | They’ve Got Legs, They Know How to Use Them”, Kevin McGarry, The New York Times Magazine, May 9 | |
| ”On Getting Kicked in the Balls at Frieze New York”, Zoe Lescaze, New York Observer, May 9 | |
| ”Galeri Mana exhibition links contemporary art to classical”, Rumeysa Kiger, Today’s Zaman, April 27 | |
| ”The Existential Hilarity (or Hilarious Existentialism?) of Jonathan Monk”, Artspace, January 23 | |
| ”New York — Jonathan Monk: “I went to school with someone called Jonathon Monk” at Casey Kaplan Through October 18th, 2014”, O.C. Yerebakan, Artobserved, October 17 | |
| ”A life measured in tea towels: Jonathan Monk and the art that freezes time”, Adrian Searle, The Guardian, November 18 | |
| ”Art & Language “Nobody Spoke” and Jonathan Monk “I heart 1984” at Lisson Gallery, London”, Mousse Magazine, December 1 | |
| ”JONATHAN MONK “I heart 1984” at Lisson Gallery, London”, Purple Fashion Magazine, November 19 | |
| 2013 | “The Lisson show is so hermetic, sometimes we flounder for meaning”, Ariane Bankes, The Spectator, November 23 |
| ”British artist Jonathan Monk’s new exhibition “Senza Titolo” opens at Lisson Gallery in Milan”, ArtDaily, May 22 | |
| 2012 | “Seuls quelques fragments de nous toucheront quelques fragments d’autrui”, Mara Hoberman, Artforum, December |
| ”Jonathan Monk “Without” at Meessen De Clercq, Brussels”, Mousse Magazine, September 25 | |
| 2011 | ”Hjertestop og brugte biler”, Erik B. Duckert, kunsten.nu, September 14 |
| ”Jonathan Monk”, Karen Rosenberg, The New York Times, March 31 | |
| 2010 | “A conceptual art double act”, The Independent, June 23 |
| 2009 | ”Jonathan Monk”, Michael Wilson, Artforum, September |
| ”Jeff Koons’s rabbit: market news”, Colin Gleadell, The Telegraph, May 11 | |
| ”Exhibitions preview: Jonathan Monk, London”, Jessica Lack, The Guardian, May 16 | |
| 2008 | “Jonathan Monk: Palais de Tokyo “, Lillian Davies, ArtForum.com, June |
| “’Time between spaces’ by Jonathan Monk”, Nate Archer, designboom.com, May 28 | |
| 2006 | “Jonathan Monk: Pierced Portraits” by Maarten van der Kamp, Mister Motley, p. 62-63 |
| “Jonathan Monk” Dominic Eichler, Frieze, No. 100, Summer | |
| Nothing But Pleasure, BAWAG Foundation, Vienna, Austria (exh. cat.) | |
| “Die Schönheit der Idee”, Max Küng, Das Magazin, No. 20, May | |
| “Jonathan Monk”, text and conversation by Adam Carr, W, No. 8, February, Zoom feature, p. 14-21 | |
| “When an idea begins to cast a shadow” interview with Jonathan Monk by Jan Verwoert, Piktogram, No. 3 | |
| “Secrets or Words Unsaid and then Forgotten”, a conversation with Jonathan Monk by Adam Carr, Neue Review, No. 12, January, p. 18-19 | |
| 2005 | “…we don’t know when the work will be finished…”, interview with Jonathan Monk, 22 Interviews by Thomas Trummer, Atelier Augarten (exh. cat) |
| 2004 | “La Candid fotocamera di Monk”, Giuliana Scimé, Corriere della Sera, February 19 |
| 2002 | “ART IN REVIEW; Jonathan Monk — ‘Free Lane’”, Ken Johnson, The New York Times, January 18 |
| 1998 | “Jonathan Monk I’imitateur”, D. Perreau, Chugalug the beer, don’t swallow the rules, Artpress, no. 236, June, p. 26-30 |
| 1997 | “Photographs of Jonathan Monk and Alexis Vaillant”, Kunst Bulletin, June |
| 1995 | “Every time I see you”, Daniel Birnbaum, Siksi, no. 3, p. 60 |
| “Young at art”, Jonas Ekeberg, Siksi, no. 1, p. 12-15 |
Books/Catalogs
| 2014 | From the year I was born until the year I left America, Onestar Press, 2014 |
| All the possible combinations of twelve lights lighting, Meyer Rigger, 2014 | |
| 2013 | Jonathan Monk – COLOURS, SHAPES, WORDS (pink, blue, square, circle, etc.), CAC Malaga, Spain |
| Less is more than one hundred bicycles, Verlag fur modern Kunst Nurnberg, 2013 | |
| 2010 | Jonathan Monk: Studio Visit, JRP|Ringier |
| 2008 | Neon, Achille Bonito Oliva, Nomas Foundation, Roma |
| The Implications of the Image, Taiyana Pimentel, El Museo Universitario de Ciencias y Arte, Mexico City, Mexico, p. 82 – 83 | |
| 2007 | Jonathan Monk, The reason why I am here is the reason why I am here (artist book), Lynn Valley #3, Vancouver: Presentation House Gallery and Bywater Bros. Editions |
| Made in Germany : Young Contemporary Art from Germany, Eveline Bernasconi et al., Hajte Cantz, Ostfildern p.198-199. | |
| One in one hundred (child) (Artist Book), Paris: Onestar press | |
| “Jonathan Monk,” in Minimalism and After, Renate Wiehager (ed.), Hatje Catz Verlag, Ostfildren, 2007, p. 366-369 | |
| 2006 | Jonathan Monk: Until Then…If not Before, Jonathan Monk, Centre d’art contemporain, Bignan: Domaine de Kerguéhennec |
| Desenhos [Drawings]: A-Z, Adriano Pedrosa (ed.), Ilha da Madeira: Coleccão Madeira Corporate Services | |
| Gallery Hours, MAC/VAL, Musée D’Art Contemporain, Du Val-De-Marne, France | |
| Prototype: Contemporary Art From Joe Friday’s Collection, Germaine Koh, Ottawa: Carleton University Art Gallery | |
| Strange Powers, Laura Hoptman and Peter Eleey (writers and curators), New York: Creative Time | |
| Jonathan Monk: Continuous Project Altered Daily, Jens Hoffmann et al., London: The Institute of Contemporary Arts & Revolver | |
| Grey Flags, The Sculpture Center, Long Island City, New York, May | |
| Eye on Europe: Prints, Books & Multiples, 1960 to Now, The Museum of Modern Art, New York | |
| Jonathan Monk: Yesterday, Today, Tomorrow, Etc., Stephan Berg et al., Revolver-Verlag, Frankfurt | |
| Shoot the Family, Ralph Rugoff (ed.), Independent Curators International, New York | |
| 2005 | A Brief History of Invisible Art, Ralph Rugoff (ed.), California College of the Arts, California |
| Slide Show, Darsie Alexander (ed.), The Baltimore Museum of Art & The Pennsylvania State University Press, Maryland | |
| Winged Mirror, Christiana Perrella (ed.), Contemporary Arts Programme, The British School at Rome, Rome | |
| Logical Conclusions: 40 Years of Rule-Based Art, Marc Glimcher (ed.), PaceWildenstein, New York | |
| 2004 | Formalism. Modern Art, Today, Yilmaz Dziewior et. al,. Kunstverein Hamburg & Hatje Cantz Verlag, Germany |
| The Next Documenta Should Be Curated By An Artist, curated by Jens Hoffmann, Electronic Flux Corporation with Revolver Books | |
| 2003 | “Somewhere Between Here and There”, Le Spot, Le Havre, France |
| Jonathan Monk, Matthew Higgs (ed.), Lisson Gallery, London and Galerie Yvon Lambert, Paris | |
| Love, curated by Judith Reichart and Wolfgang Fetz, Palais Thurn und Taxis, Bregenz, Austria | |
| Cream3: 100 Artists, 10 Curators, 10 Source, Artists, Phaidon Press, London | |
| 2002 | Art Now: 137 Artists at the Rise of the New Millennium, Uta Grosenick & Burkhard Riemschneider (eds.), Taschen, Cologne and Berlin, May, p. 300-303 |
| Charley, Maurizio Cattelan, Bettina Funcke, Massimiliano Gioni & Ali Subotnick (eds.), Les Presses du Reel, Dijon | |
| Sur.faces: Interviews: 2001/02, Christoph Keller (ed.), Archiv für aktuellen Kunst, Frankfurt am Main, Germany | |
| Circles. Socializing, Networking & Peer-Grouping in Contemporary Art, Christoph Keller (ed.), Center for Art and Media, Archiv für aktuellen Kunst, Frankfurt am Main, Germany | |
| None of the Buildings on Sunset Strip, Christoph Keller (ed.), Archiv für aktuellen Kunst, Frankfurt am Main, Germany | |
| P: Potato print children’s book, Christoph Keller (ed.), Archiv für aktuellen Kunst, Frankfurt am Main, Germany | |
| 2001 | Camobook, Christoph Keller (ed.), Museum Wiesbaden |
| 2000 | Meeting #13 (Artist Book), Paris: Editions Yovn Lambert/ Book Works |
| 1999 | Comic Book (Artist Book), Paris: Editions Yvon Lambert |
| Jonathan Monk 2, Archiv für aktuelle Kunst, Stuttgart, Germany | |
| 1997 | Unbuilt Roads, 107 Unrealized Projects, Hans-Ulrich Obrist, Musee D’Art Moderne de la ville de Paris, Paris |
| 1996 | Jonathan Monk, Tramway, Glasgow, Scotland and Frac des Pays de la Loire, Nantes, France |
Collections
| Art Gallery of Ontario, Toronto, Canada | |
| Augarten Contemporary, Vienna, Austria | |
| Cal Cego – Colleccion de Arte Contemporaneo, Barcelona, Spain | |
| CGAC – Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain | |
| Collection Lambert, Avignon, France | |
| Daimler Contemporary, Berlin, Germany | |
| Fondazione Morra Greco, Naples, Italy | |
| FRAC, Languedoc-Rouyssilla, Montpellier, France | |
| FRAC, Bourgogne, Dijon, France | |
| FRAC, Limousin, Limoges, France | |
| FRAC, Haute Normandie, Sotteville-lès-Rouen, France | |
| FRAC, des Pays de la Loire, Nantes, France | |
| Kadist Art Foundation, Paris, France | |
| LACMA, Los Angeles County Museum of Art, Los Angeles, CA, USA | |
| MMK, Frankfurt, Germany | |
| Moderna Museet, Stockholm, Sweden | |
| MoMA, New York, USA | |
| Museo Ettore Fico, Turin, Italy | |
| Museo Tamayo, Mexico City, Mexico | |
| Nomas Foundation, Rome, Italy | |
| Norton Collection, Santa Monica, California, USA | |
| Sammlung Haubrock, Berlin, Germany | |
| Sammlung Reinking, Hamburg, Germany | |
| Solomon R. Guggenheim Museum, New York City, USA | |
| Statens Museum for Kunst, Copenhagen, Denmark | |
| TATE Modern, London, UK | |
| Zabludowicz Collection London, London, UK |
