Taking as his starting point history, mythology, religion, as well as written and oral narratives, Alexander Tovborg draws on the stories that have come before us in order to explore and re-contextualise classical archetypes. In looking at the ways through which we have built our narratives in the past, he proposes a new reading of our current social and political situation, examining who we are and where we find ourselves today.

His laborious and layered technique can be seen as a kind of rhythmic practice which allows Tovborg to submerse himself in various worlds, creating a kind of visual language that runs throughout the work, spanning different series and figures. This visual language connects the work, but also connects the differing narratives, reminding us of the similarities which run through many of the world’s origin stories.

This emphasis on the various symbolisms that are found throughout these ancient narratives is something that Tovborg sees as essential to his practice, as he asserts the weight and power that images have within our contemporary culture, as well as how easily they can manipulated and used against us. Acting on their behalf, Tovborg engages in an effort to keep their meanings open, giving us each the chance to see in them all that they encompass.

Alexander Tovborg (b.1983, Denmark) graduated from the Royal Danish Academy of Fine Arts in 2010. With solos at Overgaden (Copenhagen) and GL Strand (Copenhagen), Tovborg has shown at ARKEN (Ishøj), ARoS (Aarhus), IMMA Museum of Modern Art (Dublin), Spiritmuseum (Stockholm), Holstebro Kunstmuseum (Holstebro), KØS (Køge) among others. His works are represented in the public collections of Hammer Museum (Los Angeles), ARKEN (Ishøj), ARoS (Aarhus), and Museet For Religious Kunst (Lemvig). In 2019 he opened a solo exhibition at Rudolph Tegner Museum (Dronningmølle).

carrie emberlyn